Aljoša Jurinić - L. van Beethoven: Piano Sonata No. 13 "Quasi una fantasia", Op. 27, No. 1

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  • Опубликовано: 13 сен 2024
  • Aljoša Jurinić (Alyosha Jurinic, b. 1989 in Zagreb) is a Croatian pianist.
    He is best known for winning the 16th International Robert Schumann Competition in 2012. He was also a prize winner of the Queen Elisabeth Piano Competition in 2016 and the finalist of the 17th International Fryderyk Chopin Piano Competition 2015.
    www.aljosa-jur...
    Wikipedia:
    Piano Sonata No. 13 in E-flat major "Quasi una fantasia", Op. 27, No. 1, is a sonata composed by Ludwig van Beethoven in 1800-1801
    The first movement is in five-part rondo form instead of sonata form, unusual for Beethoven. The tempo is slow, interrupted by a fast medial section.
    The second movement is a scherzo and is in ternary form (the norm for scherzi). The main theme consists of mostly quarter notes in parallel octaves. When it returns following the trio section, the left hand plays staccato and the notes of the right hand part (still legato) are offset half a beat later. The movement includes a brief coda and concludes abruptly on the chord C major, a Picardy third.
    The third movement is slow in tempo and features a lyrical, noble theme, set against an eighth note accompaniment (in a later appearance, 16ths). The movement does not conclude in its tonic key, but instead reaches a final cadenza that leads directly to the finale. The movement is brief and thus might be heard by some listeners as an introduction to the final movement rather than as an independent movement.
    The finale is the most extended movement of the work; Charles Rosen notes, "With this movement, Beethoven began an experiment, to which he continued to return and develop through the years, of displacing some of the weight of the work from the opening movement to the finale". The work is in fast tempo and in sonata rondo form. In the coda section, the main theme of the slow movement briefly returns, followed by a brief cadenza. There follows a short final section, marked Presto, based on a tightly compressed version of the main theme.
    Recorded in Vatroslav Lisinski Concert Hall in Zagreb, on March 8, 2019, by Vinko Šincek.

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