Thanks for your thoughts. I bought it today and gave away my Tamron 150-500. First shots are really good, will take it out tomorrow for some bird shots 🎉
@@DanBaileyPhoto Hi Dan, first impressions: AF seems to be better than the 150-500, fast and accurate. At 400mm a bit soft wide open, tried to f/8 but had so bad light that ISO went to 1600 and more, not the best for X-T5... And the air over the water was a bit in motion, so all in all not the best conditions. I am in hospital tomorrow for a week maybe, after that I will make many more shots, am very happy with it all in all. And it is light and handy.
I agree, ISO 1600 isn't awesome with color on the X Series cameras, but it's not bad, considering how bad higher ISO performance used to be. It's still very usable, and for the most part, if you've got a great image, your viewers won't care one bit. And yes, "bad air" is definitely the bane of using really long lenses. They're great on cool, clear days, but when you have a lot of heat and humidity in the air, you're going to see that when you zoom all the way out. Anyway, keep having fun with the new lens!
@@DanBaileyPhoto I use an XT-3 and my favorite all-round lens is the Xf 16-80. I photograph landscapes, events, and some architecture. I own your most recent Fuji book, and it’s my best friend. But now seriously considering how much more I could do with the 100-400. I’m seeing an excellent condition used one with a savings of $270 over new. Is that fair?
Cool, thanks for buying my eBook, John. I'm glad you're finding it to be a helpful resource. I haven't tried the XF16-80, but I'm curious about it. So, you really like it? And yes, a 100-400 in excellent condition would hold its value. $270 savings seems like a decent price, but a quick look at eBay shows used 100-400s for anywhere from the $1300-1600 range. You might shop around.
Love this lens on my XT3. rarely use my canon full frame and 70-200F2.8L now except for portraits and family stuff. Fuji lenses are so sharp and the fact that even though the 100-400 lens is heavy it has nothing on the canon system. Im happy to carry this set up all day
Julie, I agree. Fuji lenses ares so sharp, and this 100-400 is one of their top performers. Sure, it's a bit heavy, but for what it can do, it's worth lugging it around sometimes! What do you like to shoot with it?
You do a great job of confirming what Anybody with an open mind will admit - It's a superb lens. I bought mine ~4 years ago, with the 1.4 t/c, & it's turned me into a dedicated coastal & surfing snapper. I have an x-t3, 16-55 & 50-140; giving me uninterrupted 16-560mm in a Lowepro Slingshot 202 bag, which I don't need to put down on the sand to change lenses. All in all, the perfect system for what I do, and I'm constantly asked how I get every droplet of spray so sharp - I don't; it's all down to the glass.
Peter, thanks for your comment. It sounds like you've got a great system, that's a really capable setup! And yes, it's all about the glass!! 👍 Hope you're having a great summer at the beach!
This video just popped up on my yootoob, so thought I'd do a bit of an update... When fuji released the 150-600 I was seriously tempted, but decided to see what real-world users would report: Well, already unconvinced by the bigger lens' light-gathering, have only found 1 genuine comparison of iq, which seemed that, if there honestly is any improvement it's not significant, even when using the 1.4 t/c. The final nail in the coffin has been that the new lens is just too big for my modus operandi - I have 7🙄 gear bags & it'll only fit in 1 of them & then off-body. As I'm an extremely mobile 'tog, riding an Ebike around our local surfing hotspots & estuary/riverside trails, I frequently keep the long lens attached. As a final update, my shiny new x-t5 arrived a couple of weeks ago & now I know, for sure, I made the right decision: The new body & the old lens are superb together.
Thank you. Good to get sincere, enthusiastic and relevant info about something I'm interested in from an actual good photographer, also like your presentation, how you do videos. Cheers, long may you continue!
Great video Dan!! My 100-400mm lens stays permanently mounted to my Fuji xt4 and i have every Fuji lens except the new 70-300mm but I can say that over the 5 years of owning Fuji cameras and lenses is that ive shot my favourite images with this amazing lens and it’s super light to carry than the full frame equivalents!!! So I take it on holiday all the time where as my friends full frame gear they have to leave behind due to the weight of their gear
There does seem to be something quite special about this lens, and it’s certainly more portable than most full frame equivalents. Great to hear that get so much use from it! Keep up the good work and keep having fun with your Fuji gear!! 👍
Thanks Dan. You’re always a great Fuji enthusiast. I haven’t played with my 100-400 that much. I wasn’t that enamored with it at first, but now I’ll get out and give it more of a workout. I loved a 70-200 I had for a Nikon 7100 and later a 70-300 Tamron? It was my walk around travel lens. So, I’ll be interested in your review of the Fuji 70-300, but I take your points so far. Thanks again! Geoff
Hi Geoff, thanks for your comment. I too am curious about the 70-300 but I do know that it will be very similar to the 55-200. It's essentially the same design, but with weather sealing and it's able to use the Fujifilm teleconverters. The 100-400 is definitely a unique lens in the line. It's certainly bigger and heavier, but it does have some real strengths, including that super fast autofocus.
Dan, you just precipitated into my Shakespeare type question: to purchase or not to purchase, that is my question! Twice in my life (big words) I decided to say yes to this question. At the moment when I decided it, something happened. It is not question if I want it or not. The only question: When? Your video helps me to shorten the time period between the present and the future (means “when”).
Thanks Dan, for another valuable and informative clip. I really enjoy the confident, relaxed delivery. I get a lot out of each clip. And that moose was just fantastic! Sadly, I will have to wait awhile till my financial controller feels I might need *another* lens. (A recent birthday saw me get the 10-24 WR lens, and only then because of a price reduction and big cashback promotion.) Here in Oz the 100-400 retails for a little more than the XT-4 body.
Hey Michael, thanks for your feedback. Yes, that 100-400 isn't cheap, but good glass never is. I hope you're having fun with your new 10-24, I hear that's a really fun lens, but it's one I haven't tried.
I completely agree with you, I got this lens about a year ago and it performs just as you say (I'm using it on the X-T4), not to mention that it’s great for keeping my distance when photographing alligators in the everglades (haha).
Haha! That seem like a pretty good use for a long telephoto!! 😱 I’m actually pleasantly surprised at how many of my followers own this lens. Given its price, that clearly indicates a creative commitment to photography. Either that, or everyone has money burning a hole in their pockets! 😂 Keep having fun with the big lens, Enrique and be safe around those gators!
Got a used one on the way. I was waiting for the 70-300mm to get back in stock. But, I found a used 100-400mm and the Red Badge beckoned ;) I can't wait to try it with my 1.4 and 2X teleconverters.
Bill, you won't be disappointed. Although it's definitely bigger and heavier than the 70-300, the Red Badge 100-400 is a fantastic lens that excels at autofocus speed and overall performance. What kinds of subjects do you plan to shoot with it?
Wildlife mostly. I do plan to take it to Yosemite next year for some "compressed" landscapes. I haven't been there for years, but made the limiting assumption that wide angle lenses where the way to go. This next time I'll use wide and telephoto!
Indeed. Wide angles are often the perceived go-to lenses for landscapes, but I love shooting nature with long lenses. There's a lot of creativity to be had compressing distant backgrounds behind your subject and bringing things up close.
Seriously drooling here, but on the other hand, I used a 150-600 on my Nikon D750 for a while and found that I didn't really used it often enough. Obviously, that's a far larger and heavier lens, but when I look at how much use I get from my three Fujifilm zoom lenses, I find that the 18-55 gets used the most often, then comes the 10-24, and finally, the 55-200. I guess I prefer wide to tele, but when I'm back in the US this fall, I may try to rent the 100-400 for a few days to see how I feel about it. Anyway, every time I watch one of your videos, you give me something to think about. Thanks for that!
Hey Daniel, that’s a pretty good, and very classic Fuji zoom trio. I’d definitely try out the 100-400, if for nothing else, just as a fun, creative diversion. The 10-24 is one that I don’t have, how do you like that lens?
@@DanBaileyPhoto I absolutely love the 10-24 (I have the original one, not the new version). Extremely sharp; when I switched from the Nikon D750, I needed something to replace my Nikon 16-35 lens, and the 10-24 is it. The Nikon lens was tack sharp, and I was hoping for a similar performance from the Fuji. I was not disappointed. To open up interior spaces or for general landscape photography, I love this lens. Still, my main lens is the 18-55 which is amazingly versatile and lightweight. Often, it's even the only lens I take with me. I would love to get the XF 27mm f/2.8 R (the new version with the "real" aperture ring) because it strikes me as a perfect walkabout lens. I also like the 40mm equivalent; I always thought 35mm was a bit too wide and 50mm a tad to narrow. 40mm seems a near-perfect compromise. Maybe one of these days...
Thank you, Dan. So informative and comprehensive in such a short video. I haven't been considering buying a long lens for my Fuji but you might have piqued my interest
Cool. Old and new. That X-E2 is an interesting model. It kind of got lost in the shadow of the breakthrough X-T1, but it's definitely a great little camera.
Jon, the 70-300 is a great lens, but as you'll soon discover, the 100-400 is much more capable with regards to speed and autofocus performance. Having both lenses would be great, but if you can only have one and you're a serious shooter, or if you shoot action and fast moving subjects, the 100-400 is ultimately the better choice. What kinds of subjects to you shoot?
