You know, I was really looking forward to playing Bloodborne soon, still am. But I've been having so much fun going in blind into these reactions. I think I'll wait a bit longer until I finally play it! Speaking of games I'll certainly play, have you seen my Elden Ring video? ruclips.net/video/L32Jnz2Pbak/видео.html
React to Laurence the first vicars theme and maybe the living failures. After that you’re probably good to play the game. Definitely please react to Laurence’s theme, it’s one of my favorites. So you can understand the meaning behind the track, the bare minimum of Laurence’s lore, he’s the guy responsible for poisoning the country with the blood of fourth dimensional creatures, thinking it was a blessing and using it for its healing properties, but it cursed those who consumed it, creating abominations like Ludwig. The song has Latin vocals and there is a subtitled version on RUclips if you’re interested. Do NOT listen to the 9 minute long video, the song is actually around 5 minutes. The most viewed video extends the song poorly. I suggest the lyrical one.
This man has a better understanding of Bloodborne's story and core themes than most people who have played the full game just by listening to the music.
I think it says more about the composers tbh. To be able to convey a story or evoke a specific emotion is what music is all about. If the stories in your head mirror the actual story then they have nailed it.
I love how you can hear the soundtrack of a character you don't know and still explain details of their lore based on how the song was composed. Your comment of "2 voices in agreement about being sad and in tragedy" fits her perfectly, a great hunter who did terrible things and now tries to destroy and hide her mistakes
Yes! the 2 voices can also make reference to the weapon used by Lady Maria to "inflict" tragedy, her weapon is the dual blade named Rakuyo a weapon that favoured dexterity and the weapon that she ultimately casted away in shame of her actions, thats why the voices are so in unison, when her second phase hits, she uses a technique related to the "old Blood" (if im not mistaken) giving the tone of violence in hepefullnes and an endless cycle she is now trapped in (Hunter's Nightmare) Such beauty in tragedy. "Old Blood" was one of the main reasons for everything that happens in bloodborne, this "old blood" leads to a massacre and horrid experimentation that ends up traping hunters in an eternal nightmare where they are forced to hunt in a bloodthirsty manner for all eternity.
@@Oureon Maria's weapon itself is also kind of symbolic of her story too when it comes down to it, her weapon is a saber, a saber is a very "heroic" weapon symbolically speaking, it was the weapon of cavalry men, of gentlemen officers, and other forms of nobility but from an age of forging new Empires by destroying old kingdoms; it's an image of nobility but a weapon of brutality against what were seen as lesser men. However Maria's weapon isn't just a saber, it has a dagger attached, daggers symbolically being weapons of murder, back stabbing and throat cutting; but the dagger points inwards towards the user itself, towards Maria, suggesting the only one she's really betraying is herself. Rekuyo is a weapon that tells the story of a woman who appears to be a symbol of nobility and champion of progress, when in reality she's committing horrid acts of genocide, her violence towards others ultimately harming and killing herself in a sense.
I figure the duet at the beginning could be her two swords. Used in tandem for actions Maria herself regrets and tries to keep hidden away. And as for later, the longer the fight goes, the more she relies on the powers of her noble family line. Powers she was disgusted by and did everything she could to succeed without them. Thus showing her true side which is both noble and terrifying.
I will never forget the battle against Maria. I had like 1 HP and killed her with a swing of Holy Blade right after a Old Bone sprint which ironically is Gerhman's technique.
@@hannahshark8080 Actually, as the name implies, all you're doing is inheriting the abilities of an old hunter with their bones as a mean to do so. So it makes sense why gherman and Maria would use it, but they're (obviously) not the only ones capable of doing so The only reason why we can see Maria use the animation for the old hunters bone is purely gameplay just so you can see what to expect and what she's gonna do next. I do find it beautiful that the old hunter bones indirectly tell you that hunters are not what they used to be, by demonstrating that using a bone from the "golden era" of hunters gives a significant increase in power(or in this case, speed/agility)
@@diogoc1541 I was just agreeing with OP and congratulating them for their victory... Never said they were the only users of the bone and never asked for an explanation of the item.
