I am a drummer and drumming instructor. I have done 2 drumming exhibitions with Buddy Rich and one with Louie Bellson. I studied with Joe Morello. Your Grandfather was a spectacular drummer; a swinging, tasteful, supportive drummer. Nobody set up the brass hits and phrases like this tremendous, dynamic drummer! He was a treasure.
Your Grandfather and Thad Jones's band inspired me to become a musician. I've had the honor to play with the band and only wished I could have played when he was drumming. He's a huge inspiration!
My friend, drummer Billy Hart, has said that he views his position as that of a band's conductor, and that he gets hired because bands like the way he does that. This applies perfectly to Mel -- while both are/were great soloists, their playing in and powering the ensemble is what makes them great drummers! They don't view themselves as stars, they are ensemble players! Mel was one of the finest of his generation, Billy of his, and both have been part of hundreds of great recordings. Mel was THE guy in LA before he moved east, making monumental recordings for Kenton, Holman, Gibbs, and numerous small groups, and after moving to NY, co-led with Thad Jones the last truly great big band. After Thad split, he embraced the prodigious writing of Bob Brookmeyer. Billy has long been the favorite of many players of his generation, was a favorite of Pepper Adams, and has been teaching for 30 years at places like Oberlin and the New England Conservatory. I observed some of his interactions with students at Western Michigan -- he's the kind of guy you would love to have teaching your kids!
This is,my type of drummer tone values I use today now myself playing over 40yrs at nearly 72 this era was special to me. Such a legend and to know he was your Grandfather. What a wonderful thing to admire.
Mel Lewis was virtuoso of musical taste! A perfectionist of rhythmic elegance. Pierre Cavalli guitar 🎸tone and solo was superb and impressive! 5******Stars.
Yeah, Mel! Saw him in ’68 at the Berkeley Jazz Festival. Cats like Jeff Hamilton have nothing but big ups for this master. Also, Horst Jankowski! When I was a kid, he had a Top 40 hit with “A Walk In The Black Forest.” Nice to see him playing with Toots and Mel! Thanks for posting.
Great! I saw this as a kid and was immediately captured by the playing of Horst! He's such a great pianist! Like many, gone too early... I'd like to see a vid where Horst is playing the rhodes...
Who forget Mel Lewis`s incredible big band drumming on `Kenton in Hi-Fi` recorded around 1958? He had a big fat sound totally suitable for the Kenton Band with monster fills. By far the best Kenton drummer of all time.
This drum solo is cool and demonstrates a lot of things..one being DYNAMICS!! Oh how we wish drummers could be aware they can control dynamics in a band if they were to exercise that power to do so.
Correct! Good dynamics, even while playing solo, adds interest and surprise to the drummer's repertoire. Sadly, too many drummers want to do nothing but "Bang," and the audience gets a constant barrage, over which they can quickly tire. Notice how Mel's playing quietly makes your ears perk up, making you listen.
Just saw Pete Malinverni's trio, with Eliot Zigmund on drums and yes, dynamics were one of the things that floored me about Eliot's playing too.. same with Mel (one of my favorites). I wish *all* instrumentalists were a bit more aware of the power of using dynamics as part of their playing.
Only a smattering of applause for Toots’ solo?? Those intricate and sophisticated lines, just cascading out of him. That does it. I’m going back in time and raising Cain for him for this performance!
Great musicians, all of them! To be able that intimately to the audience - without "screaming" but, rather, leaving a feeling of "conversation". Fine, fine taste. Thanks guys!
Wow - superb playing! I'm just happy that this was recorded & available to us, to both learn from & use to inspire others (ie drumming students) specially in the sublime art of brush work. Unfortunately Mr. Mel Lewis has always remained somewhat underrated in comparison to his peers, this sample of his playing shows how foolish you'd be to ignore his extremely valuable contribution to the evolvement of drumming. A big & definite Thank You for uploading!
I have a great trio CD by Pete with Mel at the drums. A fantastic record. Mel uses brushes on a lot of the date, and sounds superb. There are also a few very tasty, musical and dynamic drum solos by Mel.
im playing this song in jazz, and quite honestly, my drummer cant COMPARE to this guy (though i never heard of him). my drummer plays w/ brushes, but he only innovates his solo for an extra 2 measures. This guy can use sticks AND sound soft while inventing an awesome solo and keeping time. MEL LEWIS IS AWESOME
Very, very nice....the best of the best. Mel demonstrates his skill, devloped by decades of practice and an innate genius for rhythm. Team him up with Thad Jones and you know what heaven is......
