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During my 76 years I have heard a lot of great music and a lot of great bands. Even the great ones sometimes struggled with how to end a song. There was a time when a simple fade-out was quite popular. Some had OK endings and a few really good ones. Nobody I can think of were ever so consistently good at ending a song as these ladies. Every single time, it's epic. And it always fits the song, as does everything else. They are amazing.
Miyako had mentioned that it took a while for her to get used to that Roland digital piano because the keys felt very different from her baby/grand pianos. "Lost in the Garden" has a heavy neoclassical metal component and the song is inspired by Romantic-era composer, Franz Liszt's, "La Campanella", which is also the piano intro she played here. "La Campanella" is considered by many professional classical musicians as one of the most difficult and complex piano pieces to play. This video is an excerpt from the Tokyo leg of Lovebites' "Judgement Day" tour in Japan which ended successfully in October last year. This performance was LIVE streamed to an international audience and what you watched was raw with no post-production, and the band still sounded absolutely phenomenal !
Thanks for the warning. I duplicate my answer to you (dated February 10, 2024) under this comment. Troll 'ingop...' appeared under one of my 2 comments of that reaction (song 'Holy War', January 9) where you warned me. Therefore, my answer to you may be blocked there. Most likely, your answers (like mine) are blocked due to complaints organized by the troll from his numerous fake accounts. I assume that he has 16 (this is the minimum number) fake accounts. These are only those fake accounts from which he wrote to me. Due to troll complaints, many comments are also blocked that contain information about LOVE BITES that is useful for Reactors. Over the past 2 weeks, approximately 50% of my comments have been blocked. The troll has already begun to sow discord. Real fans have become suspicious of the new LOVE BITES fans. Especially those who have recently registered their account. I know several such cases. The troll is also trying to give new fans a bad impression of the Wolf Pack. Pushing new fans away from the LOVE BITES fandom. There are cases when comments from new fans are also blocked. Especially if they start communicating with a troll. He provokes new fans (pretending to be a member of the Wolf Pack), and then organizes complaints against them.
You can watch Miyako practice the piano piece at her own "Miyako Official Channel" under the title "MIYAKO Begins Reading the Sheet Music for "La Campanella" about 8 months back.
LOVEBITES - Lost in the Garden lyrics: Eyes blue and waving blond hair Green brooches on her chest Beauty catching the eye of everyone with no doubt
Hear pleasant sound of the harp Time passes like a wind But never bringing season with the flowers and you
Must care, love and stand by one's side to save their souls We are all complicated, delicate, adorable
Can't get close, can't even touch your fragile heart Finally we have met but you disappear I'm chasing pieces of things you left behind Somewhere inside of me still believe that you are here There is a new world that's beyond the sea And searching for the meaning of your last words
Nights giving me the loneliness It's taking breath away Drowning in this darkness, struggling out everytime
As lighted by the sunrise Breeze bringing me the peace Relief that this will be another start of the day
Words sometimes has different meanings that what's said Feelings that can't be put in words are ones that's precious
Can't get close, can't even touch your fragile heart Finally we have met but you disappear I'm chasing pieces of things you left behind Somewhere inside of me still believe that you are here
Can't get close, can't even touch your fragile heart Finally we have met but you disappear I'm chasing pieces of things you left behind Somewhere inside of me still believe that you are here There is a new world that's beyond the sea And searching for the meaning of your last words -----
Miyako had a premier video of her practicing Franz Liszt camping song La Campanella a while ago. It is difficult because it requires a big hands for big reach. Her hands are small. Due to this she struggled with mistakes until she overcame then speeding up through each pass. Miyako stuck with it and here she proves that hard work pays off. She really does work at her craft. I would love to see her use a Steinway, too. Then we get the treat of seeing Asami play piano. You are right that Asami has a commanding stage presence.
I know that Miyako complained about the keys on the roland at the FOAK show in 2020 and it seems she may be using the same Roland here. Even though the keys on the Roland are weighted, they feel nothing like an acoustic piano and she had a problem with it.
Your reviews are always exceptionally good RC. Miyako once has explained in her channel how the touches different between a grand piano and an upright piano because an upright piano needs one extra action to hit the string, and said electronic pianos are even more different. I guess it happened on the Rolland piano, but Miyako also loves that white Rolland for its pretty looking. I want you to try Swan Song 2021 version from the album Heavy Metal Never Dies ruclips.net/video/7KcYoojBqPI/видео.html. It has regretfully got no Chopin Revolutionary Etude as the intro but the grand piano at the ending sounds just magnificent and epic. The sound is much better than the Rolland. This is a good example how a real grand piano is different from an electronic piano.....well, let's call it a keyboard.
