ON - Harmonic Pizzs on the Double Bass with Florentin Ginot

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  • Опубликовано: 31 янв 2025

Комментарии • 13

  • @Nomain1
    @Nomain1 4 года назад +4

    Thanks Florentin! Great explanation. How would I notate this in a serious score? I would love to challenge my classical players

  • @Hang-san
    @Hang-san 3 года назад

    That is really amazing Florentin! Do love it!

  • @oboealto
    @oboealto 5 лет назад

    Thank you so much for the helpful explanation!

  • @henriaug
    @henriaug 6 лет назад

    Very useful! Thanks!

  • @gegenpressing00
    @gegenpressing00 2 года назад

    wunderbar!

  • @joostkleppe3522
    @joostkleppe3522 Год назад +1

    Amazing, thank you! Do you have a different tuning than normal? I hear a lot of B flats..

  • @ethanchambers02
    @ethanchambers02 2 года назад +1

    is this the same technique used in Scodanibbio’s Sequenza XIVb?

    • @EnsembleMusikfabrik
      @EnsembleMusikfabrik  2 года назад +2

      Yes, it is!

    • @ethanchambers02
      @ethanchambers02 2 года назад

      Thank you! I’m writing for upright bass and I’m having a blast discovering all of the possibilities.

    • @EnsembleMusikfabrik
      @EnsembleMusikfabrik  2 года назад

      @@ethanchambers02 Thank you! Glad to hear that 👍

  • @SayarEge
    @SayarEge 3 года назад

    It is really amazing! I would like to ask something, so I was wondering if it is going to be possible, logical, audible, effective, etc. to use this technique on cello (with the standard tuning).

    • @EnsembleMusikfabrik
      @EnsembleMusikfabrik  2 года назад

      Yes it is possible, although the effectivity of the technic will be reduced by both factors that the cello has much less natural resonance, and that the strings have more tension. But : best is to try it out !:)