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Giacomo Puccini - LA RONDINE (Ekaterina Bakanova - Magda)
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- Опубликовано: 28 янв 2018
- Giacomo Puccini (1858 - 1924)
LA RONDINE (complete live recording)
Ekaterina Bakanova, Magda
Matteo Desole, Ruggero
Valerio Galli, Conductor
Denis Krief, Director
Orchestra e Coro del Maggio Musicale Fiorentino
Recorded October 2017 at Opera di Firenze
By kind permission and courtesy of RAI
Nata dalla passione di Puccini per il realismo, "La Rondine" è, come tutte le sue opere, un trionfo di poesia e musicalità da togliere il fiato. Per l'altissima capacità e dedizione dei cantanti tutti, per la straordinaria destrezza dell'orchestra e della regia, questa, secondo me, è una delle più belle rappresentazioni di quest'opera.
La musica di Puccini è una gioia per le orecchie di chi la sa apprezzare!
😍😍😍😍😍😍😍😍😍😍😍😍
Puccini è l'Opera! Grande Maestro!
La melodia del brindisi è meravigliosa è incredibilmente struggente! Grande Puccini!!
Una splendida produzione del capolavoro del Divino Giacomo Puccini
Giacomo Puccini is my great great grandad - all love ♥️
Really ? He was one of the greatest artists of all time !
Whaw......that's unbelievable fantastic, your great great grandad. You must have facinating family stories. It touches me, I see his painted portrait hanging here on our wall. We are enormous fans of Puccini. We met Luciano Pavarotti in London some decades ago, the top tenor for Puccini ❤
TROPPO BELLA ,MERAVIGLIOSO PUCCINI
Je suis particulièrement touché par cette pièce!!! Giacomo Puccini.
salve,e bellissima mi emoziona tantissimo,a parte che io amo puccini per questa passione che metteva in tutte le sue opere
Bravissimo Matteo ti auguro una splendida carriera
This is my favorite Puccini's opera and I've seen and listened to them all, great many times.
Non credevo ci fossero ancora musiche così belle. Puccini il mio preferito. le sue opere mi han fatto sempre emozionare. LaTosca, Madam Batterflay, la Boheme. Musiche piene di passione che infiammano. Il cuore. ❤❤❤❤❤
Beautiful very beautiful voice, soprano top, tenor top. The soprano voice touches my heart........Bakanova 🎉 🎉 🎉 🎉
What a beautiful production! :)
Como todas las óperas de Puccini la música es bella, como todas sus óperas, todo enamora, bello performance!!
y rica en armonia y una orquestacion bien hecha y sosfisticada
Thanks for this wonderful live performance - also hats off to the sound engineers who captured the stage and orchestra pit sound extremely well.
I just tuned in for another listen to your Rondine one year later and it contnues to astound. Better yet, because of what I'm hearing musically in this production, I'm now hearing Puccini's other, more familiar operas with new ears. Beyond his amazing ability to render a story musically and make it universally appreciated, I'm now hearing the genius and complexity of his orchestration, thanks to this opera and your performance that so moved me. I'm 74, what a gift to have this second blooming of Puccini at this point in my life.
I love the chorus of thousands. Far from being a collection of nameless faces and voices, this chorus is so much fun to watch - everything from the guy in the lime green shirt under his sports coat to the expressions on the faces of those witnessing one of the most amazing kisses captured on film! This production pushes all my sympathy for the human condition buttons. Bravi, all!!
This is a gorgeous opera. I liked the soprano very much.
Mi fa piacere che quest'opera,che per tanti anni era stata un po' trascurata e considerata,a torto,minore,abbia ripreso a "girare" trionfalmente il mondo. Ricordiamoci che lo stesso Puccini l'amava particolarmente e la considerava tra le migliori da lui scritte.
Vincenzo Marenghi .caro amico.penso come te..amo la rondine.totalmente. desde España. Saluti
E' vero! E credo che questa opera sia stata a lungo sottovalutata.
@@enriquebarrera6668 Grazie. E viva Puccini!