You are absolutely correct with your thoughts about the piano. In fact she owns an Yamaha baby grand since her teenager days, but she even changed the keys of this one to have a better feel for playing. For her pianos recital „A day with Miyako“ some months ago she played a Steinway grand piano …
Thank you for your reaction to LOVEBITES at all time. Very nice analysis and feedback. Thank you for your continued support of LOVEBITES. 【The following is from an interview with LOVEBITES for a magazine project in Japan】 [Miyako] Lost In The Garden" was inspired by "La Campanella" by Liszt. Also, the chords of the B-melody are based on the so-called B-melody part of "La Campanella," and the scale was also made to look like that. The piano melody behind Miyako's guitar solo is "La Campanella," which Miyako frantically recorded. La Campanella" is a very difficult piece to play on the piano.
P.S. I once saw a rehearsal video of Miyako playing a grand piano-style white Roland for the first time in a live performance and being confused. For his next live performance, he rented a full concert grand piano. Miyako later said in an interview that the rental fee was very expensive. So, for the next live performance, she returned to the white Roland.
I don't care for the recording of this track so much, but the song and performance are awesome! I just love the music these ladies make and the way they perform it!!🤘
If I had found a genie in a bottle the only wish I would ask is for Lovebites to come to Texas and hit three cities San Antonio, Austin, and Dallas, it's wishful thinking but it would be nice if it came true. A dream that would end all dreams for me. I believe that Roland piano is an electric one and sounded off-key when she was at the high keys, but I agree with you on that note she is a beast on the keys.
Miyako definitely missed a couple of notes, and I think the issues with the piano could be part of that. You could see the frustration in her body language at the end, when she waved her arm as though to say "Ok, just forget that." But my god, that is one of the most difficult pieces ever written for piano, and how many rock musicians would even have a prayer of playing it at all? As you said, what an amazing, classy band.
General suggestions for LOVEBITES... * Holy War * Edge Of The World * A Frozen Serenade * Swan Song (with Chopin intro) * When Destinies Align [OMV] * Set The World On Fire * Break The Wall (live 2019) * Break The Wall (live 2020) * Shadowmaker (live 2019) * Shadowmaker (live 2021) - Shadowmaker [OMV] * Raise Some Hell * Epilogue (another "E" song, next to "Edge Of The World" and "Empty Daydream") * Glory To The World (live 2021) - Glory To The World [OMV] * Rising (live 2020) - Rising [OMV] * Rising [Acoustic version feat. Asami & Miyako] * Winds Of Transylvania (live) - Winds Of Transylvania (VLADLOVE version) * Thunder Vengeance * * Don't Bite The Dust (live 2021) - Don't Bite The Dust [OMV] * Dancing With The Devil - The Awakening / The Hammer Of Wrath - Nameless Warrior [OMV] - Liar * We The United
Live album 2CD/DVD/Blu-ray from August 23rd, 2023, of March 11th live concert [Trailer] Knockin' At Heaven's Gate * The Hammer Of Wrath (live 2023) (first promotional video) * Nameless Warrior (live 2023) (second snippet) * Judgement Day (live 2023) (third snippet) - Liar (live 2023) (forth snippet) Live album 2CD/DVD/Blu-ray from December 20th, 2023, of March 12th live concert [Trailer] Knockin' At Heaven's Gate - Part II * Stand And Deliver (Shoot 'Em Down) (live 2023) (first promotional video) - Swan Song (live 2023) (second snippet) - M.D.O. (live 2023) (third snippet) - We The United (live 2023) (forth snippet) New stuff (LOVEBITES 2.0, with new bassist Fami) - Judgement Day [OMV] * Stand And Deliver (Shoot 'Em Down) [OMV] Other new stuff from new album (audio and release party only) * Soldier Stands Solitarily - We Are The Resurrection * Lost In The Garden (with "La Campanella" intro by Franz Liszt / Niccolò Paganini) (live 2023) - Dissonance - My Orion - The Spirit Lives On - Wicked Witch - Victim Of Time
More unusual (but still very good) stuff * * The Apocalypse (live 2021) * [A] Under The Red Sky * Above The Black Sea * Empty Daydream * Scream For Me (live 2019) * Scream For Me (studio live 2020) * Signs Of Deliverance * Addicted * Inspire * Spellbound * Bravehearted * Burden Of Time (must see with a special gimmick by Miyako!) * The Crusade * Today Is The Day * Journey To The Otherside [D] No Time To Hesitate - Pledge Of The Saviour * M.D.O. (live 2020) * M.D.O. (live 2021) - The Unbroken - Warning Shot * Golden Destination Audio only - Puppet On Strings * The Final Collision (audio, with Rachmanninoff intro) - Mastermind 01 * Dystopia Symphony - Paranoia * Paranoia [Audio Enhanced Drums]
First let me say. Lovebites and Nemophila are my number 1 bands on the planet.. it just seems as though a few songs on the live shows sound wasn't quite up to their usual perfection.. maybe it's just me ?.. but I've heard the song from the bands blueray, from other reactors, and it always sounds a bit muffled, and the piano sound like dead keys in spots..I know it wasn't Miyako..she is flawless !