@@DanBaileyPhoto awesome! I do a wide range of photography. Normally I'm using a wide angle lens for street/photojournalism style shoots, but I also love going to events where I'm not close to the action where I would want a good telephoto. Like races and things of that nature.
Like I said, you're going to love the 100-400. Sure, it's a little bigger and heavier than the 70-300, but if you leave the tripod collar off, it's pretty manageable when you're carrying it around.
Agree with all you say Dan - if you are looking for a list of the most used lenses for the Fuji X series I would get this lens second after my most used, the Fuji 35mm f1.4 prime (the equivalent to a full frame 'nifty fifty') - on an XT body that small incredibly sharp and fast lens gets used more by me than any other for just walking around, travelling, indoors anywhere really - but the 100-400 is second. Third might be the 16-55mm zoom. Also, If you are a Fuji shooter on a budget, try buying second hand old school non autofocus primes and zooms from say Nikon, Asahi Pentax Minolta (oldies but goodies) - yes you will need a (cheap) adapter to mount them to an X series, and you will have to manually focus, but its a really cost effective way of getting a lens set together - and the glass might be old but they still work really well on a Fuji - more wicked fun as you say Dan, for not much $ !
Thanks for your input. Yes, I've known quite a few photographers who use older & vintage lenses on their X Series cameras via adapters, with excellent results. In most cases, you're limited to manual focus, but if this is not an issue, then that can be a great way to go.
@@DanBaileyPhoto Your right Dan, i use my nikkor 50mm f1.4 with my K&F adapter and i can say i have great pictures with it on my X-T4 and these vintage lenses are cheap today. I don't care about manual focus, i'am using focus peaking.
Alain, sounds like you’ve got a great setup! And yes, those older lenses can be found for a bargain these days, but some of them are still amazing! Plus, there’s something uniquely special about mixing the old and new on the classic-style Fuji bodies.
I can easily see that being the case. Back in the day, primes were always way sharpers than zooms. It's still that way to some extent, especially with less expensive zooms.
Its a great lens, light, reasonable fast AF and sharp wide open. Unfortunately I seem to struggle in low light conditions with wildlife photography. Above iso 3200 the images are muddy and high shutter speeds are required most of the time to prevent motion blur. My Nikon Z7 with the 300mm 2.8 and 1.4 extender is heavy but under these conditions the photos are significantly sharper with much less noise and more contrast. Even when I crop to the same field of view. The AF-C is better on the XT3 and the frame rate is higher but I have more shots in focus in low light conditions with the Nikon. Still the Fuji is used the most because of weight, but very often I wish I had my Nikon with me.
Morné, thanks for your comment. That always is the trade off. A bigger sender can often produce less noise at higher ISO settings, but with the newer Fujis, that’s becoming less of an issue. There definitely is a loss of “crispness” above 3200 (I see that as the sweet spot for high ISO), but I’ve been pleasantly surprised at how well the X-T3/4 perform in this area, especially with the higher quality lenses like the 100-400. At the same time, the technology can’t do everything, and sometimes you have to live with the compromise of bigger heavier gear, or a slight increase in noise. However, as I like say, noise is not the enemy, especially if you have a killer image.
@@DanBaileyPhoto You are absolutely right, I'll take a killer image with some noise any day. Unfortunately I sometimes have issues with the focus system where it chooses to focus on the background instead of the subject on which the single focus point was set. I am still trying to figure out if this a user error or a focus issue.
That's a totally different issue. Focus can be really tricky, especially when you have moving subjects in busy backgrounds. That takes A LOT of practice and knowing the system really well. Have you seen my two autofocus videos, here ruclips.net/video/fEwx1tdCzyk/видео.html and here: ruclips.net/video/PSIjQPJGiaQ/видео.html
Thanks for your comment. I've found it to be sharp all the way out to 400. That said, if there is any humidity or excessive heat in the air, this will definitely soften long telephoto images. The further out you zoom, the more this effect is magnified, so that could be what you're seeing. What kinds of subjects have you shot with it?
Cool. I don't usually look at test charts. I pretty much assume that most high price lenses these days are going to be very good, and my history with the X Series has shown me that their red badge lenses are incredible performers. What kinds of subjects do you like to shoot?
@@DanBaileyPhoto nothing too in particular, but I'm looking to try out any wildlife I can at the moment. I know 600mm equivalent is a short for smaller birds, but the 1.4tc can help at the cost of light and sharpness. Was also considering the Tamron or Sigma EF mount 150-600 with fringer, but at the cost of video AF performance. Decisions decisions.
I've used the 1.4x TC on the 100-400 many times with excellent results. It's pretty much an essential accessory for any of the long Fuji zooms. Of course, they also have the 150-600, which I talk about here: ruclips.net/video/Tje-8HqPdeg/видео.html
Lee, I haven't even seen the 150-600 in person, but if I can get one in hand, I'll definitely do a review. It does look like a very good lens. What kinds of subjects do you typically like to shoot with long lenses?
Dan, interesting review. Not sure,despite your,as usual clear explanation, that I need such long legs. In FF glass, have been quite content with the Canon L series glass 70-200 2.8- now way out of my price range.
Hi Robert, thanks for your comment. I would agree, we all have our limits and ideas about which lenses would serve us best for the cost. There are a number of Fuji lenses that are excellent, but that I feel would be redundant in my system, or that don’t fit my style/needs. Anyway, hope you’re having a great summer!
Thanks Elias!! Thankfully, the bears were a long way off and totally focused on digging for clams. But yea, this 100-400 really is a fantastic lens, and so versatile for shooing a wide range of subjects. What Fuji do you use and what do you like to photograph?
Hi Dan! Couldn't agre more with all the comments below! Proud and joyful set of equipment. This is more a comment to show my appreciation for your time and content. Amazing, entertaining and interesting... I could go on!! Being on the sporty side from motors to surf, where is the action is where I like to be! Cheers\ Carlos
@@DanBaileyPhoto I had to do a pause for a couple of months and got back recently...was just missing the action. I have the privilege to live 15 minutes away from the coastal line and beaches where I grew up. Yes, I'm a surfer that became a photographer!!! Next weekend will be the longboard Nationals! Other than that, will be superbikes at the local circuit. "My comeback" was with the Ironman at Cascais Portugal on assignment for the local newspaper and one team. Thank you for your feedback and very genuine approach to your viewers. Fuji is lucky to have you on board! Cheers
Cool!! Good to learn that about you. That sound like it will be really fun. Have you every seen Dave Black's surfing photography method with his giant speedlight rig? ruclips.net/video/cP6a47BQA70/видео.html
@@DanBaileyPhoto Blessed your are!!! I just want to thank You and tell how lucky I am! I'm dazzled by the idea. It´s late at my end and I just wanted to send feedback. Had a quick look at the link and OMG!!! I will let you know if I will (and when) be able to absorb and conceive a plan to put this idea into practice. Huge Thank You Dan!!! Really appreciated! Cheers
@@DanBaileyPhoto X-H2s. Been shooting mostly motorsports but wanted a longer lens for that and maybe some wildlife shots. Already have the 50-140 2.8 but need a little more reach. I shoot portraits with my 90mm f2, Sigma 56mm. Also have the Viltrox 13mm f1.4 for wider shots. Trying to fill out my lens lineup. The 16-55 f2.8 may be next.
@@DanBaileyPhoto definitely. I, personally, love the ergonomics and speed. The AF is very capable for any kind of sports/action. I would say Fuji made a great pro body camera. It’s not for everyone, but it may draw in a lot of people that want a smaller, lighter setup. With a few tweaks via firmware, I think Fuji hit this one out of the park.
Nice review. I'm torn between getting this or waiting for the 150-600 when it comes out next year. As I like to shoot wildlife, I think I will wait to see how much the 150-600 costs (the 150-600 may not be that far off the cost of the 100-400 with a teleconverter..at least that's what I'm hoping!).
Hi Tim, thanks for your comment. I just saw the X Summit video announcement for the 150-600. I imagine that it will be a ways off, but I'm sure it will be an amazing lens. There's also the new 70-300, which is an incredible offering, especially for the price. Coupled with the TC, it's even more powerful. You can see my 70-3000 video here: ruclips.net/video/qK2g73Iyn3I/видео.html As for waiting, that's a tough call, especially for a lens that's still just on the roadmap. Could be a couple years out. Think how many photos you could shoot in that time. What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto I have an XT-30. I like to shoot landscape and wildlife, but perfer wildlife photography. Longest focal length I have is 230mm lens, which is not enough for bird photography (especially birds of prey that are usually quite far away and cropping too much just results in poor image quality.). Yeah not sure if I can wait for the 150-600mm fuji lens, I'm hoping it will be released early next year. Also will depend on the weight, as I like to walk around 15-20 miles so hopefully it's not too much heavier than the 100-400mm lens (I like the exercise with the extra weight carrying camera gear, but don't want to break my back!).
Cool. My guess is that the 150-600 will be at least a similar size/weight than the 100-400, if not a little bigger and heavier. Also, looking at the design, which appears similar to the XF200 f/2, my guess is that it will be considerably more expensive. I’ve shot birds with numerous Fuji lenses, and I’ve found the 100-400 w/ 1.4 TC to be the best/fastest combo.
