Thanks Joseph. Studio is looking great. I really hope that Panasonic sees fit to include BRAW internally. Their implementation of it externally equals Blackmagic use of it in their own cameras. This also bodes well for the next iteration of the S1H. I’m sure it will have these features and more. Always impressed with Panasonic.
I don't think we'll see BRAW internal on the GH6. As I understand it, it comes down to processing power and requiring a dedicated chipset that BMD has in their external recorders and in their cameras. BRAW is actually a lot more processor intensive as it's not true RAW. Probably articles on the web that can explain it better than I understand it. Regardless, yes this GH7 definitely bodes well for future cameras!!
@@photojoseph In that case, really hope blackmagic supports ProRres RAW in Resolve. If every camera eventually has it they have to start supporting it surely.
Yeah, I think that is a more needed option. Blackmagic is funny that way. Actually, Grant is funny that way. I think he sees supporting ProRes as a possible cannibalization of their cameras and recorders. On one hand, I see their point but on the other hand, I think it’s BS.
Might be time to upgrade from the gh5. I did find a feature in the S5 I now can’t live without, the zero stop zebra. Any chance that made its way to the gh line?
I thought the old GH6 sensor was FSI (front side illuminated). Has Panasonic stated or told you that it's now BSI? They told me it was a different chip but they refused to talk much more about it.
They did tell me it’s BSI, it’s in the PR material. Surprised they wouldn’t talk about it; whoever you were talking to must have been unsure if that was public or not. To be honest I don’t know much about it - if a sensor isn’t BSI does that mean it’s FSI? Maybe; I really don’t know.
You’d see improvements in low light performance and of course if you’re shooting on board audio that’d be huge. If you want to shoot internal raw then obviously with the GH7 you have that option now. But if you don’t care about the new things then no upgrade needed.
Nice quick review sir. As expected I guess lol. So like many of us I watched the Lumix live event and was like meh. Was Kinda disappointed. then watched yours and now my GAS kicked in. Dang. QQ... Will the new XLR2 work with other Lumix cameras?
haha oh no, the live show wasn't satisfying? Glad I am here to give you gas. Um… 😅 And no, the XLR2 won't provide 32-bit float to any older cameras. There's hardware in the GH6 to support it that doesn't exist in other cameras.
@@photojoseph I think you meant GH7 lol. Anyway OK, so it's not processed internally in the XLR2!!! bummer... Also can you tell Panny we want internal BRAW as well. I would dare say that a large % of Lumix users use Resolve 😁
Thank you for the always great reviews PJ! Question: if I don’t want to use the phone app as remote and want to trigger record video from 100 feet away from the camera what are my options on the GH7? Thank you for the info in advance .
Do you need to see through the lens from that distance? To trigger, you can buy cheap wireless triggers on Amazon for any camera brand. If you need to see as well, then get a wireless HDMI setup. That range is no problem.
@@photojoseph Thanks PJ!. Yeah… just trigger… wasn’t sure if Panasonic also has Bluetooth remotes like Sony does as their only remote I’ve seen was wired. But I think you’re right, the Amazon triggers might work.. hopefully long range enough. The tally helps though.
for running around doing live stuff itle be pretty useful but for most stationary work you will want better preamps in a dedicated recorder i would think.
It only crops if you shoot C4K or HD Raw. Shooting 5.7K raw is full sensor width. Basically it can’t scale when shooting RAW - if it did, it wouldn’t be RAW. So it’s always shooting pixel-for-pixel; in 5.7K, you’re using ALL the pixels (wide).
did they ever improve the lumix apps video bitrate or latency? i remember it being pretty close to 480p annd the colors were pretty blocky compared to sonys 720p so id really like to see an upgrade to this app as I know for a fact all these cameras can handle the wireless bitrate to a phone sitting literally inches away from the camera. lastly with internal raw enabled for the GH7 does that mean the s52 and s52x will see a free or paid raw update since they can already shoot raw video and have the recording speed necessary with ssd recording?
