Hello Leo! At 5:28 I see that the Kemper is set to "internal" and the Clarett 4pre is set to "internal" as well - I'm wondering if we can set both units to be the "master" ? great video as usual Leo, many thanks!
Hi, yes, at the time of the video (if I remember it well) the master function was not available in the Kemper. By the way, now the Kemper Stage can also work as an audio interface, therefore you can use it directly via USB Thank you!
I've been experimenting with how I record my Kemper stage. I like the sound of the S/PDIF output. (I run my S/PDIF cable into a ATLONA Digital Coaxial to Optical Toslink converter. From there I send out an optical cable to my Apollo, I have an x4 and an x8p. My question to you Leo is can I send a dry guitar sound out the S/PDIF port while also sending the FX only out my XLR left and Right. I have recorded using these 3 outputs simultaneously but currently they all contain FX.
Good point and question! Unfortunately I don't have the answer....maybe you can ask directly to Kemper. This would be a very nice setup for recording... Thank you for your message!
@@LeoGibsonGtrThanks for your reply. I figured it out. It can be done.In the OUTPUT menu just set S/PDIF output to any setting that has Git to the left of the slash. this will be S/PDIF sending dry guitar (DI) to the left S/PDIF output. The right can be Master mono or Git/ master left or Git/ Mod mono etc. Of course you can just use the left output of S/PDIF and not even open a track in your DAW for the right essentially muting whatever is being sent to the right of S/PDIF.
Thank you for this extremely informative video. I was just wondering, does the Kemper stage needs to go through the DI box while playing live ? If so, how do we connect ?
Leo, how would we record a D.I dry signal out of the kemper stage? I would guess using a D.I box would still give out the signal with the amp/cab/effects, as i would use a D.i box with a modeler when playing live if the recording desk is very far away. I know the kemper stage DOES NOT have a “D.I OUT” and its USB doesnt pass audio (like you said), which i think is a massive bummer. But id like to know if theres a way to do this before considering even buying the stage. Thank you!
For S/PDIF to work ideally in this scenario (if the audio interface is set to "internal") I think the Stage would need to be set to "auto", and have cable both going to and from the audio interface and Kemper.
@@babyalex6969 that´s exactly this, both clocks are set to internal (master)... i´m having this problem with the komplete audio 6mk2 from native instruments that is only master, and my kemper is from 2016 that is only master, too, so i´m fucked up
I have such a quality loss recording my Kemper via an interface (RME) onto Logic Pro X with XLR cables, compared to the sound I get directly via headphones on the Kemper. Anyone have an idea why that is?
I've tried too with XLR and Jack options and both lose quality. People say that S/pdif is the best option, but my focusrite 2i4 doesn't have s/pdif output...
I experience the same problem; The sound is so beautiful through the headphones compared to the XLR outputs. The trouble is we can't record in Reason or anything using a headset !! Let me ask Leo how the sound quality wouldhold up using that Focusrite via S/pdif.
Thanks for your work, which gives a very good overview and some useful insight! I for my part didn't consider the quality aspect of using the SPDIF, thanks! But I think one thing is not correct or at least misleading: It is easily possible to record multiple guitar signals from the Kemper at once (in parallel) using the different output channels you described at the same time. This way you can record 1. the pure guitar signal (for reamping), 2. the dry stack (amp+cab), 3. the modulation effects and 4. the delay/reverb effects - all at once. This would be kind of the maximum recording setup which can certainly be scaled down to a more simple one in different ways. For example the SPDIF alone could send/record the dry guitar+the stack (stereo L/R). Check the "Kemper Profiler Tutorial - Output (Recording)" for a detailed description.
This is exactly what I am trying to figure out how to do. Any resources you can point me to for how to make one of the main outputs pure guitar signal for the reamping?
@@blainetrain2299 Hi, I recommend to check out this tuorial, for example (jump in at around 2:12). ruclips.net/video/dYyzUDCmG3Y/видео.html All.details are as well laid out in the written manual, that can also be helpful. Or just go to the output section of your Kemper and step through the different options for ever output. You'll see it's quite easy to find a setup that'll suit your needs. Enjoy!
How do you set the Kemper as the slave? All you did was just match the clocks. Is there a clock master/slave setting in the kemper? Also are you only running spdif out of the kemper to the spdif in on your interface? One cable only?
