Johannes Brahms - Piano Trio No. 3 op. 101(1886)(with full score)
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- Опубликовано: 2 июл 2019
- Mov.1: Allegro energico 00:11
Mov.2: Presto non assai 07:55
Mov.3: Andante grazioso 11:19
Mov.4: Allegro molto 15:31
Vn. Josef Suk
Vc. Janos Starker
Pf. Julius Katchen
Of Brahms' three known piano trios, plus one other which is attributed to him, this is by far the shortest and most compact work. By the summer of 1886, Brahms had finished and seen to the premiere of the last of his four symphonies, and he would not produce another large-scale orchestral work. During an extended stay at Thun, Switzerland, Brahms perhaps turned inward and was beginning to distill his musical thoughts down to purer forms. Always expansive, Brahms had been known for employing large four-movement structures in his piano concertos and trios. Although still a four-movement work containing a three-minute presto as second movement, the C minor trio is terse. And even though it has much to say, it is, by Brahmsian standards, positively taut and pithy. From the opening, the first movement in particular is a no-nonsense statement in short phrases and simple rhythmic patterns. Opening with a sort of "sit down and shut up" statement, the work is intense and even quickly hurls pizzicato notes from the strings to quell any last-second bustlings. The movement flows without becoming fulsome, and ends dramatically. The brief presto non assai is positively delicate -- a term not generally applied to the music of Brahms. A third-movement andante is nearly as brief but more lyrical in tone and texture. The finale begins insistently and marches through a series of short riffs before pushing to an aggressive finish. While the work is powerful and even muscular, it does not give the impression, as do the earlier trios, of a symphony masquerading as a chamber work. 
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The second mvmt might be my favorite work ever written for piano trio
Comme la première lumière du crépuscule, cette architecture sonore ouvre les yeux à de vieilles promesses et à toutes les anomalies bienfaisantes de la nature. Evocatrices de pouvoirs au-delà de l'observation, ces pièces tirent les ficelles du cœur, attisent les nostalgies et réveillent les tourbillons, les vies écorchés et la torpeur des veilleurs tourmentés 🌺🕊🤗
My 2nd favorite Brahms chamber piece. First being his clarinet quintet.
Johannes Brahms:3.c-moll Zongoratrió Op.101
1.Allegro energico 00:10
2.Presto non assai 07:55
3.Andante grazioso 11:20
4.Alllegro molto 15:30
Josef Suk-hegedű
Starker János-gordonka
Julius Katchen-zongora
Köszönöm az értékelést
Köszönöm az értékelést PRoh full score music
Köszönöm az értékelést
Köszönöm az értékelést
I don't remember seeing a combined time signature before. Very cool.
Sublime!! Love it 🎶❤️
Don't know why but the gypsy part at 3:22 I can't help but keep coming back too ❤️
1 00:10
2 07:55
3 11:20
4 15:30
Emocionada, exquisita versión. Jamás superada ni igualada
Suk is wonderful--those portamentos!
Grazie ❤
I'm slowly coming to a conclusion that Brahms was the best composer of 19th century
uhhhhhh what about liszt and Chopin and the countless other
@@mitchelllazore9050 what about them?
You can go fast and still come to the same conclusion.
Great, but not the greatest - that must be Beethoven.
I came to this conclusion many years ago, and have never since found any reason against it. The greatest, and above all the most essential. What would be life without Brahms? Unthinkable.
Theme 2 - 01:24
Your title page misspells "subscribe".
I raly appreciate that there isnt much pedál in piano.
2:10
11:21 ㄹㅈㄷ
6:05
Waaay too slow