In my opinion, he is the only violinist I have heard that gets the expansiveness I would like to hear in the opening. His timing and control of color is perfect!
I love Szeryng very much... there's no over-the-top, over-zealous, over-acting element in his playing, just classic, elegant and authentic but still he can be so emotional and engaging. Amazing. He was slated to come to play in Japan 20 years ago. I bought a ticket and awaited his recital but he passed away just before that. I could never have the priviledge to listen to the great virtuoso in person. Very sad.
Agreed, that's one reason why I love Szeryng's playing so much: every single note means something. There is no shallowness in his playing, no matter what he plays, his playing is full of depth and boundless ideas.
ahhh why can't more teenagers see the beauty in classical music.... My ipod's filled with Chopin and Beethoven and my friends think it's weird LOL but this piece was so beautiful :)
Пожалуй, однозначного ответа подыскать будет трудно - мне сейчас 61 и я безработный строитель в России...не буду говорить о власти - это мерзавцы...но скажу - всё годы, начиная с 17 лет - слушал живую музыку, успел застать и виделся в Москве с Леонидом Коганом...в кармане только диплом ПТУ и за всю жизнь переслушал море скрипичной классики...сейчас за 40 лет безвременья в России и в мире выросло оглуплённое роком и прочим металлом поколение...народы превращены в толпу скота.
This is the best violin playing I have ever heard! The playing is gentle at times, yearning at others, then strong and sharp/pungeant. It is everything and in such unique forms embodying each sound. It makes me sad and happy. I'm so glad he played this for me to hear and for humanity.
this is scary... it's brilliant; his performance, the passion, and the cry of his violin send shivers down my spine; the hairs of my body rise in admiration
Szeryng became a Mexican citizen in 1946 and traveled under a diplomatic passport granted him by the Mexican government in recognition of his services to Mexico. Szeryng was director of the string department of the Universidad Nacional Autonoma de Mexico from 1943 to 1953.
This is the best Tzigane I've ever heard. I like this interpretation more than Kogan, Heifetz. I like the sound of this violin, added more sadness to the intro
Sounds like that song is based on one of the gypsy scales. I love that dark erie sound, especially on the begining. I'm not a huge fan of violin music, but I really appreciate it when someone can not only play good, but also play with emotion. After all, that's what real music is about.
The most amazing thing about this (and all of Szerying's recordings) is that he was almost certainly drunk off his ass when it was recorded. As far as I'm concerned, he was the best ever.
Hadelich is a great performer and artist, but a different temperament than the old timey virtuosi. No one around today that does this. The last ones I knew were Niziol, who still performs solo, and the late Andrei Korsakov. Just my 2 cents
@@alexpate8626 hadelich is completely different I agree totally. And that's why I think he's the greatest nowadays. He doesn't try to bring back the old style and obviously fail at being better than the old themselves (who could beat Oistrakh and Szeryng at their own game?), he found a personal thecnique and his recordings and live concerts are the peak of modern violinism.
Die Geigergarnele completely agree. Hadelich is my favorite, too. I encourage looking into Niziol. He mostly performs with his quartet but he is a master who won the Wieniawski in the early 90’s. Andrei Korsakov as well. Beautiful music from both.
Tzigane is the french word for gypsy, so, of course, it sounds a little gypsy. (but with a french accent.) This is the best version I have ever heard. he get's just right. The thing that I most respect about Szeryng is that he brings the music out without imposing his own personality. you hear the music with it's own glorious personality.
Notice how loose the hair is on his bow.. What amazing playing...All the great violinists(Oistrakh, Heifitz, Menuhin, etc) had their own style, all played perfectly, but Szeryng is always my favorite. His beethoven is amazing
Note that in Ravel's days in Paris gypsy/gitan/tsigane/tzigane did not so much refer to the Roma (Gypsy) people in any strict sense: the "gypsy" style of the work was rather a kind of popular musical exoticism, comparable to the Spanish exoticism in Ravel's day (compare Chabrier's España), or the Janissary exotism in Mozart's day (Alla Turca).
I'm not a gypsy or a Jew, but Szeryng's playing is , as always, brilliant. With artists of this calibre, the only criticism comes from taste...or ignorance.
