I love how you managed to explain a very complex subject in a way that a even a little kid would understand what you're talking about. That is what I call a quality content.
That isn't true. You think so only because you have heard these information before or you're kind of acquited with it even if you didn't fully get it. I, for example, understood everything in the capture codec almost effortlessly, I know what bits and pixel means and everything. But when he started talking about frames, I totally zoomed out.
Really appreciate the effort put in to this video. I'm completely new to all of this and I could just about keep up with everything said/shown. I would love a video on audio codecs too produced by the same people =].
With 8-bit video file formats each color channel will have a variation of 256 shades per channel. The resulting combination of 256 shades each of red, green and blue means that there are 16,777,216 (256 x 256 x 256) possible colors. When you move up to 10-Bit you have 1,024 shades per channel, which when multiplied in the same way equals 1,073,741,824 possible colors. Thanks! -Joey P
This is what editors need to watch to understand how to process and transfer Codex then when they encounter a problem.... They can just problem solve without watch all these long a** exporting RUclips videos that only show you how to export at H.264 at match source high bitrate but not acknowledge when the export comes out all glitched and crazy
today i saw your video,it is very useful to unterstant, using animation is also nice,we expect more video the same type from your side to cinematography information, thanks once again.
Canon has added two compression formats- Interframe (IPB) and Intraframe (ALL-I) in the new generation mid and high-end EOS DSLR featuring DIGIC 5+ Digital Image Processor. IPB and ALL-I are essentially different methods of compressing movie files. There are varied benefits to using either IPB or ALL-I compression configurations. Videographers can choose the compression format base on shooting subjects and post production need. >Mark
Like this tutorial.. the animation is so good and real.. want to learn more this subject codec.. Next topic .. Can you explain codec in audio? this will be super helpfull
Gross or RAW bitrate is the total number of physically transferred bits per second over a communication link, including useful data as well as protocol overhead. RAW bitrate will vary depending upon the camera or recorder or its available settings. Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
Ummm, maybe a little disambiguation going on there Bojan Dancuo? CODEC in video terms is Compression/Decompression where data is compressed to create reduced and more manageable file sizes before being decompressed for playback. However, CODEC in terms of transmission/streaming (Code/Decode) may include encryption of the data for security or the transformation of data (e.g. analogue signals to digita signals).
We offer: Focal Press Book: Technique of Film Editing, 2nd Edition by Karel Reisz, Gavin Millar B&H # FOTFE2 Focal Press Book: Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV B&H # FOMC Here is another video we offer: bhpho.to/2EP0EPq >Mark
Nit picking. A codec cannot be compressed. A codec is the algorithm that is applied to the video/audio signal coming in. It's the data that can be compressed using a codecs compression algorithm, when present.
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I love how you managed to explain a very complex subject in a way that a even a little kid would understand what you're talking about. That is what I call a quality content.
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Lol your quotations make it seem like you’re being sarcastic.
@@seanmatthewking z
That isn't true. You think so only because you have heard these information before or you're kind of acquited with it even if you didn't fully get it. I, for example, understood everything in the capture codec almost effortlessly, I know what bits and pixel means and everything. But when he started talking about frames, I totally zoomed out.
Yu 😜r 🤣t I am now 🤣🤣 yeah I 🤣 that is a good
This video is definitely a good example of how to make an informative video: good script, informative, plenty of visuals, and good editing. 👍
Thanks.
great content. great video. great visuals. definitely helped me understand the subject matter better. good work guys and gals.
This is hands down the shortest and best-explained video on codecs. Thank you!
I love how you turned this moistener of a beast to figure out into something pretty easy to understand and way more manageable!!!
just summed up half my semester in 8 minutes thanks!
please make a video about PRO RES and their different options
really the best presentation on this topic. the illustrations specially were clean, simple and logical. well done b&h!
Thanks for watching!
Really appreciate the effort put in to this video. I'm completely new to all of this and I could just about keep up with everything said/shown. I would love a video on audio codecs too produced by the same people =].
OMG after all these years. I finally understand it. Thank you!
i admire the video editor of this video. Amazing explanation.
Holy cannoli, this was one of the best videos I’ve seen on this subject. So detailed yet so comprehensible. Thank youuuuu!
Glad it was helpful!
Good commenting. I am going to google “Holy cannoli”. Word or expression derivations are interesting. Thanks.
A quick explanation/visual(think audio bit depth) of how colors are "summed" would make this incredible video even better. THANK YOU!
With 8-bit video file formats each color channel will have a variation of 256 shades per channel. The resulting combination of 256 shades each of red, green and blue means that there are 16,777,216 (256 x 256 x 256) possible colors. When you move up to 10-Bit you have 1,024 shades per channel, which when multiplied in the same way equals 1,073,741,824 possible colors.
Thanks!
-Joey P
Very informative and clear to understand.👍
undeniably the best video on codecs
Glad you enjoyed.
@@BandH At the end there... what's the side effect of allows more frames for the key frame settings? Just render time?
explained codecs far better than my university instructor
1:02 WARNING! Perfectionism trigger.
If content creators had the same hability to handle quite complex subjects for newbies I wouldn't be watching this video
Great explanations and visualisations, exactly what I was looking for. Well done!
my brain doesn't hurt that much since I was studying for university. Great explanation!
You kidding?
This was amazing!
Thank you
Love You bro...So simple you have explain.
Beautifully expained. Understood everything from the first time. This is amazing video.
Thanks! Glad it was helpful.
