Orgelmarathon - Widor: 6. Symphonie, 1. Satz -Olivier Latry
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- Опубликовано: 25 авг 2024
- Charles-Marie WIDOR (1844 - 1937) - 6. Symphonie, 1. Satz - Allegro.
Olivier Latry -Titularorganist an Notre Dame de Paris - an der großen Oberlinger Orgel in St. Joseph, Bonn-Beuel anlässlich der Orgelkonzerte zum 65. Geburtstag von Hans Peter Reiners .
(mit freundlicher Genehmigung des Veranstalters)
Informationen zu den Konzerten unter www.internation...
![[Notre-Dame] Sonate Nr. 1 - Final Alexandre Guilmant Opus 42](http://i.ytimg.com/vi/iYAZdW2IJRw/mqdefault.jpg)
Ich weiß nicht, wie oft ich mir diese Aufnahme angesehen habe. Dieses völlig beherrscht überlegene Spiel ohne langweilig zu werden. Einfach faszinierend.
Genau so muss die sechste von Widor gespielt werden: Zügig vorwärts und mit "kräftiger" Registrierung. Monsieur Latry spielt auch hier meisterhaft, besser geht es nicht, vielen herzlichen Dank.
No one plays the Widor symphonies like Latry. What can I say? Such musicianship. He plays like a god.
Played this as my opening piece in my first “professional” recital at Liverpool Anglican Cathedral in about 1990. I can’t believe I was so stupidly naive to open with a difficult work, but if only I’d played it with any flair like this! Definition of spirited and interpretative performance if ever there was one!
How did it go?
When I was 12 years old (55 years ago) I saw/heard this performed live at Dr. Joyce A. Schemanske's Bachelor of Arts organ recital at Wayne State University in Detroit, MI. I have never seen nor heard anyone else ever perform it. This piece was so masterfully executed in this video that I had chills through all of it. What a thrill to have found it on RUclips. Congratulations and thank you to everyone responsible for making this available.😮
RUclips, especially for us organ music lovers, is what we needed, what we expected. And nothing, absolutely NOTHING, can replace it. It is impossible to imagine having access to so much music, so many instruments, so many musicians, so many recordings of such quality, by any other means.
If we didn't have RUclips, what would we listen to? Boring and overly formalized CDs, filled with the same old songs?
Today, this fabulous means of sharing allows us to open our horizons in an incredible way: to know and appreciate the breathtaking technical mastery of *Olivier Latry* , to meet the new wave led by *Gert van Hoef* , to explore (and explode) the limits of our instrument with the rewritings of *Jonathan Scott* , have access to the extroardinary and invaluable library of recordings of *Frédéric Munoz* , listen to the exploits of *Leo van Doeselaar* of the NBS ( *Netherland Bach Society* ) channel. And even hearing, here or there, an amateur playing a piece that we would never, ever have the joy of listening to "live". Because quite simply, in a church, there are things that we don't play, and that we never will play.
Dare I say it? Without RUclips, I would have missed out on extraordinary songs and musicians my whole life.
*This* organist, and *this* piece, particuliarly. Today I cannot spend a week without coming here and play the tune.
Thank you Olivier, thank you RUclips, thank you the 21st century for making it possible.
_It's a good day to be an organ lover today._
Superb performance...M. Latry never disappoints...at least from this listener's perspective! I look forward to hearing him one day at the newly restored Notre Dame Cathedral. What a thrill that will be! Thanks for this magnificent posting.
Incredible. Its my most favorite Organ Music and i absolutely love the way Mr Latry plays it. I cant stop listening. Thanks for such a wonderful music.
I love seeing the mess on the chairs behind the console! Just like a regular church! :)
I thought that too!
I'd forgotten just how much I love the 6th!
Damn, everytime I see him he motivates me to play even more and try to reach that level... Living 100km far from Paris, I must find some time to hear him live !
JB Dupont, maybe ? Olivier Latry est extrêmement doué, pour interpréter ces oeuvres de Ch-M Wido, d'une puissance musicale inouïe..Eh, au fait , à 8:05, petite erreur de l'annulaire droit, vite corrigée ? j'ai bien l'impression...mais ça ne retire rien aux talents d'Olivier !
I live in Oregon, but I saw him in Germany and next month I'm going to see him in Washington, DC! Do it -- it's worth it!
Va falloir attendre que "Notre Drame" redevienne pleinement "Notre Dame".
Wow, wahnsinnig gut gespielt, bis auf den minimalen Schnitzer am Ende perfekt würde ich sagen. Zusammen mit der von Daniel Roth eine der tollsten und schönsten Interpretationen hier!
I love the 6th Symphony, and the fifth as well.
Just an amazing memory! We so enjoyed his recitals in UK
Weltklasse. Ein gigantisches Erlebnis für Jene, die live dabei waren,.