Hilarious, that coming from Perlman... Man I dunno, I really think Szeryng's playing is exceptionally, powerful esp among the WWII generation violinists...IMHO
Anyone who knows anything about gypsy playing knows that vengerov's rendition is over-exaggerated and self-indulgent. This is an outstanding performance.
Good ears AbsoluteZ3RO! Giuseppe Guarneri del Gesù, the Leduc then, thanks. Any idea if it was sold after Francais died? It's such a beautiful instrument. I hope it found a home in as talented hands as Szeryng's.
I believe th e pianist is the Hungarian/ Canadian Charles Reiner with whom I know Szeryng televised both pieces in the early 60's. It's great playing by both though. Does anyone know if Szeryng is playing the "Le Duc" or the "King David"?
I have Ginette Neveu's recording on this piece. I seriously got addicted to it. Now hearing this, the interpretation seems very different from the one i am used to, but i guess everyone has their own style. It is still beautiful!
I'm sorry, I was referring to the old aesthetic of the passionate, "self-taught gypsy" style. Today's gypsy style seems quite different. Thanks for opening my eyes in that regard. Adidas01003, why do you accuse me of being a "bigot" while my comment clearly indicates that I listened to and respect Szeryng's interpretation? I hope you've had enough fun from Vengerov bashing. :P
I adore this but sigh i dont hear much difference among the interpretations. All i can say is that it seems that ravel is the greatest composer and arranger ever to walk the earth...
You put this on the Vengerov, too- that isn't the performers, it's Ravel's writing. I fail to see the problem, just because it invokes music you've heard before. After all, that could be seen as a good thing. :)
In my opinion, he is the only violinist I have heard that gets the expansiveness I would like to hear in the opening. His timing and control of color is perfect!
I know this comment is 12 years old
But what do you mean by control of color?
I love Szeryng very much... there's no over-the-top, over-zealous, over-acting element in his playing, just classic, elegant and authentic but still he can be so emotional and engaging. Amazing. He was slated to come to play in Japan 20 years ago. I bought a ticket and awaited his recital but he passed away just before that. I could never have the priviledge to listen to the great virtuoso in person. Very sad.
Agreed, that's one reason why I love Szeryng's playing so much: every single note means something. There is no shallowness in his playing, no matter what he plays, his playing is full of depth and boundless ideas.
Absolutely. Jewish pathos.
ahhh why can't more teenagers see the beauty in classical music.... My ipod's filled with Chopin and Beethoven and my friends think it's weird LOL but this piece was so beautiful :)
Пожалуй, однозначного ответа подыскать будет трудно - мне сейчас 61 и я безработный строитель в России...не буду говорить о власти - это мерзавцы...но скажу - всё годы, начиная с 17 лет - слушал живую музыку, успел застать и виделся в Москве с Леонидом Коганом...в кармане только диплом ПТУ и за всю жизнь переслушал море скрипичной классики...сейчас за 40 лет безвременья в России и в мире выросло оглуплённое роком и прочим металлом поколение...народы превращены в толпу скота.
This is the best violin playing I have ever heard! The playing is gentle at times, yearning at others, then strong and sharp/pungeant. It is everything and in such unique forms embodying each sound. It makes me sad and happy. I'm so glad he played this for me to hear and for humanity.
A masterpiece of music played by a genius violinist. This video is an unique relique.
this is scary... it's brilliant; his performance, the passion, and the cry of his violin send shivers down my spine; the hairs of my body rise in admiration
I thought for the last 25 years only Midori could do this piece justice but I have just been proved wrong...This guy is the bomb...
Thanks for the time machine! It had truly been years since I had returned to this masterpiece; I enjoyed every single second of it, glad you did too ❤
One of the best renditions of Tzigane I've ever heard..just moving.
aside from the justified appreciation for szeryng, what a piece of music.
This is from a French TV broadcast on November 28, 1963. The pianist is Tasso Janopoulo.
Boy! Did I ever enjoy this! From the generation which gave us so many outstanding violinists, we get this priceless gift from Henryk Szeryng.
HIs tone is freaking amazing- just listen to that G string! So passionate, so technically perfect.
I heard this and fell in love with it. It's so beautiful!
It's recordings like this that set musicians like Szeryng away from the rest.
i like this interpretation, it feels natural.
A personal and and intimate interpretation by a true master
eargasm... this is just beautiful !