It's not just his technique. Ue probably used it first yea but it's common amongst all the old hunters. Hence the name old hunter bone. I think it's to show how quick they were in comparison to modern day hunters since even in the hunters nightmare some of the hunters use the skill passively
@@diogoc1541You don't actually see her use the bone animation, she has the teleport quicksteps by default. The only difference between hers and Gehrman's is that he doesn't have that effect until his final phase when he powers up with cosmic energy, since he's so aged he needs the boost to reach his former strength. His also cover a much larger distance and if I remember right are that cosmic blue-green color instead of the normal wispy gold.
You described Lady Maria perfectly, even though you have not played the game. The way the music, the melody can tell the story, is amazing. I really like your videos.
4:08 The two voices on agreement make me think of Gherman and Lady Maria when they were together. They had a big story together in the past. Or maybe it's about the 2 faces of the character, running the place where cruel experiments happened but caring about those patients.
@@DaviVasc it’s less that they were together and more that Gehrman was obsessed with her, while to Maria he was her mentor and someone to look up too, but Gehrman obviously also had romantic feelings as well, after her death he made a life sized doll in her image (one that is with you the entire game) and grows disappointed in the doll from their differences and than neglects and ignores her
@@DaviVasc Gherman and Maria were lovers. TLDR version of bloodborne's story: A group of scholars digs deep into the foundations of the city and discovers the forbidden art of Blood healing, they break off and form the Healing Church and administer their arts to the people. Over time, the people slowly turn into monsters that ravage the streets forcing the Healing Church to establish The Hunters to fight the monsters. The original hunters were Lady Maria, Father Gehrman, Ludwig, and Gherman's student Father Gascoigne. Father Gascoigne would eventually go crazy, murdering his wife and abandoning his children. Ludwig would persist on the hunt, eventually becoming the very monster he sought to slay. Father Gherman would become fully enslaved by the Old Ones and cursed to run the Hunter's Dream. Perpetually feeding meat into the grinder. Lady Maria would become trapped in the Hunter's Nightmare, from whence she would never escape.
Woow you single handedly described Lady Maria perfectly, just by analysing her boss song. Hands down champ. You should definitely try to get into this game. The lore and the story is just something else, like you only experience once in a lifetime. Now I just wonder what kind of interpretation/breakdown would you do from NieR..?
Yeah Nier even won best soundtrack or something at the game awards 2021. I wouldn't be surprised if Davi already knows about it's soundtrack. But hearing his interpretation would be awesome.
The duet may be a reference to three things, the "dance" between the hunter and maria as they fight (it's a way more dignified battle than the usual bloodborne carnage), the dual blades of the rakuyo (her weapon and main object of her loathing) or her and gherman, good friends turned monsters as they doomed an entire village, the endless struggle is pretty clear that it references the hunters nightmare (the place where maria was sent after her suicide, her soul trapped right next to the atrocities she had done)
5:27 Lady Maria is descended from the Cainhurst Nobles, and the Cainhurst way is a mix of nostalgia and bombast. How very fitting that even when she's far from home, even forsaking home, it's still a core part of her theme. 12:16 Actually that's very accurate to the battle itself. Maria seems to be aware that you will keep coming back to challenge her, and the only way she can stop you is by killing you again and again until you just give up. She goes all out with _everything_ she had and so does the player, so in the third and final act, the grace and tense dance you had completely breaks down into a brutal, chaotic melee. Two savage Hunters giving it their all, just to land that final killing blow and end this awful, grueling duel.
If Gehemans theme was about loneliness Marias would be about regret and guilt. She has blood on her hands like other hunters that she can never rub off.
Oh my goodness!!! What an incredible piece! It's so intensely tragic. I love how it builds and builds, it just keeps snowballing, it's almost like I was holding my breath, when listening because it just doesn't give any break or respite, it's like struggling for breath! I loved the vocals and how the cymbals were clashing. Incredible! So glad you shared this one! Thanks Davi!
i guess you haven't played bloodborne? if not, i really suggest to check out the whole bloodborne & dark souls 3 soundtrack, there are some really good tunes in there. Unless you want to hear them with davi first of course :P
@@rompicoglioni8573 no I haven't played it, but it's one I've always been tempted by, but I'm really loving the music and Davi's reactions and interpretations are great! I may have to add this to my very long "to play" list!
