RED Cinema Camera’s GOAL POSTS & TRAFFIC LIGHTS User Guide.

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  • Опубликовано: 18 май 2023
  • Everything you need to know about the proprietary traffic lights and goal posts on the Komodo, Komodo X, Raptor, and all other Red Cinema Camera systems.
    #redcamera #redkomodo #iso #shotonred
    for further reading: www.red.com/red-101/red-camer...

Комментарии • 14

  • @DoxieDin
    @DoxieDin Год назад +5

    Sometimes I can't believe I found your channel! Each video is a godsend for a Komodo owner! 😍

  • @jmanchester
    @jmanchester Месяц назад

    Great explanation! Just ran across your channel, subbed!

  • @AngelVivaldi
    @AngelVivaldi 4 месяца назад

    Incredibly helpful and very well explained! Been enjoying a lot of your Komodo vids, appreciate the effort!
    If I may suggest a small piece of advice for your videos - they would be much more enjoyable without all of the random cut scenes. They just waste precious time from viewers who are looking to get clear and quick answers. Much love and here's to more growth!

  • @KyleSVT
    @KyleSVT Год назад +1

    Appreciate your videos on the Komodo

  • @8ways2fly
    @8ways2fly Год назад +1

    I really enjoy your videos! The simplicity when explaining everything makes it so much fun to watch. Thank you! Also, a small question: did you try the newest beta 1.7.4 FW update?

  • @tommyfilms2765
    @tommyfilms2765 Год назад +1

    I can't tell you how much I appreciate this and all the other videos you make, thank you! I've felt like I've been an outlier for the longest time for having an exposure strategy that differs from ETTR and leans into retaining shadow detail where possible.
    One question I have is when shooting using a lower (or higher) ISO value, is there a way to accurately 'correct' or compensate the luminance difference for reference monitors connected via SDI? I'd like to have client monitors, AC monitors and even my own SmallHD onboard monitors' luminance-related tools remain relatively accurate when shooting at different ISO's but I'm not sure how? I always double-check exposure through RED's meters to be safe but it would be nice to have a calibrated reference monitor that I felt I could relatively trust for run and gun work.
    Simply adjusting the brightness levels on the SmallHD seems like a potential recipe for disaster. Is there a conversion/calibration LUT that RED makes which solves this issue?

    • @nationalvideography2034
      @nationalvideography2034  Год назад +2

      Thank you!… I’m not sure… interesting question. I would say tho, that Red meters would be best to use at all time when possible, and you always have to be careful relying on live preview as monitor brightness can effect it, histogram is a good tool to quickly double check it.

  • @jahpuy_art479
    @jahpuy_art479 Год назад

    bonjour je vit en France et j'aime tes videos je voulais comprendre du coup les signaux haute lumières peuvent s'allumer mais les barres doivent pas monter c'est ca ? sa serai bien que tu montre avec ta komodo en extérieur comment bien calibrer les iso les traffic lights etc

  • @JeffBourke
    @JeffBourke 3 месяца назад

    This is why I never understand people applying display LUTs etc on their cameras because it ruins all your exposure tools - zebras, histo etc.

  • @TrevorGay
    @TrevorGay 5 месяцев назад

    Fantastic breakdown! Thank you!