I loved the output of my GG6 but disliked the feel of it in the hand (i.e., the fan "bulge"), so no GH7 for me, no matter how good. My G9M2 is just fine.
@@photojoseph it is camera and has good specs. Just think how Lumix are releasing cameras every year each one will just be a blur. Of course it's great for the new gear junkies but for others they probably not rush to get the GH7. S
Ok… really strange comment. Every manufacturer of every product (cameras, cars, phones, espresso machines) releases new models on a regular basis. It’s how they stay in business. Just because something is released doesn’t mean you have to buy it. Not really sure what you’re even saying here.
@@photojoseph I use Lumix an always will. What made the GH5 so good at the time and talked about so much was due to when it came out the cameras that came after was the GH5s in 2018 then the GH5 ii in 2021. Users got time to use the camera fully . The S5 came out in 2020 the S5ii came out 3 years later. Again users got time to use the camera fully. Lumix as released 6 cameras in the space of 2 years the GH6 came out in 2022. What camera manufacture has done this that you now off? I have read lots of comments of users of the GH6 feels they have been forget about, the GH6 has always been discontinued. Any one who has the GH6 won't make money back as the GH7 is out. Like I said it's great for new gear junkies and RUclipsrs like yourself as you get to make review content about something new. But for those who do weddings or client work with Lumix cameras they may not feel they need to get the GH7 right away or any future cameras that Lumix release.
Perfect! All you need is a reliable connection. If it's mission critical reach out to the guys at Sclera Digital. They do the bonded cellular modem backpacks (rental only) and they are amazing.
I have not tested but I assume they will function - however you definitely won’t get 32float on GH6 with XLR2 and you definitely won’t get 32float on GH7 with XLR1
Micro43 is alive and kicking. Impressive. @photojoseph I'd like to know if SRT can be in the picture any time soon and network control and connection are other aspect I'd like to know more about. Great video as always but can't wait for more content on this camera.👏
No mention of SRT; don’t know if that’s in the plans or not. I do think it’s time to talk about lumix tether app for network control some more; it’s been a while!
I asked B&H Will the gh7 record 4channel 32bit float w this xlr2? The reply is Technically, yes, it's 4 channels (two XLR, plus the stereo input). Unfortunately though, it can only record up to 24-bit, not 32-bit. Regarding a manual, from what I can find, one is not published yet as this is a new item that has yet to be released. Please let me know if you require any further assistance. Thank you for choosing B&H. So i asked to clarirfy and received Thank you for contacting the Sales Department at B&H Photo Video and Pro Audio. Since this XLR adapter can only handle up to 24-bit, even though the GH7 is capable of 32-bit float, all that would pass through to the camera is 24-bit. Please let me know if you require any further assistance. Thank you for choosing B&H. So i sent a message asking how to get 32 bit float and waiting for a reply. Am i missing something or misunderstanding . Do you need something else besides Gh7 w DMW-XLR2 and a mic and memory card correct? So confused
That person is wrong. My video is right; it’s been vetted by Panasonic and everything stated in there I personally tested as well. You can capture 32-bit float on all four channels using the XLR2.
Thank You . Update .Thank you for contacting the Sales Department at B&H Photo Video and Pro Audio. I agree, it is strange that the XLR adapter can only do 24-bit when it's made for the GH7, which can do 32-bit float. I've reached out to a few people to see if the information we have is potentially a typo. I'll reach back out when I hear something. Sounds as when you ask a question a rep just rereads the description back to you wich makes it feel like they think i cant read correctly .Thanks again for clarity👍🏻🎉
Thank Joseph for this INFORMATIVE video. I have MIXED FEELINGS about it. On one hand, it's useful in some areas. For example, at 3 minutes 12 seconds into the video, it shows the hot shoe mounted interface XLR2 has multiple inputs to record 32 bit float audio internally. On the other hand, this video does not demonstrate other important aspects such as the auto focus, stabilization.
@@photojoseph Thank for your clarification. I'm sorry I made myself misunderstood. I meant to say "this video does not mention other important aspects such as the auto focus, and stabilization." I have updated my comment to reflect this.