I love how FromSoft tells story through the music so well that a music analyst analysing its music can almost perfectly guess the lore behind the boss/character. Like, how you guessed the sort of, "classy, graceful" thing, and indeed Maria is a knight of the Nobles Of Cainhurst (I won't spoil too much, but you can say that these knights were sort of like, "noble samurai" I suppose, you can look up the lore if you want to) EDIT: PS- Would you be interested in taking recommendations from other games too? I would have some if you want to! Ofc, more Soulsborne stuff is never bad, but still. I'd love to see you break down tracks from more vast categories.
I think it’s worth mentioning what happens that triggers the part at 06:05. Maria is a character that has forsaken blood and the hunt because of the atrocities the hunters and scholars committed in the fishing hamlet. She becomes so desperate to stop you that she plunges her weapon into herself and starts using blood arts again. Like you say later it’s tragic and heroic at the same time. This character is breaking her vows and sacrificing everything she stands for in one last desperate bid to stop you from from entering the village she swore to protect.
Lady Maria in the game is a Vileblood. The Vilebloods were a long dynasty of nobles who used their unique blood to empower themselves and give them an edge in battle but that for many reasons was not favourable by the majority of Yharnam's inhabitants. Maria hates the fact that she is a descendant of the Vilebloods and has sworn to never use their methods but when you fight and best her she realises that this is the only way she can defeat you. The way I interpret the the two voices in her track is them depicting a different side of marias character. From one side a noble hunter, from the other a snivelling vileblood and the music builds up as she eventually gives in and embraces her ancestry.
Lady Maria is my favourite boss fight in Bloodborne. This is just the most fun I've had in any fight. A true hunter on hunter battle, very challenging, but fair.
Nailing the backstory of Lady Maria through her OST. Amazing. The struggle is with her conscience and her crimes in the name of the Healing Church, and the lengths she is willing to go to hide the sins of the Hunters. She resorts to forbidden "Blood Magic" to face you, the player, to prevent you from discovering the disturbing truth hidden inside the Hunter's Nightmare.
I think you nailed the intention here. To me, the two solo instruments forming a harmonious duet clearly depicts a fight between two individuals. But it's not simply any fight, as Maria doesn't just start to attack mindlessly like a monster but rather invites the player respectfully to dance with her. This feeling gets stronger because of the quick swinging rhythm. And that brings the whole scene to life as even the arena looks like an abandoned ball room where classy people used to dance. That's how it feels to me, anyway.
Awesome video. And it fits very well with the story (but idk if i wanna spoil lol). Would recommend "Laurence, The First Vicar". "The Hunter" or "Living failures" if you do more of these :)
when you were "shocked" by the shift, if you understand *when* that shift happens in the fight, and what that means for the character, it makes perfect sense. Also, you somehow understand more about the characters and the story just from listening to the music than most who play the game lmao
It's incredible how much of the story you're figuring out through the track! Maria (and the whole DLC she's in) has a whole theme of being stuck in a unresolving nightmare. She is indeed very noble, because she's guarding the final area of the DLC to protect it from you, but also very horrific - because she's also hiding the atrocities she helped commit there. The music reflects that duality so well, and it's so crazy you caught that just by listening! I hope you do more Bloodborne stuff, the music in this game is amazing!
I love when someone who dont know about Bloodborne listen the themes, Lady Maria is my favorite boss and her theme is so beautiful im glad an expert analyze and enjoy the song.
Something I absolutely love is that at the beginning, there's what I think are a violin and cello seeming to almost play a different melody each, but interweaving with eachother. One is tragic and somber, one is more hopeful and yet still melancholic. I've always interpreted this as the cello being representative of Gehrman's more grizzled nature and understanding of the Hunters' sins and brutality, and the violin as Maria's naivety and admiration of Gehrman before witnessing the massacre of the Fishing Hamlet. When the choir comes in and everything becomes much more grandiose, it's like the explosive culmination of all her tragedies. Led to see the Hunters she admired butcher an entire village and the man she admired most slaughter an infant Great One. It's implied she's a relative of the Vileblood Queen as well, which would explain her cursed blood and how she can literally stab herself in the heart and survive- she's cursed with a power she doesn't want, she's learned that the hero she wanted to be would make her no more than a glorified butcher of the innocent. I see her protecting the people of the Research Hall as her own chosen form of atonement for the sins of both herself and the Hunters she once associated herself with, and this in turn is made all the more tragic by her *needing* to use the power she hates so much to continue guarding the horrible truth of the Fishing Hamlet. Or, if you interpret her as more of a kind of regret-borne lingering spirit of who she once was- being an inhabitant of the Hunter's Nightmare and all- you could even see it as her possibly guarding the Orphan of Kos, something she might have wished she could have done so that all this tragedy could have been avoided. Fantastic track.
