Observation Level: 1 "We emerged into a great hall of crimson ornamentations. Its appearance summons to mind the shape of a banquet hall. A man wreathed in red fabric rested atop the throne of the crimson hall. He raised his hands in an endeavor of effort and gingerly gestured toward a gathering of masks manifestly made for a masquerade. A spectrum of emotions were carved unto a spectrum of masks laid about. There was a mask of sorrow, a mask of wrath, yet I found myself most partial to the mask of joy. I know not the reason for which this mask embodies such expression of euphoria; yet, shan’t it be enough that it shall share the selfsame joy with others? Two birds with one stone; solace shared, sorrow shrouded, the twain under a blanket of elation. I wear the mask and feel my thoughts grow clear as an autumn sky. Upon my approach, the king tensed his shoulders for a moment so brief that it was nigh unnoticed. Perhaps it was a gesture borne not out of thought but of instinct, shaped by the cloth-suppressed will to express. We had but a moment to regard it before those akin in appearance to us appeared. Though their forms were opaque and their shapes half-shrouded in shadow, they held certain similitudes to our own forms. The monarch, with certain torpidity, tipped his head to the side in a show of intent to behold our battle. The long years spent in binds have filled the void left behind by your long-gone interests with tedium, have they not? A terribly tragic tale. Yet we battle in hopes that our clashes may bring this king in binds the smallest revelry. Such is all I have to say." Observation Level: 2 "These umbral reflections of us bring to mind the ‘Identity Cards’ Dante holds. An egoless incarnation of ‘Identities’ manifested may hold a certain resemblance to the way they appear before us. Defeating one of them merely makes a vacancy for another to fill, for they number the same as we do. Now that I have spent some time in observation of their operations, I have noticed a conspicuously considerable collection of similitudes between us. I can presume that their number is most likely equivalent to our own; their techniques in parallel to ours. Yet what those Peccatula lack is the will to make decisions of their own. Like cards to be played with and discarded at the king’s whim. Kings, both of eld and new it seems, enjoy plays of puppets, a musical of manikins. Wielding men as cold tools, brandishing and flourishing them with abandon, breaking them. And upon their inevitable shattering, the king shall fill their spot with another puppet, its absence unnoticed. Yet, this king may be quite fond of his own. To shower his retinue with ceaseless blessings while leaving naught for the rest of us. Mm… such is all I have to say. → H-how many of them are there? → If the king seeks to watch an evenly matched battle, then it can be assumed that our foes number the same as we do. If such is not the case, however, any further speculation may be a meaningless effort." Observation Level: 3 "Thus the battle came to an end with our victory. Thus concluded it seemed the banquet, yet the King's tedium was yet to be sated; the bound monarch rose from his throne, tearing free his corpus from the bandage-chains. The long time spent in confinement has rusted his joints, yet his imposing presence and grace have only grown to touch the formidable grandeur of his sublimity. His resolute resolve roused awe in the hearts of those who beheld his emergence. Yet awe was not the only sense it roused; a question arose as well. For what did the king remain tethered to his throne, when he had the might to rise on his own? I… know not why the king remained in sedentary silence, bound not by the threads but by his own will. I write a few words here still, for I cannot very well put to sleep the simmering ruminations… It appears that the king has aught to convey. A monarch fettered to this spot, ere the hail of those who may discern his fathoms. A wraithlike state the sovereign has taken. This somber musing heaps and heaps with every blade-clash unto a mound of sorrow as sympathy starts to sink. Whyever does he hold one such banquet, his corpus bound to the throne, only to revel in such bizarre festivity? It is but a pitiful tragedy, for this abyss is deep and wreathed in inexplicability. Such is all I have to say. → A tragedy? Bullshit. → To be in command of others, to reign over another, is a declaration that one shall endure the responsibilities and the suffering that come with power. I would like to take this opportunity to extend my deepest gratitude to our Executive Manager, who leads us with a firm but fair, excellent hand."
