I was used to draw and paint a lot as a kid, but lost the skill at one point in my childhood. I still have this internal desire to be able to paint so good as this. Thank you for this video.
Grazie Anna, this makes me very happy. I'd like to post a video here with about twenty paintings made by different artists following Raphael's techniques. If the idea sounds nice to you, you can send me a photograph of your finished work together with permission to publish it. The email is visible in the ARTEnet channel information. Thanks for the nice comment.
Que técnica maravilhosa, eu teria que nascer muitas vezes para aprender!!!É um dom especial, lógico que é necessário estudar muito e se dedicar, mas sem talento, só se consegue o sofrível!!!
Fantastic! Very informative video and so well done. Thanks for doing it in English also. I had viewed it in Italian before and was hoping for an English translation.
It's a very interesting video. Very interesting scenes for me are the impprimitura with lead white applied over the underdrawing and the scene of adding glass powder to a transparent paint layer. Is it the method commonly used by painters of the time? Or is it Raphael's unique method? How did you get that information? Is it restoration data by the museum? Or is it a published treatise? If you don't mind, please let me know the sources of those sources. thank you.
Thanks for the encouragement, I'm currently studying Leonardo's technique and maybe a video will come out. Tiziano has a very interesting technique (you can find some indications at the following link: artenet.it/en/tiziano-technique/) but for the moment there is no plan to make a video about him.
PREPARAZIONE, PREPARATION, SIZING: Layer or several initial layers of material applied to the support in order to obtain a proper surface to receive painting pigments. If the ground consists of several layers, the final layer is commonly known as the imprimatura or priming (v.), in modern literature. IMPRIMITURA, IMPRIMATURA, PRIMING: In modern literature, it refers to the final layer and finishing of a ground, which consists of a fine thickness and a smooth and uniform surface, in order to facilitate the application of the brush-work. According to its characteristics, a transparent or opaque colouring is given as a base to the pictorial layers. Thanks for the question!
@@ARTEnet1 Imprimitura (imprimatura doesn't exist as a word, like terre verte and other english mistranslations of italian words) is priming, as you correctly said, but priming/imprimitura is not campitura (which you could probably translate as an initial toning). Unfortunately Mayer got it wrong from the italian and presented 'ImprimAtura' (sic!) as a 'campitura' (but curiously enough when he's talking about priming he's correct). Since his book is very famous the error spread. Priming or imprimitura is that phase right after the sizing of the support and it requires a primer (be it oil and pigment for a canvas, glue and gesso for or an acrylic primer). That's the imprimitura operation and it stops there, right when you stop using the primer. What comes after has different names. Greetings
❤ Years ago, I viewed a much simpler physical study of this topic at Philbrook Museum, Tulsa OK. I have been looking for it, or another version of the same, ever since. Thank you.
"Raiders of the Lost art" I really like this definition maybe it's perfect as the title of a new video that explains what we do. Thanks for the comment
Magnificent video! The best I've ever seen that totally explains in precise detail the exact methods and techniques used ! It seems so understandable and logical and DO-able now! Thank you so much! Please do and entire series on EVERy famous artist's techniques! I'm definitely a new solid fan (and sub!) of this great channel!!!
Thanks for the great comment @Kimberly Patton, much appreciated "new solid fan", I would very much like to be able to satisfy your request even if the whole series on the techniques of every famous artist is perhaps a little too ambitious project.
Scientific tests carried out on Raphael's Madonna del Baldacchino in 1991 revealed the presence of this pigment (Mauro Matteini, Arcangelo Moles, Giancarlo Lanterna, Maria Rosa Nepoti, Indagini scientifiche sui materiali e sulla tecnica pittorica, in Raffaello a Pitti. ‘La Madonna del baldacchino’ storia e restauro, pp. 79-82). It was not possible for me to find it nor to find information about it, so I used the Talens deep madder lake, imagining that it could be the most similar pigment to it. Thanks for the appreciation and the question.
The ink used for underdrawing is iron gall ink, a natural ink, widely used in the Renaissance, obtained with gall nuts and diluted with water. Thanks for the question.
OMG, some of your works are famous paintings that I used to know. How can you draw pictures like this. Your contribution to the arts is awe-inspiring, I'm so glad and happy to see what you're doing. I have been following you, hope you have beautiful pictures in the next video.