@drummistic Not all kids, bud, I'm 15 and 95% self taught. I learned my styles by listening to classic artists and drummers all, such as Max Roach, Philly Joe Jones, Lionel Hampton, Papa Jo Jones (one of my personal favorites), Gene Krupa, Buddy Rich and his combination of light touch for forceful playing, etc. The 40s-60s bebop era is where I try to hover around best.
There is an a arrangement of this song that I'm 100% sure is count basie. ALmost 100% sure its live too. It starts off with somebody (probably basie) yelling at freddie green and hes just rippin out some jazz comping. Theres really crazy drumming in it too. Its the arrangement that has the flute solo but there are some incredible harmonized sax trills after the main intro part and the intro reprise part. what or where is it?
Just superb. And so fresh. Sure, you can quibble with the sound mixing. I personally like the reverb, but I'm a little strange that way. Was this played in G-flat? What a marvelously beautiful key - and a challenge for a pianist. But this guy evidently loved playing it!
"The drummer is fairly mediocre". What??? This is Mel Lewis . . . one of the greatest drummers in music history. Mel didn't rely on fast chops, like so many others do. His style of playing, and his concept, were quite unique. He was extremely musical, very creative, and could swing a band, big or small, as well - if not better - than any other drummer. Just because a drummer does not play loud and fast all the time does NOT make him "fairly mediocre". Quite the jackass statement, sambamac.
Mark, you hit the nail squarely on the head. Far too many drummers think that pounding the heads as loud as they can are the mark of a great drummer. This is just making NOISE.
Good professional jazz playing all around, though -- please pardon me for saying so -- Lewis' solo at the beginning bored the stew out of me. The most impressive feature of the whole vid was the intonation of the bassist; I've never heard a jazz acoustic (and therefore fretless) bass player articulate the correct tones so very accurately as the young Mr. Vinding did here. Impressive.
Great playing of course but I despise whoever was in charge of recording. The mics are all too close and the reverb is up too high. I noticed the same thing on another video from the same show. It makes the instruments sound artificial.
Видеоклипы
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Mel was my grandfather and i just want to say it's very nice to see that he still inspires people today. thanks for the great video!
Buddy Rich paid him the ultimate compliment. "Mel Lewis doesn't sound like anybody but himself"
I am a drummer and drumming instructor. I have done 2 drumming exhibitions with Buddy Rich and one with Louie Bellson. I studied with Joe Morello. Your Grandfather was a spectacular drummer; a swinging, tasteful, supportive drummer. Nobody set up the brass hits and phrases like this tremendous, dynamic drummer! He was a treasure.
Your Grandfather and Thad Jones's band inspired me to become a musician. I've had the honor to play with the band and only wished I could have played when he was drumming. He's a huge inspiration!
He's a great drummer. Very inspiring!
I searched for two years before I found a Chinese ride cymbal like Mel's. I also tried to play like him until I realized, we're different. Love.
My friend, drummer Billy Hart, has said that he views his position as that of a band's conductor, and that he gets hired because bands like the way he does that. This applies perfectly to Mel -- while both are/were great soloists, their playing in and powering the ensemble is what makes them great drummers! They don't view themselves as stars, they are ensemble players! Mel was one of the finest of his generation, Billy of his, and both have been part of hundreds of great recordings.
Mel was THE guy in LA before he moved east, making monumental recordings for Kenton, Holman, Gibbs, and numerous small groups, and after moving to NY, co-led with Thad Jones the last truly great big band. After Thad split, he embraced the prodigious writing of Bob Brookmeyer. Billy has long been the favorite of many players of his generation, was a favorite of Pepper Adams, and has been teaching for 30 years at places like Oberlin and the New England Conservatory. I observed some of his interactions with students at Western Michigan -- he's the kind of guy you would love to have teaching your kids!
This is,my type of drummer tone values I use today now myself playing over 40yrs at nearly 72 this era was special to me.
Such a legend and to know he was your Grandfather.
What a wonderful thing to admire.
I wondered at first if he was going to pick up the brushes (virtually the only way to play "Cute." Such a genius: Mel Lewis.
Mel Lewis was virtuoso of musical taste!
A perfectionist of rhythmic elegance.
Pierre Cavalli guitar 🎸tone and solo was superb and impressive!
5******Stars.
Quite a surprise!
Mel Lewis' brushwork is just so fine.
just love mels touch.....
A true master, and among the very great big band drummers in history.
Bescheidene Spitzenmusiker ohne Firlefanz! 🎶🏖️
Yeah, Mel! Saw him in ’68 at the Berkeley Jazz Festival. Cats like Jeff Hamilton have nothing but big ups for this master. Also, Horst Jankowski! When I was a kid, he had a Top 40 hit with “A Walk In The Black Forest.” Nice to see him playing with Toots and Mel! Thanks for posting.
