Horowitz took on some grand and expansive classical works with gusto and panache deservedly achieving wide acclaim but it is in the little gems like this little Chopin etude where he excelled. The depth and breadth of his profound musicality is all here in all its glory.
Been listening to a lot of different interpretations of this piece lately while I learn it. This is the absolute best and no one else comes close. His rubato and dynamics (of course) are perfect. Only Horowitz would bring this much sensitivity to it.
I believe the one thing that was just as magical as the Maestro's fingers were his feet (well, two things). At 1:30 there is beautiful moment where his release of the sustain pedal was so delicate and precise that the dampers let out a sympathetic whine as they rested back on the strings. Put on headphones and listen carefully. So glad that moment was caught on tape.
Amazing. You always can hear that this is Horowitz interpretation, no matter which piece. It's magic indeed... Always completely different from another pianists interpretations and what is the "standard", but sounds so natural... I love how he sings the melody, very connected, at the same time sixteens in the left hand are not in pedal at all. Amazing effect...
Мы учили с Сашей расходящуюся гамму си мажор.Предложила сыграть с закрытыми глазами.А потом и говорю:"Знаешь,кто король фортепьяно?"Он без запинки:"Шoпен".Ну я,как всегда, повосхищалась эрудицией семилетнего и рассказала,что Шопен любил играть в темноте, а на концертах в салоне просил притушить свет. Мы тоже так сделали... Какой Ваш любимый Этюд Шопена ?Мой - этот. Он так замечательно звучит в экранизации повести Тургенева "Вешние воды", когда героиня Анастасии Кински стоит и окна, смотрит на дождик и плачет...Помните эту сцену?
@@esfirross6800 I am writing about the central episode in the denouement of the plot, when in the frame there is only rain outside the window, a quietly crying heroine and this very music sounds: op 10 no 6
Diese Etüde hat Alice Herz Sommer in Theresienstadt viele Male gespielt. Es spiegelt den unendlichen Schmerz und die Demütigungen, welch die im Ghetto internierten hochgebildeten Juden erleben mussten. Ein dunkles klagendes Nocturne. Von Alice gibt es leider keine Aufnahmen. Für mich kommt Horowitz der Ausdrucksweise von Alice am nächsten. Feinfühlig nachempfunden. "Der Zuhörer kann sich den erstickenden schmerzen der Melodie kaum entziehen".
Horowitz had it all ... an unimpeded path into the heart and soul of Chopin's music.
Sometimes I think this the most beatiful piece by Chopin.
That's because it is!!
Hi:) and what would You say of this?...ruclips.net/video/-Ye2oyz72e4/видео.html
No
my favorite, for sure.😊
Horowitz took on some grand and expansive classical works with gusto and panache
deservedly achieving wide acclaim but it is in the little gems like this little Chopin etude where he excelled. The depth and breadth of his profound musicality is all here in all its glory.
I agree. I am not personally a fan of all the Horowitzian showmanship, but in something like this or the Schubert/ Liszt serenade he is untouchable.
Been listening to a lot of different interpretations of this piece lately while I learn it. This is the absolute best and no one else comes close. His rubato and dynamics (of course) are perfect. Only Horowitz would bring this much sensitivity to it.
@@79Tomasso stunning control of dynamics...from piano, crescendo, decrescendo (perfect) and his pedaling is absolutely the mark of genius!
I believe the one thing that was just as magical as the Maestro's fingers were his feet (well, two things). At 1:30 there is beautiful moment where his release of the sustain pedal was so delicate and precise that the dampers let out a sympathetic whine as they rested back on the strings. Put on headphones and listen carefully. So glad that moment was caught on tape.
Absolutely superb. So incredibly magical and musical.
Hi:) and what would You say of this?...ruclips.net/video/-Ye2oyz72e4/видео.html
What a beautifully philosophized piece of pure music.
Hi:) and what would You say of this?...ruclips.net/video/-Ye2oyz72e4/видео.html
This is what it sounds like with pedal control. Usually most of the notes blur for each bar. The separation and blend is very clean
Amazing. You always can hear that this is Horowitz interpretation, no matter which piece. It's magic indeed... Always completely different from another pianists interpretations and what is the "standard", but sounds so natural...
I love how he sings the melody, very connected, at the same time sixteens in the left hand are not in pedal at all. Amazing effect...
와... 담백한데 깊이감이 느껴짐..
fantastic
Hi:) and what would You say of this?...ruclips.net/video/-Ye2oyz72e4/видео.html
Мы учили с Сашей расходящуюся гамму си мажор.Предложила сыграть с закрытыми глазами.А потом и говорю:"Знаешь,кто король фортепьяно?"Он без запинки:"Шoпен".Ну я,как всегда, повосхищалась эрудицией семилетнего и рассказала,что Шопен любил играть в темноте, а на концертах в салоне просил притушить свет. Мы тоже так сделали...
Какой Ваш любимый Этюд Шопена ?Мой - этот. Он так замечательно звучит в экранизации повести Тургенева "Вешние воды", когда героиня Анастасии Кински стоит и окна, смотрит на дождик и плачет...Помните эту сцену?
In "Torrence of spring" played etude op.25 #7
@@esfirross6800 I am writing about the central episode in the denouement of the plot, when in the frame there is only rain outside the window, a quietly crying heroine and this very music sounds: op 10 no 6
Hi:) and what would You say of this?...ruclips.net/video/-Ye2oyz72e4/видео.html
Diese Etüde hat Alice Herz Sommer in Theresienstadt viele Male gespielt. Es spiegelt den unendlichen Schmerz und die Demütigungen, welch die im Ghetto internierten hochgebildeten Juden erleben mussten. Ein dunkles klagendes Nocturne. Von Alice gibt es leider keine Aufnahmen. Für mich kommt Horowitz der Ausdrucksweise von Alice am nächsten. Feinfühlig nachempfunden. "Der Zuhörer kann sich den erstickenden schmerzen der Melodie kaum entziehen".