Would love to see a window test like this but showing a wider shot in a room. I'm curious to see how the larger reflectors look lighting up larger areas through a window. Thanks!
I think that's a flaw in my testing. As the sun set it was naturally a bit cooler, I believe the ambient light was still illuminating the curtain behind me. Either that or the amaran 200x was slightly cooler than daylight. I say that because the reflectors shouldn't have any color shifts. I would mainly pay attention to the diffusion in this test.
@@NatesFilmTutorials Yeah, I watched that video too. It surprised me that it took 100% power of Forza 500 for that demo. This is why it got me interested in the knowing the light and camera settings for the window video.
Would love to see a window test like this but showing a wider shot in a room. I'm curious to see how the larger reflectors look lighting up larger areas through a window. Thanks!
Thanks for the suggestion! I'll try to experiment with that
I'm confused that there is a color shift too, the diffusion 4 has a more blueish tint to it.
I think that's a flaw in my testing. As the sun set it was naturally a bit cooler, I believe the ambient light was still illuminating the curtain behind me. Either that or the amaran 200x was slightly cooler than daylight. I say that because the reflectors shouldn't have any color shifts. I would mainly pay attention to the diffusion in this test.
Really like ur content thx
Glad you enjoy it!
As CRLS is relatively new, it would be nice to have light output level, distance, camera setting info in this kind of demo :-)
Do I have the video for you! Haha
ruclips.net/video/EesDmzH7xGU/видео.html
@@NatesFilmTutorials Yeah, I watched that video too. It surprised me that it took 100% power of Forza 500 for that demo. This is why it got me interested in the knowing the light and camera settings for the window video.
is just me or the natural light looks better, at 0:52?
think it's a white balance factor between the natural light and the fixture used to bounce.