Real nice and illuminating explanation
This is what editors need to watch to understand how to process and transfer Codex then when they encounter a problem.... They can just problem solve without watch all these long a** exporting RUclips videos that only show you how to export at H.264 at match source high bitrate but not acknowledge when the export comes out all glitched and crazy
We didn't learn smth, we learned a hella things! Thank you so much!
Simply a brilliant use of video
This is really really really good info. Damn I love B&H.
really good information
SOOO Helpful. Thank you !
Life saving tutorial.
today i saw your video,it is very useful to unterstant, using animation is also nice,we expect more video the same type from your side to cinematography information, thanks once again.
Learnt allot ...Thanks B&H
Thanks for the info!
Great job. Now I get it.
Excellent breakdown. Thanks!
Great content comes with great visualization and presentation! Thumb up!
extremely informative video guys...thnx a lot...plz keep posting such videos...it helps a lot...thnx....thumbs from me
Very good visual explanation.
great quality video, bravo
Great work and keep the videos coming thanks
This was really good! Thanks! I wold be interested in pointers to a deeper dive into this as well!
very difficult very nice subject to learn more about. Thank you a lot!
Thank you for this video.
Just a clarification, on a Canon camera while recording, All-i is the intra frame and IPB is the inter frame compression?
Canon has added two compression formats- Interframe (IPB) and Intraframe (ALL-I) in the new generation mid and high-end EOS DSLR featuring DIGIC 5+ Digital Image Processor.
IPB and ALL-I are essentially different methods of compressing movie files. There are varied benefits to using either IPB or ALL-I compression configurations. Videographers can choose the compression format base on shooting subjects and post production need. >Mark
@@BandH thank you for the reply :)
Good and basic information but the subsampling part is a bit confusing.
Awesome explanation! Thank you!!
Really amazing video, learn a lot in such a little time, thanks for sharing.
Hermoso, llevo buscando algo de este estilo desde hace bastante.
Have you guys made any videos on upscaling 1080p footage to 1440p/ 4k ?
very informative and quick explanation on codec. Thank you :)
Great animations and explanations!
great video, helped alot. could you make another one that goes even deeper?
Having studied (spend..) 2 years video editing to find out in a 8 min video the meaning of Codecs...
Thank for for the video! How long have you been doing this work?
Great review Chase, thank you !!
Excellent video. Liked and subscribed.
Excellent starting point
great video. comprehensive and understandable
Great job, guys.
This was Fantastic tutorial!
Great video! Thanks.
What's the difference between 12, 14, and Raw?
Like this tutorial.. the animation is so good and real.. want to learn more this subject codec..
Next topic .. Can you explain codec in audio? this will be super helpfull
Thank you for the suggestion.
More B&H codec articles:
bit.ly/2fXhwkX
bhpho.to/2fWIH0j
>Mark
OMG , very clear ! Thank you
Great Work. Thank you.
Great video! Can you guys recommend me some book/website where I can get some further documentation on this topic ?
Are capture bitrates always CBR?
great explanation you got there!!
Thanks a bunch
Excellent video.
Great video bro!
That amazing, good video. Thanks
Codec is actually from Coder & Decoder, not Compressor and Decompressor. There are codecs that don't do any compression
Bojan, what's the difference between 12 bit, 14 bit, and raw?
Gross or RAW bitrate is the total number of physically transferred bits per second over a communication link, including useful data as well as protocol overhead. RAW bitrate will vary depending upon the camera or recorder or its available settings. Please contact us via e-mail if you have additional questions: askbh@bandh.com >Mark
Ummm, maybe a little disambiguation going on there Bojan Dancuo?
CODEC in video terms is Compression/Decompression where data is compressed to create reduced and more manageable file sizes before being decompressed for playback.
However, CODEC in terms of transmission/streaming (Code/Decode) may include encryption of the data for security or the transformation of data (e.g. analogue signals to digita signals).
Bojan Horseman?
great tutorial!
Excellent video
wow so helpful !
PERFECT!
This is awesome !
Isn't codec a portmanteau of coder/decoder?
Any recommendation of book to study codecs from video editor's perspective?
We offer:
Focal Press Book: Technique of Film Editing, 2nd Edition by Karel Reisz, Gavin Millar B&H # FOTFE2
Focal Press Book: Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV B&H # FOMC
Here is another video we offer: bhpho.to/2EP0EPq >Mark
It was awesome video, thank you!!!
thanks for the knowledge :) awesome video
Thanks for watching, Raj!
Does that mean that 4:2:0 sub-sampling leaves you with only a quarter of the original resolution of, say, an HD file?
No, resolution stays the same, but the image will look noticeably worse.
Green channel will be full resolution but other 2 channels will be quarter each. Subsampling part of the video is not very accurate.
Nice info
Great video.
Can I use one codec for encoding and another one for decoding same data ?
Sure. But a conversion will need to take place. >Mark
great video thanks
Good thanks
Great, thanks!
Nit picking. A codec cannot be compressed. A codec is the algorithm that is applied to the video/audio signal coming in. It's the data that can be compressed using a codecs compression algorithm, when present.
amazing
What is the Abbreviation/full form of ProRes?
ProRes are Quick Time Files, so just .mov. >Mark
Thank you
What about CBR and VBR? Nice video! Tks.
What would you like to know about CBR and VBR. They are not codec or file formats.
Please send your questions to: askbh@bandh.com
>Mark
excellent video... I've heard these terms over the years without a clear understanding... thanks a lot!
Glad it was helpful!
Aye, Gang you nailed it well even a 7yo would get it on gang.
Thank you
Very helpful!
Nicely explained like opening a banana fruit.
Perfect and very clear! Thanks