@@HallowDev it was written by yi sang, at the end of every report he writes "such is all I have to say" Note 1 is heath, ryoshu would have written B.S. instead of bullshit
@@justahonkinggoose4988 alright i see, i was honestly considering that it might be ryoshu because heathcliff wouldnt call a tragedy bullshit (to me, at least, not after his canto)
Friendly reminder that the binds are also bandaging his bleeding body He constantly rips them apart in an effort to battle us, he wanted to go out ballin‘
the highlight was defintely the envy peccatulum for me and i would agree if it wasn't for the sheep's passives being hidden (like wtf) and the first abno fight being boring as hell and just a part where you farm SP, i think railway 3 was more challenging, also recency bias
Based off of what I have read from the observation logs of this abnormality, I think it would be safe to say that the parallels between the king and Dante is intentional. Both are individuals possessing great power but ultimately suffer because of the responsibility that comes as a result of it. The king is bound to his throne for who knows how long in order to play his role as a ruler while Dante’s suffering is very self explanatory for those of you who have come this far. Even both the king’s and Dante’s character design red and yellow colour scheme are identical making the parallels even more abundantly clear. But what separates both of them from each other? That would be empathy. Whereas the king does not bat an eye at the death of his loyal subjects (the envy peccatulas), Dante instead not only shares but attempts to understand both the literal and metaphorical suffering that each sinner has and will experience in cantos. The message behind this comparison made then is likely meant to provide insight into one of the main qualities of a king or a leader figure, that it’s not merely having the fortitude to continue undertaking a responsibility knowing full well the consequences which makes a great king, but looking after and protecting your own subjects because your seat in power is nothing without your own people. For instance from each respective character, Dante is incapable of defending himself without the assistance of the sinners. For the king in binds, once he has lost all of his subjects, he then challenges the sinners to combat before meeting his own defeat.
If you look closely, when a peccatula is killed, the king plays his hurt animation (the same as when he is under attack himself), so he shares the pain, he just can't do much about it. Except buff his peccatulas to make the spectacle last longer, I suppose. Other than that, very good point, I was too busy struggling with my luck to notice the parallel!
@@ЮрийХомяков-ч2в This is a fair point as well, fellow manager. I suppose this previously unmentioned detail does add a semblance of connection between the king and his subjects and more of proof of the parallel between the abnormality and Dante in terms of the suffering they are both destined share with their respective subjects. On another note, I hope you have managed to take care of this season’s refraction railway in spite of the struggles along the way. Keep up the good work regardless.
Don't know why but that whole fight felt really... personal? Like yeah we had all those cool final boss fights like Ahab and Erlking, but while those were more of a moments for sinners, this for some reason struck me stronger than everything that was before that and i cant really put my finger on it... and its really impressive considering that it all was just pure gestures and actions in the heat of battle, no story or explanation what player should feel.. i just wish to experience that fight once more like for the first time..
With the way that the Peccatula has been evolving over the course of the game, it might actually be intentional to feel more Personal. Especially when considering what the Envy Peccatula might represent.
Personal is definitely a good way to put it. Abnormalities are usually hyper-fixated on whatever their being happens to be. When dealing with them, you have to understand them and play by their rules on their terms on their own board. The King in Binds is no different in that respect, but IMO, I get the vibe he's much more than that, as if he understands the mirror world and he understands who we are and why we're there, and the weight of making us face off essentially with ourselves. And despite all that, we still play his game anyway.
i will admit, i needed someone else's dawn sinclair to beat this railway, but i honestly wasn't expecting dawn sinclair to actually be the answer to this problem
@@justaballwithablueeye5870dude this abno is not even close to being aleph, and if it was aleph, we wouldn't have stood a chance. have you even played lobotomy coporation?
Alephs (depending on the Aleph) oftentimes require 5/12 agents to suppress without major losses. The whole fight is NUTS and the animations REALLY made me believe it's an Aleph due to the sheer amount of power needed.
If we are going to follow the trend of every Railway final bosses being inspired from either religion or ideology, then I would say that the King in Binds is inspired from the Cult of Personality Ideology.
IMO, I think that King in Binds took some inspiration from The Hanged King and Alaggada of the SCP series (which isn't a stretch considering LCorp) with the whole "bound king is somewhat powerless"
@@ilovemalkuthandyesod I believe the inspiration was taken from the book "The Sword of Damocles" however I do agree that he more resembles the Hanged King or even the King In Yellow
I think it's just the impossibility of change, since all of the railway final bosses just sit down and don't move at all. Even the bound king sits back after the attack
It is comical that every time you attack, you release the restraints, draw your sword, stand up and then sit down again as if nothing had happened. don't you fight standing up?