Szeryng became a Mexican citizen in 1946 and traveled under a diplomatic passport granted him by the Mexican government in recognition of his services to Mexico. Szeryng was director of the string department of the Universidad Nacional Autonoma de Mexico from 1943 to 1953.
This movie is so awesome!!
Thanks to uploader.
He could sell me the farm. This is the best Ravel Tzigane that I've ever heard.... period.
This is the best Tzigane I've ever heard. I like this interpretation more than Kogan, Heifetz. I like the sound of this violin, added more sadness to the intro
Please listen to Michael Rabin's interpretation of this piece.
@@4Topwood Und zu MURAT RENA!!
szeryng e oistrakh i migliori che abbia mai sentito. compostezza, calma, e folle lucidità. altri tempi.
Yeah, he was definitely multi-talented. He's one of my favorite violinists.
What a great treat to hear Szeryng, and to hear also this virtuoso piece by Ravel! Thanks for uploading this and all the other Szeryng!
Artfully played.
BRAVO!
GREAT VIDEO!
This is the most awesome Tzigane I ever saw!!!
8:24 pure magic sound!
Gracias tremendas interpretaciones
Wonderful! Thanks for sharing!
I love his marvellous sound !!!!!!!
Thanks for the precious image！
so far, this is my favorite Tzigane.
Awesome piece, played with awesome spirit.....
Skillful! He seems perfectly mastered that composition.
Sounds like that song is based on one of the gypsy scales. I love that dark erie sound, especially on the begining. I'm not a huge fan of violin music, but I really appreciate it when someone can not only play good, but also play with emotion. After all, that's what real music is about.
The most amazing thing about this (and all of Szerying's recordings) is that he was almost certainly drunk off his ass when it was recorded. As far as I'm concerned, he was the best ever.
hermosa version gracias henryk !!!!!!
Can anyone show me ANY modern day violinist that plays with this kind of class and beauty?
Itzhak Perlman
Augustin Hadelich with the same instrument!
Hadelich is a great performer and artist, but a different temperament than the old timey virtuosi. No one around today that does this. The last ones I knew were Niziol, who still performs solo, and the late Andrei Korsakov. Just my 2 cents
@@alexpate8626 hadelich is completely different I agree totally. And that's why I think he's the greatest nowadays. He doesn't try to bring back the old style and obviously fail at being better than the old themselves (who could beat Oistrakh and Szeryng at their own game?), he found a personal thecnique and his recordings and live concerts are the peak of modern violinism.
Die Geigergarnele completely agree. Hadelich is my favorite, too. I encourage looking into Niziol. He mostly performs with his quartet but he is a master who won the Wieniawski in the early 90’s. Andrei Korsakov as well. Beautiful music from both.
it really is one of the best.. I love Tzigane.. I'm playing some of it..
Tzigane is the french word for gypsy, so, of course, it sounds a little gypsy. (but with a french accent.)
This is the best version I have ever heard. he get's just right. The thing that I most respect about Szeryng is that he brings the music out without imposing his own personality. you hear the music with it's own glorious personality.
@nuuskamuikkunenkatz - The 'old man' at the piano is Tasso Janopoulo.
Notice how loose the hair is on his bow.. What amazing playing...All the great violinists(Oistrakh, Heifitz, Menuhin, etc) had their own style, all played perfectly, but Szeryng is always my favorite. His beethoven is amazing
IL maestro dell'arco.....
He plays this incredible!
tasso is pianist!!!! its great xcept the first note was pushing on sharp but perhaps it makes it more bright
Great sound--Szeryng, really sorry he's not here to play for us anymore.
i believe it is now in the hands of famed violinist anne sophie mutter
Wow, that's something. I never knew Casals said that! Thanks for sharing.
And I totally agree with your assessment of Szeryng.
I absolutely love this. I´m not a great fan of Ravel, but now I´m getting to like him more.
Note that in Ravel's days in Paris gypsy/gitan/tsigane/tzigane did not so much refer to the Roma (Gypsy) people in any strict sense: the "gypsy" style of the work was rather a kind of popular musical exoticism, comparable to the Spanish exoticism in Ravel's day (compare Chabrier's España), or the Janissary exotism in Mozart's day (Alla Turca).