Hi Robert, thanks for your comment. Great to hear that you've got yourself a 100-400, it pairs exceptionally well with the X-T4. When you say Continuous focus settings, are you referring to the AF-C Custom Settings options?
Sorry for the delay... When shooting action, I typically use Zone AF with my AF-C Custom Settings on either preset #2 (Ignore obstacles) or #4 (Suddenly appearing subject). I find those work best for the kinds of subjects that I often shoot.
If you're interested, I have a comprehensive online course that covers the entire Fujifilm AF system. You can find it here: courses.danbaileyphoto.com/p/mastering-the-fujifilm-autofocus-system
Dan I am fan of your works and appreciated for all useful emails you send me every week. Please advise me what lens would be the best performance and image quality on my XT5 for wide life and action? Thank you
Thanks so much for your comment and your feedback. Here is FUJIFILM's official list of all of the lenses that we get maximum benefit from the new 40 Megapixel sensor: XF8mmF3.5 R WR / XF16mmF2.8 R WR / XF18mmF1.4 R LM WR / XF23mmF1.4 R LM WR / XF23mmF2 R WR / XF27mmF2.8 R WR / XF30mmF2.8 R LM WR Macro / XF33mmF1.4 R LM WR / XF35mmF2 R WR / XF50mmF1.0 R WR / XF50mmF2 R WR / XF56mmF1.2 R WR / XF80mmF2.8 R LM OIS MACRO / XF90mmF2 R LM WR / XF200mmF2 R LM OIS WR / XF8-16mmF2.8 R LM WR / XF16-55mmF2.8 R LM WR / XF18-120mmF4 LM PZ WR / XF50-140mmF2.8 R LM OIS WR / XF70-300mmF4-5.6 R LM OIS WR / XF100-400mmF4.5-5.6 R LM OIS WR / XF150-600mmF5.6-8 R LM OIS WR
Christiano, that might come down to preference and the capacity of your camera bag. Both are very good lenses, but a big factor is that The 150-600 has an internal zooming mechanism, so even at 150mm, the barrel remains at a fixed length of 12.4 inches long (314mm). When the 100-400 is locked at the shortest 100mm setting, it's only 8.3 inches long (94mm). The 150-600 has an incredible range, but it requires a much larger bag/pack to carry this lens with you. Hope that helps.
Thank you very much of explanation of this lens, could you explain a little bit of setting to get cristal shape images when shoot wildlife? Especially with 1.4 converter. Thanks millions,
Lee, thanks for your comment. The 100-400 is capable of getting very sharp image, but it does take good technique. Even with stabilization, it helps to brace the camera or use a tripod, and use as high a shutter speed as possible. Also, be aware of air temperatures and distance. On very warm days, you'll only be able to shoot so far without getting heat shimmers that will soften the photo. Not a bad thing, but just something to be aware of. On cool and cold days, this won't be a factor, and you can get sharper images at greater distance. Hope that helps. What kinds of wildlife do you like to photograph?
@@DanBaileyPhoto thank you Dan, I found 100-400 is great lens to shoot portraits when i traveled to different countries, very challenge in birding, and wild animals, fuji camera is very good in ambient light, with 1.4 Tele converter , it is very easy to drive IOS over 6000, so the images are not crystal sharp, that is my biggest wonder, I bought you ebook of fuji X, I use xpro2, XT4 two cameras, just for keeping myself occupied,
Lee, the 100-400 is indeed a great lens for shooting portraits. Regarding image softness at higher ISO settings, there are always compromises when shooting in challenging conditions, and in dim light, your options can be limited. The best way to ensure maximum sharpness is to try shoot against brighter backgrounds with faster shutter speeds at lower ISO, which might necessitate looking for different vantage points or shooting at different times of day. Or just living with the slight limitations, and realizing that if you capture an incredible moment, it won’t really matter much. Hope that helps.
Thank you so much for your lovely review, Dan! Taking photos using my x-t2 and shooting planes, I've lots of pics out of focus, It's like the camera doesn't work properly. Slow focus. Are there differences using the combo x-t2+ xf100-400 and the x-t4 + xf100-400 ones? Happy New Year Regards from Spain
Happy new year, Carlos and thanks for the comment. Not sure what your issue is, but even though the X-T4 is a faster AF camera, the X-T2 is still very capable with regards to autofocus, especially when using the 100-400 lens. I've had very good results shooting action with that combination. Make sure the camera is set to AF-C and the Drive Dial is set to CH. Also, try playing around with the AF-C Custom Settings. I find that using setting #2 and #4 can sometimes give you better results, depending on what you're shooting. What kinds of subjects are you photographing where you're seeing this happen?
@@DanBaileyPhoto Thanks for your quick reply! I'm spotter. I sold all my Canon equipment and start with Fuji. I had the Fuji x-t2 and the 16-55mm. I've just added the 50-140 and the 100-400. The last one, especially for my hobby. If I shoot when the plane is in front of me everything works fine but when the plane is coming to me I can see how the camera lost the focus and the lens seems slow. And thought that the xt4 can fix this or maybe change the AF tracking to 4 but a plane hasn't an erratic moviment. Cheers
Carlos, photographing planes can be hard. They're often quite small in the viewfinder, and sometimes they don't have a huge amount of contrast against the sky. Also, objects moving towards or away from you are much harder to shoot, as they camera has to constantly make calculations and adjustments to compensate for the continuous change in distance from the camera. That said, the X-T4 will certainly have a faster, more accurate AF system than the X-T2. Also, the 100-400 lens does have a very fast AF motor, but that kind of subject will still be challenging to capture. I would suggest watching this video for additional tips on shooting very fast subject matter: ruclips.net/video/PSIjQPJGiaQ/видео.html In addition, watch this video on how to use the PRE-SHOT ES setting, which could help you get better results: ruclips.net/video/B0lvATlx0U8/видео.html
@@DanBaileyPhoto Thank you very much indeed Dan! Very much appreciated! You're right all you wrote. I'm going to watch your videos and learn a lot with all your lovely videos. I'm waiting for the new Fuji's moviment but at the moment I want to enjoy my X-T2. Once again thank you so much for your time and sharing your knowledge with us.
Hey Dan, thanks for the review. What camera do you use it with? And what af settings? Do you do a lot of af-c? I have a xt30 with the 100-400, and while that combo is totally capable of getting absolutely breathtaking results, the error quote is just really high with the auto focus, tracking is off especially with a tc, i have to be lucky sometimes to get sharp shots. Would definitely not praise that auto focus as you did in your review...
Dominik, thanks for your comment. I’ve used this lens with numerous Fuji bodies over the years, from X-T2 on. I’m currently using it with the X-T3 and 4. And yes, I do a ton of AF-C with this lens. I’m sorry to hear that you’re having AF issues. The X-T30 has the exact same AF system as the X-T3, and AF is not affected by the use of the teleconverter, so, in theory, you should be getting the same performance. However, there are a number of factors that can affect AF performance, and often times this has to do with practice and understanding the limitations of the system, based on what you’re shooting. What kinds of moving subjects do you typically photograph where this is an issue?
Also, I would recommend watching my video on autofocus here: 10 Essential Autofocus Tips for Shooting Sports & Fast Action: ruclips.net/video/PSIjQPJGiaQ/видео.html
Arild, it depends on which camera I'm using. The newer models, (X-T3 and later), have faster read electronic shutters, so they actually do better with fast moving subjects. They have an entirely useful setting called PRE-SHOT ES, which is ideal for shooting moving subjects: ruclips.net/video/B0lvATlx0U8/видео.html Mechanical shutter works great, too, especially if you're using X-T2 and older. What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto Than you for your answer! I an using the X-H1 and the XF 100-400 mm + 1.4 converter on flying birds or fastmoving objects. I use electronic shutter. Are the X-T3 or X-T4 a better choice? I photograph most landscape, birds and macro. Keep up your good work! You are a very good educator!
That's a great combination, and you should be able to get good results, but yes, the X-T3 and 4 both have the improved electronic shutters and the PRE-SHOT ES feature. This is really a powerful setting for capturing flying birds. So if you're really into that kind of photography, it would be a worthy investment to upgrade to one of those two models.
mirrorless cameras won't burn your retina even if you point it on sun even with the highest focal length available :) But it will surely wreck your sensor indeed.
Thanks for your input. You are correct, the view from an LCD or EVF is potentially less harmful than looking directly through a lens, but I still wouldn't advise it.
Definitely!! The 100-400 is a very powerful and fast AF lens. I've used mine quite heavily with my X-T4 and have gotten excellent results. One thing to note, the 150-600 is about the same price, and with it, you get a bit more length and three Fn buttons on the lens that can be used to activate AF ON, AF Lock or AF Recall. The tradeoff is that it's one stop slower than the 100-400, and out has an internal zoom design, so it will always be the same length, and it's pretty long (12.4 inches.) The 100-400 will zoom in and out, so it's shorter when the barrel is all the way zoomed in. This gives it a little bit more flexibility for packing, since it will fit a rider range of camera bags. They're both great lenses, but I can say that I do love my 100-400. Hope that doesn't complicate your decision too much. What kinds of subjects would you be looking to shoot with it?