Everything in that text is correct but it’s missing 4ch 32-bit. And yes I tested it - it’s in this video. Look at the LCD display at 3:39 in this video. You can see that it’s set to 4Channel and 32bit. Then at 3:49, I’m lowering channels 3&4, which are the 3.5mm input.
Hi Joseph, In Lumix S5 mark ii When i record in mp4 file the audio shows as stereo but in .mov file the audio comes as mono & even in hdmi output also comes as mono audio. Is this bug ? Can it be fixed in future update? Thank you
You have full control over the audio settings. I’m on the road now and don’t have an S5II with me but look at the audio controls in each format. If you can’t get it I’ll check when I’m back in the studio next week.
I heard that the internal RAW was only with a $200 unlock code. Also, that when using 4 channels of audio (which would require one channel through the camera), 32-bit float recording is no longer an option.
Both incident. No unlock code for RAW and if you watch the section of my video on the XLR2, you’ll see that it has its own 3.5mm input. All four channel of audio have to go through the XLR2 to be float. If you toggle to XLR+internal then you do lose float but there’s no reason to do this. That option is there for XLR1 users.
32bit embeded in video file everytime you stop recording. I hate all recorders 32bit because you cannot trigger start stop w shutter or record button.basically you covered everything . Thank You
![FendiDa Rappa - Clock Dat ft. Shamar Marco [Official Music Video]](http://i.ytimg.com/vi/3NBU8KHdxYY/mqdefault.jpg)
LUMIX GH7 price and date: GH7 $2,197.99 geni.us/LumixGH7 and XLR2 $497.99 geni.us/LumixXLR2 EARLY JULY
What's the native ISO?
@@DavidGriffin the native ISO is in the video 😄 C’mon, give me the view, man
Do we know if the XLR2 would become compatible with the G9ii? Thank you
No, there is hardware unique to the GH7 for the XLR2 interface.
@@photojoseph Thank you
Now *that* is a camera 😍
I concur!!
Can you make a video about the Arri CLog3 coming to GH6 and GH7?
I haven't been excited about a camera for a long time. This actually looks (and SOUNDS) interesting!
I knew you’d love this one!
I have the G9II. I will probably not use Pro Res Raw. But if Lumix will offer the $500 extra trade in like they did on the G9II I might get the GH7
32 bit float a game changer for video users
Yep. I record nearly everything in float. It only takes one errant peak to destroy a whole recording.
@@photojoseph smart move
Thanks Joseph. Studio is looking great. I really hope that Panasonic sees fit to include BRAW internally. Their implementation of it externally equals Blackmagic use of it in their own cameras. This also bodes well for the next iteration of the S1H. I’m sure it will have these features and more. Always impressed with Panasonic.
I don't think we'll see BRAW internal on the GH6. As I understand it, it comes down to processing power and requiring a dedicated chipset that BMD has in their external recorders and in their cameras. BRAW is actually a lot more processor intensive as it's not true RAW. Probably articles on the web that can explain it better than I understand it. Regardless, yes this GH7 definitely bodes well for future cameras!!
@@photojoseph In that case, really hope blackmagic supports ProRres RAW in Resolve. If every camera eventually has it they have to start supporting it surely.
Yeah, I think that is a more needed option. Blackmagic is funny that way. Actually, Grant is funny that way. I think he sees supporting ProRes as a possible cannibalization of their cameras and recorders. On one hand, I see their point but on the other hand, I think it’s BS.
Might be time to upgrade from the gh5. I did find a feature in the S5 I now can’t live without, the zero stop zebra. Any chance that made its way to the gh line?
yes, definitely. That's such a powerful feature and is all the current LUMIX cameras!
I thought the old GH6 sensor was FSI (front side illuminated). Has Panasonic stated or told you that it's now BSI? They told me it was a different chip but they refused to talk much more about it.
They did tell me it’s BSI, it’s in the PR material. Surprised they wouldn’t talk about it; whoever you were talking to must have been unsure if that was public or not. To be honest I don’t know much about it - if a sensor isn’t BSI does that mean it’s FSI? Maybe; I really don’t know.