@@MrRudvant Esatto. Speriamo che in futuro otterrà la considerazione che merita. Saluti
@@vincenzomarenghi1660 Ho letto diverse recensioni su questa opera, anche di critici molto competenti, e tutti ne dicono un gran bene, sottolineandone i tanti pregi che spesso sfuggono alle persone meno accorte o ad un ascolto superficiale. La scrittura di Puccini è davvero fantastica e densa di raffinate sottigliezze armoniche! E' bello che da diverso tempo sia rientrata nel repertorio dei teatri!
I am addicted to this production. Rodine, initially very low on my Puccini hit parade years ago, has now skyrocketed along with the other late works influenced by Debussy. But this production has me captivated. And it's not due to a highly polished finish, like the recent MET version. This modern setting version reveals the opera's true verismo character. It could be today, but for me it feels like 1960s Boston where I arrived from the suburbs when I was Ruggero's age. The act two set could easily be in the restaurant on top of the Prudential center. I love the update and more interestingly, ALL the characters. It's a strange feeling. The singing/acting and orchestra supports all that and Ekaterina IS Paulette. And the music,,, !!
CUANTOS RECUERDOS VER ESE TEATRO. MOMENTOS BELLOS DISFRUTADOS ALLI.
"Perchè mai cercate di saper ch' io sia e quale il mio mister? Non vi struggete e m' accogliete come il destin mi portò!..." Bellissimo! Uno dei momenti più toccanti e riusciti dell' opera! Bellissima, sensuale e avvolgente la melodia che accompagna e "commenta" il bacio appassionato nel momento in cui le parole non servono più.....
Incredible performance by Bakanova and Maggio Musicale Orchestra. I was there playing in the orchestra and the bells at the end. What an amazing night
That was you? Bravo!! I love the ending, no matter how many times I return to hear this production. I'm just one little person who lives far away, yet your hard work and caring has affected my life deeply. Please pass that on to any of the others from that night you run into.
I agree with Jim. It touched me deeply. “Magnificent” can’t even describe the experience. I loved the toast in particular. I have replayed it many times. Ekaterina’s voice is as beautiful as she is. I was impressed with Matteo Desole also. It’s a pity that this Opera doesn’t get the attention it deserves! This was my first exposure to La Rondine. I will definitely be watching this again!
@@gardenernation I will do it
@@premgandharvmusic Been thinking about your bells solo at the end of Rondine since you pointed it out. Amazing when listening to music how we can experience something without being aware of the source. I experienced your bells without being consciously aware that there were bells.
That was a critical moment for Magda - making a very painful choice. First the lower strings to express her growing resolve that she did the right thing. More so, via the high strings echoing the same notes followed by self assured resolve, expressed through the same and more golden notes of your bells, the launching pad to her final 'Ah!', which Ekaterina nailed so convincingly. Amazing moment and such a unique end to an opera. So happy you were there to make such a thing happen!
Having no luck finding a DVD recording available for purchase. Since you were a part of the production, are you aware if a DVD recording is available and where it can be purchased. If this post of the opera ever disappears, I will be devastated. Its been several years since I first listened and I keep returning. My love and appreciation for this production just keeps growing.
Mi piace tantissimo questa Rondine!
Edizione comunque più che dignitosa. Molto ben riuscita la parte finale. Bravi entrambi i protagonisti! La lettura della lettera è un momento di straordinaria intensità emotiva, drammaticamente molto pregnante, sorretto da una melodia delicata e struggente. Momento davvero ben riuscito! Forse un pò più debole l' idea musicale successiva ("Ah, chi sei che hai fatto?") reiterata fin troppe volte fino a risultare come sfibrata.....(Mi perdoni il mio amato Puccini per questo piccolo appunto personale che nulla toglie alla bellezza di questa opera e alla mia infinita ammirazione per Lui!). Splendida invece l' ultima aria ("Ma come puoi lasciarmi...."), melodia nobile, struggente, fresca e sorprendentemente moderna, quasi da musical!
Just gorgeous!
Brawo 👏👏👏
Went from disregard Rondine, to intro via this production, to loving Rondine. Now I've watched other productions, bought the MET production, followed along in English. Heard some beautiful singing, watched beautiful productions from different eras, but you all GOT Rondine in this production like no one else I've heard so far. Authentic! What a gift. Thank you.