Thanks. I love this song by Neal Hefti.Mmmmmmmm
Great! I saw this as a kid and was immediately captured by the playing of Horst! He's such a great pianist! Like many, gone too early... I'd like to see a vid where Horst is playing the rhodes...
I got introduced to Mel Lewis along with Thad Jones around 1970 (+ -). What creative, innovative beautiful sounds and good times.
Folks, you´re listening to Mel Lewis, Horst Jankowski & Toots Thielemanns. That´s Jazz-Olymp, you ought to learn know, if you just cannot hear it.
More superb playing from the Master, Mel Lewis ~
Kickass drumming. Mel was universally respected.
Who forget Mel Lewis`s incredible big band drumming on `Kenton in Hi-Fi` recorded around 1958? He had a big fat sound totally suitable for the Kenton Band with monster fills. By far the best Kenton drummer of all time.
That was recorded at the new Capitol Records Studios 'Kenton in Hi-Fi' at 1750 N. Vine
Colin, it's also interesting that Kenton gave birth to many musicians who gained fame even after Stan's band sadly faded away.
One of my "stranded on an island and you can only have 5 albums" album.
What a piano solo ,great.
The Ultimate Drummer, "The Tailor" no comment needed.
This drum solo is cool and demonstrates a lot of things..one being DYNAMICS!! Oh how we wish drummers could be aware they can control dynamics in a band if they were to exercise that power to do so.
Correct! Good dynamics, even while playing solo, adds interest and surprise to the drummer's repertoire. Sadly, too many drummers want to do nothing but "Bang," and the audience gets a constant barrage, over which they can quickly tire. Notice how Mel's playing quietly makes your ears perk up, making you listen.
@@leecox1513
Yes, like Joe Morello.
....indeed.....@@rudolphguarnacci197
Just saw Pete Malinverni's trio, with Eliot Zigmund on drums and yes, dynamics were one of the things that floored me about Eliot's playing too.. same with Mel (one of my favorites). I wish *all* instrumentalists were a bit more aware of the power of using dynamics as part of their playing.
The Mel Lewis & Thad Jones Big Band was a Kick!...... with Great charts
the solo is beautiful. I love the mellow hypnotic stuff he was doing with the China.
Man what a touch …!
Fabulous! Thanks and Blessings!!!
He inspires me every day
Great feel and interaction with each other. Musicianship.
The most exciting solo on this piece was Horst Jankowski, a beautiful bit of piano playing.
Yes, it’s fantastic isnt it
Touch! Tons of it.
Only a smattering of applause for Toots’ solo?? Those intricate and sophisticated lines, just cascading out of him. That does it. I’m going back in time and raising Cain for him for this performance!
Pierre Cavallì è uno dei miei chitarristi preferiti. Grande swing !!!!
Stunning dynamics
I like that bass solo.
Great musicians, all of them! To be able that intimately to the audience - without "screaming" but, rather, leaving a feeling of "conversation". Fine, fine taste. Thanks guys!
This is the first time I've ever seen Jankowski play the piano. Heard him plenty, but never saw him actually play.
Wow - superb playing!
I'm just happy that this was recorded & available to us, to both learn from & use to inspire others (ie drumming students) specially in the sublime art of brush work.
Unfortunately Mr. Mel Lewis has always remained somewhat underrated in comparison to his peers, this sample of his playing shows how foolish you'd be to ignore his extremely valuable contribution to the evolvement of drumming. A big & definite Thank You for uploading!
Under-rated by who? He's on hundreds of my favorite recordings, and with Thad Jones, co-led the last truly great big-band!
I have a great trio CD by Pete with Mel at the drums.
A fantastic record. Mel uses brushes on a lot of the date, and sounds superb.
There are also a few very tasty, musical and dynamic drum solos by Mel.
Just beautiful.
im playing this song in jazz, and quite honestly, my drummer cant COMPARE to this guy (though i never heard of him). my drummer plays w/ brushes, but he only innovates his solo for an extra 2 measures. This guy can use sticks AND sound soft while inventing an awesome solo and keeping time. MEL LEWIS IS AWESOME
the bassist is VERY GOOD, too! ^^ =)
Hein van der Geijn, top bassplayer from Holland ? I say YES !
the subtext states the bass player to be Mads Vinding
Love Toots😊
Cute great solos.
Very, very nice....the best of the best. Mel demonstrates his skill, devloped by decades of practice and an innate genius for rhythm. Team him up with Thad Jones and you know what heaven is......
Ahhh... Mel Lewis =D
I didn't know Luke Skywalker played upright....