Music levels a bit high in between IMO. Awesome camera. Will start saving :-)
Fair enough. Hope you can get one!
Nice! I got a GH6 primarily for Shooting Anamorphic. Got Great Joy Lenses. Wonder if the GH7 is worth an upgrade
You’d see improvements in low light performance and of course if you’re shooting on board audio that’d be huge. If you want to shoot internal raw then obviously with the GH7 you have that option now. But if you don’t care about the new things then no upgrade needed.
Nice quick review sir. As expected I guess lol. So like many of us I watched the Lumix live event and was like meh. Was Kinda disappointed. then watched yours and now my GAS kicked in. Dang. QQ... Will the new XLR2 work with other Lumix cameras?
haha oh no, the live show wasn't satisfying? Glad I am here to give you gas. Um… 😅 And no, the XLR2 won't provide 32-bit float to any older cameras. There's hardware in the GH6 to support it that doesn't exist in other cameras.
@@photojoseph I think you meant GH7 lol. Anyway OK, so it's not processed internally in the XLR2!!! bummer... Also can you tell Panny we want internal BRAW as well. I would dare say that a large % of Lumix users use Resolve 😁
Great Video Joseph! I hope Lumix bring firmware updates to all the Lumix Cameras (GH5, GH5s) to allow the DMW XLR2 Audio adaptor to be used?
I don’t think that’s technically possible.
@@photojoseph Thanks Joseph. This is Shark by the way. Stunning video. Love the production design you have in Europe now.
Excellent video, very tempting CAM :)
😁
Thank you for the always great reviews PJ! Question: if I don’t want to use the phone app as remote and want to trigger record video from 100 feet away from the camera what are my options on the GH7? Thank you for the info in advance .
I forgot to specify that I meant wireless remote for run and gun shooing!
Do you need to see through the lens from that distance? To trigger, you can buy cheap wireless triggers on Amazon for any camera brand. If you need to see as well, then get a wireless HDMI setup. That range is no problem.
@@photojoseph Thanks PJ!. Yeah… just trigger… wasn’t sure if Panasonic also has Bluetooth remotes like Sony does as their only remote I’ve seen was wired. But I think you’re right, the Amazon triggers might work.. hopefully long range enough. The tally helps though.
@AANasseh I’ve used the cheap triggers a bunch. Never tested mine at that range but it shouldn’t be a problem.
Excited about this camera! At G7 event now, the 32Bit float is awesome outside of all the other wow
factors.
for running around doing live stuff itle be pretty useful but for most stationary work you will want better preamps in a dedicated recorder i would think.
The GH7 looks amazing. ProRes raw internal wow. What about the added crop factor when recording RAW? Was that a bother?
It only crops if you shoot C4K or HD Raw. Shooting 5.7K raw is full sensor width. Basically it can’t scale when shooting RAW - if it did, it wouldn’t be RAW. So it’s always shooting pixel-for-pixel; in 5.7K, you’re using ALL the pixels (wide).
@@photojoseph But it does crop when you shoot 50/60p ProRes raw right?
The only 50/60p is C4K, so it’s the same crop as C4K30. Again raw is always pixel to pixel, so or else it isn’t raw.
Cool ❤
I concur 😅
did they ever improve the lumix apps video bitrate or latency? i remember it being pretty close to 480p annd the colors were pretty blocky compared to sonys 720p so id really like to see an upgrade to this app as I know for a fact all these cameras can handle the wireless bitrate to a phone sitting literally inches away from the camera. lastly with internal raw enabled for the GH7 does that mean the s52 and s52x will see a free or paid raw update since they can already shoot raw video and have the recording speed necessary with ssd recording?
I loved the output of my GG6 but disliked the feel of it in the hand (i.e., the fan "bulge"), so no GH7 for me, no matter how good. My G9M2 is just fine.
Glad you have a camera you love! The G9II is great and I also like the feel of that one a lot.
Gh7 simply want the Gh6 should have been. I give it 3 months until the hype dies.