Thanks for the guide. Very useful for those who are looking to purchase a Kemper for recording. I have a question: 4:22 What is the difference between running the Kemper device clock as Master or Slave? Does it affect the tone at all?
Hi, thank you, I'm happy you found the guide useful! I would not enter into deep details: the clock is related to the ADA (analog to digital and digital to analog) conversion, the more precise is the clock the better and less jittering is the conversion. If your audio interface has a very good clock, it is better to set the Kemper as slave, and vice versa. So it affects the sound, and the master should be your audio interface, if it is an high level audio interface with best in class ADA converters, or vice versa Hope it helps. Thank you!
Hey Leo first of all I wanted to thank you for all your videos. They are extremely informative and of the highest quality. Thank you so much for making these videos it's helping me get back into music, I know it takes a long time and effort to produce content at this level. You deserve a lot more viewers. Secondly I wanted to ask for your advice. I have a Universal Audio Apollo Twin MKII Duo as an interface and I just bought the Kemper Profiler Stage. The UA Interace has 2 XLR inputs and also an Optical TOSLINK input. I use Final Cut Pro X as my DAW. Would you recommend I record using the 2 XLR inputs (I think the UA has a decent quality D/A Converter) or do you recommend that I use the S/PDIF out into a separate adapter that converts this signal into Optical TOSLINK (I'm not sure what high quality adapter to use. Amazon?).
Hi, thank you so much! Your appreciation in my work is really important for me! As regards the better way to record the kemper with an Apollo, I would suggest the digital way...the converters are good, but basically if you use XRLs you are gonna convert the audio 3 times (guitar --> kemper (analog digital); kemper --> XLR (digital analog); Kemper --> UAD (analog digital), while going digital you convert the audio only once (guitar --> Kemper) as the Kemper is sending digital audio to the UAD and the UAD is sending digital audio to your DAW. I'm sorry but I don't have a SPDIF to ADAT converter so I can't suggest which one to buy...actually it's a good idea for a video 😊...but I think amazon is a good solution. Thank you once more!!!
I use a Kemper stage and Universal Apollos. I am getting great results with an ATLONA Digital Coaxial to Optical Toslink converter. Hope that helps. It's available anywhere including Best Buy and Amazon.
Nice and clear! Thank you. I use the 2i2 audio interfce which has 2 inputs... if I want both mic as well as Kemper - will it be ok to use just one XLR output from the Kemper to the audio interface so that the second input of the 2i2 will be used for the mic?
Hi Leo, thanks for this very instructive video, much appreciated. How would you say the sound quality would 'survive' using that Focusrite Clarett sound card through S/pdif? Does it come anywhere close to the sound we get using the headphones? I use an Edirol UA-5 (yes, it's rather old) which has S/pdif input but hte sound still is pretty bad compared to what I get directly using a good headset.
Thank you! If you use the spdif connection you transmit digital data from the Kemper to the audio interface, and then you record them in you DAW. As far as I know you can ruin them if you use your audio interface as a master clock and the clock of your audio interface is worser than the one of the Kemper. Then when you play back the recorded audio you are using the headphone connected to you audio interface (as far as I know): if your audio interface has not good DA conversion, you are gonna have a worser sound than the Kemper one. Hope this help
@@LeoGibsonGtr Thanks Leo, This is exactly the cas, the sound is very good through the hedphones directly on the Kemper, and quite bad from the Edirol UA-5 soundcard I'm using....would that Focusrite solve the problem? My question really is, how would you compare the sound quality cming from the Focusrite compared to the sound from the Kemper using a headset?
Hi, there are two things that can cause the problem: >> the DA converters of the Edirol are worser than the one of the Kemper. I don't use Edirol audio interfaces so I don't know how they sound >> when you record the Kemper into the editor via spdif you are not synchronizing the clocks: I mean you have to define which one is the master of the clock and you have to be sure to use the exact kHz for both the Edirol and the Kemper (for instance 44.1 for both or 48 kHz for both) Thank you for your question
Hi Leo Greetings from Perú =) I am a big fan of you and i love your videos. I have a question, my interface is a Scarlett 8i6 and and i want to use S/pdif conection with my kemper stage, but i am not sure how to connect it. The s/pdif connection that says "IN" in kemper should be connected to the one that says s/pdif "IN" in my interface? or should be connected to the one that says s/pdif "out" in my interface? In other words, should i connect mi kemper stage to mi inteface by s/pdif connecting entry "IN" with "IN" and "out" with "out"? I am sorry maybe this is a stupid question but i am a beginner in this topic Thank you so much for read me =)
Thank you Manuel, your appreciation is really important for me!!! You have to connect the out of the Scarlett to the in of the Kemper and the in of the Scarlett to the out of the Kemper. then you have to follow what I'm saying since 4:44 in the video, to properly set the clock. Thank you!