Dan I just returned from a safari and wish I had longer reach I used the 100 to 400...Fuji.liked it but still getting used to it,.....what are your thoughts on the teleconvertor. with this lens?
Hey there. The 1.4x TC is an essential companion for the 100-400. It extends the reach with no loss of sharpness, and only 1 (almost negligible) stop of light. I absolutely recommend the 1.4x with this lens over the 2x, which loses two stops and starts to lose a bit of sharpness. Were you able to get some really good shots with it on your safari?
@@DanBaileyPhoto hello...Would like your thoughts. I'm new to Fuji and am considering either the XPro 3 used or the new XT5. I seem to like the Pro form but occasionally will want to use 100 - 400 lens. Is it just a no brainer that then I should be looking at the XT5. Both will likely need some adaptive grip. Thanks for any insight.
Dan, I'm hoping to get into Sports Photography here in the UK next year. Would you recommend this lens with 1.4 adapter and the 50-140 as the 2 lenses to use for Soccer, Rugby, Cricket and outdoor sports. Cheers Jamie
Hi Jamie, yes, both of lenses would be excellent for shooting action and sports. I haven't actually used the 2x teleconverter, but I can attest that the 1.4x works extremely well on both the 100-400 and the 50-140. Either way that would be a powerful combo for capturing that kind of subject matter.
Awesome. That's a great camera. The technology inside the X-T2 set the tone for all of the X-T models that followed. I've shot a lot of fast action with the X-T2 and those two lenses. Be sure to watch these two videos for help maximizing your success rate when shooting fast moving subjects: The Fujifilm X-Series Autofocus System Explained: ruclips.net/video/fEwx1tdCzyk/видео.html 10 Essential Autofocus Tips for Shooting Sports & Fast Action: ruclips.net/video/PSIjQPJGiaQ/видео.html
Yep, it is a stunningly sharp lens, along with the 50-140, an integral part of my sports/action kit. That said, after the sales flop if the 200 f2, it looks as if Fuji is not going to pursue this segment (sports/photojournalism), where big glass lives.
Thanks for your comment. You're probably right, but I would say that with the excellent high ISO performance of the X Series cameras, a lens like the 100-400 can certainly function as a pro sports lens, but without the huge price tag.
I also love my 100-400mm and rumors have it, we will see a 150-600mm in 2022. With the 2/200mm shot themself into the foot. Somebody should have told them that the equivalent 2.8/300mm has been fallen out of favor for most pros many years ago. Either a 1.4/135mm for fashion or a compact and light f4 or 5.6 400/500/600mm (P/DO) lens would have been much more attractive for most of their potential clients. I can get along nicely with zooms but I sometimes miss the pinpoint sharpness of a prime in my 100-400mm at its longest setting.
Hi, Dan. Thanks for your video. I own a 55-200mm now. Instead of upgrading it to 70-300mm, do you think it is wise to have a 100-400mm? In this case, I will have both 55-200mm and 100-400mm. What is your advice?
Thanks for your comment. The 70-300 is very similar to the 55-200. It's essentially the same design, with a longer focal length, teleconverter compatibility and weather sealing. The 100-400 with the 55-200 would certainly give you more options than just having 70-300 if considering that route. That's my 2 cents.
I have the 100-400 but not the 50-200 and am considering the 50-200. I use the hell put of my 100-400 and the 1.4tc. For sports and wildlife and things that need that focal length. I do want something that has the front end of that focal length that's just smaller for doing more general purpose stuff. Kids outside, less serious sports, stuff like that. Hope that helps.
John, I’ve owned the 55-200 for years, it’s a great lens. It would be ideal for what you’re talking about. It’s a great all around lightweight telephoto that still offers great quality, and so much easier to carry.
@@DanBaileyPhoto it's on "the list" haha. That or the 50-140, I just started my first event photography job (I am a hobbyist but doing weddings or whatever on the weekend seems a great way to learn some more skills and have fun) and 2.8 would be useful.
Definitely. The 50-140 is a big step up from the 55-200 in terms of quality, performance and durability. For events, this would be a really useful tool.
Hi Chuck, thanks! Hmmm... that's a tough one. If it were me, and I was only taking one lens, a middle focal length seems like a good choice, like the 35. However, it also depends on what you think you'll be shooting. For landscape and grand vistas, I'd go wide angle, and for details, a short telephoto like the 50 or 90 might come in handy. Hope that helps.
Chuck, the 27 is a really good lens and a good compromise focal length. I don't use mine very often, but when I do, it always gives me good results and I always find that I enjoy the view from that lens.
Thanks for your comment. Having used this lens extensively, and I'm pretty rough on my gear, I find absolutely no discrepancies in quality with the XF100-400. On the contrary, it's an excellent optic that's constructed with enough metal in the barrel to make it tough, and enough lightweight plastic in non-stress areas to save weight. Have you had specific build/failure issues with yours?
The lens is impressive, and I've used it for some years - but you twice describe the lens as of all metal construction. It clearly is not. Most obviously, the zoom extending barrel is plastic. Further, as to its physical robustness, the ribbed rubber rings that cover the zoom and focus barrel have loosened with time/use and will both buckle and ride along the barrel; that has been a great disappointment in a red-label lens.
Barbara, thank for your comment. Yes, you are correct. As with all modern professional-grade lenses, there is some polycarbonate used in the construction of Fuji's 100-400, which helps save weight, without compromising durability of the lens. Metal is used in the critical areas which have the potential for stress. Sorry for any confusion. Also, I'm sorry to hear that you're having issues with your own 100-400. I would suggest calling the Fuji tech line, which is 1-800-800-FUJI in the US. If the lens has some sort of defect, they should be able to help you.
@@DanBaileyPhoto Thanks for the suggestion, but I did contact Fuji tech support - which offered only sympathy for the issue I mentioned, and the offer to have Fuji replace the rubber rings at a cost, as best I recall, of roughly US$300. I have had to engineer a decent fix on my own - which, while addressing the issue, has likely made resale highly problematic. (There is no need for you to respond to this; I note it simply to close the loop.)
Thanks for your thoughts. I bought it today and gave away my Tamron 150-500. First shots are really good, will take it out tomorrow for some bird shots 🎉
Awesome!! How exciting!! Have fun with it and let me know your thoughts after you’ve had a chance to shoot with it!
@@DanBaileyPhoto Hi Dan, first impressions:
AF seems to be better than the 150-500, fast and accurate. At 400mm a bit soft wide open, tried to f/8 but had so bad light that ISO went to 1600 and more, not the best for X-T5... And the air over the water was a bit in motion, so all in all not the best conditions.
I am in hospital tomorrow for a week maybe, after that I will make many more shots, am very happy with it all in all. And it is light and handy.
I agree, ISO 1600 isn't awesome with color on the X Series cameras, but it's not bad, considering how bad higher ISO performance used to be. It's still very usable, and for the most part, if you've got a great image, your viewers won't care one bit. And yes, "bad air" is definitely the bane of using really long lenses. They're great on cool, clear days, but when you have a lot of heat and humidity in the air, you're going to see that when you zoom all the way out. Anyway, keep having fun with the new lens!
Concise, fact filled, and persuasive. Thank you Dan!
Hey John, thanks for your comment! What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto I use an XT-3 and my favorite all-round lens is the Xf 16-80. I photograph landscapes, events, and some architecture. I own your most recent Fuji book, and it’s my best friend. But now seriously considering how much more I could do with the 100-400. I’m seeing an excellent condition used one with a savings of $270 over new. Is that fair?
Cool, thanks for buying my eBook, John. I'm glad you're finding it to be a helpful resource. I haven't tried the XF16-80, but I'm curious about it. So, you really like it? And yes, a 100-400 in excellent condition would hold its value. $270 savings seems like a decent price, but a quick look at eBay shows used 100-400s for anywhere from the $1300-1600 range. You might shop around.
Danke, für die Bestätigung dessen, was auch ich Gestellen konnte; ein tolles Objektiv👌👍👍
Thank you for your comment, Erich. Yes, the 90mm is indeed a fantastic lens! What Fuji do you use and what do you like to photograph?
Love this lens on my XT3. rarely use my canon full frame and 70-200F2.8L now except for portraits and family stuff. Fuji lenses are so sharp and the fact that even though the 100-400 lens is heavy it has nothing on the canon system. Im happy to carry this set up all day
Julie, I agree. Fuji lenses ares so sharp, and this 100-400 is one of their top performers. Sure, it's a bit heavy, but for what it can do, it's worth lugging it around sometimes! What do you like to shoot with it?
@@DanBaileyPhoto mainly wildlife and nature, great for dolphins on our aussie coast although I've recently got a drone and use that for ocean stuff
@@julieholland9639 Cool. I'll bet you can get some really amazing ocean footage with your drone!!
You do a great job of confirming what Anybody with an open mind will admit - It's a superb lens.
I bought mine ~4 years ago, with the 1.4 t/c, & it's turned me into a dedicated coastal & surfing snapper.
I have an x-t3, 16-55 & 50-140; giving me uninterrupted 16-560mm in a Lowepro Slingshot 202 bag, which I don't need to put down on the sand to change lenses.