I would love to see Davi and Vaatividya work together because I think I would be really cool to see how the music of a boss helps explain the relationship, or nature of the conflict between the boss and the player in some lore videos
You point something out very interesting. The 2 emotions of the piece most likely are representative of Maria’s lore in which she is hiding the atrocities she’s committed. The grace of ignoring her past and the sadness of her past. Great video and is insightful to her lore unintentionally
I’ve always loved that most of the bosses are ones who lost their way or their humanity. And in the end you’re not killing them you’re giving them mercy.
That clashing duet, two hunters, two very similar parts clashing against each other in a dance. This is the only fight in the game that made me feel like my opponent wasn't a visceral beast I had to put down, like if it was about something bigger than any of us. It hit different, my fav boss in all soulsborne.
Lady Maria is one of those soundtracks that really grows with you during the fight. She has many phases, and each one of her attacks becomes more and more frenzied. One of the things about her backstory is that she has powers of heretical origins (the vileblood) and she slowly gives herself to those powers as she fights you. The second phase of the soundtrack sounds like she is pondering if she should use such powers to protect her secrets.
I feel like it’s definitely worth mentioning that the disturbing ‘buzzing’ that runs through the first part and comes in and out throughout the ‘dance’ feels like something disturbing is lurking and trying to break through. The dance of the cello and the violin become a way of her trying to control this or be her own person without it- until finally giving into it, and the disturbing buzzing becomes all that you hear. She unleashes the horror inside her that she tried desperately to keep in, but found herself forced to let it out in desperation. The restlessness of the second half really emphasises how this ‘disturbing force’ wanted to be let out for so long- it’s like it’s been bottled up forever and now it can finally explode out of her like a horrifying parasite. I love the way fromsoft’s composers and orchestra always capture the nature of the characters so well. It’s part of what makes the music so powerful. Great video as always, keep up the good work
This is a fair read, but I see it as a representation of the dark secret that is the Fishing Hamlet, and the guilt she feels for being complicit in the crimes of the hunters there. It'd make sense for that dread to pervade the music, since she's the final obstacle guarding that secret.
is honestly impressive how can you know so much about a character based on the theme, you nailed everything, very amazing! i recommend the next one to be the laurence theme, my personal favorite
That crescendo in the middle gives me chills every time. I’m instantly transported back to that first time o fought her, and you have this vague understanding that she eschewed her Cainhurst past in favor of skill. Then that moment where the crescendo hits while she’s plunging her blade into herself to imbue it with her blood. She’s finally letting go, and embracing every aspect of her power to prevent you from repeating the same mistakes her and her classmates did in the fishing hamlet. Such an iconic fight. Both thematically, and gameplay wise.
Your insight and analysis are always amazing! This is an amazing theme that expresses beautifully Maria’s nobility and conveys her deep remorse and unwavering will to hide their secrets. A beautiful fight and an overwhelming theme, so brilliant! Thank you for covering this theme this week!!
I was very impressed when I first saw this Lady Maria character, her authority was felt, giving her a fight that was not so easy was a satisfaction for the player.
You mentioned duo and I was stunned because of... the duo of Maria and Gehrman -- their story and tragedy were shown even in that way. My god, Bloodborne suprises me every time.
