Create Stunning Acoustic Guitar Mixes in Logic Pro
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- Опубликовано: 13 сен 2024
- Take a boring muddy mono acoustic guitar recording and turn it into a beautiful stereo mix using stock plugins and one FREE plugin! Buying from Sweetwater? Support me by using this affiliate link: sweetwater.sjv...
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That 'resonant peak' at about 190 Hz would really add up through the compression, delay and reverb. Makes a huge difference to the final mix. Great job!
Totally agree and thanks!
Thank you Sir, this is EXACTLY what I needed! Subbed
As a predominantly acoustic player, these are some great tips. Thanks for this, Bill
Thanks for demonstrating that the plug-in doesn’t fall short when going to mono… sounds lush!
The stereo trick with the Polyverse effect blew my mind! Thanks for the video!
I'm surprised that even after all that highpass filtering the result is still not treble-y and quite solid! thanks for the tips!
One more free plugin I can highly recommend for this is the TDR Nova - it's basically an EQ/compressor, but... it allows you to apply the compression to a specific EQ band. This saved my sanity when mixing fingerpicked acoustic guitars, as you can compress just that thumpy 100-200 Hz range but not thin out the guitar in higher-pitched sections. Another trick I use is to apply this to the high range to compress fretting hand noises.
And great video as always! I need to try some of these :)
I would add that your process translates well for most quality DAWs.
Yes indeed!
Thanks a lot Bill!!! Very very interesting lesson!!!
Very educational. Thanks!
Many thanks !
Nice, thank you! For the moment I have to record my acoustic through its piezo which mostly sounds "muffy" - maybe these adjustments help there, too. I'll have to try. :)
For acoustics, I put the mic 5-6 inches away at a 45 degree angle to the sound hole.
How does that work for you Gene? Normally I avoid mic'ing near the sound hole in order to avoid low frequency buildup.
@@chordsoforion I've started doing this too, think it was in a Rick Beato video. Positioning the mic 6-12 inches away from the 12th fret but angling it towards the very end of the fretboard gives a very bright sound without getting a ton of low freq build up. It's become my go to placement!
@@chordsoforion Weird! I posted a reply 8 hours ago but it disappeared. Anyway, I use a Shure PGA58 5-6 inches away, about 45 degrees to the sound hole (back of the mic toward the top of the guitar, head of the mic aimed at the middle strings. Then I angle the mic away from me 20 or more degrees, so the head of the mic is over the higher-pitched strings. That way, the frequencies are spread out out pretty evenly, and if I want more bass, I just drop the guitar a bit. Works really well on both Spanish guitar and 12-string acoustic. :-)
Why 2 limiters in series? What's that do that you couldn't accomplish just one limited?
In many cases you can achieve more "gentle" limiting by applying it in stages.