Haydn was a friend of Mozart and one of Beethoven's teachers, so he probably was influenced a little bit by Mozart's genius and helped stimulate Beethoven's genius. One of the great composers and musicians of the classical music era. Great composition!
Haydn was born in 1732 and Mozart was born in 1756 - who influenced whom? Mozart learned Missae by Michael Haydn's famous art (also for the famous REQUIEM!) and the technique of symphonies of the classical experiments by Joseph Haydn: he learned also the highest art of quartetts by Haydn - and Haydn respected the great success of Mozart's genius also. They were indeed friends with love and respect. - The genius of Beethoven needed stimulans first and most by Homer, Aischlyus, Shakespeare, Kant, Goethe, Schiller and French Revolution.
The little Mozart was the pupil as violinist and composer by his father the famous violinist and composer Leopold, a friend of the both already famous Haydn-brothers
Some interesting points, but probably worth considering the following: Haydn was influenced by almost no other composer - his own words - except CPE Bach. Mozart admired Mozart above all other composers he knew, but their profound friendship served only to intensify the individuality of each; Mozart studied many of Haydn’s works carefully (as did Beethoven), but there is almost no evidence that Haydn was ever influenced by Mozart. Haydn was not really Beethoven’s teacher* in the sense you have suggested; he taught Beethoven counterpoint - a form of musical grammar - for about 14 months between Beethoven’s arrival in Vienna in November 1792, and Haydn’s departure for his second trip to England in January 1794. (Beethoven claimed from these lessons that he ‘…learned nothing from Haydn’). The relationship between Haydn and Beethoven was respectful, but awkward at best; Beethoven was generally reluctant to credit Haydn with anything at all, despite the mountain of clear evidence that he actually learned probably more from him in terms of compositional technique than any other single composer. This very early violin concerto is not a great work, and it does Haydn no service to suggest that it is - only the Finale really rises above the ordinary. * In the same way that Salieri cannot really be called Beethoven’s teacher because his lessons were entirely focussed on learning about Italian vocal music.
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I love the adagio! It has such a nostalgic mood! Thank you for posting this masterpiece!
Grazie infinite 💚
beautiful
Haydn... 🖤
Funnel of inspiration.
Haydn was a friend of Mozart and one of Beethoven's teachers, so he probably was influenced a little bit by Mozart's genius and helped stimulate Beethoven's genius.
One of the great composers and musicians of the classical music era.
Great composition!
Haydn was born in 1732 and Mozart was born in 1756 - who influenced whom? Mozart learned Missae by Michael Haydn's famous art (also for the famous REQUIEM!) and the technique of symphonies of the classical experiments by Joseph Haydn: he learned also the highest art of quartetts by Haydn - and Haydn respected the great success of Mozart's genius also. They were indeed friends with love and respect. - The genius of Beethoven needed stimulans first and most by Homer, Aischlyus, Shakespeare, Kant, Goethe, Schiller and French Revolution.
This Haydn concerto is an early work, possibly as early as 1765. Mozart’s first violin concerto is 1773.
The little Mozart was the pupil as violinist and composer by his father the famous violinist and composer Leopold, a friend of the both already famous Haydn-brothers
Some interesting points, but probably worth considering the following:
Haydn was influenced by almost no other composer - his own words - except CPE Bach.
Mozart admired Mozart above all other composers he knew, but their profound friendship served only to intensify the individuality of each; Mozart studied many of Haydn’s works carefully (as did Beethoven), but there is almost no evidence that Haydn was ever influenced by Mozart.
Haydn was not really Beethoven’s teacher* in the sense you have suggested; he taught Beethoven counterpoint - a form of musical grammar - for about 14 months between Beethoven’s arrival in Vienna in November 1792, and Haydn’s departure for his second trip to England in January 1794.
(Beethoven claimed from these lessons that he ‘…learned nothing from Haydn’).
The relationship between Haydn and Beethoven was respectful, but awkward at best; Beethoven was generally reluctant to credit Haydn with anything at all, despite the mountain of clear evidence that he actually learned probably more from him in terms of compositional technique than any other single composer.
This very early violin concerto is not a great work, and it does Haydn no service to suggest that it is - only the Finale really rises above the ordinary.
* In the same way that Salieri cannot really be called Beethoven’s teacher because his lessons were entirely focussed on learning about Italian vocal music.
😍❤️
Thanks...! And, the players...?
Concerto Köln with Midori Seiler (violin) as stated.
👍🏼👍🏼👍🏼👍🏼👍🏼👍🏼👍🏼👍🏼
out of tune