Such a spot on analysis! I love watching videos in which people fight Lady Maria since you can see the skill needed to match this master of a hunter and then the music basically acting as a graceful dance music until the fight becomes more and more of a struggle and both hunters going all out
Everytime it amazes me how you are able to interpret yuka kitamuras maria theme and how every composer who worked on Bloodborne are able to tell the story so we'll. It's like you played the game just by hearing the music. It's a testament to you and all the composers who worked on Bloodborne that's for sure
On the duet: More than any fight especially in the DLC for bloodborne, I see the fight against Maria as a battle of ones will against another. The will of one wanting to plunge deeper into the unknown, while the other desperate to keep them at bay so that they go no further. Both engaging in an elaborate dance, a duel to see who's will is stronger as they give their all
The "lack of rest" you bring up is so fitting. Maria is trapped forever in a hellish dreamscape that takes the form of her own worst memories. She doesn't know any peace or rest, only guilt.
This track reflects the characters lore better than I could imagine. Just listen to it: it's the glory of being Ghermans disciple and the dishonoring yourself with acts of unspeakable violence. This game is truly genius.
Peak Bloodborne experience: 1)Play Bloodborne 2)Learn about the lore through lore videos 3)watch bloodborne theme being broken down 4)Listen again to Bloodborne themes in your daily life Its a Peaceful life.
I love that the drop rendered you speechless; it gives me chills every single time. I really love your analysis! It brings new light to Maria's character, especially the idea that we never resolve at the end, it's just a traumatic "endless struggle," as you said. It's very fitting, because her spirit is trapped in a Nightmare, which is essentially Hell (for Hunters), and she has committed a lot of heinous acts in her life, so her spirit is writhing as she tries to grapple with all of it. This ties in with the two solo voices you mentioned at the beginning. She has the callousness of a Hunter and an ability to perform terrible acts, but her conscience torments her later on.
5:57 I watched a LOT of streamers play Bloodborne this past year, and there was a pattern I noticed... Maria's fight has 3 different phases, with Phase 2 & 3 kicking in at 66% and 33% health, respectively. Usually, players would die rather quickly in Phase 1 due to being unprepared for Maria's sheer speed. After a bit, people would eventually make it to Phase 2, but that became another big sticking point. Her blades gain a longer range after she stabs herself and imbues the weapon with the power of her Vileblood heritage (it's a lore thing). Musically, the track loops the opening cello/violin solos until Phase 2 is reached. At this point, the track ends the loop and moves on into the choral sting and subsequent section in the original key of D. Because of this shift, many players struggled at that point for a bit as they were forced to learn the Phase 2 techniques. As a result, the choral sting was often one of the last parts of the track that players would hear. It became lovingly known among a number of streams (thanks to me) as the "Death Choir." As it stands, the Death Choir is one of my Top 3 moments of the entire soundtrack. It is perfection, and it gives me goosebumps every. single. time.
It's amazing how the conclusions you make about the characters are almost exactly correct. For example Lady Maria comes from a family of nobles and you caught on to that when you talked about the brass instruments. Well done!!!
Lady Maria is the most skilled hunter, her arena is all on even footing with no obstructions and a lot of space, if there is ever a fight in all of Bloodborne that comes down to absolute skill it’s this one. Hunter vs Hunter with only the best Hunter emerging victorious. The only fight that comes close to this is the Cainhurst Crow who isn’t a boss and doesn’t have his own theme music.
12:15 You *are* stuck in an endless struggle. Generally in Souls games, the only time music plays is for boss encounters and the only time it stops is when you or the boss dies. It feels very appropriate and all the more tragic in this case that this tension building up without rest in the third part of the soundtrack will only be resolved with the death of Maria.
Davi Vasc: "So, instead of going to the happy chord, they go here, which is the chord from the beginning that I- that I said 'remember, that is one of the most disturbing chords that there are'!" Lady Maria: "A chord... should be left well alone."
Just to help explain why the transition at around 6:00 Lady Maria stabs herself ingame like something out of a shakespearean suicide. I bet that's the same way she killed herself outside of the nightmare. She's just that classy and tragic.
First of all I thank you so much for shading some light on this masterpiece because other composers react channels never did and it was a DLC boss so a lot of people never played ,so tip of the head to you sir second of all I was one of the people that requested this video and you just did it ,you're the best and you do care about the comments I just wish for you the best and success and achieve all your goals , Good luck
When he mentions the part about two voices agreeing that this is tragic and sad at 3:37, that's exactly how fighting every bloodbourne boss feels after you discover who they really are. 11:27 i really feel like the "struggle" between glory/triump and guilt/madness is exactly what Lady Maria and a majority of the cast feels. The difference is that Lady Maria is unresting against her conflict throughout the whole thing until you cut her down, it's why the sad notes are followed by explosive joyous chorus.