This often is mentioned when it comes to the most difficult piano pieces to play. There exist only a few recordings by the greatest piano virtuosos of all time where this piece was performed in (almost) perfection. To be fair, Miyako skipped the most difficult parts for this piano intro. The original arrangement is about 6 minutes to play. Some like Lang Lang speed it up to almost 5 minutes …
You can do it! Honestly, I don't know. lol I've had drummers that did it while talking to me without realizing there were doing it so I assume a little practice and it will soon become a habit.
I have read the comments. Dear members of the Wolf Pack. Sorry, but Ferenc Liszt is not the author of La Campanella ! The author of La Campanella is Niccolo Paganini ! This is approximately the same as the authors of Burn are Deep Purple, the author of Battery is Metallica, the author of The Loner is Gary Moore . Miyako is not the author of these songs. Miyako only made the arrangements and performed these songs on the piano!
That's right. "La Campanella" is part 3 of the 6-piece Paganini Etudes. These were written by Franz Liszt in an arrangement of Paganini's caprices. In today's parlance, a "cover". Ferenc Liszt was a Hungarian composer, pianist, conductor and music teacher, and we are proud of him, as we are of Béla Bartók and Zoltán Kodály. It is a primary school curriculum in our country. Greetings from Hungary.
@@szabotamas68 Thanks for the answer. You are absolutely right! This is exactly what I meant when I wrote that it was originally a work by the Great Italian violinist and composer Niccolo Paganini. I know La Campanella's story. I listened to the works of Niccolo Paganini and Ferenc Liszt, including those you named. I know that Ferenc Liszt is the national pride of Hungary and an outstanding Hungarian composer. And that in Hungarian his name is written "Ferenc". At the time of F.Liszt, the Kingdom of Hungary was part of the Austrian Empire (later the Austro-Hungarian Empire). Therefore, his name is often written in German as “Franz”. F.Liszt created the piano version of La Campanella. This is a very technically challenging and beautiful piece of music.
@@FURIOSA175 To understand what ? Miyako arranged these songs for piano (cover). Miyako is not the author of these songs . Ferenc Liszt also arranged La Campanella for piano (cover). Ferenc Liszt is not the author of La Campanella He did this 25 years after Niccolo Paganini composed La Campanella. That is, the author of La Campanella is not Ferenc Liszt, but is Niccolo Paganini. La Campanella was written by him for violin and orchestra.
As for Miyako on the piano, just the fact of being able to play "La Campanella" by Liszt, which is one of the most difficult works of the classical repertoire and on which many have broken their teeth, demonstrates the fact that she is a world-class pianist.
I think that the song Lost in the Garden takes listeners back to classical music of the 19th century. Miyako and the LoveBites purposefully wanted to immerse listeners in the atomosphere of the 19th century by adding Niccolo Paganini's La Campanella before the song ? I like it.