Very nice video, I am very interested in your findings and also the sources where you base these findings on. I think think you may be close to the way of the Old Masters. Can you please also explain how you came to these findings? I assume that you have scientific sources as you claim spectroscopical research, or have you done this spectroscopic research yourself? Can you please for example provide the source of the recipes of e'g. the gesso (and the use of calcinated gypsum in special), chiaroscuro and the you give on you website?
The sources on which I rely for knowledge on artistic techniques come from what is published on the subject, I have not done spectroscopic research personally even if for some years I taught scientific techniques applied to works of art and I directed a painting restoration laboratory. The confidence with the pictorial material, as well as many recipes and procedures, come from studies in this sector that unlike others has kept alive the interest with tradition, naturally to this has been combined a lot of practical experimentation. Thanks for the appreciation.
These are the brushes used in the past: squirrel (vaio) and bristle. In Florence you can find them in fine art shops such as Rigacci or Zecchi www.rigaccifirenze.it/ zecchi.it/
Hello, I'm leaving a comment to ask you something. I'd appreciate it if Leonardo da Vinci and Raphael could let me know if they used venice turpentine from start to finish on their paint layers ☺ ️
@@김지후-x7v Scientific tests have difficulty in defining the nature of the specific resins found in samples taken from the works of art and historical sources do not provide any indications on the matter. It is therefore not possible to answer the question affirmatively even if the probability that both painters mixed Venetian turpentine with walnut oil is very high.
This is a good question because I don't have the answer. I tried to look for this pigment but to date without success. During the restoration of the Madonna del baldacchino by Raphael, carried out by the state laboratories of Florence in 1991, some samples of the pictorial layers were made and the tests indicate the use of this pigment. The brownish madder lacque is the pigment that in my opinion comes closest to the color indicated by the investigations.
@@ARTEnet1 thanks, I love its content through which we painters and admirers can get closer to the techniques of the old masters of painting. We hope that you will continue to share this content with us, which is perfect and very valuable.
Non so se ho capito la domanda, se chiedi se gli strati di pittura sono mescolanze, sappiamo dagli esami stratigrafici che, prevalentemente, i pittori del tempo usavano stesure di colore puro
The video is excellent as a didactic, but I'm afraid to say that the painting is very far from being similar to Raphael's. Another point to observe, from the artist's point of view, he doesn't have his work trajectory so well planned (he doesn't even know how it will end), much of what is outlined is abandoned. But the video is very instructive, with an objection to glass powder, I believe there were other alternatives used
The painting is a good reproduction I think. What makes you think that "he (Raphael) doesn't even know how it will end?" Can you explain that please I'm curious to hear your thoughts
Why aren’t there more investigative videos on technique, preparation, materials and execution? Unlike this awesome informative video other videos that seem to me to be mostly Hype to cause an increase of interest that directly impact value of a piece or increase museum visitation.
Camera was invented in the year 1816, then how come the 1500 years artist got the photo prints so that they can trace them out to make a duplicate copy on canvas?
Voici les liens des versions en italien et en espagnol pour ceux qui "ont horreur" de l'anglais: ruclips.net/video/fIk0qss0jgw/видео.html - Italiano ruclips.net/video/9bXR5Yv-IQ0/видео.html - Spagnolo
Unbelievable that this sort of video is here for free, for anyone to enjoy and learn
"Look at me, erm a Raphael now!!!"
@@Skibbityboo0580You mean _"Look at me, I'm a 15 year old dying for attention!"_
I was used to draw and paint a lot as a kid, but lost the skill at one point in my childhood. I still have this internal desire to be able to paint so good as this. Thank you for this video.
I wish you find the fire you once had as a child Ricardo lets go!
I would love to see more videos on techniques of different famous painters!!
This demonstration, does exactly what I thought, showing a master in his work.
ARTEnet is absolutely fabulous! Incredibile fantastico!!! Ho imparato moltissimi!!!.
Thank you for sharing this English version! It is greatly appreciated!
Oh, I watched the Italian version with subtitle first and then noticed this English version! Thank you for sharing!
Total immersion in an artist's heart, mind and craft is like nothing else on this earth. Thank God for the genius!
really interesting. very informative. Excellent presentation - and NO STUPID MUSIC, thank God.