That battle playing is sooo elegant... Hunters definitely have a knack for classy stuff. I guess it contrasts with all that gory stuff happening in their job. x'D But seriously. Dual blade and an crossbow. She doesn't have over the top attacks like Ludwig, but she's constantly pressuring you, while you must absolutely respect the battle's code if you want to win. A single misstep leads to hell! Loved the moment the choir kicked in. I would have gave up at trying to decipher the music if not for you still struggling forward! Love how logical your interpretation is. ^.^
It's amazing to think that a knowledgeable composer can grab a lot of key story info just from the music alone. It's like you're reading a book using just the background music! That's amazing to me honestly, the attention to detail they put behind these boss soundtracks is remarkable.
5:30 she really is classy, even when she does a visceral attack to us she pulls her arm slowly and let's go of us gently no wonder gehrman was falling for her
I think the "two voices" are likely meant to represent Maria's own internal struggle, wrestling against her guilt. The game strongly implies that she committed suicide, because despite abandoning her old life and attempting to atone by becoming a caretaker, she was never able to shake her guilt and shame over her past actions. This probably also explains the restless, unsatisfying nature of the 2nd half of the score. She could never find peace, even in death. I'm so glad to have found your channel. You're a delight to watch, and your enthusiasm is quite infectious. It's pretty impressive how much (accurate) character information you are able to glean solely from the music. That really makes me even more appreciative of all the careful thought that went in to crafting these scores.
Your videos are INCREDIBLE. You permit me to deeply understand what a masterpiece is Bloodborne. It's just amazing what we had the privilege to play in: a videogame apex
Oh boy, I have not finished watching your video, and already your comments about Lady Maria and the understanding you have from what you gathered listening to the music and have not played the game is simply astonishing. Many of your comments resonate with me and even enhance the impression I have from the game, so thank you for that! Loved your Ludwig and Gehrman videos. Here's hoping we can see more of your takes about Bloodborne music!
The description you give for lady maria with the elegance the classic mix up with the horror and the suffering ... it describe her just perfectly insta sub for me!!!
the augmented 6th chord at 7:20. (i think it's an augmented 6th?) all of the augmented 6th chords in this song send shivers down my spine every time. They used it so perfectly. That progression involving the augmented sixth that shows up a lot
YESSSS, i was waiting for a Lady Maria OST reaction, thank you!!! Now you have done my 3 favorite bloodborne OSTs :) 6:05 gave me goosebumps while playing the boosfight
Lady Maria wields two swords in a very graceful manner, like a dance. She cuts herself with them to gain power from blood. A harmonious but sad cellos duet is on point 🤯
Fantastic breakdown as always! I especially loved your insight on how the melody alternates between "regal victory," and "anguished tragic insanity" and that the track gives you a false hope that it will settle on one or the other.
Oi Davi. This is such a surprising theme. What a haunting and beautiful melody and the choral section is so moving! I feel quite emotional. Thanks for this video … wow! :)
Bloodborne is my favorite game of all time, and it was such a joy seeing you react to this track. The way you talk about it is so full of excitement and love, and that makes me elated. In terms of the game itself, the start of the fight- that very human duet of two voices singing together in tragedy, to me, *is* the player and boss fighting. The game's fights are very visceral and brutal, especially with beast enemies, so when you fight the human ones, or other hunters, it feels more like a dance than a battle, like dueting partners. The increasing regality is spot on, as Maria was of a noble line, but had spurned that title. She became disgusted with the experiments that were being done, and the what were essentially war crimes that her and Gherman had committed. Her blood magic and fire are the powers of her noble lineage, and she also had spurned them, if not for you, the hunter that would come to discover the horrors of Maria's past missions in the Fishing Hamlet. The choir and the brass grow as she slips further back into her old self, using those powers to prevent you from discovering what happened. At that point, the duet and two agreeing voices, I interpret are both Maria's opposing feelings of her past, and self-imprisonment within the Nightmare, atop the Astral Clocktower. Wow. Now I just need to play Bloodborne again.
