Io ho sempre rispettato e amato William ❤🎶❤ Oltre 30 Anno or sono cantammo nel CONCORSO CALLAS, quindi MANON (Massenet) ed inoltre LE CONVENIENZE TEATRALI (Donizetti) . E' stato un ONORE : Grazie William 💖 💕 💓 ❤ 💗 ♥ Franco
A very special voice, there's child-like & dreamy quality to it that I found very appealing. I think for this aria a soft edge voice like his is much more suitable. Most tenors push or literally scream through this aria
bravo!!! wonderful !!! 完璧なH－E♭初めて聞きました。また、一瞬のH-F、鳥肌が立ちますね。人間業ではないです。ロッシーニを歌うために、生まれた男ですね。I have heard perfect H-E♭and a moment of H-F too . He is superman of singer . Rossini's aria is for Matteuzzi .
Very unique voice, with a technique Rossini would surely have approved of. Pure Leggiero Tenor's with a ringing upper extension are a very rare and precious jewel indeed..
@Andrew Grenon Nope. Listen to Kraus, Valletta, Schipa, Merritt and Ariana. That is how a leggero tenor should sound like. Not constricted, not nasal, not woofy, etc.
Acuti sempre strepitosi, raggiunge il fa naturale in modo eccelso e con squillo ma le agilità, sia pur precise, sono molto lente e difficoltose...non sono mai state il suo punto forte
Tiene la gran cualidad del sobreagudo, pero no compensa una voz pequeña, nasal y con agilidades no bien resueltas. Existen interpretaciones mejores en mi opinión.
The high notes did nothing to enhance his artistry. As a matter of fact they seemed inappropriate at times. He seemed unsure about his melisma and several times they were sloppy. This aria exposes any faults that one may have. Was this impressive ? Anyone who can sing this aria and survive is worthy of praise, as Matteuzzi is, but I've heard better delivered, sans all the bells and whistles. One delivery that came to mind was a performance by Douglas Ahlstedt with Marilyn Horne in the mid to late '80's. Fortunately it was a Live from the Met Broadcast and I did tape it.
I think the high note are unnecessary. He is, of course, a virtuoso and great artist. I personally don't like the tenor voice above a High D. I prefer Lawrence Brownlee, then Florez in Rossini these roles, but that's just my humble preference. I have the greatest admiration for any tenor that can sing this repertoire with such confidence, and Mateuzzi is a wonderful tenor in this repertoire.
So underrated....glorious singing and good acting skills.
The best singer ever for this song
Io ho sempre rispettato e amato William ❤🎶❤
Oltre 30 Anno or sono cantammo nel CONCORSO CALLAS, quindi MANON (Massenet) ed inoltre LE CONVENIENZE TEATRALI (Donizetti) .
E' stato un ONORE :
Grazie William
💖 💕 💓 ❤ 💗 ♥
Franco
The King of the High F's. Mateuzzi really has a fantastic technique.
A very special voice, there's child-like & dreamy quality to it that I found very appealing. I think for this aria a soft edge voice like his is much more suitable. Most tenors push or literally scream through this aria
So beautiful!!! 💛💛💛
"Che provar possa un cor", basta per decretarne un grandissimo
bravo!!! wonderful !!! 完璧なH－E♭初めて聞きました。また、一瞬のH-F、鳥肌が立ちますね。人間業ではないです。ロッシーニを歌うために、生まれた男ですね。I have heard perfect H-E♭and a moment of H-F too . He is superman of singer . Rossini's aria is for Matteuzzi .
+アカペラの帝王 but i think his voice is thin
So beautiful!
Such amazing singer. Why are there so few of his recordings available? So infuriating!
Very unique voice, with a technique Rossini would surely have approved of. Pure Leggiero Tenor's with a ringing upper extension are a very rare and precious jewel indeed..
Nope. He is not a pure leggiero. He is a mosquito.
@@xxsaruman82xx87 Pillock.
@Andrew Grenon Nope. Listen to Kraus, Valletta, Schipa, Merritt and Ariana. That is how a leggero tenor should sound like. Not constricted, not nasal, not woofy, etc.
A real gem.
Great in his repertoire!
Acuti sempre strepitosi, raggiunge il fa naturale in modo eccelso e con squillo ma le agilità, sia pur precise, sono molto lente e difficoltose...non sono mai state il suo punto forte
Favoloso
AWESOME...
Bravoooooooooooooooooooooooooooooooooo Magico .....unico
Merci "baritono1975" 🎼💜🎸🎷 🎻🎹🎺🌺🎧🎼🎩🎩🎩
@albertogrilo Boa tarde, já escrevi o resto do elenco. Foi na temporada de 1987/88.
I 9 dislike son allievi cacciati a calci in culo dal suo studio 😂
Nope. They're people who know what real opera sounds like.
@@xxsaruman82xx87 Grazie. Parole sante. Ma argomentare con i sordi è tempo perso
Peço, desculpa, mas por engano, removi o meu primeiro comentário onde lhe pedia a identificação do elenco e o ano da récita.
Obrigado
@baritono1975 Obrigado
: )
For me he is a light lyric tenor not leggero
Don't think so. Pavarotti was a light-lyric tenor (even if he sang spinto roles)
@@Davanzo_DieGolI wonder why Pavarotti did never sing leggero repertoire!?
Tiene la gran cualidad del sobreagudo, pero no compensa una voz pequeña, nasal y con agilidades no bien resueltas. Existen interpretaciones mejores en mi opinión.
The high notes did nothing to enhance his artistry. As a matter of fact they seemed inappropriate at times. He seemed unsure about his melisma and several times they were sloppy. This aria exposes any faults that one may have. Was this impressive ? Anyone who can sing this aria and survive is worthy of praise, as Matteuzzi is, but I've heard better delivered, sans all the bells and whistles. One delivery that came to mind was a performance by Douglas Ahlstedt with Marilyn Horne in the mid to late '80's. Fortunately it was a Live from the Met Broadcast and I did tape it.
I think the high note are unnecessary. He is, of course, a virtuoso and great artist. I personally don't like the tenor voice above a High D. I prefer Lawrence Brownlee, then Florez in Rossini these roles, but that's just my humble preference. I have the greatest admiration for any tenor that can sing this repertoire with such confidence, and Mateuzzi is a wonderful tenor in this repertoire.
So nasal. So very nasal.