Beautiful playing Mr Williamson I find you very inspirational you make such a gorgeous sound you have given me much joy during the lockdown here in the UK - may God bless you and yours - Bill - UK
2:56 “ I know exactly what I have to do with those reeds (Box #5) before I play them”. ❓What is that? Do you cut them or sand them? // That vibration study is the one most interesting practice videos ever seen. I cannot believe I could hear him. Every note is different. Wow!
You must do the same vibration study technique on the saxophone, because the saxophone is even more difficult to excite correctly; sax is a conical instrument, it can easily go in the overtone on the same fingering of the base note. So, by breathing in slowly, you create a subtone first (a cushion of slow air that excites only the fundamentals of the note). Creating a lush subtone on a saxophone is an art in itself, and gives an incredible charm to the instrument. In short, if you struggle with exciting the clarinet to the correct note after a pause, find someone's saxophone to practice the same technique. It will help you enormously.
Le note basse prima del portavoce si sentono ben definite e collegate ma quelle sopra sono indistinte ( non sono note ) si devono sentire le note distinte e collegate nello stesso tempo (nessuno lo sa fare ? )
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Beautiful playing Mr Williamson I find you very inspirational you make such a gorgeous sound you have given me much joy during the lockdown here in the UK - may God bless you and yours - Bill - UK
Brilliant Presentation!!🔥
The greatest clarinetist I have ever heard.
😳
Definitely! His control, power, and sound is off the charts!
Very helpful video! Beautiful tone and technique from Stephen
Thanks for this! Beautiful sound.
2:56 “ I know exactly what I have to do with those reeds (Box #5) before I play them”. ❓What is that? Do you cut them or sand them? // That vibration study is the one most interesting practice videos ever seen. I cannot believe I could hear him. Every note is different. Wow!
excellent translation, I know little English so your comment was helpful I would appreciate it if you translate #7 for me :) translation
You must do the same vibration study technique on the saxophone, because the saxophone is even more difficult to excite correctly; sax is a conical instrument, it can easily go in the overtone on the same fingering of the base note. So, by breathing in slowly, you create a subtone first (a cushion of slow air that excites only the fundamentals of the note). Creating a lush subtone on a saxophone is an art in itself, and gives an incredible charm to the instrument. In short, if you struggle with exciting the clarinet to the correct note after a pause, find someone's saxophone to practice the same technique. It will help you enormously.
He sands them minimally, he explains on Andy's Licorice Talk
I like this guy!
Beautiful Sound amazing technik Love The Mozart Clarinet Concert !
You sound killer! 🎶🎵🎼
I like the Tosca. I played it with Pavarotti
That's so cool
Wow
Wonderful sound. Do you use double-lip?
He uses single. With a BG bass clarinet thick Patch
@@emjay2045bro knows too much
@@Ryan_____________________ he talks about it on the Candid Clarinetist
#5, wide opening?
*Superhuman!!*
Beavo Steve I like the COLLOR !!!!!
Yes!!!
Superbe
How old is your M.P?
He has a set of mouthpieces from 2016-2018 that he rotates. All Williamson model mouthpieces. At the time he was playing Jx/Bc mouthpieces I think.
0:31 i bet you didnt think we'd notice
I think he doesn't care. It works doesn't it?
So what?
Le note basse prima del portavoce si sentono ben definite e collegate ma quelle sopra sono indistinte ( non sono note ) si devono sentire le note distinte e collegate nello stesso tempo (nessuno lo sa fare ? )
💡
🙇🏻
It's the microphone unfortunately