All in all, the perfect system for what I do, and I'm constantly asked how I get every droplet of spray so sharp - I don't; it's all down to the glass.
Peter, thanks for your comment. It sounds like you've got a great system, that's a really capable setup! And yes, it's all about the glass!! 👍 Hope you're having a great summer at the beach!
This video just popped up on my yootoob, so thought I'd do a bit of an update...
When fuji released the 150-600 I was seriously tempted, but decided to see what real-world users would report:
Well, already unconvinced by the bigger lens' light-gathering, have only found 1 genuine comparison of iq, which seemed that, if there honestly is any improvement it's not significant, even when using the 1.4 t/c.
The final nail in the coffin has been that the new lens is just too big for my modus operandi - I have 7🙄 gear bags & it'll only fit in 1 of them & then off-body.
As I'm an extremely mobile 'tog, riding an Ebike around our local surfing hotspots & estuary/riverside trails, I frequently keep the long lens attached.
As a final update, my shiny new x-t5 arrived a couple of weeks ago & now I know, for sure, I made the right decision:
The new body & the old lens are superb together.
Thank you. Good to get sincere, enthusiastic and relevant info about something I'm interested in from an actual good photographer, also like your presentation, how you do videos. Cheers, long may you continue!
Thanks, Rudy. Appreciate the comment. Really glad to hear that you're enjoying my videos! What kinds of imagery do you like to shoot?
Great video Dan!! My 100-400mm lens stays permanently mounted to my Fuji xt4 and i have every Fuji lens except the new 70-300mm but I can say that over the 5 years of owning Fuji cameras and lenses is that ive shot my favourite images with this amazing lens and it’s super light to carry than the full frame equivalents!!! So I take it on holiday all the time where as my friends full frame gear they have to leave behind due to the weight of their gear
There does seem to be something quite special about this lens, and it’s certainly more portable than most full frame equivalents. Great to hear that get so much use from it! Keep up the good work and keep having fun with your Fuji gear!! 👍
Thanks Dan. You’re always a great Fuji enthusiast. I haven’t played with my 100-400 that much. I wasn’t that enamored with it at first, but now I’ll get out and give it more of a workout. I loved a 70-200 I had for a Nikon 7100 and later a 70-300 Tamron? It was my walk around travel lens. So, I’ll be interested in your review of the Fuji 70-300, but I take your points so far. Thanks again!
Geoff
Hi Geoff, thanks for your comment. I too am curious about the 70-300 but I do know that it will be very similar to the 55-200. It's essentially the same design, but with weather sealing and it's able to use the Fujifilm teleconverters. The 100-400 is definitely a unique lens in the line. It's certainly bigger and heavier, but it does have some real strengths, including that super fast autofocus.
Dan, you just precipitated into my Shakespeare type question: to purchase or not to purchase, that is my question!
Twice in my life (big words) I decided to say yes to this question. At the moment when I decided it, something happened. It is not question if I want it or not. The only question: When? Your video helps me to shorten the time period between the present and the future (means “when”).
Hey there! Thanks for your comment. Glad I could be of help!! That’s often the more relevant question with a lot of things... when, not if. 😀
Thanks Dan, for another valuable and informative clip. I really enjoy the confident, relaxed delivery. I get a lot out of each clip. And that moose was just fantastic! Sadly, I will have to wait awhile till my financial controller feels I might need *another* lens. (A recent birthday saw me get the 10-24 WR lens, and only then because of a price reduction and big cashback promotion.) Here in Oz the 100-400 retails for a little more than the XT-4 body.
Hey Michael, thanks for your feedback. Yes, that 100-400 isn't cheap, but good glass never is. I hope you're having fun with your new 10-24, I hear that's a really fun lens, but it's one I haven't tried.
Thanks for the video, Dan. I also have the XF 100-400 mm. Totally agree with you as I have taken awesome photos with the lens too.
Cool! What’s your favorite type of subject to shoot with this lens?
Thanks for this video, it's clear, it's funny, your photos are great... I definitely hit the follow button ❤
Awesome, thank you!👍 What Fuji do you use and what do you like to photograph?
I have the 100-400. Love it!!!
Awesome!! What do you like to shoot with it?
I completely agree with you, I got this lens about a year ago and it performs just as you say (I'm using it on the X-T4), not to mention that it’s great for keeping my distance when photographing alligators in the everglades (haha).
Haha! That seem like a pretty good use for a long telephoto!! 😱 I’m actually pleasantly surprised at how many of my followers own this lens. Given its price, that clearly indicates a creative commitment to photography. Either that, or everyone has money burning a hole in their pockets! 😂 Keep having fun with the big lens, Enrique and be safe around those gators!
Got a used one on the way. I was waiting for the 70-300mm to get back in stock. But, I found a used 100-400mm and the Red Badge beckoned ;) I can't wait to try it with my 1.4 and 2X teleconverters.
Bill, you won't be disappointed. Although it's definitely bigger and heavier than the 70-300, the Red Badge 100-400 is a fantastic lens that excels at autofocus speed and overall performance. What kinds of subjects do you plan to shoot with it?
Wildlife mostly. I do plan to take it to Yosemite next year for some "compressed" landscapes. I haven't been there for years, but made the limiting assumption that wide angle lenses where the way to go. This next time I'll use wide and telephoto!
Indeed. Wide angles are often the perceived go-to lenses for landscapes, but I love shooting nature with long lenses. There's a lot of creativity to be had compressing distant backgrounds behind your subject and bringing things up close.
@@DanBaileyPhoto I can't wait to make Yosemite valley 100ft long ;) ;) :)
😀
Seriously drooling here, but on the other hand, I used a 150-600 on my Nikon D750 for a while and found that I didn't really used it often enough. Obviously, that's a far larger and heavier lens, but when I look at how much use I get from my three Fujifilm zoom lenses, I find that the 18-55 gets used the most often, then comes the 10-24, and finally, the 55-200. I guess I prefer wide to tele, but when I'm back in the US this fall, I may try to rent the 100-400 for a few days to see how I feel about it. Anyway, every time I watch one of your videos, you give me something to think about. Thanks for that!
Hey Daniel, that’s a pretty good, and very classic Fuji zoom trio. I’d definitely try out the 100-400, if for nothing else, just as a fun, creative diversion. The 10-24 is one that I don’t have, how do you like that lens?
@@DanBaileyPhoto I absolutely love the 10-24 (I have the original one, not the new version). Extremely sharp; when I switched from the Nikon D750, I needed something to replace my Nikon 16-35 lens, and the 10-24 is it. The Nikon lens was tack sharp, and I was hoping for a similar performance from the Fuji. I was not disappointed. To open up interior spaces or for general landscape photography, I love this lens. Still, my main lens is the 18-55 which is amazingly versatile and lightweight. Often, it's even the only lens I take with me. I would love to get the XF 27mm f/2.8 R (the new version with the "real" aperture ring) because it strikes me as a perfect walkabout lens. I also like the 40mm equivalent; I always thought 35mm was a bit too wide and 50mm a tad to narrow. 40mm seems a near-perfect compromise. Maybe one of these days...
Amazing video!
I have this lens and it works perfectly on my X-H1!
Awesome. Great to hear!
Thank you, Dan. So informative and comprehensive in such a short video. I haven't been considering buying a long lens for my Fuji but you might have piqued my interest
Harry, thanks so much for your comment, I’m glad you found this helpful! What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto I have an X-T4 & an XE2, I usually do cityscapes, street photography & occasional landscapes
Cool. Old and new. That X-E2 is an interesting model. It kind of got lost in the shadow of the breakthrough X-T1, but it's definitely a great little camera.
Just sold my 70-300mm and ordered the 100-400mm. Great review
Jon, the 70-300 is a great lens, but as you'll soon discover, the 100-400 is much more capable with regards to speed and autofocus performance. Having both lenses would be great, but if you can only have one and you're a serious shooter, or if you shoot action and fast moving subjects, the 100-400 is ultimately the better choice. What kinds of subjects to you shoot?
@@DanBaileyPhoto awesome! I do a wide range of photography. Normally I'm using a wide angle lens for street/photojournalism style shoots, but I also love going to events where I'm not close to the action where I would want a good telephoto. Like races and things of that nature.
Like I said, you're going to love the 100-400. Sure, it's a little bigger and heavier than the 70-300, but if you leave the tripod collar off, it's pretty manageable when you're carrying it around.
Agree with all you say Dan - if you are looking for a list of the most used lenses for the Fuji X series I would get this lens second after my most used, the Fuji 35mm f1.4 prime (the equivalent to a full frame 'nifty fifty') - on an XT body that small incredibly sharp and fast lens gets used more by me than any other for just walking around, travelling, indoors anywhere really - but the 100-400 is second. Third might be the 16-55mm zoom. Also, If you are a Fuji shooter on a budget, try buying second hand old school non autofocus primes and zooms from say Nikon, Asahi Pentax Minolta (oldies but goodies) - yes you will need a (cheap) adapter to mount them to an X series, and you will have to manually focus, but its a really cost effective way of getting a lens set together - and the glass might be old but they still work really well on a Fuji - more wicked fun as you say Dan, for not much $ !