I once reas that this song is like a dance, you know, a dance between two swordsmen and it made all the sense for me. While playing Bloodborne against Lady Maria, I felt that too! Is like dancing with a beautiful, sofisticate and melancholic Lady. The choir is ambiguous because Lady Maria hides an evil secret… won’t spoil It for you!
Am I the only one who noticed that this is the shortened version of the song? There’s usually an extended section that very discordant and the choir just wails without any real melody. Seems you got the shortened version, I hope you can do another video of the full 5 minute song! It’ll help add way more detail to her character and the themes in the song than just this 4 minute version.
i always like to think the duet is so harmonious because bloodbornes hunter fights (like gehrmann, lady maria and gascoigne) are always a dance to some extent so these two voices fit together and yet stand in contrast with each other. constant shooting, dodging, swiping their weapons over and over. all you see is 2 people dancing around each other with incredible agility and the only goal is to kill each other. then the unsettling background always made this extremely intense for me and definitely one of my favorites from that game. im not a musician but i can appreciate a piece that i can interpret something into.
Davi you should listen to the official soundtrack of this song, because near the end something else plays as well that I think is worth mentioning, but in the one you are listening to it doesn't have that part it only has 90% of the official song
Yes! Man this is so amazing, Davi! I initially never fully liked the second phase with the chior, but with describing how it alternates between the dualities that the cello and violin in the first phase do, it actually makes it way more likeable. Lady Maria is a fantastically interesting character lore-wise as well. Thank you for filling in some inspiration for how to appreciate the second phase more. This piece was composed by Yuka Kitamura, the same artist for Elden Ring. If you'd like to analyse some more of her music I'd recommend Darkeater Midir, Abyss Watchers, Pontiff Sulyvahn just to name a few :D They're all fantastic pieces.
It's just such a joy watching your reactions. You seem so genuinely interested in every single note and it's fun to watch you putting all the score puzzles together to try and guess the lore of bloodborne. Even as someone who played the game more than 5 times your reactions really make me go back and play the game with a different route than before and enjoy the soundtrack again. Thank you Davi!!
And here it comes. One more of my favorite soundtracks from Bloodborne. This ost really gives you no rest, and even if I've never played Bloodborne, this really feels like an incredibly intense battle. Thank you for the video ❤️
Its interesting see your reaction to certain bits, seeing the wheels turning in your head. "Its a duet". Damn you summed up the fight within 30 seconds. and "Listen to how much sadness/tradegy is in this. This high note". Thats Maria exactly. I also like that you know your lore without having played the game. Thats dedication.
aw, this version of the song actually omits a part. At about 10:08 there's supposed to be this transition with a really otherwordly feel to it, which, not to spoil the game, may or may not be appropriate.
Yeah, I was too disappointed that it didn't have that part since it is definitely the most unique part of the track and like you said is other-worldly.
A mini series on the Fated Four from MHXX would be amazing! (Mizu and Astalos are two of my favorite themes, and I have a feeling I'd love Glavenus and Gammoth more with your insights!)
![Another Ending Under My Belt! Hornet Done Dirty!? - Hollow Knight | Blind Playthrough [Part 23]](http://i.ytimg.com/vi/9h7c2xGC6Qo/mqdefault.jpg)
You know, I was really looking forward to playing Bloodborne soon, still am. But I've been having so much fun going in blind into these reactions. I think I'll wait a bit longer until I finally play it!
Speaking of games I'll certainly play, have you seen my Elden Ring video? ruclips.net/video/L32Jnz2Pbak/видео.html
Yaaas you need to do more “souls” themes like this, thank you for reviewing this theme i love this kind of content
Hope can see more soulsborne theme..... May I suggest Laurence the first vicar from bloodborne plz....
If you play bloodborne, the best content is in the dlc. Also good luck!
Bloodbath Diablos when?🥺
React to Laurence the first vicars theme and maybe the living failures. After that you’re probably good to play the game. Definitely please react to Laurence’s theme, it’s one of my favorites. So you can understand the meaning behind the track, the bare minimum of Laurence’s lore, he’s the guy responsible for poisoning the country with the blood of fourth dimensional creatures, thinking it was a blessing and using it for its healing properties, but it cursed those who consumed it, creating abominations like Ludwig. The song has Latin vocals and there is a subtitled version on RUclips if you’re interested. Do NOT listen to the 9 minute long video, the song is actually around 5 minutes. The most viewed video extends the song poorly. I suggest the lyrical one.