I like the MET one too❤
@@anaisan009
I haven't seen/heard many other productions other than the METwAlagna/Gheorghieu, which I liked as well. I'm now looking forward to getting to some of those others, which I'm sure I will enjoy since I now love Rondine and there are so many ways that an opera can be loved.
But something is going on in this version that allowed me in and to experience Rondine completely. Before this one, I just couldn't break in. It's a different approach that allowed me to really hear it for the first time. I yammer on about it in hopes that future productions will listen and learn from it, because this one, though not a 'Grande' production, got something really right.
I've been tuning into this for several years, off and on, but it never gets old. It puts the 'Veri' in verismo! If anyone knows of a DVD version of this production, please let me know, even if no Eng subtitles. I will be grateful for the rest of what's left of my life and I want to pass it forward to my grandkids!
@@gardenernation thanks very much for your comments🙏 There is a fabulous Foundation that through the MET brings the chance of watching only a few 🥲🥲🥲 Operas ( it is never enough!) live , in cinemas, and yesterday I "Assisted"
@@gardenernation So I was in Heaven .. of course it is not as being in theatre when one can feel the skin vibrate, but it was so beautiful. And as if I may so different to other "La Rondine" I have listened. Conducted by a young woman... she gave her , if I may say it, a less Viennese strength and more human approach ( that is Puccini) . Hope I could contact the Foundation , if you are interested I could let you know. It will be wonderful if they record this version 🤍⚪️🤍⚪️🤍⚪️🤍
@@anaisan009 Are you suggesting that you know of a foundation that might have a way of creating a DVD recording from this production? If so, and keeping in mind I am merely a big fan of this version, I would be happy to share my comments to encourage them to do so. Let me know if anything comes of this idea.
Re: METLive in HD. I recently treated a friend to one of their productions and though it had its moments, for the most part we had trouble connecting. Being a man of little means, this was disappointing, making me a little hesitant to try again.
During COVID the MET regularly aired on line, some incredible performances from its archives. Either in addition to Live in HD or in place of it, if the MET sent to theaters a handful of these 'best from the archives' performances each year, I think it would be a much better way of drawing in new MET/opera audiences. I know I would be much more likely to attend feeling more certain of a great performance.
All performances from all the opera houses around the world are miraculous by definition. However, there are those nights when things come together in really special ways that are unforgettable. If we're trying to draw people to opera through the movie theaters, wouldn't it make more sense to present the best of the best? Is LIVE, as in happening right now, that important? I think 'best' is better. Just a thought...
I felt that it was easy to get close to with modern costumes. Especially, "Sogno do Doretta" is very beautiful with the high voice of soprano. I want to hear it over and over again.I'm just starting to practice this song and I love it.現代の衣装で、親しみ易いと感じました。特に”Sogno do Doretta”は、ソプラノの高い声が無理無く出ていて、とても美しいです。繰り返し繰り返し聞いていたいほどです。私は、今この曲を練習し始めたばかりですが、大好きになりました。
Rondine translates easily to contemporary setting.This production proves that. It's why I consider this true verismo. No one is tortured and no one dies, yet it is fully engaging - simple, ordinary yet so moving. Sets the stage for film industry, opera's grandchild.
@@gardenernation
Thank you for your kind reply. I became able to sing Sogno do Doretta from memory, and sang it on stage in the fall of 2022. I want my Italian friends to hear my singing voice someday🫶
“Chi il bel sogno di Doretta”
Chi il bel sogno di Doretta
Potè indovinar?
Il suo mister come mai
Come mai fini
Ahimè! un giorno uno studente
In bocca la baciò
E fu quel bacio
Rivelazione:
Fu la passione!
Folle amore!
Folle ebbrezza!
Chi la sottil carezza
D’un bacio cosi ardente
Mai ridir potrà?
Ah! mio sogno!
Ah! mia vita!
Che importa la ricchezza
Se alfine è rifiorita
La felicità!
O sogno d’or
Poter amar così!
고맙습니다
Anche a me è piaciuta moltissimo questa produzione,bravissimi tutti
This is actually one of my favorite Puccini operas, though admittedly I've yet to find a performance that surpasses the Anna Moffo recording, and if you have a chance try and give it a listen. There is truly a sweetness in everyone's performance that I have yet to find anywhere else.