Fantastic journey into the minds and painting techniques of artists before colors of paints, canvases, etc. could be easily obtained at an art store.
Thank you so much, this is such a cool video! I can't wait to integrate some of the aspects of this technique in my own painting :)
Grazie Anna, this makes me very happy.
I'd like to post a video here with about twenty paintings made by different artists following Raphael's techniques. If the idea sounds nice to you, you can send me a photograph of your finished work together with permission to publish it. The email is visible in the ARTEnet channel information.
Thanks for the nice comment.
I could watch stuff like this all day. Love to paint but am no Raphael yet
Wow so many steps. It must have truly been a labor of love. Thank you for this video!
This is stupendous! Terrific presentation. Thank you!
Que técnica maravilhosa, eu teria que nascer muitas vezes para aprender!!!É um dom especial, lógico que é necessário estudar muito e se dedicar, mas sem talento, só se consegue o sofrível!!!
Remarkable information about a remarkable artist….thank you!!
this is great
this channel is a gem!
A very informative and a present for learners of old masters work.
Больше спасибо автору за прекрасные видео 🤝
Thank you for sharing these fantastic videos.
Great video! ❤
Fantastic! Very informative video and so well done. Thanks for doing it in English also. I had viewed it in Italian before and was hoping for an English translation.
wow. thank you so much. This is just the video I was looking for.
I absolutely LOVE your channel. Your videos make me very grateful. Thanks so much!
Outstanding. Thank you so much. God bless you!
The artist's rendering is soo good!!++👌💕 bravo!!!
Thank you so much for sharing very informative video. I don't believe that i watch this for free
Pure gold these videos are
My goodness what a great video. TY.
Many thanks for this outstanding video
The best video I have found about this subject, thank you so much! 🌼🙂
Wow totally worth it !!
superbe vidéo, merci
Un bellissimo video. complimenti.
I would like to see Leonardo da Vinci technics as well Tizian
Me2 ! I love the GENIAL ONE ❤️❤️❤️❤️❤️❤️❤️😍😍😍😍😍😍
What an amazing video !!!
Fascinating and inspiring
For some reason I love the neatness that I feel from the lines of drawings, something I don't from paintings.
Sebastiano del Piombo was also quite critical of these paintings
Great video. Thanks for sharing.
Excellent video! Very educational and interesting! Thank you
Excellent video. Stay blessed.
Unbelievable it looks so real and nice tricks 😮😮😮💯💯💯
Very great ! Thank you !
Great video, so informative. Great narration. Thank you
Thank you so much! Very interesting video!
Итальянские художники самые великие!
К сожалению, Рафаэль Санцио так не рисовал.
Thanks for this great video
Thank you so much, this is amazing-
It's a very interesting video.
Very interesting scenes for me are the impprimitura with lead white applied over the underdrawing and the scene of adding glass powder to a transparent paint layer. Is it the method commonly used by painters of the time? Or is it Raphael's unique method?
How did you get that information? Is it restoration data by the museum? Or is it a published treatise? If you don't mind, please let me know the sources of those sources. thank you.
glass power is nothing more than silica powder sold in resin stores, but it is not as transparent as it is said!
That was amazing.
I love your videos of the Masters' techniques. Could you do Titian? He's one my fave of all time.
Thanks for the encouragement, I'm currently studying Leonardo's technique and maybe a video will come out. Tiziano has a very interesting technique (you can find some indications at the following link: artenet.it/en/tiziano-technique/)
but for the moment there is no plan to make a video about him.
Thanks so much for the link! Really helps my research.
Thank you sir
interesting way of layering colors
quite inresting informative video! thanks for this work
Just what i needed. Thankyou.
Beautiful video, excellent explanation
Thanks for this--love it!
Awsome thaks for sharing
Imprimitura is the preparation of the support, be it in gesso and glue or oil and a pigment. What you're referring to is a campitura.
PREPARAZIONE, PREPARATION, SIZING: Layer or several initial layers of material applied to the support in order to obtain a proper surface to receive painting pigments. If the ground consists of several layers, the final layer is commonly known as the imprimatura or priming (v.), in modern literature.
IMPRIMITURA, IMPRIMATURA, PRIMING: In modern literature, it refers to the final layer and finishing of a ground, which consists of a fine thickness and a smooth and uniform surface, in order to facilitate the application of the brush-work. According to its characteristics, a transparent or opaque colouring is given as a base to the pictorial layers.