Amazing. There are so many extremely excellent compositions - I may have missed one, but at this point, this performance and composition rates #1. One's soul just rises with emotion and glory up to a spectacular finish. Whew. Oh to have been there to hear it live!
Great Organ... Great piece... Fabulous organists...
Bravo! Superb to listen to.
Ah Appassionata!!!! Bravo!!! What a piece - what a performance!
Thanks for uploading this.
The ending in particular is very martial, vigorous, determined, with a form of urgency. I find it perfectly suited !!
you're welcome to help out -- 6 Concerts within a timeframe of 7 hours, changing temperatures which needed a retuning of the reeds before and inbetween, choir and orchestra rehearsals in the morning, artists arriving only a few hours before they perform ... we just didn't have time ;-)
Genial! La naturalitat del Latry tocant és increïble. La setmana vinent toca al Palau, això no m'ho perdo!
Maitrise vraiment Widor sans feuilles de musique. Il possède Widor au bout des doigts. Super.
I'm sufficiently amazed that he has no music in front of him.
A belated Happy Birthday Hans Peter!
8:20 When you have big hands and no sub-octave coupler ;)
His hands are astoundingly large, yet elegant.
@@tinkaluisa8540 the best organists and pianists tend to be this way...
Superb.......
Love the hands at 4:26
너무 멋있어요 내가 제일 좋아하는 곡👍👍👏👏
저도요 ㅎㅎㅎ
Thank you! 🙏🏻
Que performance hipnotizante !
One thing's for sure: Bach would be EXTREMELY proud.
bach? this is widor
@@stefanholmborg what I meant was that Bach would be proud of Widor, but I'm sure Widor would be proud of this organist too :)
The symphony has Bach elements in the first movement. Nothing reaches the complexity of Ricercar a 6 from Musikalisches Opfer (which Olivier Latry played) and Die Kunst der Fuge Contrapunctus XI and XIV (unfinished sadly).
Wow. C'est manifique
Latry👍 best organist
Not only this man is excellent in his art, but he's also very classy - and some say he's beautiful too (but that is purely a matter of taste).
The most impressive remains the fact that he uses any score ; all from memory! When one knows the difficulty to play such an instrument, extended by the difficulty to play such a piece, extended by the pressure to be filmed during the performance, this is just incredible.
I would give an arm to get 1/10° of his ability - which would be stupid: imagine playing the organ with one unique hand :)
MR He plays so good, i would like can this
General Ackbar?! I always remember "him" as Admiral Ackbar, played by the gifted pupetteer Tim M. Rose.. ;)
General, or admiral Ackbar ? that is the question ...Who is behind that name ?....Gial Ackbar, is a un person of the Star War....
@@generalackbar245 I'm going with beautiful, as well as well-mannered and humble.
Have you ever been in a choir loft which didn't look like that? It's tradition!
Schön! Leider sind Bild und Ton nicht ganz synchron. Latry spielt wie immer routiniert und fesselnd! DANKE!
@8:10 when you are composing and don’t know if you wanna write some more but does so anyways
Did he add something in? For how long?
@@andrewpearce2562 The coda?
Andrej Ivanovic guess I‘d have to follow the music 🙈
In his enthousiasm he even hits a note too high at the end, but in a wink of an eye corrects it!
Liszt used to call wrong notes 'uninvited guests', but of course he would gloss over them, like Latry does.
approxamatura
Oh, you mean his intended 'grace note', errr, that little 'passing tone'? I'm sure it wasn't a mistake at all. Fully intended... 'wink'. I'm fairly certain Widor approves of this performance...even with the added one note improvisation. :)
@@bxlang9214 Hmmm... I must listen again 😆
I believe he clearly overreaches at 8:01, but who knows...
Super !!
Latry's playing is a splitting image of Dupre's extent recording of this, especially the beginning. The only difference is that Latry's seems just a little faster and connected than Dupre's deliberate, more demonstrative playing. Excellent recording outside of the lagging video. Exciting technique as well.
Zenas M. Savage funny, the Dupré recording I have heard sounds pretty much as different as can be. (NY, 1960)
Divine!!!!!❤
It's humbling to see the best of the best make mistakes during a performance. Not a criticism, just saying in our day of perfection on CDs, it's nice to know that the performer is still human.
Christian Schoen last I heard all performers were human!
If it's not a criticism why would you even mention it?
@@reiki2guy Reread what I wrote and I'm sure you can figure it out. In this day and age where people expect music in recordings to be perfect, it's nice to know that folks aren't. Thanks for your comment though.
@@reiki2guy Thanks for clarifying that for me. I didn't realize the person in the recording was a human being. I once was blind, but now I see, and very much appreciate your bringing clarity to this on my behalf.