P
Concordo. Io ho quella versione....Quindi credo che si possa fare meglio. Questa produzione non mi convince molto. Molte sfumature e sottolineature vengono perse qui....
I completely agree. Moffo's is the reference recording, even after all these years.
La rondine
Opera lirica in tre atti
Musica di Giacomo Puccini
Libretto di Giuseppe Adami
Prima rappresentazione: 27 marzo 1917 al Grand Théâtre de Monte Carlo
Nuovo allestimento
Prima rappresentazione a Firenze nel centenario della prima di Montecarlo
Artisti
Direttore
Valerio Galli
Regia, luci, scene e costumi
Denis Krief
Assistente regista
Pia di Bitonto
Assistente scenografa e costumista
Angela Vasta
Maestro del Coro
Lorenzo Fratini
Orchestra e Coro del Maggio Musicale Fiorentino
Magda
Ekaterina Bakanova
Ruggero
Matteo Desole
Lisette
Hasmik Torosyan
Rambaldo
Stefano Antonucci
Prunier
Matteo Mezzaro
Périchaud
Dario Shikhmiri
Gobin
Rim Park
Crébillon
Adriano Gramigni
Yvette
Francesca Longari
Bianca
Marta Pluda
Suzy
Giada Frasconi
Un maggiordomo
Giovanni Mazzei
Rabonnier
Antonio Corbisiero
Georgette
Elena Bazzo
Gabriella
Tiziana Bellavista
Lolette
Thalida Marina Fogarasi
Tre soprani / Tre ragazze
Elena Bazzo, Tiziana Bellavista, Thalida Marina Fogarasi
Quattro tenori
Dean David Jenssens, Carlo Messeri, Hiroki Watanabe, Alfio Vacanti
Un giovine
Alfio Vacanti
Voce di sopranino
Delia Palmieri
Figuranti speciali
Elena Barsotti, Gaia Mazzeranghi
Love it! Thank you so much.
More and more La Rondine is moving up my Puccini opera rankings. As of right now, I would put it at number 2 behind only Turandot.
I am smitten by Ekaterina ... beautiful woman with a gorgeous voice. And, something that is often overlooked in opera ... she is strong actor.
Strange that you prefere turandot.... just the opposite.
@@memedesimo1021 Are your top two ... 1. La Rondine and 2. Turnadot?
If so, it would be interesting that we'd both have those two as our top two ... even if the order is reversed.
My strong sense is that most Puccini fans would have La Boheme, Madame Butterfly, and Tosca in their top 2 in some combination.
La Rondine is the true hidden gem in my opinion. I'm also a big fan of La Fanciulla del West. La Rondine is not performed all that often and most of the arias are not, typically, included on those "greatest hits" collections. The end result is that La Rondine often gets overlooked.
Turandot grabbed me hard and I think I'm extra drawn to it because the maestro died before he could finish it. The death scene of Liu in Turnadot is the point where Puccini died. That has always given that moment a very chilling affect. So sad, because it's every bit as much an adagio to Puccini as it is to Liu.
Bottom line ... I'm glad to "meet" another Puccini fan. We like what we like. As it should always be!
Turandot is at the bottom of my preferences.... I save only “non piangere Liu” . On the very top of my list Manon Lescaut. I love operas about love!
@@Zobin211 My top is both La Boheme and Turandot, I love both and I can't possibly decide between them!!!!
@@justanotherbohemian3827 There are so many amazing Puccini operas to chose from, aren't there?
Turandot is just spectacular and, for me, knowing that Puccini died before completing it always makes it that much more dear to me. He died just after competing Liu's adagio. So her death really is Puccini's death.
The very first time Turandot was performed, the conductor (Arturo Toscanini) stopped at the precise moment of Puccini's last written notes, put down his baton and said:
"Qui finisce l'opera, perché a questo punto il maestro è morto" ("Here the opera ends, because at this point the maestro died").
For me, I love Turandot, La Rondine, Fanciulla del West and Il Tabarro the most. But I also love La Boheme, Madama Butterfly and Tosca.
I like the other ones, but I haven't bonded as strongly with: Le Villi, Edgar, Manon Lescaut, Suor Angelica and Gianni Schicchi.