Thank you for the info.Because of you today I bought a Kemper Profiler Stage! Really thank you Leo for your hard work,your tutorials helped me alot,I would probably spend a month trying to figure things out by muself! Unfortunately I don't have spdif on my audio interface so I chose option 2 for the start.I am using cubase 10 as mu DAW and I plugged one cable from mono to the audio interface input,but one problem occured.Cubase is receiving the signal but the output volume is extremely low,almost like i plugged only guitar to it and not a guitar with kemper stage,and by that I mean the volume is low,and amp and cab simulations are on. and the effects are there,but volume is really really low.For the output I used Headrush FRFR stage monitor,but I also tried with Swissonic MM3 studio monitors,and the same happened.Could you explain what I did wrong? I appologise if I sound like a noob but today was my first day with Kemper,so I spent most of the time figuring things out:) Cheers Leo!
Hi Stefan, you are welcome! I'm sorry, but it is pretty hard for me to find a solution "remotely". I suggest you to carefully check out the volumes on the Kemper and your audio interface, but these are quite obvious suggestions...
What kind of track do you open on logic to be able to record or get signal for guitar? Should I select audio or guitar/bass? If I select guitar/bass I have to use a logic amp which I don’t want so I’ve been selecting audio but can’t seem to get signal to logic from the kemper. I get signal from the kemper to the interface and through the speakers though. Please help! I can’t seem to find this answer anywhere
Hi Jordan, I use cubase and not logic, therefore I'm not 100% sure. In any case it should work with an audio track: you have to remove the plugins automatically inserted by logic in the Audio FX block of the track channel strip. Then you should select the proper source in the input block of the track channel strip. In the audio midi configuration utility of your Mac you can verify where the spdif input of your audio interface is mapped. Thank you for your message!
is it correct that i connect the output of the kemper to the ouput of the interface, and the input of the kemper to the input of the interface, as the picture at 4.28 says? this seems strange to me.
I hear slightly muddy recorded sounds in this video, I'm suffering from the same issue. Monitoring sounds greatbut the recorded sounds muddy. Anyone know why?
Hi, it's an option. But you have to mic the cab, etc. therefore I would rather prefer to record directly from the digital out of the Kemper. Thank you for your question!
Actually running xlrs is the worst option. You forgot to mention that the signal into your audio interface is now hitting preamps which colors the sound and you don’t want this. The truest form is 1/4 inch to 1/4 inch or spdif
Hi Matthew, thank you for sharing your opinion. Actually, let me say that I don't agree...using the XLR you can go directly to your audio interface without the preamp, and the preamp could introduce a color that you actually may want to have... Thank you for your message!
![Chino Pacas - Modo Capone (with Drake & Fuerza Regida) [Video Oficial]](http://i.ytimg.com/vi/zjv8TQ0gBkg/mqdefault.jpg)
That accent is priceless. Thanks for the info
😊...thank you for your message!
Thanks for a clear, concise explanation of how to set the SPDIF!
You are welcome Adam, I'm happy to have been of some help!
Hello Leo! At 5:28 I see that the Kemper is set to "internal" and the Clarett 4pre is set to "internal" as well - I'm wondering if we can set both units to be the "master" ? great video as usual Leo, many thanks!
Hi, yes, at the time of the video (if I remember it well) the master function was not available in the Kemper.
By the way, now the Kemper Stage can also work as an audio interface, therefore you can use it directly via USB
Thank you!
@@LeoGibsonGtr Thanks you, Leo!
You are welcome!!!
just what I needed. Thank you. :)
You are welcome!!!
Good to know these drawbacks
Thank you Normand!
I've been experimenting with how I record my Kemper stage. I like the sound of the S/PDIF output. (I run my S/PDIF cable into a ATLONA Digital Coaxial to Optical Toslink converter. From there I send out an optical cable to my Apollo, I have an x4 and an x8p. My question to you Leo is can I send a dry guitar sound out the S/PDIF port while also sending the FX only out my XLR left and Right. I have recorded using these 3 outputs simultaneously but currently they all contain FX.
