Must say probably the most useful advanced lesson I’ve seen in a long time…really helps with generating more musically interesting progressions…thx so much!
Your videos have cracked the code for many of the questions I’ve had about music composition. My songwriting has improved immensely. Thanks for your amazing content.
This was so crystal clear, thank you so much for sharing! I feel like this video unlocked so much more for me in terms of how to structure progressions ❤
Bach used secondary dominants all day...that's why people claim that jazz and Bach are similar. A nice trick for guitarists when performing jazz is to focus on the tritone which is the 3rd and 7th of these chords. The bass player is covering the root and 5th. This is a great song writing tool, every guitarist should know how to use these chords Great lesson.
Those Laney FRFR cabs are cool as hell, also hella expensive! Great lesson, I think it's starting to sink in, but I'll forget it all tomorrow. I guess it's a good thing I don't have to read Nashville charts for a living. 16:10 the most life changing sentence in this lesson!
Cool vid. Thanks! Easier: C Maj: I ii iii IV V vi vii° C D E F G A B The dom of scale degree X is 5 away inclusive the scale. Make it a 7 chord: A7 for Dm B7 for Em C7 for F D7 for G E7 for A ? F7 for Bm° The dim secondary dominant truly is interesting. C♯dim7 for Dm D♯dim7 for Em E dim7 for F F♯dim7 for G G♯dim7 for Am A♯dim7 for Bm° B dim7 for C
/ Bb / D7 / EbM7 / Ebm / I had cool progression from one of country hits song. Its confusing cause the tonic is Bb major but it seems the chords are from a Gm Dorian. 😊
Hey Rob, why is the secondary dominant of a minor chord/key a dominant 7 chord built on a diatonic minor chord degree? So like the example in your video, you took B7 as the primary dominant of E minor key, but the diatonic primary dominant7 chord degree in a minor key is the 7th degree right? So in this case, the D7 chord would be the secondary dominant of E minor chord right? Or is it all about that V-I relation and therefore we turn the 5th degree of the tonicized chord into a dominant 7 chord for the purpose of tonicizing that new chord?
The movie/tv clips are annoying af, why do content makers still do this? 🤔 its kinda lame, other than that,this guy does a pretty good job with the tutorials
The e-book "The Secondary Dominant" is now published:
qjamtracks.myshopify.com/products/the-secondary-dominant
This channel is a goldmine for the intermediate aiming higher. Thank you so much. Have a glass of something appropriate on me.
BIG thanks Mike!! I just had that glass :)
The Nudge Nudge totally surprised me and had me howling with laughter.Well done.Great lesson.
:)
Must say probably the most useful advanced lesson I’ve seen in a long time…really helps with generating more musically interesting progressions…thx so much!
Your videos have cracked the code for many of the questions I’ve had about music composition. My songwriting has improved immensely.
Thanks for your amazing content.
Thanks!
Wow, something about Cadence V sequences crystal clear. Good examples of songs also. Thank you so much for this lesson.
This was so crystal clear, thank you so much for sharing! I feel like this video unlocked so much more for me in terms of how to structure progressions ❤
Man I really love your channel. Awesome work!
Top tier lesson 🔥. Also playing the vocal lines of the musics on the guitar was a 500 IQ move to avoid the copyright police 🚓
Thank you :)
Bach used secondary dominants all day...that's why people claim that jazz and Bach are similar.
A nice trick for guitarists when performing jazz is to focus on the tritone which is the 3rd and 7th of these chords. The bass player is covering the root and 5th.
This is a great song writing tool, every guitarist should know how to use these chords
Great lesson.
Thank you for making these videos everytime I watch your stuff I learn something new!
This is the best explanation I have found. Thank you.
A very good explanation, extremely well done!
Huge puzzle piece filled. Thank you!
Very helpful. Perfectly explained and visualized. Thank you 😁
Really like this graphics, show everything clearly and easy to keep track of what happens while you talk fast :)
Do I talk fast? ;) :)
A really excellent and useful explanation . Great stuff.
Thank you.. I feel like because I've watched so many videos that we actually know each other
Well, now I know you too ;)
Thank you do much, you’ve put do much hard work in. 👍🏻👍🏻
Precious channel. Great lesson as always.
Thanks!
Man, I just discovered you! really thx for sharing such valuable information in such a clear, concise way!
Thank you :)
Those Laney FRFR cabs are cool as hell, also hella expensive! Great lesson, I think it's starting to sink in, but I'll forget it all tomorrow. I guess it's a good thing I don't have to read Nashville charts for a living. 16:10 the most life changing sentence in this lesson!
Yes those Laney's sound great :)
Wow, solid channel!
Great video!!!! A lot to unpack!
Outstanding
Thank you so much for great explanation to enrich my composition skills 👍
I love these videos.
Que maravilla de videos 😮
I appreciate this information as well as the Trek reference.
This is very helpful thanks
Is there an Ebook for this excellent lesson?
In the making...
Cool vid. Thanks!
Easier:
C Maj:
I ii iii IV V vi vii°
C D E F G A B
The dom of scale degree X is 5 away inclusive the scale. Make it a 7 chord:
A7 for Dm
B7 for Em
C7 for F
D7 for G
E7 for A
? F7 for Bm°
The dim secondary dominant truly is interesting.
C♯dim7 for Dm
D♯dim7 for Em
E dim7 for F
F♯dim7 for G
G♯dim7 for Am
A♯dim7 for Bm°
B dim7 for C
i swear one day i will make it over the giant water and buy you that beer Rob🔥🎸
hahaha!
/ Bb / D7 / EbM7 / Ebm /
I had cool progression from one of country hits song. Its confusing cause the tonic is Bb major but it seems the chords are from a Gm Dorian. 😊
Great lesson! Nudge nudge 🤣
:)
Hey Rob, why is the secondary dominant of a minor chord/key a dominant 7 chord built on a diatonic minor chord degree? So like the example in your video, you took B7 as the primary dominant of E minor key, but the diatonic primary dominant7 chord degree in a minor key is the 7th degree right? So in this case, the D7 chord would be the secondary dominant of E minor chord right? Or is it all about that V-I relation and therefore we turn the 5th degree of the tonicized chord into a dominant 7 chord for the purpose of tonicizing that new chord?
The movie/tv clips are annoying af, why do content makers still do this? 🤔 its kinda lame, other than that,this guy does a pretty good job with the tutorials
I'm very familiar with these. Don't care, immediately watching this video anyway! 😂
@16:32 sounds like some Opeth Damnation
Actually I took the first two chords from an old Metallica song :) I forgot which one...
😁🙂 Have a super new year 2025! Crystal Clear, of course......
Billy Joel? I knew it. He's Canadian.
This channel will slowly become like that of RICK beato.
A nod's as a good as a wink to a blind bat, eh?
haha!
I don't understand at all 😮💨 maybe I am too stupid😅
Secondary dominants to sound hopelessly out of date.
Next time use Hillary and Monica and try talking slower
The best 🤌🏻🤌🏻🤌🏻