Peu connue et peu représentée, La Rondine est loin d'être une œuvre que l'on pourrait penser secondaire dans la production de Puccini. Ce n'est pas non plus une opérette, même si elle lui emprunte quelques codes, ni "la Traviata du pauvre" comme on l'a parfois surnommée. Puccini est alors au sommet de son art (pour s'en convaincre, il n'y a qu'à écouter son ouvrage précédent, La fanciulla del west), il a accompli cet exercice avec finesse et intelligence et sa Rondine est un véritable bijou.
Another Rondine showed up recently on RUclips. It's a recording, (1980s) not live, but Te Kanawa and Domingo perform with Maazel conducting.
I finally was able to listen tonight and discovered that Maazel and company also got Rondine right! It's a little out of scale for the Rondine story, but with Domingo and Te Kanawa, the largeness is quite an experience. However, in spite of its size, it delivers Rondine with honesty and focus.
I still find this Bakanova and co. performance to be the perfect fit, but I was amazed to find another Rondine that seemed to get at the core of the opera in a similar manner. I try to avoid judging vocal performances, since I am completely unqualified to offer such opinions, but after hearing this recording, I feel even more confident in expressing how impressed I am with all your performances.
For anyone interested, here is the link:
ruclips.net/video/PsjQl9VJjq8/видео.html
Mi è piaciuta moltissimo tutti Bravi, splendida la Bakanova!
Immenso
Tutti bravi, bella esecuzione, una delle migliori che abbia ascoltato. Peccato che l'opera non abbia una trama avvolgente e non capisca se Puccini volesse comporre un'opera oppure un'operetta, tanto di moda all'epoca. Non ci sono parole per la bellezza del brindisi del secondo atto "Bevo al tuo fresco sorriso" bravissimi Magda e Ruggero.
Beh, la trama c' è, ma dobbiamo tener presente che il soggetto è più leggero rispetto a quelli trattati in precedenza dal maestro, più vicino allo stile dell' operetta. Ma anche questo soggetto rientra pienamente nelle corde di Puccini ed esprime una parte importante della sua anima. Sul brindisi "Bevo al tuo fresco sorriso" concordo pienamente: è una vera perla!!
Fantastica edizione
My apologies. I have never posted on other youtube posts and here I can't seem to stop. Please feel free to dump my posts if you grow weary of them and hopefully this is the last.
First to Puccini's supposed grandson. If true, that is a special connection and you are fortunate, as are we who regularly chat with him through his music and drama.
Comments were made about the singing in this production. I think the age of the LP created a distorted notion about opera singers as we, with no visuals, obsessed over finding the 'perfect' voice. LPs lie to us because the sound is engineered - with all the best intentions. If anyone wants to provide me with front and center orchestra seats to any production, I would be happy to share my thoughts on the vocal qualities, but even then I wouldn't guarantee its objectivity.
I did listen to the Moffo Rondine, and granted it was heavenly singing. However my beef with Rondine from my very first hearing was it's sweetness, (overdressed,1980s, live, studio, TV production) causing me to dismiss it for being 'saccharine'. For me the studio Moffo recording was too sweet - beautifully sung, a joy to listen to including the tenor as music, but too sweet for the sake of the opera.
Last night I listened to another production that was also beautifully sung, but particularly in the last act, the singing/acting was life and death like out of Tosca. Again wonderful performances, but poor Rondine suffered in a different way. I heard that in one version of Rondine one of the leads was killed off in order to make the opera more 'authentic'. No, no, no!
What do I know, but it seems that Rondine is the perfect verismo opera because no one is killed - now that's what I call authentic to most lives, thankfully, most of the time. And yet, Puccini is able to give us a meaningful and intimate glimpse of the hopes and dreams of somewhat ordinary people.
The magic of this Bakanova/Desole production is that the characters are fully realized and the performances strikingly honest, neither too sweet in the romancing nor too tragic during the break up. True verismo. I think that's what Puccini was about with Rondine.
Until this production, I was missing out on its greatness and now I savor every note. Great performances here! Thanks for keeping it real and making me a convert!
Just received the Te Kanawa/Domingo/Maazel recording of Rondine. Love it but, in my opinion, there are many instances where the vocalists let the music define the delivery rather than the the characters. It often seems to be the case, because the characters are pretty ordinary people and the music is an extraordinary musical journey. When the singers are swept away by the music, the characters pay the price.