Good point and question! Unfortunately I don't have the answer....maybe you can ask directly to Kemper. This would be a very nice setup for recording...
Thank you for your message!
@@LeoGibsonGtrThanks for your reply. I figured it out. It can be done.In the OUTPUT menu just set S/PDIF output to any setting that has Git to the left of the slash. this will be S/PDIF sending dry guitar (DI) to the left S/PDIF output. The right can be Master mono or Git/ master left or Git/ Mod mono etc. Of course you can just use the left output of S/PDIF and not even open a track in your DAW for the right essentially muting whatever is being sent to the right of S/PDIF.
Thank you! Very useful info!
Thank you for this extremely informative video. I was just wondering, does the Kemper stage needs to go through the DI box while playing live ? If so, how do we connect ?
Hi, you can use the XLR outs to go straight into the mixing desk
Thank you for your message!
Leo, how would we record a D.I dry signal out of the kemper stage? I would guess using a D.I box would still give out the signal with the amp/cab/effects, as i would use a D.i box with a modeler when playing live if the recording desk is very far away. I know the kemper stage DOES NOT have a “D.I OUT” and its USB doesnt pass audio (like you said), which i think is a massive bummer. But id like to know if theres a way to do this before considering even buying the stage. Thank you!
Bump
Bump
XLR sounded the best to me. I hear popping in the synchronized SPDIF sample.
For S/PDIF to work ideally in this scenario (if the audio interface is set to "internal") I think the Stage would need to be set to "auto", and have cable both going to and from the audio interface and Kemper.
@@babyalex6969 that´s exactly this, both clocks are set to internal (master)... i´m having this problem with the komplete audio 6mk2 from native instruments that is only master, and my kemper is from 2016 that is only master, too, so i´m fucked up
Same problem with axefx3 with spdif also.
I'm totally agreed with you, before I used TS cable sound very poor quality, I should change to XLR earlier.
Hi, thank you for sharing!
I have such a quality loss recording my Kemper via an interface (RME) onto Logic Pro X with XLR cables, compared to the sound I get directly via headphones on the Kemper. Anyone have an idea why that is?
I've tried too with XLR and Jack options and both lose quality. People say that S/pdif is the best option, but my focusrite 2i4 doesn't have s/pdif output...
My experience is that the digital root (spdif) preserves better the tone.
Thank you for your message!
I experience the same problem; The sound is so beautiful through the headphones compared to the XLR outputs.
The trouble is we can't record in Reason or anything using a headset !!
Let me ask Leo how the sound quality wouldhold up using that Focusrite via S/pdif.
Its propalbly due to the audio interface handeling both sides as Mono inputs. Pan your left and right channel each to one side =)
Thanks for your work, which gives a very good overview and some useful insight! I for my part didn't consider the quality aspect of using the SPDIF, thanks!
But I think one thing is not correct or at least misleading: It is easily possible to record multiple guitar signals from the Kemper at once (in parallel) using the different output channels you described at the same time. This way you can record 1. the pure guitar signal (for reamping), 2. the dry stack (amp+cab), 3. the modulation effects and 4. the delay/reverb effects - all at once.
This would be kind of the maximum recording setup which can certainly be scaled down to a more simple one in different ways. For example the SPDIF alone could send/record the dry guitar+the stack (stereo L/R).
Check the "Kemper Profiler Tutorial - Output (Recording)" for a detailed description.
Yup 👆
This is exactly what I am trying to figure out how to do. Any resources you can point me to for how to make one of the main outputs pure guitar signal for the reamping?
@@blainetrain2299
Hi, I recommend to check out this tuorial, for example (jump in at around 2:12). ruclips.net/video/dYyzUDCmG3Y/видео.html
All.details are as well laid out in the written manual, that can also be helpful.
Or just go to the output section of your Kemper and step through the different options for ever output. You'll see it's quite easy to find a setup that'll suit your needs. Enjoy!
How do you set the Kemper as the slave? All you did was just match the clocks. Is there a clock master/slave setting in the kemper? Also are you only running spdif out of the kemper to the spdif in on your interface? One cable only?
Thanks for the guide. Very useful for those who are looking to purchase a Kemper for recording.
I have a question: 4:22
What is the difference between running the Kemper device clock as Master or Slave? Does it affect the tone at all?