Thanks for your input. Yes, I've known quite a few photographers who use older & vintage lenses on their X Series cameras via adapters, with excellent results. In most cases, you're limited to manual focus, but if this is not an issue, then that can be a great way to go.
@@DanBaileyPhoto Your right Dan, i use my nikkor 50mm f1.4 with my K&F adapter and i can say i have great pictures with it on my X-T4 and these vintage lenses are cheap today. I don't care about manual focus, i'am using focus peaking.
Alain, sounds like you’ve got a great setup! And yes, those older lenses can be found for a bargain these days, but some of them are still amazing! Plus, there’s something uniquely special about mixing the old and new on the classic-style Fuji bodies.
@@DanBaileyPhoto I found the Prime vintage lens work better with an adapter than the vintage zoom lenses :-)
I can easily see that being the case. Back in the day, primes were always way sharpers than zooms. It's still that way to some extent, especially with less expensive zooms.
Can you show your photos more often in video?
They are beautiful!)
Thank you!!! I will keep this in mind as I make future videos! Are you a Fuji shooter?
Its a great lens, light, reasonable fast AF and sharp wide open. Unfortunately I seem to struggle in low light conditions with wildlife photography. Above iso 3200 the images are muddy and high shutter speeds are required most of the time to prevent motion blur. My Nikon Z7 with the 300mm 2.8 and 1.4 extender is heavy but under these conditions the photos are significantly sharper with much less noise and more contrast. Even when I crop to the same field of view. The AF-C is better on the XT3 and the frame rate is higher but I have more shots in focus in low light conditions with the Nikon. Still the Fuji is used the most because of weight, but very often I wish I had my Nikon with me.
Morné, thanks for your comment. That always is the trade off. A bigger sender can often produce less noise at higher ISO settings, but with the newer Fujis, that’s becoming less of an issue. There definitely is a loss of “crispness” above 3200 (I see that as the sweet spot for high ISO), but I’ve been pleasantly surprised at how well the X-T3/4 perform in this area, especially with the higher quality lenses like the 100-400. At the same time, the technology can’t do everything, and sometimes you have to live with the compromise of bigger heavier gear, or a slight increase in noise. However, as I like say, noise is not the enemy, especially if you have a killer image.
@@DanBaileyPhoto You are absolutely right, I'll take a killer image with some noise any day. Unfortunately I sometimes have issues with the focus system where it chooses to focus on the background instead of the subject on which the single focus point was set. I am still trying to figure out if this a user error or a focus issue.
That's a totally different issue. Focus can be really tricky, especially when you have moving subjects in busy backgrounds. That takes A LOT of practice and knowing the system really well. Have you seen my two autofocus videos, here ruclips.net/video/fEwx1tdCzyk/видео.html and here: ruclips.net/video/PSIjQPJGiaQ/видео.html
@@DanBaileyPhoto I will definitely studies these. The Nikon Z AF system is just easier to use, I will try these tips for Fuji.
Good info, thanks!
Cool. I haven’t checked out the Nikon Z system, but I am a former Nikon shooter.
It's definitely sharp up into 300mm where it begins to soften considerably up to 400mm. Still a great lens though.
Thanks for your comment. I've found it to be sharp all the way out to 400. That said, if there is any humidity or excessive heat in the air, this will definitely soften long telephoto images. The further out you zoom, the more this effect is magnified, so that could be what you're seeing. What kinds of subjects have you shot with it?
@@DanBaileyPhoto im considering a purchase, never used it. I was referring to test chart results
Cool. I don't usually look at test charts. I pretty much assume that most high price lenses these days are going to be very good, and my history with the X Series has shown me that their red badge lenses are incredible performers. What kinds of subjects do you like to shoot?
@@DanBaileyPhoto nothing too in particular, but I'm looking to try out any wildlife I can at the moment. I know 600mm equivalent is a short for smaller birds, but the 1.4tc can help at the cost of light and sharpness. Was also considering the Tamron or Sigma EF mount 150-600 with fringer, but at the cost of video AF performance. Decisions decisions.
I've used the 1.4x TC on the 100-400 many times with excellent results. It's pretty much an essential accessory for any of the long Fuji zooms. Of course, they also have the 150-600, which I talk about here: ruclips.net/video/Tje-8HqPdeg/видео.html
Hi Dan, would love to see your testing of new Fuji 150-600 new lens , thanks millions in advance
Lee, I haven't even seen the 150-600 in person, but if I can get one in hand, I'll definitely do a review. It does look like a very good lens. What kinds of subjects do you typically like to shoot with long lenses?
Dan, interesting review.
Not sure,despite your,as usual clear explanation, that I need such long legs.
In FF glass, have been quite content with the Canon L series glass 70-200 2.8- now way out of my price range.
Hi Robert, thanks for your comment. I would agree, we all have our limits and ideas about which lenses would serve us best for the cost. There are a number of Fuji lenses that are excellent, but that I feel would be redundant in my system, or that don’t fit my style/needs. Anyway, hope you’re having a great summer!
Wow! Love the bear shots, I would have been sh..ing myself, great review love to add this to my collection,
Thanks Elias!! Thankfully, the bears were a long way off and totally focused on digging for clams. But yea, this 100-400 really is a fantastic lens, and so versatile for shooing a wide range of subjects. What Fuji do you use and what do you like to photograph?
Hi Dan! Couldn't agre more with all the comments below! Proud and joyful set of equipment. This is more a comment to show my appreciation for your time and content. Amazing, entertaining and interesting... I could go on!!
Being on the sporty side from motors to surf, where is the action is where I like to be! Cheers\ Carlos
Hey Carlos, thanks so much for your comment! Really appreciate the feedback, and hope you're doing well lately. What have you been shooting this fall?
@@DanBaileyPhoto I had to do a pause for a couple of months and got back recently...was just missing the action. I have the privilege to live 15 minutes away from the coastal line and beaches where I grew up. Yes, I'm a surfer that became a photographer!!! Next weekend will be the longboard Nationals! Other than that, will be superbikes at the local circuit. "My comeback" was with the Ironman at Cascais Portugal on assignment for the local newspaper and one team.
Thank you for your feedback and very genuine approach to your viewers. Fuji is lucky to have you on board! Cheers
Cool!! Good to learn that about you. That sound like it will be really fun. Have you every seen Dave Black's surfing photography method with his giant speedlight rig? ruclips.net/video/cP6a47BQA70/видео.html
@@DanBaileyPhoto Blessed your are!!! I just want to thank You and tell how lucky I am! I'm dazzled by the idea. It´s late at my end and I just wanted to send feedback. Had a quick look at the link and OMG!!! I will let you know if I will (and when) be able to absorb and conceive a plan to put this idea into practice. Huge Thank You Dan!!! Really appreciated! Cheers
You're welcome! I hope your upcoming shoots go well!
I hope I love it.
I’m sure you will! What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto X-H2s. Been shooting mostly motorsports but wanted a longer lens for that and maybe some wildlife shots. Already have the 50-140 2.8 but need a little more reach. I shoot portraits with my 90mm f2, Sigma 56mm. Also have the Viltrox 13mm f1.4 for wider shots. Trying to fill out my lens lineup. The 16-55 f2.8 may be next.
That’s a good setup. How are you liking the X-H2S? Is it everything you hoped for as an action camera?
@@DanBaileyPhoto definitely. I, personally, love the ergonomics and speed. The AF is very capable for any kind of sports/action. I would say Fuji made a great pro body camera. It’s not for everyone, but it may draw in a lot of people that want a smaller, lighter setup. With a few tweaks via firmware, I think Fuji hit this one out of the park.
Awesome. I'm excited to try one out, so hopefully I can get my hands on an X-H2s at some point soon.
Nice review. I'm torn between getting this or waiting for the 150-600 when it comes out next year. As I like to shoot wildlife, I think I will wait to see how much the 150-600 costs (the 150-600 may not be that far off the cost of the 100-400 with a teleconverter..at least that's what I'm hoping!).
Hi Tim, thanks for your comment. I just saw the X Summit video announcement for the 150-600. I imagine that it will be a ways off, but I'm sure it will be an amazing lens. There's also the new 70-300, which is an incredible offering, especially for the price. Coupled with the TC, it's even more powerful. You can see my 70-3000 video here: ruclips.net/video/qK2g73Iyn3I/видео.html As for waiting, that's a tough call, especially for a lens that's still just on the roadmap. Could be a couple years out. Think how many photos you could shoot in that time.
What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto I have an XT-30. I like to shoot landscape and wildlife, but perfer wildlife photography. Longest focal length I have is 230mm lens, which is not enough for bird photography (especially birds of prey that are usually quite far away and cropping too much just results in poor image quality.).
Yeah not sure if I can wait for the 150-600mm fuji lens, I'm hoping it will be released early next year.
Also will depend on the weight, as I like to walk around 15-20 miles so hopefully it's not too much heavier than the 100-400mm lens (I like the exercise with the extra weight carrying camera gear, but don't want to break my back!).
Cool. My guess is that the 150-600 will be at least a similar size/weight than the 100-400, if not a little bigger and heavier. Also, looking at the design, which appears similar to the XF200 f/2, my guess is that it will be considerably more expensive. I’ve shot birds with numerous Fuji lenses, and I’ve found the 100-400 w/ 1.4 TC to be the best/fastest combo.