![Mili - Hero AMV [Limbus Company]](http://i.ytimg.com/vi/DhVrT9bzDCI/mqdefault.jpg)
O-01-20-12
The King in Binds
WAW
Observation Level: 1
"We emerged into a great hall of crimson ornamentations. Its appearance summons to mind the shape of a banquet hall. A man wreathed in red fabric rested atop the throne of the crimson hall. He raised his hands in an endeavor of effort and gingerly gestured toward a gathering of masks manifestly made for a masquerade. A spectrum of emotions were carved unto a spectrum of masks laid about. There was a mask of sorrow, a mask of wrath, yet I found myself most partial to the mask of joy. I know not the reason for which this mask embodies such expression of euphoria; yet, shan’t it be enough that it shall share the selfsame joy with others? Two birds with one stone; solace shared, sorrow shrouded, the twain under a blanket of elation. I wear the mask and feel my thoughts grow clear as an autumn sky. Upon my approach, the king tensed his shoulders for a moment so brief that it was nigh unnoticed. Perhaps it was a gesture borne not out of thought but of instinct, shaped by the cloth-suppressed will to express. We had but a moment to regard it before those akin in appearance to us appeared. Though their forms were opaque and their shapes half-shrouded in shadow, they held certain similitudes to our own forms. The monarch, with certain torpidity, tipped his head to the side in a show of intent to behold our battle. The long years spent in binds have filled the void left behind by your long-gone interests with tedium, have they not? A terribly tragic tale. Yet we battle in hopes that our clashes may bring this king in binds the smallest revelry. Such is all I have to say."
Observation Level: 2
"These umbral reflections of us bring to mind the ‘Identity Cards’ Dante holds. An egoless incarnation of ‘Identities’ manifested may hold a certain resemblance to the way they appear before us. Defeating one of them merely makes a vacancy for another to fill, for they number the same as we do. Now that I have spent some time in observation of their operations, I have noticed a conspicuously considerable collection of similitudes between us. I can presume that their number is most likely equivalent to our own; their techniques in parallel to ours. Yet what those Peccatula lack is the will to make decisions of their own. Like cards to be played with and discarded at the king’s whim. Kings, both of eld and new it seems, enjoy plays of puppets, a musical of manikins. Wielding men as cold tools, brandishing and flourishing them with abandon, breaking them. And upon their inevitable shattering, the king shall fill their spot with another puppet, its absence unnoticed. Yet, this king may be quite fond of his own. To shower his retinue with ceaseless blessings while leaving naught for the rest of us. Mm… such is all I have to say. → H-how many of them are there? → If the king seeks to watch an evenly matched battle, then it can be assumed that our foes number the same as we do. If such is not the case, however, any further speculation may be a meaningless effort."
Observation Level: 3
"Thus the battle came to an end with our victory. Thus concluded it seemed the banquet, yet the King's tedium was yet to be sated; the bound monarch rose from his throne, tearing free his corpus from the bandage-chains. The long time spent in confinement has rusted his joints, yet his imposing presence and grace have only grown to touch the formidable grandeur of his sublimity. His resolute resolve roused awe in the hearts of those who beheld his emergence. Yet awe was not the only sense it roused; a question arose as well. For what did the king remain tethered to his throne, when he had the might to rise on his own? I… know not why the king remained in sedentary silence, bound not by the threads but by his own will. I write a few words here still, for I cannot very well put to sleep the simmering ruminations… It appears that the king has aught to convey. A monarch fettered to this spot, ere the hail of those who may discern his fathoms. A wraithlike state the sovereign has taken. This somber musing heaps and heaps with every blade-clash unto a mound of sorrow as sympathy starts to sink. Whyever does he hold one such banquet, his corpus bound to the throne, only to revel in such bizarre festivity? It is but a pitiful tragedy, for this abyss is deep and wreathed in inexplicability. Such is all I have to say. → A tragedy? Bullshit. → To be in command of others, to reign over another, is a declaration that one shall endure the responsibilities and the suffering that come with power. I would like to take this opportunity to extend my deepest gratitude to our Executive Manager, who leads us with a firm but fair, excellent hand."