Well Well Well Were you here today? I didn't get a reply yesterday and I felt lonely. Is it because @ingopek548 was busy? @ingopek5485@northof4912@Donegal62@user-mr4se1lg8h I wonder if your thought processes are so similar that you can't converse at the same time? Even one-on-one seems difficult
Thank you for the nice reaction Metallica・ Slipknot・ Megadeth・IRON MAIDEN・ Judas Priest・ Slayer・ Ozzy Osbourne・Black Sabbath・Yngwie J.Malmsteen's Rising Force ・Haiestom・ DragonForce・blah-blah-blah Inheriting the power of our great predecessors That's LOVE BITES（So Do I) May the Force be with us..🔥🤘
![LOVEBITES - Swan Song [+Chopin Intro] REACTION #lovebites #reaction](http://i.ytimg.com/vi/VC2_df71wa4/mqdefault.jpg)
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yes and during Miyakos solo Asami on the piano was amazing I didn't know she played that good she also has great knowledge on the piano
During my 76 years I have heard a lot of great music and a lot of great bands. Even the great ones sometimes struggled with how to end a song. There was a time when a simple fade-out was quite popular. Some had OK endings and a few really good ones. Nobody I can think of were ever so consistently good at ending a song as these ladies. Every single time, it's epic. And it always fits the song, as does everything else. They are amazing.
One VIP in Poland once said that it is less important how to start, but how to finish. The ladies do it masterfully in every song.
Miyako had mentioned that it took a while for her to get used to that Roland digital piano because the keys felt very different from her baby/grand pianos. "Lost in the Garden" has a heavy neoclassical metal component and the song is inspired by Romantic-era composer, Franz Liszt's, "La Campanella", which is also the piano intro she played here. "La Campanella" is considered by many professional classical musicians as one of the most difficult and complex piano pieces to play. This video is an excerpt from the Tokyo leg of Lovebites' "Judgement Day" tour in Japan which ended successfully in October last year. This performance was LIVE streamed to an international audience and what you watched was raw with no post-production, and the band still sounded absolutely phenomenal !
Thanks for the warning. I duplicate my answer to you (dated February 10, 2024) under this comment. Troll 'ingop...' appeared under one of my 2 comments of that reaction (song 'Holy War', January 9) where you warned me. Therefore, my answer to you may be blocked there.
Most likely, your answers (like mine) are blocked due to complaints organized by the troll from his numerous fake accounts. I assume that he has 16 (this is the minimum number) fake accounts. These are only those fake accounts from which he wrote to me. Due to troll complaints, many comments are also blocked that contain information about LOVE BITES that is useful for Reactors. Over the past 2 weeks, approximately 50% of my comments have been blocked.
The troll has already begun to sow discord. Real fans have become suspicious of the new LOVE BITES fans. Especially those who have recently registered their account. I know several such cases. The troll is also trying to give new fans a bad impression of the Wolf Pack. Pushing new fans away from the LOVE BITES fandom. There are cases when comments from new fans are also blocked. Especially if they start communicating with a troll. He provokes new fans (pretending to be a member of the Wolf Pack), and then organizes complaints against them.
You can watch Miyako practice the piano piece at her own "Miyako Official Channel" under the title "MIYAKO Begins Reading the Sheet Music for "La Campanella" about 8 months back.
LOVEBITES - Lost in the Garden lyrics:
Eyes blue and waving blond hair
Green brooches on her chest
Beauty catching the eye of everyone with no doubt
Hear pleasant sound of the harp
Time passes like a wind
But never bringing season with the flowers and you
Must care, love and stand by one's side to save their souls
We are all complicated, delicate, adorable
Can't get close, can't even touch your fragile heart
Finally we have met but you disappear
I'm chasing pieces of things you left behind
Somewhere inside of me still believe that you are here
There is a new world that's beyond the sea
And searching for the meaning of your last words
Nights giving me the loneliness
It's taking breath away
Drowning in this darkness, struggling out everytime
As lighted by the sunrise
Breeze bringing me the peace
Relief that this will be another start of the day
Words sometimes has different meanings that what's said
Feelings that can't be put in words are ones that's precious
Can't get close, can't even touch your fragile heart
Finally we have met but you disappear
I'm chasing pieces of things you left behind
Somewhere inside of me still believe that you are here
Can't get close, can't even touch your fragile heart
Finally we have met but you disappear
I'm chasing pieces of things you left behind
Somewhere inside of me still believe that you are here
There is a new world that's beyond the sea
And searching for the meaning of your last words
-----
lyrics: asami
music: miyako
arrangement: miyako & LOVEBITES
album: Judgement Day 02/22/2023
Miyako had a premier video of her practicing Franz Liszt camping song La Campanella a while ago. It is difficult because it requires a big hands for big reach. Her hands are small. Due to this she struggled with mistakes until she overcame then speeding up through each pass. Miyako stuck with it and here she proves that hard work pays off. She really does work at her craft. I would love to see her use a Steinway, too.