Thank you for a great review. Just picked this up. Im using a XT4 and I'm curious as to your Continous focus settings for moving subjects?
Hi Robert, thanks for your comment. Great to hear that you've got yourself a 100-400, it pairs exceptionally well with the X-T4. When you say Continuous focus settings, are you referring to the AF-C Custom Settings options?
@@DanBaileyPhoto yes I am
Sorry for the delay... When shooting action, I typically use Zone AF with my AF-C Custom Settings on either preset #2 (Ignore obstacles) or #4 (Suddenly appearing subject). I find those work best for the kinds of subjects that I often shoot.
If you're interested, I have a comprehensive online course that covers the entire Fujifilm AF system. You can find it here: courses.danbaileyphoto.com/p/mastering-the-fujifilm-autofocus-system
Dan I am fan of your works and appreciated for all useful emails you send me every week. Please advise me what lens would be the best performance and image quality on my XT5 for wide life and action? Thank you
Thanks so much for your comment and your feedback. Here is FUJIFILM's official list of all of the lenses that we get maximum benefit from the new 40 Megapixel sensor:
XF8mmF3.5 R WR / XF16mmF2.8 R WR / XF18mmF1.4 R LM WR / XF23mmF1.4 R LM WR / XF23mmF2 R WR / XF27mmF2.8 R WR / XF30mmF2.8 R LM WR Macro / XF33mmF1.4 R LM WR / XF35mmF2 R WR / XF50mmF1.0 R WR / XF50mmF2 R WR / XF56mmF1.2 R WR / XF80mmF2.8 R LM OIS MACRO / XF90mmF2 R LM WR / XF200mmF2 R LM OIS WR / XF8-16mmF2.8 R LM WR / XF16-55mmF2.8 R LM WR / XF18-120mmF4 LM PZ WR / XF50-140mmF2.8 R LM OIS WR / XF70-300mmF4-5.6 R LM OIS WR / XF100-400mmF4.5-5.6 R LM OIS WR / XF150-600mmF5.6-8 R LM OIS WR
Regarding the best performance, that largely of depends on what you like to photograph. What kind of subject do you typically like to shoot?
@@DanBaileyPhoto I need it to mount on my new xt5 for landscape as well as action.
Cool. I've really been enjoying my X-T5. Have fun with yours, and let me know if you have any other questions about it.
@@DanBaileyPhoto it’s good that you tested 100-400 on your xt5 :) is that recommended?
Can't believe you confronted tucker Carlson in your outdoor shop
I’m sorry, that was an entirely different Dan Bailey. And I have no relation to the fly shop owner, either. It’s all a very odd coincidence. 😆
Hi Dan, quick question, if I use this lens to take moon picture, F11 is the sweet spot of this lens or just F6.4, thanks millions
Lee, I've gotten good results photographing the moon with this lens at a variety of apertures, including f/5.6, f8 and f/11.
So, now ..with the new 150-600 ..what we should take…?
Christiano, that might come down to preference and the capacity of your camera bag. Both are very good lenses, but a big factor is that The 150-600 has an internal zooming mechanism, so even at 150mm, the barrel remains at a fixed length of 12.4 inches long (314mm). When the 100-400 is locked at the shortest 100mm setting, it's only 8.3 inches long (94mm). The 150-600 has an incredible range, but it requires a much larger bag/pack to carry this lens with you. Hope that helps.
Thank you very much of explanation of this lens, could you explain a little bit of setting to get cristal shape images when shoot wildlife? Especially with 1.4 converter. Thanks millions,
Lee, thanks for your comment. The 100-400 is capable of getting very sharp image, but it does take good technique. Even with stabilization, it helps to brace the camera or use a tripod, and use as high a shutter speed as possible. Also, be aware of air temperatures and distance. On very warm days, you'll only be able to shoot so far without getting heat shimmers that will soften the photo. Not a bad thing, but just something to be aware of. On cool and cold days, this won't be a factor, and you can get sharper images at greater distance.
Hope that helps. What kinds of wildlife do you like to photograph?
@@DanBaileyPhoto thank you Dan, I found 100-400 is great lens to shoot portraits when i traveled to different countries, very challenge in birding, and wild animals, fuji camera is very good in ambient light, with 1.4 Tele converter , it is very easy to drive IOS over 6000, so the images are not crystal sharp, that is my biggest wonder, I bought you ebook of fuji X, I use xpro2, XT4 two cameras, just for keeping myself occupied,
Lee, the 100-400 is indeed a great lens for shooting portraits. Regarding image softness at higher ISO settings, there are always compromises when shooting in challenging conditions, and in dim light, your options can be limited. The best way to ensure maximum sharpness is to try shoot against brighter backgrounds with faster shutter speeds at lower ISO, which might necessitate looking for different vantage points or shooting at different times of day. Or just living with the slight limitations, and realizing that if you capture an incredible moment, it won’t really matter much. Hope that helps.
@@DanBaileyPhoto it will be great if you have a short video of using 1.4 tele converter on 100-400 lens , and some knowhow. Thanks millions in advance
Lee, some of the photos in this video were shot with the 100-400 and 1.4x TC: ruclips.net/video/rYHNNTRAQfA/видео.html
Great thanks I love lens yoo
Hi Claire! What do you like to shoot with it?
@@DanBaileyPhoto I like to shoot birds and animals when I get hang of it
The 100-400 is an exceptional lens for bird photography. 👍 What Fuji model do you use?
Thank you so much for your lovely review, Dan! Taking photos using my x-t2 and shooting planes, I've lots of pics out of focus, It's like the camera doesn't work properly. Slow focus. Are there differences using the combo x-t2+ xf100-400 and the x-t4 + xf100-400 ones?
Happy New Year
Regards from Spain
Happy new year, Carlos and thanks for the comment. Not sure what your issue is, but even though the X-T4 is a faster AF camera, the X-T2 is still very capable with regards to autofocus, especially when using the 100-400 lens. I've had very good results shooting action with that combination. Make sure the camera is set to AF-C and the Drive Dial is set to CH. Also, try playing around with the AF-C Custom Settings. I find that using setting #2 and #4 can sometimes give you better results, depending on what you're shooting.
What kinds of subjects are you photographing where you're seeing this happen?
@@DanBaileyPhoto Thanks for your quick reply! I'm spotter. I sold all my Canon equipment and start with Fuji. I had the Fuji x-t2 and the 16-55mm. I've just added the 50-140 and the 100-400. The last one, especially for my hobby.
If I shoot when the plane is in front of me everything works fine but when the plane is coming to me I can see how the camera lost the focus and the lens seems slow.
And thought that the xt4 can fix this or maybe change the AF tracking to 4 but a plane hasn't an erratic moviment.
Cheers
Carlos, photographing planes can be hard. They're often quite small in the viewfinder, and sometimes they don't have a huge amount of contrast against the sky. Also, objects moving towards or away from you are much harder to shoot, as they camera has to constantly make calculations and adjustments to compensate for the continuous change in distance from the camera.
That said, the X-T4 will certainly have a faster, more accurate AF system than the X-T2. Also, the 100-400 lens does have a very fast AF motor, but that kind of subject will still be challenging to capture. I would suggest watching this video for additional tips on shooting very fast subject matter: ruclips.net/video/PSIjQPJGiaQ/видео.html
In addition, watch this video on how to use the PRE-SHOT ES setting, which could help you get better results: ruclips.net/video/B0lvATlx0U8/видео.html
@@DanBaileyPhoto Thank you very much indeed Dan! Very much appreciated! You're right all you wrote. I'm going to watch your videos and learn a lot with all your lovely videos. I'm waiting for the new Fuji's moviment but at the moment I want to enjoy my X-T2.
Once again thank you so much for your time and sharing your knowledge with us.
You're most welcome, Carlos. Have fun with your camera and let me know if you have any more questions!
Hey Dan, thanks for the review. What camera do you use it with? And what af settings? Do you do a lot of af-c? I have a xt30 with the 100-400, and while that combo is totally capable of getting absolutely breathtaking results, the error quote is just really high with the auto focus, tracking is off especially with a tc, i have to be lucky sometimes to get sharp shots. Would definitely not praise that auto focus as you did in your review...
Dominik, thanks for your comment. I’ve used this lens with numerous Fuji bodies over the years, from X-T2 on. I’m currently using it with the X-T3 and 4. And yes, I do a ton of AF-C with this lens. I’m sorry to hear that you’re having AF issues. The X-T30 has the exact same AF system as the X-T3, and AF is not affected by the use of the teleconverter, so, in theory, you should be getting the same performance. However, there are a number of factors that can affect AF performance, and often times this has to do with practice and understanding the limitations of the system, based on what you’re shooting. What kinds of moving subjects do you typically photograph where this is an issue?
Also, I would recommend watching my video on autofocus here: 10 Essential Autofocus Tips for Shooting Sports & Fast Action: ruclips.net/video/PSIjQPJGiaQ/видео.html
Great video! When you are tracking moving objects, do you use mechanical shutter or electronic shutter?