Written by Yi Sang
Note 1 by Sinclair (OL:2)
Note 2 by Meursault (OL:2)
Note 3 by Heathcliff (OL:3)
Note 4 by Outis (OL:3)
thanks reply gang
I am pretty certain only yisang writes like this
could be one of either... maybe
@@HallowDev it was written by yi sang, at the end of every report he writes "such is all I have to say"
Note 1 is heath, ryoshu would have written B.S. instead of bullshit
@@justahonkinggoose4988 alright i see, i was honestly considering that it might be ryoshu because heathcliff wouldnt call a tragedy bullshit (to me, at least, not after his canto)
I still laugh thinking about the wave transition when he stands up to just then sit down again, i guess he need to move the throne
He just moved his own throne, he prolly did it through that transport ability he has
@@justahonkinggoose4988 he use his bind to not let we see how he move his throne bc he know the fact "is going to look ugly and funny lol"
@@justahonkinggoose4988 even more funny bc he also pick up his sword
His rear just got uncomfortable and he needed a quick stretch.
@@user-zerotaka king must keep up his appearances, after all.
its funny to think that this RR is just a guy being bored and wanting to see you fight yourself
king in binds instantly became my new favorite abno when he got up from his chair, just such a cool design
Bro is lanky af
Friendly reminder that the binds are also bandaging his bleeding body
He constantly rips them apart in an effort to battle us, he wanted to go out ballin‘
@@erdtroll7010I wish to fist fight you even if it means I die faster
I adore him, he’s so expressive and genuinely just cool as hell
also the animation of him standing up is pretty intimidating
Ironic to describe this guy as expressive
well, for an abnormality he certainly is
for an abnormality with no face showing he does a pretty good job at it
@@sleepylad951but he is incredibly expressive for how little he moves. He has some of the juiciest animations in the game.
@@sleepylad951 he just has that much aura
"im going to use this 35 negative coing on you"
My team with bandage buff "NU UH"
He gave those to you, he protects his subjects, based abno if I'm being honest
He just wants to show off
@@SunshowerWonderlab lol true
He's got the rawest cutscene ever, truly the King in Binds.
Literally the best Railway because of this song alone, prove me wrong
Agree lol the amount of hyped from this alone are best in everyway possible
It's better because it's more than just some bell tolls.
True.
@HarambaeXelonmuskfans and no old hag and her gang
the highlight was defintely the envy peccatulum for me and i would agree if it wasn't for the sheep's passives being hidden (like wtf) and the first abno fight being boring as hell and just a part where you farm SP, i think railway 3 was more challenging, also recency bias
Man really pulled a move straight from megamind, he nailed that PRESENTATION!
The difference between an Abnormality and a SUPER ABNORMALITY💀
@@aegisScale the difference between a waw(ebony queen/clam) and a WAW
Vovete Miserias... Unwavering... Unwavering Belief.... Lost Judgment...
LOST JUDGEMENT LIKE
LOST WHAT???
KIRYU DID YOU SEE THAT SHIT?
YAGAMIIII!
WHAT IS LOST NOW?!?
LOST JUDGMENT MENTION ‼ WHAT THE FUCK IS A KARAOKE ‼
Based off of what I have read from the observation logs of this abnormality, I think it would be safe to say that the parallels between the king and Dante is intentional. Both are individuals possessing great power but ultimately suffer because of the responsibility that comes as a result of it. The king is bound to his throne for who knows how long in order to play his role as a ruler while Dante’s suffering is very self explanatory for those of you who have come this far. Even both the king’s and Dante’s character design red and yellow colour scheme are identical making the parallels even more abundantly clear.
But what separates both of them from each other? That would be empathy. Whereas the king does not bat an eye at the death of his loyal subjects (the envy peccatulas), Dante instead not only shares but attempts to understand both the literal and metaphorical suffering that each sinner has and will experience in cantos.
The message behind this comparison made then is likely meant to provide insight into one of the main qualities of a king or a leader figure, that it’s not merely having the fortitude to continue undertaking a responsibility knowing full well the consequences which makes a great king, but looking after and protecting your own subjects because your seat in power is nothing without your own people. For instance from each respective character, Dante is incapable of defending himself without the assistance of the sinners. For the king in binds, once he has lost all of his subjects, he then challenges the sinners to combat before meeting his own defeat.
If you look closely, when a peccatula is killed, the king plays his hurt animation (the same as when he is under attack himself), so he shares the pain, he just can't do much about it. Except buff his peccatulas to make the spectacle last longer, I suppose. Other than that, very good point, I was too busy struggling with my luck to notice the parallel!
@@ЮрийХомяков-ч2в This is a fair point as well, fellow manager. I suppose this previously unmentioned detail does add a semblance of connection between the king and his subjects and more of proof of the parallel between the abnormality and Dante in terms of the suffering they are both destined share with their respective subjects.