Magda is a pretty level headed individual almost by necessity given her ‘profession’. Early in the opera she experiences a moment of nostalgia that she struggles with, resulting in her affair with a young student newly arrived in Paris. Later, when she comes to, she realizes this little fling could result in terrible consequences and musters the courage to break things off before too much damage is done. That demonstrates her strength of character and it costs her. That is the turmoil so incredibly realized in the music in this opera, but if the singer follows the music, the character is lost and the story makes little sense.
That is precisely what this cast does not do and the results are what allowed my to fall in love with Rondine. When done right, it proves via Puccini that ordinary people can experience intense emotions and can make very difficult decisions without compromising their own integrity as ordinary people or even calling attention to themselves. I think it was Puccini’s idea for the future of opera.
O Dio!! I hope this is my last comment on this. Thank you Magda, Ruggerio, Prunier, Lisette for your restraint in the face of such incredibly moving music. The results are profound. Valerio Galli, Orchestra and Chorus and everyone associated with this performance, thank you for bringing it to life.
3:20
8:30
10:38 Chi il bel sogno di Doretta
Lately, you tube postings of operas I've enjoyed are no longer available. In some cases I purchased the DVD in time in other I was not so lucky. It then struck me that this posting of Rondine might meet a similar fate. Given that through this production I became an instant and devoted fan of Rondine, I would miss it terribly.
Early on, I did see a DVD available, but then needed one with an English translation. That is no longer important to me, but I do not want to head into my remaining years without this companion. Lately, though I came up empty in an initial search. Does anyone have any information regarding the purchase of a DVD of this production?
I don't really know what opera this is, nor will I ever watch it, but I've been searching for the melody in 50:55 and 1:16:23 for months. I'm so happy that I have found it!
I lied. I have watched it multiple times now, and I absolutely love it. However, that one melody still remains my favourite.
Isabella, that is so funny. I was just going to ask you why you weren't going to watch this ... and then I see that you just made a post yesterday saying that you had!
La Rondine, to me, is a true Puccini sleeper. It is rarely performed and does not get anywhere near the recognition of his "hit" ones ... La Boheme, Madame Butterfly, Tosca and Turnadot.
If you get a chance, check out "Fanciulla del West" ... another "obscure" Puccini opera. The Barbara Daniels-Placido Domingo performances at the Metropolitan Opera in 1992, in my opinion, are the finest I've heard/seen.
www.prestomusic.com/classical/products/7938602--puccini-la-fanciulla-del-west
Here's a tease of "Fanciulla" ... the full version is no longer on RUclips : ( .... ruclips.net/video/GuwMB4hs4p4/видео.html
@@Zobin211 Thank you for the suggestion! I'll make sure I check it out soon!
And where you heard this melody?
It’s a Great opera and lots of fun to perform in. The cafe scene is great for a chorus.
Tutto dignitoso, ma le comparse (scena del Bullier) non sono un pò troppo attempate?....
Волшебство начинается с 1:00:12
Il brindisi è davvero una pagina formidabile e commovente!
Большое вам спасибо!
It’s a fun production. Sometimes looking weirdly Camp and comic versus romantic. Much is lost by 1960’s silly modernizing this opera but the singing is warm and bright enough. Some of the textures are rushed for some reason. The tenor Ruggero is so cute however the voice is a bit light for this part. 53:37 The lead Magda sings with bright and idiomatic tone with a great chest register. She looks stunning in every costume like an “It girl” giving off Kiera Knightly actress vibes. This performance is not overly sentimental however…rather highlighting the hyperactivity of the matchmaking. Again that is is another way to interpret this opera. A very dizzying romantic whirl of an opera.
Episode of the Sopranos brought me here
1:07:40 hermoso
Not sure which ending I think is best. Both fittingly sad.
breathtaking
Why not english subtitles..:(
Certo che Ruggero è davvero uno sprovveduto! Chiede alla madre il consenso di sposarsi all' insaputa di Magda! Poteva almeno parlarne con lei prima....E così per Magda la lettura di quella lettera si trasforma in una specie di funerale!