Arild, it depends on which camera I'm using. The newer models, (X-T3 and later), have faster read electronic shutters, so they actually do better with fast moving subjects. They have an entirely useful setting called PRE-SHOT ES, which is ideal for shooting moving subjects: ruclips.net/video/B0lvATlx0U8/видео.html
Mechanical shutter works great, too, especially if you're using X-T2 and older. What Fuji do you use and what do you like to photograph?
@@DanBaileyPhoto Than you for your answer! I an using the X-H1 and the XF 100-400 mm + 1.4 converter on flying birds or fastmoving objects. I use electronic shutter. Are the X-T3 or X-T4 a better choice? I photograph most landscape, birds and macro. Keep up your good work! You are a very good educator!
That's a great combination, and you should be able to get good results, but yes, the X-T3 and 4 both have the improved electronic shutters and the PRE-SHOT ES feature. This is really a powerful setting for capturing flying birds. So if you're really into that kind of photography, it would be a worthy investment to upgrade to one of those two models.
mirrorless cameras won't burn your retina even if you point it on sun even with the highest focal length available :) But it will surely wreck your sensor indeed.
Thanks for your input. You are correct, the view from an LCD or EVF is potentially less harmful than looking directly through a lens, but I still wouldn't advise it.
Hey Dan! Still worth it in 2023? I’m thinking about getting one to my xt4
Definitely!! The 100-400 is a very powerful and fast AF lens. I've used mine quite heavily with my X-T4 and have gotten excellent results. One thing to note, the 150-600 is about the same price, and with it, you get a bit more length and three Fn buttons on the lens that can be used to activate AF ON, AF Lock or AF Recall.
The tradeoff is that it's one stop slower than the 100-400, and out has an internal zoom design, so it will always be the same length, and it's pretty long (12.4 inches.) The 100-400 will zoom in and out, so it's shorter when the barrel is all the way zoomed in. This gives it a little bit more flexibility for packing, since it will fit a rider range of camera bags. They're both great lenses, but I can say that I do love my 100-400.
Hope that doesn't complicate your decision too much. What kinds of subjects would you be looking to shoot with it?
Dan I just returned from a safari and wish I had longer reach I used the 100 to 400...Fuji.liked it but still getting used to it,.....what are your thoughts on the teleconvertor. with this lens?
Hey there. The 1.4x TC is an essential companion for the 100-400. It extends the reach with no loss of sharpness, and only 1 (almost negligible) stop of light. I absolutely recommend the 1.4x with this lens over the 2x, which loses two stops and starts to lose a bit of sharpness. Were you able to get some really good shots with it on your safari?
@@DanBaileyPhoto I was able to I can send you a few, and you can give me feedback...are you on Instagram?
Yes, @danbaileyphoto
@@DanBaileyPhoto hello...Would like your thoughts. I'm new to Fuji and am considering either the XPro 3 used or the new XT5. I seem to like the Pro form but occasionally will want to use 100 - 400 lens. Is it just a no brainer that then I should be looking at the XT5. Both will likely need some adaptive grip. Thanks for any insight.
Dan, I'm hoping to get into Sports Photography here in the UK next year. Would you recommend this lens with 1.4 adapter and the 50-140 as the 2 lenses to use for Soccer, Rugby, Cricket and outdoor sports. Cheers Jamie
Hi Jamie, yes, both of lenses would be excellent for shooting action and sports. I haven't actually used the 2x teleconverter, but I can attest that the 1.4x works extremely well on both the 100-400 and the 50-140. Either way that would be a powerful combo for capturing that kind of subject matter.
@@DanBaileyPhoto brilliant, thanks very much for your reply Dan.
You're welcome! Which Fuji body are you currently using?
@@DanBaileyPhoto I've just got an XT2
Awesome. That's a great camera. The technology inside the X-T2 set the tone for all of the X-T models that followed. I've shot a lot of fast action with the X-T2 and those two lenses. Be sure to watch these two videos for help maximizing your success rate when shooting fast moving subjects:
The Fujifilm X-Series Autofocus System Explained: ruclips.net/video/fEwx1tdCzyk/видео.html
10 Essential Autofocus Tips for Shooting Sports & Fast Action: ruclips.net/video/PSIjQPJGiaQ/видео.html
Yep, it is a stunningly sharp lens, along with the 50-140, an integral part of my sports/action kit. That said, after the sales flop if the 200 f2, it looks as if Fuji is not going to pursue this segment (sports/photojournalism), where big glass lives.
Thanks for your comment. You're probably right, but I would say that with the excellent high ISO performance of the X Series cameras, a lens like the 100-400 can certainly function as a pro sports lens, but without the huge price tag.
I also love my 100-400mm and rumors have it, we will see a 150-600mm in 2022. With the 2/200mm shot themself into the foot. Somebody should have told them that the equivalent 2.8/300mm has been fallen out of favor for most pros many years ago. Either a 1.4/135mm for fashion or a compact and light f4 or 5.6 400/500/600mm (P/DO) lens would have been much more attractive for most of their potential clients. I can get along nicely with zooms but I sometimes miss the pinpoint sharpness of a prime in my 100-400mm at its longest setting.
Hi, Dan. Thanks for your video. I own a 55-200mm now. Instead of upgrading it to 70-300mm, do you think it is wise to have a 100-400mm? In this case, I will have both 55-200mm and 100-400mm. What is your advice?
Thanks for your comment. The 70-300 is very similar to the 55-200. It's essentially the same design, with a longer focal length, teleconverter compatibility and weather sealing. The 100-400 with the 55-200 would certainly give you more options than just having 70-300 if considering that route. That's my 2 cents.
I have the 100-400 but not the 50-200 and am considering the 50-200. I use the hell put of my 100-400 and the 1.4tc. For sports and wildlife and things that need that focal length. I do want something that has the front end of that focal length that's just smaller for doing more general purpose stuff. Kids outside, less serious sports, stuff like that. Hope that helps.
John, I’ve owned the 55-200 for years, it’s a great lens. It would be ideal for what you’re talking about. It’s a great all around lightweight telephoto that still offers great quality, and so much easier to carry.
@@DanBaileyPhoto it's on "the list" haha. That or the 50-140, I just started my first event photography job (I am a hobbyist but doing weddings or whatever on the weekend seems a great way to learn some more skills and have fun) and 2.8 would be useful.
Definitely. The 50-140 is a big step up from the 55-200 in terms of quality, performance and durability. For events, this would be a really useful tool.
Great content as always. I need input, going on vacation want to bring only one prime lens for my xt30. Any thoughts
Hi Chuck, thanks! Hmmm... that's a tough one. If it were me, and I was only taking one lens, a middle focal length seems like a good choice, like the 35. However, it also depends on what you think you'll be shooting. For landscape and grand vistas, I'd go wide angle, and for details, a short telephoto like the 50 or 90 might come in handy. Hope that helps.
@@DanBaileyPhoto thank you, I'm thinking 27mm
Chuck, the 27 is a really good lens and a good compromise focal length. I don't use mine very often, but when I do, it always gives me good results and I always find that I enjoy the view from that lens.
@@DanBaileyPhoto ✌👍👊
I think you will find that you will be able to run a lot faster with the 70-300 mm ;-)
Haha!! That’s for sure!! 😂😂😂
ever tried the 50-230?
Yes I have. It’s actually a decent quality lens for the price. And super lightweight. Makes a good travel zoom. 👍
@@DanBaileyPhoto yes
Do you have this lens?
@@DanBaileyPhoto Yes I got it with an X-M1
@@DanBaileyPhoto I also want the 50mm f:2its the sharpest fuji lens according to Christopher Frost.
3 tiny screws siting in plastic holding heavy front elements . VERY cheap.
Thanks for your comment. Having used this lens extensively, and I'm pretty rough on my gear, I find absolutely no discrepancies in quality with the XF100-400. On the contrary, it's an excellent optic that's constructed with enough metal in the barrel to make it tough, and enough lightweight plastic in non-stress areas to save weight. Have you had specific build/failure issues with yours?
@@DanBaileyPhotoYES, I am repairing lenses. Have you ever disassembled even one lens before??
The lens is impressive, and I've used it for some years - but you twice describe the lens as of all metal construction. It clearly is not. Most obviously, the zoom extending barrel is plastic. Further, as to its physical robustness, the ribbed rubber rings that cover the zoom and focus barrel have loosened with time/use and will both buckle and ride along the barrel; that has been a great disappointment in a red-label lens.
Barbara, thank for your comment. Yes, you are correct. As with all modern professional-grade lenses, there is some polycarbonate used in the construction of Fuji's 100-400, which helps save weight, without compromising durability of the lens. Metal is used in the critical areas which have the potential for stress. Sorry for any confusion. Also, I'm sorry to hear that you're having issues with your own 100-400. I would suggest calling the Fuji tech line, which is 1-800-800-FUJI in the US. If the lens has some sort of defect, they should be able to help you.
@@DanBaileyPhoto Thanks for the suggestion, but I did contact Fuji tech support - which offered only sympathy for the issue I mentioned, and the offer to have Fuji replace the rubber rings at a cost, as best I recall, of roughly US$300. I have had to engineer a decent fix on my own - which, while addressing the issue, has likely made resale highly problematic. (There is no need for you to respond to this; I note it simply to close the loop.)
You love this because it is not sharp. buhhaha
Huh…? When did I say it’s not sharp?