Thanks for this. As a guitarist I remember years ago hearing Joe Pass talk about, almost insist, on eliminating the II chord. It's always stuck with me and opens up endless ways to approach the turnaround. Also appreciate your methodical way, taking your time and delineating the various chords and voicings, something sorely lacking in so many vids. Great work!
Good question. It really depends on the size of the group and how good everyone’s ear is. A good pianist should recognize when the bass player makes some of these changes and vice versa. But if playing with something like a big band, where the harmonies are written across the horns, you are more limited. Thanks for watching, Tommy.
@@JoshWalshMusic The diminished mouvement with the whole step up is very hip sounding! It's interesting because the A chord and the Ab chord both don't have the 3rd in them so it creates a lot of tension
Man you gave us so many ways to flip the 2-5-1 in such a short amount of time. Really great stuff!
Thanks Mike!
Really great ii-V-I changes and chord voicings. Thank you ever so much!
Awesome. You're a man after my own heart.
Thanks for this. As a guitarist I remember years ago hearing Joe Pass talk about, almost insist, on eliminating the II chord. It's always stuck with me and opens up endless ways to approach the turnaround. Also appreciate your methodical way, taking your time and delineating the various chords and voicings, something sorely lacking in so many vids. Great work!
Thanks Paul!
🐄🐄🐄 I love the Moo-V-I sound
Thanks Josh. A very useful video
Also a fan of Open Studio
Thanks as always! What would be helpful if youd show a digital piano in the bottom cuz its kinda hard to see where you put your fingers on the piano 😊
Thanks for the idea. I used to do this but chose not to going forward, opting for notation instead. I might reconsider in the future. Cheers.
Very good lesson! Can you put these into your com’ing vocabulary or do you have to talk qith the bass player before?
Good question. It really depends on the size of the group and how good everyone’s ear is. A good pianist should recognize when the bass player makes some of these changes and vice versa. But if playing with something like a big band, where the harmonies are written across the horns, you are more limited. Thanks for watching, Tommy.
@@JoshWalshMusic The diminished mouvement with the whole step up is very hip sounding! It's interesting because the A chord and the Ab chord both don't have the 3rd in them so it creates a lot of tension
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