Thanks for the question!
@@ARTEnet1 Imprimitura (imprimatura doesn't exist as a word, like terre verte and other english mistranslations of italian words) is priming, as you correctly said, but priming/imprimitura is not campitura (which you could probably translate as an initial toning).
Unfortunately Mayer got it wrong from the italian and presented 'ImprimAtura' (sic!) as a 'campitura' (but curiously enough when he's talking about priming he's correct).
Since his book is very famous the error spread.
Priming or imprimitura is that phase right after the sizing of the support and it requires a primer (be it oil and pigment for a canvas, glue and gesso for or an acrylic primer). That's the imprimitura operation and it stops there, right when you stop using the primer. What comes after has different names.
Greetings
Thank you so much!!!
❤ Years ago, I viewed a much simpler physical study of this topic at Philbrook Museum, Tulsa OK. I have been looking for it, or another version of the same, ever since. Thank you.
thank you
Fabulous video !!!Thank you...
I would love to see the same for William Adolphe Bougeureau.
I really enjoy, thanks
I have learned more from raiders of the Lost art than I would have if I would if went to college
"Raiders of the Lost art" I really like this definition maybe it's perfect as the title of a new video that explains what we do. Thanks for the comment
nice riff at the begining !
Magnificent video! The best I've ever seen that totally explains in precise detail the exact methods and techniques used ! It seems so understandable and logical and DO-able now! Thank you so much! Please do and entire series on EVERy famous artist's techniques! I'm definitely a new solid fan (and sub!) of this great channel!!!
Thanks for the great comment @Kimberly Patton, much appreciated "new solid fan", I would very much like to be able to satisfy your request even if the whole series on the techniques of every famous artist is perhaps a little too ambitious project.
Thanks, that was useful. Never heard of glas powder before.😊
awesome, question.. what is burnt lake? is that deep madder? thanks
Scientific tests carried out on Raphael's Madonna del Baldacchino in 1991 revealed the presence of this pigment (Mauro Matteini, Arcangelo Moles, Giancarlo Lanterna, Maria Rosa Nepoti, Indagini scientifiche sui materiali e sulla tecnica pittorica, in Raffaello a Pitti. ‘La Madonna del baldacchino’ storia e restauro, pp. 79-82).
It was not possible for me to find it nor to find information about it, so I used the Talens deep madder lake, imagining that it could be the most similar pigment to it.
Thanks for the appreciation and the question.
Is diluted black pigment like india ink? Or drawing ink? Is it diluted with water?
The ink used for underdrawing is iron gall ink, a natural ink, widely used in the Renaissance, obtained with gall nuts and diluted with water. Thanks for the question.
OMG, some of your works are famous paintings that I used to know. How can you draw pictures like this. Your contribution to the arts is awe-inspiring, I'm so glad and happy to see what you're doing. I have been following you, hope you have beautiful pictures in the next video.
How? Art school...
Very nice video, I am very interested in your findings and also the sources where you base these findings on. I think think you may be close to the way of the Old Masters. Can you please also explain how you came to these findings? I assume that you have scientific sources as you claim spectroscopical research, or have you done this spectroscopic research yourself? Can you please for example provide the source of the recipes of e'g. the gesso (and the use of calcinated gypsum in special), chiaroscuro and the you give on you website?
The sources on which I rely for knowledge on artistic techniques come from what is published on the subject, I have not done spectroscopic research personally even if for some years I taught scientific techniques applied to works of art and I directed a painting restoration laboratory. The confidence with the pictorial material, as well as many recipes and procedures, come from studies in this sector that unlike others has kept alive the interest with tradition, naturally to this has been combined a lot of practical experimentation.
Thanks for the appreciation.
Those brushes! Where did they come from?
These are the brushes used in the past: squirrel (vaio) and bristle.
In Florence you can find them in fine art shops such as Rigacci or Zecchi
www.rigaccifirenze.it/
zecchi.it/
its a strange contrast how many steps and details go into everything but the eyes
If the video gives this impression it is only due to the choice of the clips in the montage. Thanks for the comment
@@ARTEnet1 oh, apologies for my inaccurate conclusion
@@gordo6908 Nothing to apologize for, certainly a few more images of the eyes wouldn't have been bad 🙂. Ciao
What is glass powder?
pulverized glass
glass power is nothing more than silica powder sold in resin stores, but it is not as transparent as it is said!