It’s a camera. There’s always hype. And the hype always moves on. But it’ll still be a great camera.
@@photojoseph it is camera and has good specs. Just think how Lumix are releasing cameras every year each one will just be a blur. Of course it's great for the new gear junkies but for others they probably not rush to get the GH7. S
Ok… really strange comment. Every manufacturer of every product (cameras, cars, phones, espresso machines) releases new models on a regular basis. It’s how they stay in business. Just because something is released doesn’t mean you have to buy it. Not really sure what you’re even saying here.
@@photojoseph I use Lumix an always will. What made the GH5 so good at the time and talked about so much was due to when it came out the cameras that came after was the GH5s in 2018 then the GH5 ii in 2021. Users got time to use the camera fully . The S5 came out in 2020 the S5ii came out 3 years later. Again users got time to use the camera fully. Lumix as released 6 cameras in the space of 2 years the GH6 came out in 2022. What camera manufacture has done this that you now off? I have read lots of comments of users of the GH6 feels they have been forget about, the GH6 has always been discontinued. Any one who has the GH6 won't make money back as the GH7 is out. Like I said it's great for new gear junkies and RUclipsrs like yourself as you get to make review content about something new. But for those who do weddings or client work with Lumix cameras they may not feel they need to get the GH7 right away or any future cameras that Lumix release.
Olympic's in LA, Proxy for media. ? They wanted me to run the data for Park City Olympics.
Perfect! All you need is a reliable connection. If it's mission critical reach out to the guys at Sclera Digital. They do the bonded cellular modem backpacks (rental only) and they are amazing.
Excited about this camera! At G7 event now, the 32Bit float is awesome outside of all the other wow
factors.
32-bit float is probably the best new feature!
@@photojoseph - Totally! It’s good that you posted info about the adapter, i was wondering about it and cost.
Yeah! XLR2 is $497.99 geni.us/LumixXLR2
Does the XLR2 also work on the GH6 and likewise does the XLR1 work on the GH7?
I have not tested but I assume they will function - however you definitely won’t get 32float on GH6 with XLR2 and you definitely won’t get 32float on GH7 with XLR1
Micro43 is alive and kicking. Impressive. @photojoseph I'd like to know if SRT can be in the picture any time soon and network control and connection are other aspect I'd like to know more about. Great video as always but can't wait for more content on this camera.👏
No mention of SRT; don’t know if that’s in the plans or not. I do think it’s time to talk about lumix tether app for network control some more; it’s been a while!
@@photojosephI totally agree with you. USB-C is there in case of need of a hard wired connection…that would be a significant upgrade.
I asked B&H Will the gh7 record 4channel 32bit float w this xlr2? The reply is Technically, yes, it's 4 channels (two XLR, plus the stereo input). Unfortunately though, it can only record up to 24-bit, not 32-bit.
Regarding a manual, from what I can find, one is not published yet as this is a new item that has yet to be released.
Please let me know if you require any further assistance.
Thank you for choosing B&H. So i asked to clarirfy and received Thank you for contacting the Sales Department at B&H Photo Video and Pro Audio.
Since this XLR adapter can only handle up to 24-bit, even though the GH7 is capable of 32-bit float, all that would pass through to the camera is 24-bit.
Please let me know if you require any further assistance.
Thank you for choosing B&H.
So i sent a message asking how to get 32 bit float and waiting for a reply. Am i missing something or misunderstanding . Do you need something else besides Gh7 w DMW-XLR2 and a mic and memory card correct? So confused
That person is wrong. My video is right; it’s been vetted by Panasonic and everything stated in there I personally tested as well. You can capture 32-bit float on all four channels using the XLR2.
Thank You . Update .Thank you for contacting the Sales Department at B&H Photo Video and Pro Audio.
I agree, it is strange that the XLR adapter can only do 24-bit when it's made for the GH7, which can do 32-bit float. I've reached out to a few people to see if the information we have is potentially a typo. I'll reach back out when I hear something.