Then we get the treat of seeing Asami play piano. You are right that Asami has a commanding stage presence.
I know that Miyako complained about the keys on the roland at the FOAK show in 2020 and it seems she may be using the same Roland here. Even though the keys on the Roland are weighted, they feel nothing like an acoustic piano and she had a problem with it.
One of my faves from the album. Amazing band…
Your reviews are always exceptionally good RC. Miyako once has explained in her channel how the touches different between a grand piano and an upright piano because an upright piano needs one extra action to hit the string, and said electronic pianos are even more different. I guess it happened on the Rolland piano, but Miyako also loves that white Rolland for its pretty looking. I want you to try Swan Song 2021 version from the album Heavy Metal Never Dies ruclips.net/video/7KcYoojBqPI/видео.html. It has regretfully got no Chopin Revolutionary Etude as the intro but the grand piano at the ending sounds just magnificent and epic. The sound is much better than the Rolland. This is a good example how a real grand piano is different from an electronic piano.....well, let's call it a keyboard.
always great analysis of Lovebites
Great reaction as usual, thanks for continuing with Lovebites and their awesome songs.
More to come!
thank you for your great reaction and your appreciation of these phenomenal ladies.
Thank you too!
Miyako has a Yamaha, but she won't tour with it. It's a piano she's had since her teenage years.
😏♥️🎙🎸🎹🥁😎🤘
You are absolutely correct with your thoughts about the piano. In fact she owns an Yamaha baby grand since her teenager days, but she even changed the keys of this one to have a better feel for playing. For her pianos recital „A day with Miyako“ some months ago she played a Steinway grand piano …
Thank you for your reaction to LOVEBITES at all time.
Very nice analysis and feedback.
Thank you for your continued support of LOVEBITES.
【The following is from an interview with LOVEBITES for a magazine project in Japan】
[Miyako]
Lost In The Garden" was inspired by "La Campanella" by Liszt.
Also, the chords of the B-melody are based on the so-called B-melody part of "La Campanella," and the scale was also made to look like that.
The piano melody behind Miyako's guitar solo is "La Campanella," which Miyako frantically recorded.
La Campanella" is a very difficult piece to play on the piano.
P.S.
I once saw a rehearsal video of Miyako playing a grand piano-style white Roland for the first time in a live performance and being confused.
For his next live performance, he rented a full concert grand piano. Miyako later said in an interview that the rental fee was very expensive.
So, for the next live performance, she returned to the white Roland.
🐺🐺🐺🐺🐺❤❤❤❤❤🤘🤘🤘🤘🤘 Miyako !!! 💗Asami 🎹💗
Haruna.. amazing power blast💪👍🤘
Great reaction 🙂🤘🐺
🤘🏽LOVEBITES RULES🤘🏽
I don't care for the recording of this track so much, but the song and performance are awesome! I just love the music these ladies make and the way they perform it!!🤘
Excellent reaction, thank you! New subscriber here!
Awesome thank you!
If I had found a genie in a bottle the only wish I would ask is for Lovebites to come to Texas and hit three cities San Antonio, Austin, and Dallas, it's wishful thinking but it would be nice if it came true. A dream that would end all dreams for me. I believe that Roland piano is an electric one and sounded off-key when she was at the high keys, but I agree with you on that note she is a beast on the keys.
Miyako definitely missed a couple of notes, and I think the issues with the piano could be part of that. You could see the frustration in her body language at the end, when she waved her arm as though to say "Ok, just forget that." But my god, that is one of the most difficult pieces ever written for piano, and how many rock musicians would even have a prayer of playing it at all? As you said, what an amazing, classy band.
LOVEBITES are the GODDESSES of heavy metal! A reminder for the many-faced troll who is angry about this reality😛
General suggestions for LOVEBITES...