His technique is wonderful and his interpretation defies all common complaints that he was a boring violinist.
it is amazing.
amazing
Beautiful..
@aimaim22 Definitely. That's why their name is changing from accompanist to collaborative artist. That's what they are! :)
Can any1 play better than him? I don t think so. He was a total genius.
now i'm gonna go and get drunk and see if i can play like this :)
this rocks my socks
I'm not a gypsy or a Jew, but Szeryng's playing is , as always, brilliant. With artists of this calibre, the only criticism comes from taste...or ignorance.
Hilarious, that coming from Perlman...
Man I dunno, I really think Szeryng's playing is exceptionally, powerful esp among the WWII generation violinists...IMHO
whichever one of those is the del gesu is the one he's playing. A strad could never produce this kind of deep/dark sound.
he almost touches perfection
@laresoldo39 - 'Leduc' Guarneri 'del Gesu' c.1743. One of the greatest violins in existence.
He did not acquire the Leduc del Gesù at the time of the recording. He is playing the Munch Stradivarius, which he donated to the Israel Philharmonic.
wow!!
Fenomenale
Amazing!
awesome. ; )
thanks for the vid.
Anyone who knows anything about gypsy playing knows that vengerov's rendition is over-exaggerated and self-indulgent. This is an outstanding performance.
This is a great old violinist.
Good ears AbsoluteZ3RO! Giuseppe Guarneri del Gesù, the Leduc then, thanks.
Any idea if it was sold after Francais died? It's such a beautiful instrument. I hope it found a home in as talented hands as Szeryng's.
que relax, sin palabras
THE BEST ¡¡¡¡
MASTER.
Fantastic! Thank you SamLee. Personally I prefer a Luthéal piano to a Steinway piano for the Tzigane.
Though I prefer the rendition of Zino Francescatti, this version is definitely a masterpiece.
I love Zino Francescatti!!!
If he is... more props to him!
maravillosa
@cat man search for "Leonid Kogan plays Tzigane by Ravel"
you might notice, ummm, some differences.
try Heifetz for some added differences!!!!!!!!
@JohnM21789
I think it's Charles Reiner
genius
Wow!
@TheTucsonJeff Hi......no , not related to her. Have you heard Szeryng's Brahms double with Starker and Haitink. Absolutely sublime-even for him.
I also like the Midori rendition.
Yesterday Elin Kolev in Zwickau/Sachsen/Gxermany..::)
It will be a very interesting comparison At the moment my recording is private only..::(
thank you!~
Bravo!
I would say 10 or ARCT, depending on what conservatory system you follow. This is very hard repertoire.
Muhteşem bir şey inanaılmaz güzel, keman nasıl çalınır herkese gösteriyor :)
wow
Oh, a Greek one to put..? Thank you for the information. (:
I believe th e pianist is the Hungarian/ Canadian Charles Reiner with whom I know Szeryng televised both pieces in the early 60's. It's great playing by both though. Does anyone know if Szeryng is playing the "Le Duc" or the "King David"?
Shaham was taught by Szeryng? No wonder he has such an elegant and even Spanish-like sound. Also, no wonder he's the only modern violinist I like.
I have Ginette Neveu's recording on this piece. I seriously got addicted to it. Now hearing this, the interpretation seems very different from the one i am used to, but i guess everyone has their own style. It is still beautiful!
i wonder this is the real version or not but i love it, especially at the last was awesome. i love it. lol but i cant play so fast....
これはいつ頃でどこで行われた演奏会だろうか、もう少し詳しく情報が欲しい。
I'm sorry, I was referring to the old aesthetic of the passionate, "self-taught gypsy" style. Today's gypsy style seems quite different. Thanks for opening my eyes in that regard.
Adidas01003, why do you accuse me of being a "bigot" while my comment clearly indicates that I listened to and respect Szeryng's interpretation?
I hope you've had enough fun from Vengerov bashing. :P
I adore this but sigh i dont hear much difference among the interpretations. All i can say is that it seems that ravel is the greatest composer and arranger ever to walk the earth...
You put this on the Vengerov, too- that isn't the performers, it's Ravel's writing. I fail to see the problem, just because it invokes music you've heard before. After all, that could be seen as a good thing. :)
@8200aqua me too me too :) i say len played it quite good as well ;)
*sigh* It's you again.
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