Can you please make watercolor artist techniques too? I would love to learn..thank you
Thank you for the esteem you show with this request, but as a former restorer of paintings on canvas and wood, my skills are limited to this sector.
@@ARTEnet1 oh! Nevermind really.. keep making what you're good at! :) Thank you so much
Hello, I'm leaving a comment to ask you something. I'd appreciate it if Leonardo da Vinci and Raphael could let me know if they used venice turpentine from start to finish on their paint layers ☺ ️
@@김지후-x7v Scientific tests have difficulty in defining the nature of the specific resins found in samples taken from the works of art and historical sources do not provide any indications on the matter.
It is therefore not possible to answer the question affirmatively even if the probability that both painters mixed Venetian turpentine with walnut oil is very high.
What color was burnt lake? I can’t seem to find any examples.
This is a good question because I don't have the answer. I tried to look for this pigment but to date without success. During the restoration of the Madonna del baldacchino by Raphael, carried out by the state laboratories of Florence in 1991, some samples of the pictorial layers were made and the tests indicate the use of this pigment. The brownish madder lacque is the pigment that in my opinion comes closest to the color indicated by the investigations.
@@ARTEnet1 Thank you. I wonder if it was some some variant of red oxide.
Where can I buy fat-based binders ?
If there are no fine art supplies shops near you, you can order online on the website of a good shop here in Florence: zecchi.it/
Good work!
Wow
priprava podlage je vprašljiva ...
would glaze be the varnish?
The glaze is made with color and resins. The varnish is usually transparent and is composed only of resins in a diluent
Please, The Rafael technic in spanish traducción, thanks.
Tomorrow morning we record the audio for the video in Spanish. 😃
@@ARTEnet1 thanks, I love its content through which we painters and admirers can get closer to the techniques of the old masters of painting. We hope that you will continue to share this content with us, which is perfect and very valuable.
@@jeansanfrancisco7022 Grazie Jean, lo spero anch'io
Is the canvas made out of wood?
The support is made of wood
Corpo layers would be the pure paint?
Non so se ho capito la domanda, se chiedi se gli strati di pittura sono mescolanze, sappiamo dagli esami stratigrafici che, prevalentemente, i pittori del tempo usavano stesure di colore puro
絵を描くことが好きなのですが、ラファエルのように描くことができたら、ら私の人生豊かになりますが、まだ練習も足りません。顔料のことも解りませんし...
👏👏👏👏👏👏
The video is excellent as a didactic, but I'm afraid to say that the painting is very far from being similar to Raphael's. Another point to observe, from the artist's point of view, he doesn't have his work trajectory so well planned (he doesn't even know how it will end), much of what is outlined is abandoned. But the video is very instructive, with an objection to glass powder, I believe there were other alternatives used
The painting is a good reproduction I think. What makes you think that "he (Raphael) doesn't even know how it will end?" Can you explain that please I'm curious to hear your thoughts
The figures were out of proportion on the right hand side, seems like he had afterthoughts about his composition.@@soares_painting
Why aren’t there more investigative videos on technique, preparation, materials and execution? Unlike this awesome informative video other videos that seem to me to be mostly Hype to cause an increase of interest that directly impact value of a piece or increase museum visitation.
Perhaps because the subject requires a multidisciplinary preparation and today the trend is in hyperspecialization within a single sector.
Dali tech.please
♥️
👋👋👋
Camera was invented in the year 1816, then how come the 1500 years artist got the photo prints so that they can trace them out to make a duplicate copy on canvas?
12:35 poggers
First-rate.
Solo hablo y entiendo español, no te metas en mis búsquedas
Dommage que ce soit en anglais, j'ai horreur de l'anglais!
Voici les liens des versions en italien et en espagnol pour ceux qui "ont horreur" de l'anglais:
ruclips.net/video/fIk0qss0jgw/видео.html - Italiano
ruclips.net/video/9bXR5Yv-IQ0/видео.html - Spagnolo
@@ARTEnet1 l'Italiano e bello !;)
Man really said photobashing before photobashing.
Jackson James Anderson Ronald Williams William