Hi, thank you, I'm happy you found the guide useful!
I would not enter into deep details: the clock is related to the ADA (analog to digital and digital to analog) conversion, the more precise is the clock the better and less jittering is the conversion. If your audio interface has a very good clock, it is better to set the Kemper as slave, and vice versa. So it affects the sound, and the master should be your audio interface, if it is an high level audio interface with best in class ADA converters, or vice versa
Hope it helps.
Thank you!
@@LeoGibsonGtr Exactly the explanation I was looking for. Precise and brief! You are really good in teaching. Thanks again.
You are welcome and I'm happy to have been of some help!
Hola Leo podrías hacer un tutorial de como hacer reamp con kemper y focusrite con spdif? un saludo y muchas gracias
Hi, thank you for your suggestion!!! I have actually a lot of videos in pipeline...I have to think about your. Thank you for your message!!!
Hey Leo first of all I wanted to thank you for all your videos. They are extremely informative and of the highest quality. Thank you so much for making these videos it's helping me get back into music, I know it takes a long time and effort to produce content at this level. You deserve a lot more viewers.
Secondly I wanted to ask for your advice. I have a Universal Audio Apollo Twin MKII Duo as an interface and I just bought the Kemper Profiler Stage. The UA Interace has 2 XLR inputs and also an Optical TOSLINK input. I use Final Cut Pro X as my DAW. Would you recommend I record using the 2 XLR inputs (I think the UA has a decent quality D/A Converter) or do you recommend that I use the S/PDIF out into a separate adapter that converts this signal into Optical TOSLINK (I'm not sure what high quality adapter to use. Amazon?).
Hi, thank you so much! Your appreciation in my work is really important for me!
As regards the better way to record the kemper with an Apollo, I would suggest the digital way...the converters are good, but basically if you use XRLs you are gonna convert the audio 3 times (guitar --> kemper (analog digital); kemper --> XLR (digital analog); Kemper --> UAD (analog digital), while going digital you convert the audio only once (guitar --> Kemper) as the Kemper is sending digital audio to the UAD and the UAD is sending digital audio to your DAW.
I'm sorry but I don't have a SPDIF to ADAT converter so I can't suggest which one to buy...actually it's a good idea for a video 😊...but I think amazon is a good solution.
Thank you once more!!!
I use a Kemper stage and Universal Apollos. I am getting great results with an ATLONA Digital Coaxial to Optical Toslink converter. Hope that helps. It's available anywhere including Best Buy and Amazon.
Nice and clear! Thank you. I use the 2i2 audio interfce which has 2 inputs... if I want both mic as well as Kemper - will it be ok to use just one XLR output from the Kemper to the audio interface so that the second input of the 2i2 will be used for the mic?
Hi, yes it would be good, but of course you are not going to record the stereo effects of the Kemper.
Thank you for your message!
Hi Leo, thanks for this very instructive video, much appreciated.
How would you say the sound quality would 'survive' using that Focusrite Clarett sound card through S/pdif? Does it come anywhere close to the sound we get using the headphones?
I use an Edirol UA-5 (yes, it's rather old) which has S/pdif input but hte sound still is pretty bad compared to what I get directly using a good headset.
Thank you!
If you use the spdif connection you transmit digital data from the Kemper to the audio interface, and then you record them in you DAW. As far as I know you can ruin them if you use your audio interface as a master clock and the clock of your audio interface is worser than the one of the Kemper. Then when you play back the recorded audio you are using the headphone connected to you audio interface (as far as I know): if your audio interface has not good DA conversion, you are gonna have a worser sound than the Kemper one.
Hope this help
@@LeoGibsonGtr Thanks Leo,
This is exactly the cas, the sound is very good through the hedphones directly on the Kemper, and quite bad from the Edirol UA-5 soundcard I'm using....would that Focusrite solve the problem?
My question really is, how would you compare the sound quality cming from the Focusrite compared to the sound from the Kemper using a headset?
Hi, there are two things that can cause the problem:
>> the DA converters of the Edirol are worser than the one of the Kemper. I don't use Edirol audio interfaces so I don't know how they sound
>> when you record the Kemper into the editor via spdif you are not synchronizing the clocks: I mean you have to define which one is the master of the clock and you have to be sure to use the exact kHz for both the Edirol and the Kemper (for instance 44.1 for both or 48 kHz for both)
Thank you for your question
Hi Leo Greetings from Perú =)
I am a big fan of you and i love your videos. I have a question, my interface is a Scarlett 8i6 and and i want to use S/pdif conection with my kemper stage, but i am not sure how to connect it. The s/pdif connection that says "IN" in kemper should be connected to the one that says s/pdif "IN" in my interface? or should be connected to the one that says s/pdif "out" in my interface?