Ancora un'edizione con cantanti stranieri (bravi). È una bella edizione e tutti cantano bene ma...non c'è un soprano italiano che canti Magda?
Puccini es universal, el arte es de todos
La rondine chileno del sogno
Divina
1:52:55
Peró, usare l'amplificazione nella lirica é come bestemmiare in chiesa. Unica scusante é che l'acustica del Teatro del Maggio Musicale fa schifo, per cui si é costretti.
Quale amplificazione? I microfoni sono per la ripresa televisiva. O credete di poter vedere un video su youtube ascoltando direttamente dalle vostre orecchie?
@@lucalogi25 Sai com'è... a volte uno è proprio presente in teatro e sente... Mica c'è solo RUclips.
@@Ingefurly Sai com'è... a volte uno ci lavora per 32 anni, in quel teatro, e sa esattamente come sono andate le cose.
@@lucalogi25 Beh... in "quel" teatro lì è un po' difficile perchè sono ben meno di 32 anni che esiste. Purtroppo ha significativi problemi di acustica e di visibilità, è un fatto noto. E non è nemmeno l'unico nel quale si sopperisce ad un ascolto mediocre rinforzando con l'amplificazione.
@@Ingefurly L'amplificazione nel nuovo teatro non è mai stata usata, se non per i discorsi delle autorità.
Как всегда в современных постановках на сцене темно и мрачно! А ведь это одна из самых светлых опер Пуччини! Жаль...
1:00:34
Nemůžu si pomoci, je to slabé ve srovnání s nastudováním La Rondine (Vlaštovky) s Metropolitní operou. Jekaterina Bakanova je výborná zpěvačka, ale na Anghelu Gheorghiu v tomto případě nemá. Ostatní zpěváci jsou výrazně pozadu, scéna velice laciná, zrovna tak choreografie, sbor příliš stoický, hudba postrádá lepší akustiku. Na to, že to je předvedeno ve Florencii, tedy v Itálii, od Italů dosti slabé.
povero Puccini....questi cantanti nn sanno proprio cosa sia la melodia e l intonazione......ma come si puo' calcare il palcoscenico in questo modo.....perdonali Giacomo
La Magda è brava, ma lascia trasparire fin troppo presto (cioè fin dalla scena dell' incontro e del bacio al Bullier) la sua preoccupazione per una relazione sbagliata..... Penso che almeno in quel momento avrebbe dovuto abbandonarsi con più convinzione al suo sogno, no? Invece le sue espressioni sono incerte e preoccupate fin da subito....Mi è sembrata una stonatura.
La protagonista di quest'opera è sempre consapevole del fatto che una relazione di solo amore sarebbe un errore, forse ci credeva quando era molto più giovane, ma ormai è cambiata definitivamente. Si concede a lui perché lo sente sincero, ma sa e vuole da subito che questa cosa non abbia un futuro
Giusta osservazione! Grazie!@@fabriziocigni6945
Non sempre il tenore tratta la parte con la grazia dovuta....Spesso appare ruvido e poco duttile....
Sorry, but the tenor(Ruggero) sings very annoying, doesn’t reach the quallity of the sound of the rest:/
operaglove@ I've heard him several times; to my ear, when he sings up from the middle register, his voice goes from chest to head, and his head voice is thin and lacks overtones. It's quite disconcerting to hear it in a tenor singing leading roles.
Concordo. La compagnia di canto non mi sembra granchè e anche la direzione. Si può fare molto meglio!
Studenti gaudenti sì, ma un pò "fuori corso"! Eh eh.....
edizione orrenda voci bruttissime e tecnica assente
Se vuoi ascoltati L edizione con Baglioni e Moffo è un altro mondo!!!
E se vuoi la meraviglia ascolta il bel sogno con la Scotto!!
@@vincebossi46 Barioni e non Baglioni
Errore,preferisco certamente Barioni a….Baglioni!!!!saluti.
@@gianmarcoangelucci4088 lapsus!
Questa opera e come una telenovela mexicana e un rollo che no finisce mai piu 😮😮😮😢😢😢😢😢 in somma una gran cagatta, e la música una violinatte che non finisce mai come un drammone hollywood😂😂😂😂😂😂😂😂😂
E questo che e stato chiesto a Puccini. Una Opereta al modo Viena🥰