* Holy War
* Edge Of The World
* A Frozen Serenade
* Swan Song (with Chopin intro)
* When Destinies Align [OMV]
* Set The World On Fire
* Break The Wall (live 2019)
* Break The Wall (live 2020)
* Shadowmaker (live 2019)
* Shadowmaker (live 2021)
- Shadowmaker [OMV]
* Raise Some Hell
* Epilogue (another "E" song, next to "Edge Of The World" and "Empty Daydream")
* Glory To The World (live 2021)
- Glory To The World [OMV]
* Rising (live 2020)
- Rising [OMV]
* Rising [Acoustic version feat. Asami & Miyako]
* Winds Of Transylvania (live)
- Winds Of Transylvania (VLADLOVE version)
* Thunder Vengeance
* * Don't Bite The Dust (live 2021)
- Don't Bite The Dust [OMV]
* Dancing With The Devil
- The Awakening / The Hammer Of Wrath
- Nameless Warrior [OMV]
- Liar
* We The United
Live album 2CD/DVD/Blu-ray from August 23rd, 2023, of March 11th live concert
[Trailer] Knockin' At Heaven's Gate
* The Hammer Of Wrath (live 2023) (first promotional video)
* Nameless Warrior (live 2023) (second snippet)
* Judgement Day (live 2023) (third snippet)
- Liar (live 2023) (forth snippet)
Live album 2CD/DVD/Blu-ray from December 20th, 2023, of March 12th live concert
[Trailer] Knockin' At Heaven's Gate - Part II
* Stand And Deliver (Shoot 'Em Down) (live 2023) (first promotional video)
- Swan Song (live 2023) (second snippet)
- M.D.O. (live 2023) (third snippet)
- We The United (live 2023) (forth snippet)
New stuff (LOVEBITES 2.0, with new bassist Fami)
- Judgement Day [OMV]
* Stand And Deliver (Shoot 'Em Down) [OMV]
Other new stuff from new album (audio and release party only)
* Soldier Stands Solitarily
- We Are The Resurrection
* Lost In The Garden (with "La Campanella" intro by Franz Liszt / Niccolò Paganini) (live 2023)
- Dissonance
- My Orion
- The Spirit Lives On
- Wicked Witch
- Victim Of Time
More unusual (but still very good) stuff
* * The Apocalypse (live 2021)
* [A] Under The Red Sky
* Above The Black Sea
* Empty Daydream
* Scream For Me (live 2019)
* Scream For Me (studio live 2020)
* Signs Of Deliverance
* Addicted
* Inspire
* Spellbound
* Bravehearted
* Burden Of Time (must see with a special gimmick by Miyako!)
* The Crusade
* Today Is The Day
* Journey To The Otherside
[D] No Time To Hesitate
- Pledge Of The Saviour
* M.D.O. (live 2020)
* M.D.O. (live 2021)
- The Unbroken
- Warning Shot
* Golden Destination
Audio only
- Puppet On Strings
* The Final Collision (audio, with Rachmanninoff intro)
- Mastermind 01
* Dystopia Symphony
- Paranoia
* Paranoia [Audio Enhanced Drums]
Covers
* Eagle Fly Free (Helloween)
* Painkiller (Judas Priest)
- Love Bites (So Do I) (Halestorm)
Fami。covers
* Alien Alien (NayutalieN ft. Hatsune Miku) [bass cover]
Haruna solos
* LOVEBITES / Paranoia ~ Dystopia Symphony [Harupi-mix] [cc] lyrics [see Paranoia]
* LOVEBITES - Haruna - In the studio [Haruna drum cam compilation], Songs:
> Glory To The World
> Rising
> Shadowmaker
> Bravehearted
> Set The World On Fire
Miyako piano covers (Etude Op.23)
* Eagle Fly Free (Helloween)
- Burn (Deep Purple)
- Battery (Metallica)
- The Loner (Gary Moore)
- Far Beyond The Sun (Yngwie Malmsteen)
- Addicted (LOVEBITES)
DESTROSE topic
- DESTROSE [with Miho & Haruna] - Prologue
* DESTROSE [with Miho & Haruna] - Maze
- DESTROSE [with Miho & Haruna] - Rin
- DESTROSE [with Miho & Haruna] - Fenixx
- DESTROSE [with Miho & Haruna] - Headless Goddess
- DESTROSE [with Miho & Haruna] - Skykiller
Extras
* Trio Of Miho (The Apocalypse, Don't Bite The Dust, M.D.O.) see there (start of "Holy War")
* Midori & Miyako jam / (Lovebites) bass audition track [hidden in Dystopia Symphony video]
Each of your reactions is marked with a star (*).
First let me say. Lovebites and Nemophila are my number 1 bands on the planet.. it just seems as though a few songs on the live shows sound wasn't quite up to their usual perfection.. maybe it's just me ?.. but I've heard the song from the bands blueray, from other reactors, and it always sounds a bit muffled, and the piano sound like dead keys in spots..I know it wasn't Miyako..she is flawless !
