A. Dvořák - Piano Trio No. 3 in F minor, Op. 65 (Beaux Arts Trio)
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- Опубликовано: 25 июл 2024
- 0:00 - 1. Allegro ma non troppo
13:31 - 2. Allegro grazioso - Meno mosso
20:34 - 3. Poco adagio
29:41 - 4. Finale. Allegro con brio
The Piano Trio in F minor could be regarded not only as one of the major achievements of Dvorak’s chamber music, but also as one of the most important works of its genre. Its strength lies in the unusual wealth of musical ideas and their resourceful development, in the assured structure of the individual movements and the formal integrity of the work as a whole, and in the concentration of sound whilst ensuring the right balance between the instruments. The opulence of sound, expression and form in this symphonically conceived work almost transcends the chamber music genre itself. In terms of its expression, this composition is exceptional in Dvorak’s oeuvre: instead of the warmth and spontaneous joy of life typical for Dvorak, the music here conveys dark and sombre thoughts, a sense of uncertainty, uneasiness and defiance. Taking into account these qualities, the work might be seen as the chamber counterpart to the composer’s Symphony No. 7 in D minor, which originated in the same period.
For its grave, philosophical tone, the Trio in F minor is often described as Dvorak’s “most Brahmsian” work. One could, in fact, consider a specific source of inspiration: Brahms’s Piano Quintet, Op. 34, from the year 1864. Its expression is very similar, it is written in the same key and has a similar choice of instruments and corresponding introduction - the instruments make their striking entry with the main theme in unison, without the use of harmony. Irrespective of possible sources of inspiration, Dvorak’s trio is a masterpiece formally rooted in the long-established traditions of European chamber music, but introducing fresh, wholly unconventional ideas. (www.antonin-dvorak.cz)
Composer - Antonín Dvořák (1841-1904)
Ensemble - Beaux Arts Trio (Piano - Menahem Pressler, Violin - Isidore Cohen, Cello - Bernard Greenhouse)
Year of recording - 1969 
Видеоклипы
This is such a beautiful composition, but there are really no adequate words for the incredible poco adagio third movement. Molto bene. Thank you.
A master chamber work. Epic combination of the German style and Bohemian folk tradition
I purchased a CD of this work nearly 9 years ago and have barely listened to it. I have got to get back into classical music. Thanks for uploading this work. Dvorak is one of my favourite.
My favorite of Dvorak's trios. Also 6:05 is to die for
Agreed! Also 24:15 is my absolute favorite moment!!
Very well put together!
The most complex, passionate and vigorous of the four. Dumky is also wonderful but in a different way.
The passage in 12:42 too is so well made!!!
Great piano trio, very brahmsian. Thanks for upload.
So beautiful. ❤❤ 3rd movement.
3rd movement,What a sad! and trio is What a brilliant! I think Dvořák's Piano Trio's Best masterpiece isn't No.4 "Dumky",It is No. 3 Op.65,B.130 ! Oh,Many Classic music fans,Why doesn't understand? Because are many of classical music fans Austro-German music Supremacist? This true masterpiece must need to be known many classical music fan, listen this music,First!
0:45 1:54 2:56 3:39 5:04 6:28 7:43 9:00 12:41 15:48 19:00 23:01 27:11 28:25 30:28 31:20 32:08 33:30 34:40 36:04 this is my tour!
Literally the whole piece, you mean! 😅🤌
Not many finales are in 3/4 time signature. But Dvorak shows that it can be done.
23:40 28:40 for my own reference
24:25
Tell me what you hear in the cello in the second measure of the second movement. Curious. The triplet figures in the cello in measure two are different, slightly, ,than in measures 1 and 3 (and the remainder of the movement). Is this a mistake in the score? I believe I hear the same figures in measure 2 and is measure 1 and 3. What do you hear?
It's got to be a mistake in the score. Watch the cellist in this video. I plays measure 2 just like measure 1 and 3. ruclips.net/video/59tH0r6eVvU/видео.html
The score on youtube here is from the Dover score of the piece. Sometimes Dover scores have mistakes.
A score found on Musopen shows the correct cello part, with measure 2 being the same as measures 1 and 3. The musopen score is obviously taken from the Dover score but makes the correct in measure 2.