Sounds as when you ask a question a rep just rereads the description back to you wich makes it feel like they think i cant read correctly .Thanks again for clarity👍🏻🎉
@@DroseMr B&H is being told by Panasonic to get this right 😅 Thank you for letting me know they are giving out wrong info.
Thank Joseph for this INFORMATIVE video. I have MIXED FEELINGS about it. On one hand, it's useful in some areas. For example, at 3 minutes 12 seconds into the video, it shows the hot shoe mounted interface XLR2 has multiple inputs to record 32 bit float audio internally. On the other hand, this video does not demonstrate other important aspects such as the auto focus, stabilization.
Huh? Did you make it to 3:48, a whole 36 seconds later, where I have VIDEO to BACK UP the claim? Also, it’s four channel, not two channel.
@@photojoseph Thank for your clarification. I'm sorry I made myself misunderstood. I meant to say "this video does not mention other important aspects such as the auto focus, and stabilization." I have updated my comment to reflect this.
The GH7 looks fantastic. Can you record 32-bit float audio through the mic jack on the camera? Or do you need the XLR2 unit?
No -- you need the XLR2. The internal mic jack can't do 32-bit float no matter what. For 32-bit, the audio _must_ pass through the XLR2.
@@photojoseph that's not what PANAONIC says :Audio format MOV
Linear format: LPCM (2 stereo channels 48 kHz / 24 bits, 96 kHz / 24 bits*)
Floating point format: LPCM (2 channel stereo 48 kHz/32 bit*, 96 kHz/32 bit*)
* By attaching a Φ3.5mm microphone or the DMW-XLR2 (sold separately). ** With DMW-XLR2 (sold separately).
MP4
@@photojoseph Have you actually tried???
Everything in that text is correct but it’s missing 4ch 32-bit. And yes I tested it - it’s in this video. Look at the LCD display at 3:39 in this video. You can see that it’s set to 4Channel and 32bit. Then at 3:49, I’m lowering channels 3&4, which are the 3.5mm input.
Is there a chance that the S5II series will get these new features too?
Panasonic doesn't disclose what dedicated hardware may or may not be required for specific features, but my money is on "no".
So xlr2 is pointless on a s5ii as it doesn't support 32bit
Correct. For the S5II, you still have the XLR1 available.
Hi Joseph, In Lumix S5 mark ii When i record in mp4 file the audio shows as stereo but in .mov file the audio comes as mono & even in hdmi output also comes as mono audio. Is this bug ? Can it be fixed in future update? Thank you
You have full control over the audio settings. I’m on the road now and don’t have an S5II with me but look at the audio controls in each format. If you can’t get it I’ll check when I’m back in the studio next week.
@photojoseph thanks for ur reply. sure pls if you could check
@andrewjeffersonh ok remind me in a week. I won’t see this comment anymore by then.
@@photojoseph noted
Is it internal if you need the expensive adapter?
Yes - it’s recorded internally (embedded in the video like regular audio).
Is there an OLPF in front of the sensor
No.
I heard that the internal RAW was only with a $200 unlock code. Also, that when using 4 channels of audio (which would require one channel through the camera), 32-bit float recording is no longer an option.
Both incident. No unlock code for RAW and if you watch the section of my video on the XLR2, you’ll see that it has its own 3.5mm input. All four channel of audio have to go through the XLR2 to be float. If you toggle to XLR+internal then you do lose float but there’s no reason to do this. That option is there for XLR1 users.
@@photojoseph Ahhh, so the 3.5mm jack is a stereo jack for 2 mics. GREAT! Didn't see your other video yet.
You got it. And it’s just this video. No other ones yet.
The $200 paid upgrade is for the addition of Arri Log if you decide you want that look
👏🏾👏🏾👏🏾
🙇
Prob be no prob sync in post😂😂😂😂😂😂😂😂😂😂BOOM BADAZZ🎉Thank You
not exactly sure what you're saying… but you look happy so let's go with that ;-)
32bit embeded in video file everytime you stop recording. I hate all recorders 32bit because you cannot trigger start stop w shutter or record button.basically you covered everything . Thank You