On another note, I hope you have managed to take care of this season’s refraction railway in spite of the struggles along the way. Keep up the good work regardless.
Behold the boss that has the most unspoken aura in the game
Don't know why but that whole fight felt really... personal? Like yeah we had all those cool final boss fights like Ahab and Erlking, but while those were more of a moments for sinners, this for some reason struck me stronger than everything that was before that and i cant really put my finger on it... and its really impressive considering that it all was just pure gestures and actions in the heat of battle, no story or explanation what player should feel.. i just wish to experience that fight once more like for the first time..
"You stand before the kings, mind your your manners in this honourable duel"
With the way that the Peccatula has been evolving over the course of the game, it might actually be intentional to feel more Personal. Especially when considering what the Envy Peccatula might represent.
You got bind to it.
Personal is definitely a good way to put it. Abnormalities are usually hyper-fixated on whatever their being happens to be. When dealing with them, you have to understand them and play by their rules on their terms on their own board. The King in Binds is no different in that respect, but IMO, I get the vibe he's much more than that, as if he understands the mirror world and he understands who we are and why we're there, and the weight of making us face off essentially with ourselves. And despite all that, we still play his game anyway.
This man got a whole death animation.
as well as an unknown sin gem on his egg.
seriously, why is his gem black/white?
madness/agnst
AYIN
He's sinless
GOAT status
hes sinless since his name doesnt have a color unlike most abnomalities
i will admit, i needed someone else's dawn sinclair to beat this railway, but i honestly wasn't expecting dawn sinclair to actually be the answer to this problem
This hits hard
Fitting for the final boss.
Though, bit of a bummer our boy in red wasn't ALEPH ngl. Would've been fitting and cool if it was.
HE WAS NOT ALEPH????
@@justaballwithablueeye5870dude this abno is not even close to being aleph, and if it was aleph, we wouldn't have stood a chance. have you even played lobotomy coporation?
Alephs (depending on the Aleph) oftentimes require 5/12 agents to suppress without major losses.
The whole fight is NUTS and the animations REALLY made me believe it's an Aleph due to the sheer amount of power needed.
@@justaballwithablueeye5870 the fight was not that hard tho? even with the sinking deluge stuff, the envy peccatula were way more annoying
@@justaballwithablueeye5870
Sadly not. But oh well, maybe next time lol.
The time has come to face the King, the sorrows and passions of the banquet are rising. Put on your mask. For the final dance has begun
it's absolutely insane how amazing this theme is
PEAK!
If we are going to follow the trend of every Railway final bosses being inspired from either religion or ideology, then I would say that the King in Binds is inspired from the Cult of Personality Ideology.
@@shiromiyaalexander3332 king in binds mostly based from eriking in real world anyway but yeah he really mix everything in his story
IMO, I think that King in Binds took some inspiration from The Hanged King and Alaggada of the SCP series (which isn't a stretch considering LCorp) with the whole "bound king is somewhat powerless"
@@ilovemalkuthandyesod I believe the inspiration was taken from the book "The Sword of Damocles" however I do agree that he more resembles the Hanged King or even the King In Yellow
I think it's just the impossibility of change, since all of the railway final bosses just sit down and don't move at all. Even the bound king sits back after the attack
@@Bababoi4585 what? No they don't
Did you forget about Spiral?
DYLAN MATTHEW THE ONE AND ONLY
HE PULL OUT KORE KOSO GA IBERIA NO DESTREZA
THE GOLDEN AGEEEEEEE WILL RETURN AGAINNNNNN
i just had the courage to complete my first railway because this song alone and i proud of myself for doing it
Well done, fellow manager. Keep up the good work.
HE BRING HIS SOFA TO THE BATTLEFIELD!!!!🔥😂
See I was right those thing are a bandages. But not for him!
me after the test is exe
Damn, I am late.
Nah you are early. rn i see no one post this ost except you
I love him his way too Cool
Jobber
It is comical that every time you attack, you release the restraints, draw your sword, stand up and then sit down again as if nothing had happened.
don't you fight standing up?
His legs fell asleep
because his binds would tied him back down once more again and again and again bound to the thorne.
he needs the bindings to stay alive yet they do not heal him.
Why does the halfway point of the theme start sounding like Unwavering Belief...
epic theme
You are barely worth tolerating. Being let to exist in the same space as people is enough grace. To imply you deserve more is ungrateful.