Piano intro is Paganini’s “La Campanella” by Franz Liszt 🎹🔥🤘
This often is mentioned when it comes to the most difficult piano pieces to play. There exist only a few recordings by the greatest piano virtuosos of all time where this piece was performed in (almost) perfection. To be fair, Miyako skipped the most difficult parts for this piano intro. The original arrangement is about 6 minutes to play. Some like Lang Lang speed it up to almost 5 minutes …
But i also guess on this Roland nobody would be able to play it perfectly
@@stand.and.deliver.5 She should have practiced it more, and she knows it !
Great track. How easy is it to learn those stick twirls that Haruna does? I've got some sticks now I just need to learn how. 🤘🤘
You can do it! Honestly, I don't know. lol I've had drummers that did it while talking to me without realizing there were doing it so I assume a little practice and it will soon become a habit.
I have read the comments. Dear members of the Wolf Pack. Sorry, but Ferenc Liszt is not the author of La Campanella !
The author of La Campanella is Niccolo Paganini !
This is approximately the same as the authors of Burn are Deep Purple, the author of Battery is Metallica, the author of The Loner is Gary Moore . Miyako is not the author of these songs. Miyako only made the arrangements and performed these songs on the piano!
That's right. "La Campanella" is part 3 of the 6-piece Paganini Etudes. These were written by Franz Liszt in an arrangement of Paganini's caprices. In today's parlance, a "cover".
Ferenc Liszt was a Hungarian composer, pianist, conductor and music teacher, and we are proud of him, as we are of Béla Bartók and Zoltán Kodály. It is a primary school curriculum in our country.
Greetings from Hungary.
@@szabotamas68 Thanks for the answer. You are absolutely right! This is exactly what I meant when I wrote that it was originally a work by the Great Italian violinist and composer Niccolo Paganini. I know La Campanella's story. I listened to the works of Niccolo Paganini and Ferenc Liszt, including those you named. I know that Ferenc Liszt is the national pride of Hungary and an outstanding Hungarian composer. And that in Hungarian his name is written "Ferenc". At the time of F.Liszt, the Kingdom of Hungary was part of the Austrian Empire (later the Austro-Hungarian Empire). Therefore, his name is often written in German as “Franz”. F.Liszt created the piano version of La Campanella. This is a very technically challenging and beautiful piece of music.
These songs were simply arranged by Miyako and played on the piano!
・・・？
Even if I don't insist so much
Anyone should be able to understand that
@@FURIOSA175
To understand what ?
Miyako arranged these songs for piano (cover).
Miyako is not the author of these songs .
Ferenc Liszt also arranged La Campanella for piano (cover).
Ferenc Liszt is not the author of La Campanella
He did this 25 years after Niccolo Paganini composed La Campanella. That is, the author of La Campanella is not Ferenc Liszt, but is Niccolo Paganini. La Campanella was written by him for violin and orchestra.
@@mamoru1412 ❓
As for Miyako on the piano, just the fact of being able to play "La Campanella" by Liszt, which is one of the most difficult works of the classical repertoire and on which many have broken their teeth, demonstrates the fact that she is a world-class pianist.
🤘🐺♠👸🤘
I think that the song Lost in the Garden takes listeners back to classical music of the 19th century. Miyako and the LoveBites purposefully wanted to immerse listeners in the atomosphere of the 19th century by adding Niccolo Paganini's La Campanella before the song ? I like it.
Well Well Well
Were you here today?
I didn't get a reply yesterday and I felt lonely.
Is it because @ingopek548 was busy?
@ingopek5485@northof4912@Donegal62@user-mr4se1lg8h I wonder if your thought processes are so similar that you can't converse at the same time?
Even one-on-one seems difficult
Is it a continuation of yesterday?
Or about the comment you just made?
Shall we have a heated Conversation?
Thank you for the nice reaction
Metallica・ Slipknot・ Megadeth・IRON MAIDEN・ Judas Priest・ Slayer・ Ozzy Osbourne・Black Sabbath・Yngwie J.Malmsteen's Rising Force ・Haiestom・ DragonForce・blah-blah-blah
Inheriting the power of our great predecessors
That's LOVE BITES（So Do I)
May the Force be with us..🔥🤘