He's like a machine, he makes no mistakes!
8:02
Yes he did. Listen at between 7:55 - 8:05, at or very near 8:02 there is an obvious wrong note. But you just play through it and get to the end. So this is only 99.999% perfect.:)
@@numbr6 Truthfully, if you weren't watching his hands--the camera is aimed right down at them--I doubt you'd even notice. I listened to this performance without watching every move, and didn't hear the tiny slip. When I went back and watched, yes, I could see it. But, as you suggest--I think--who cares? Cheers.
Brilliant,
agreed!!! Doesn't get much better then this...
The key action from Positif is purely mechanical, as is the Pedal.
Grand-Orgue and Recit are mechanical with Barker machines. All couplings are electric.
Sound and Video were recorded separately due to the fact that the camera is placed next to the pedal reeds and our external microphone wasn't working. The processed video is absolutely in synch, but i was not able to get it right in youtube.
Verein der Orgelfreunde an St. Joseph, Bonn-Beuel thanks for clarifying - I was wondering about the directness of the action.
Excited to see an American, Karen Christianson play this at Westminster abbey
이시대에 최고의 연주가 십니다 ‘브라보브라보”
So true... and this is THE only Widor Symphony I play everything from... I think it might be his best..? yes? with the exception of either of the last two...? Gothic... or Romane... (I like the late one that's based on the Easter Chant)
Hallo,was Ich ja soo Unglaublich finde...jaaa Gewaltig sogar,SOLCHE WERKE aus dem Kopf zuspielen....Unfassbar....Perfekto gespielt....wie lange braucht man für dieses werk,(ÜBEN)bis man es spielen kann.
È una delle sue più belle interpretazioni. Grandissimo.
He truly has no equal at this time
Daniel Roth is just about the only one even in the same class as him, at least with regard to the French music.
The console is detached, but the connection is mechanical. Moreover, the console sits directly in front of the main case. I guess the synchronization is a classical RUclips issue. As concerns this video - turn off the sound, and it is still music all over! Look at his smooth and effortless movements. The music just flows through the man. (Or of course close your eyes and marvel at the music he plays.)
nice
not quite mechanical - it was originally pneumatical. then you have a natural "delay" between pressing the keys and receving sound - slight, but delay. now the tracture is electric and you have almost no delay. so probably video delay is inherent to youtube or video processing.
2k6baranello we call it "action" in English. (Traktur)
WOW.....
1:06 / 1:28 / 1:59 / 3:08 / 4:38 / 5:06 / 5:27
Hello,how long does,it take you,what the practice concerved,until you have such a work of Widor,playing it..???several weeks or even months..??Thanks for on answer already in advance...Marco from Germany
So, my German is good enough for me to understand this, but not for me to reply. Komisch, oder? Naja, isn't it possible that the synchronisation issues are to do with the position of the console? If the camera and microphone were at the console, and if the console is detached - which is how it looks - there would be a slight delay in the sound reaching the console in a large church. I had a go at Redcliffe once, and the delay was off-puttingly lengthy!
It is very difficult to reproduce the sound of Cavaille Coll organs. why?
It is difficult to reproduce the sound of a Porsche 911. Why ?
À la base, DJ Brice a reçu une formation sérieuse d'études cassoulet classiques (Piano, Orgue, Animation Mariage, Improvisation marle-tetris), et s'est orienté vers les cours de piano puis, progressivement, vers le Discomobile plus, et le supplément karaoké .
great cassoulet!
Could Widor have possibly been influenced by Saint-Saens? This sounds a lot like Saint-Saens's "Organ Symphony". I guess it's likely considering they were both French composers living in the same time period.
Widor reportedly wrote this piece in 1885 (but it was published three years later), one year before Saint Saëns finished his 3rd symphony. Then again, Widor kept on changing his work, so who knows.
And thus, Lurch Addams was born. 🤣
Why couldn't someone have cleared the clutter in front of the console?
All choir stalls look like that. lol
hauptwerk?
Nope - das ist das Original ;-)
@irkibby Will like this, I suspect.
Fast and nervous. Just Latry
Hands at 6:38
Faair enough. I feel a churl.
8:02
Yup, I heard that wrong note too. Otherwise great performance.
Interprétation apparemment parfaite, mais trop parfaite, par une sorte de robot impresionnant et sophistiqué, excellent mais sans diffuser un peu d'humanité !
TAB
Why Latry always play in hurry like he need to get his train? If to compare with Roth, Van Oosten or Brooks, they almost play as being in love with the instrument that sort that imposant sound because of their fingers . Latry plays as if he want to finish and run away, without any feelings to the instrument and the master who built it.
Exécute non joué… pire qu’une étude de Czerny exécuté à contrecœur et comme un ordinateur sans âme …