In other words, should i connect mi kemper stage to mi inteface by s/pdif connecting entry "IN" with "IN" and "out" with "out"?
I am sorry maybe this is a stupid question but i am a beginner in this topic
Thank you so much for read me =)
Thank you Manuel, your appreciation is really important for me!!! You have to connect the out of the Scarlett to the in of the Kemper and the in of the Scarlett to the out of the Kemper. then you have to follow what I'm saying since 4:44 in the video, to properly set the clock.
Thank you!
Thank you for the info.Because of you today I bought a Kemper Profiler Stage! Really thank you Leo for your hard work,your tutorials helped me alot,I would probably spend a month trying to figure things out by muself! Unfortunately I don't have spdif on my audio interface so I chose option 2 for the start.I am using cubase 10 as mu DAW and I plugged one cable from mono to the audio interface input,but one problem occured.Cubase is receiving the signal but the output volume is extremely low,almost like i plugged only guitar to it and not a guitar with kemper stage,and by that I mean the volume is low,and amp and cab simulations are on. and the effects are there,but volume is really really low.For the output I used Headrush FRFR stage monitor,but I also tried with Swissonic MM3 studio monitors,and the same happened.Could you explain what I did wrong? I appologise if I sound like a noob but today was my first day with Kemper,so I spent most of the time figuring things out:) Cheers Leo!
Hi Stefan, you are welcome!
I'm sorry, but it is pretty hard for me to find a solution "remotely". I suggest you to carefully check out the volumes on the Kemper and your audio interface, but these are quite obvious suggestions...
If you list what outputs you are using and what inputs on your DAW I can probably help you.
What kind of track do you open on logic to be able to record or get signal for guitar? Should I select audio or guitar/bass? If I select guitar/bass I have to use a logic amp which I don’t want so I’ve been selecting audio but can’t seem to get signal to logic from the kemper. I get signal from the kemper to the interface and through the speakers though. Please help! I can’t seem to find this answer anywhere
Hi Jordan, I use cubase and not logic, therefore I'm not 100% sure. In any case it should work with an audio track: you have to remove the plugins automatically inserted by logic in the Audio FX block of the track channel strip. Then you should select the proper source in the input block of the track channel strip. In the audio midi configuration utility of your Mac you can verify where the spdif input of your audio interface is mapped.
Thank you for your message!
is it correct that i connect the output of the kemper to the ouput of the interface, and the input of the kemper to the input of the interface, as the picture at 4.28 says? this seems strange to me.
Hi, the Out of the Kemper should go in the In of the Clarett. Sorry if the image makes confusion and thank you for your message!
@@LeoGibsonGtr thanks for the help.
I hear slightly muddy recorded sounds in this video, I'm suffering from the same issue. Monitoring sounds greatbut the recorded sounds muddy. Anyone know why?
Are you from Italy??
Hi Joe, I've promised that I will reveal my nationality as soon I will reach 10k subs...if ever...😊
Thank you for your message!!!
Que opinas de conectarse a un Kemper kab y microfonear?
Hi, it's an option. But you have to mic the cab, etc. therefore I would rather prefer to record directly from the digital out of the Kemper.
Thank you for your question!
@@LeoGibsonGtr gracias. Tus videos son sumamente útiles.
Many thanks for the tips.
Thanks to you Emmanuel!!
The best video!!!!!
Thank you, really appreciated!
Thanks a lot.very helpfull informations in here.
You are more than welcome!!! Thank you for your message!
Thanks
You are welcome! thank you for you message!!!
Actually running xlrs is the worst option. You forgot to mention that the signal into your audio interface is now hitting preamps which colors the sound and you don’t want this. The truest form is 1/4 inch to 1/4 inch or spdif
Hi Matthew, thank you for sharing your opinion. Actually, let me say that I don't agree...using the XLR you can go directly to your audio interface without the preamp, and the preamp could introduce a color that you actually may want to have...
Thank you for your message!
It's a me, Mario!
😊
Unbalunsaid. 😁
:)...
Thanks
You are more than welcome!