@drummistic Not all kids, bud, I'm 15 and 95% self taught. I learned my styles by listening to classic artists and drummers all, such as Max Roach, Philly Joe Jones, Lionel Hampton, Papa Jo Jones (one of my personal favorites), Gene Krupa, Buddy Rich and his combination of light touch for forceful playing, etc. The 40s-60s bebop era is where I try to hover around best.
Joe Morello in there anywhere?
Every High School Stage Band in ' 70s had to perform " CUTE".
I’m 13 and my jazz band plays this
my trio in s Florida is now playing it too.
I'm not that big on "Cute" but this version is pretty darned good.
Sweet
he tuned drums lower than other jazz drummers,and they sounds very nice.
Another testimony to Basie genius
+Brian G Valentine Basie genius? How so?
To be helpful rather than snooty... see Neil Hefti's wikipedia bio... en.wikipedia.org/wiki/Neal_Hefti
Toots and Mel...what could possibly go wrong?
the good ole days when music was music.
That's what every generation will say.
so sweet…＾＾
@mrsticks28 that and 'stitching' together such good players into his bands.
no comment Sir. just sharing...
Wow
There is an a arrangement of this song that I'm 100% sure is count basie. ALmost 100% sure its live too. It starts off with somebody (probably basie) yelling at freddie green and hes just rippin out some jazz comping. Theres really crazy drumming in it too. Its the arrangement that has the flute solo but there are some incredible harmonized sax trills after the main intro part and the intro reprise part. what or where is it?
@Fandorin76 Gone too early? Horst is still alive. He's only 74.
I just realised the guitarist, Cavalli, died the year after this video.
Man!
Just superb. And so fresh. Sure, you can quibble with the sound mixing. I personally like the reverb, but I'm a little strange that way. Was this played in G-flat? What a marvelously beautiful key - and a challenge for a pianist. But this guy evidently loved playing it!
Sounds like F to me (?)
Michael Blumenthal
Yes. F.
Key of F ^ same key Count Basie played it in
Its definitely in the key of C the first chord is a d minor g7 to cmaj7 or a 2-5-1 progression in C and it ends like that too Dm7-G7flat9 Cmaj7
The 2-5-1 at 3:47 shows that it's in F
@philWynk Yes, he did a good job, indeed.
"The drummer is fairly mediocre".
What??? This is Mel Lewis . . . one of the greatest drummers in music history.
Mel didn't rely on fast chops, like so many others do. His style of playing, and his concept, were quite unique. He was extremely musical, very creative, and could swing a band, big or small, as well - if not better - than any other drummer.
Just because a drummer does not play loud and fast all the time does NOT make him "fairly mediocre".
Quite the jackass statement, sambamac.
Mark, you hit the nail squarely on the head. Far too many drummers think that pounding the heads as loud as they can are the mark of a great drummer. This is just making NOISE.
🌱😃💛
the title is just called " cute", not " the cute,"
j'adore, c'est juste terrible !
My goodness who’s the bassist?🔥 5:18
Does this group have a record, particularly with Mel Lewis on drums?
Pros
5:41 Use the force Luke...
:)
Why did Toots hit a C to end the first phrase instead of an A?
Just, because!
ruclips.net/video/s0igE09HI1U/видео.html is the original "Cute" arranged by Neal Hefti for Count Basie.
But what a solo though..
More cowbell !
Just transcribed toot's solo: flat.io/elliot
it's actually just "Cute."
Please correct the title already. It's "Cute". Period.
Good professional jazz playing all around, though -- please pardon me for saying so -- Lewis' solo at the beginning bored the stew out of me. The most impressive feature of the whole vid was the intonation of the bassist; I've never heard a jazz acoustic (and therefore fretless) bass player articulate the correct tones so very accurately as the young Mr. Vinding did here. Impressive.
Yes. First part was a snooze-fest.
Sorry to hear that, some can understand :)
Great playing of course but I despise whoever was in charge of recording. The mics are all too close and the reverb is up too high. I noticed the same thing on another video from the same show. It makes the instruments sound artificial.
it was the 80's baby!
they dragged.
I didn't know Luke Skywalker could play a cello.
+thatguyismad625 cello....... Seriously...
+thatguyismad625 bass
thatguyismad625 it’s a cello it’s a base
“Mads Vinding” kind of sounds like a Star Wars character anyway
@@pigeonboy7696 i think its a joke...
lol
,
I loved everything except that darned harmonica. The only instrument that I like less than clarinet or bagpipes.
Bagpipes aren't an instrument: they're a punishment.
Good one, dude! But I love the harmonica.
Luke Skywalker plays bass.
'The drummer is fairly mediocre'. No. Just, no.
colourfulwithaU TWAT
I found this a lacklustre performance, I’ve heard better.
Agree. I think Mel was spacing-out. I'm sure a lot of drummers would call it "artistry" It just bored the hell out of me.