This man has a better understanding of Bloodborne's story and core themes than most people who have played the full game just by listening to the music.
A testament to the skill of the Bloodborne composers
@@DaviVasc God bless Yuka Kitamura.
@@jimijenkins2548 amen
@@jimijenkins2548 and Motoi Sakuraba))
@@ГеоргийСовинский Motoi did not work on Bloodborne's soundtrack
Man is learning the lore through the music, he's on another level.
He has too much insight
I think it says more about the composers tbh. To be able to convey a story or evoke a specific emotion is what music is all about. If the stories in your head mirror the actual story then they have nailed it.
@@profoundresolve then the composers had too much insight lol
That has A LOT to say about how deep and well thought BB is. That's why BB is Still unbeaten for me as the one and only masterpiece from FS.
His eyes have opened.
Lore learning methods and difficulty:
Easy = learning thru lore videos
Hard = learning thru item descriptions/npc dialogue
*Davi = learning thru music*
Elden ring lore hunt (music only) challenge.
😂
Medium= Learning with the wiki
I love how you can hear the soundtrack of a character you don't know and still explain details of their lore based on how the song was composed. Your comment of "2 voices in agreement about being sad and in tragedy" fits her perfectly, a great hunter who did terrible things and now tries to destroy and hide her mistakes
That's the power of composing
@@thenamelessking375 Power of Skilled Composition*
@@en-men-lu-ana6870
It's called *"The Great One's Wisdom".*
Yes! the 2 voices can also make reference to the weapon used by Lady Maria to "inflict" tragedy, her weapon is the dual blade named Rakuyo a weapon that favoured dexterity and the weapon that she ultimately casted away in shame of her actions, thats why the voices are so in unison, when her second phase hits, she uses a technique related to the "old Blood" (if im not mistaken) giving the tone of violence in hepefullnes and an endless cycle she is now trapped in (Hunter's Nightmare) Such beauty in tragedy.
"Old Blood" was one of the main reasons for everything that happens in bloodborne, this "old blood" leads to a massacre and horrid experimentation that ends up traping hunters in an eternal nightmare where they are forced to hunt in a bloodthirsty manner for all eternity.
@@Oureon Maria's weapon itself is also kind of symbolic of her story too when it comes down to it, her weapon is a saber, a saber is a very "heroic" weapon symbolically speaking, it was the weapon of cavalry men, of gentlemen officers, and other forms of nobility but from an age of forging new Empires by destroying old kingdoms; it's an image of nobility but a weapon of brutality against what were seen as lesser men.
However Maria's weapon isn't just a saber, it has a dagger attached, daggers symbolically being weapons of murder, back stabbing and throat cutting; but the dagger points inwards towards the user itself, towards Maria, suggesting the only one she's really betraying is herself. Rekuyo is a weapon that tells the story of a woman who appears to be a symbol of nobility and champion of progress, when in reality she's committing horrid acts of genocide, her violence towards others ultimately harming and killing herself in a sense.
6:05 the powers of the holy choir, that not even a composer can describe why it's so powerful in a theme.
And i love that
Such a beautiful moment but you can't really pause to enjoy it coz she's still trying to murder your face off.
I simply died the first time I fought her and the choir kicked in 😅
I was so blown away
A latin choir can make everything badass and imposing.
I figure the duet at the beginning could be her two swords. Used in tandem for actions Maria herself regrets and tries to keep hidden away. And as for later, the longer the fight goes, the more she relies on the powers of her noble family line. Powers she was disgusted by and did everything she could to succeed without them. Thus showing her true side which is both noble and terrifying.
This was my first thought as soon as he said the duet sounds in harmony.
I don't mean to resurrect your comment from 3 months ago, but I feel like the cello is Gehrman
@@keeganbate8935 It is his theme iirc
I will never forget the battle against Maria. I had like 1 HP and killed her with a swing of Holy Blade right after a Old Bone sprint which ironically is Gerhman's technique.
Old Hunters bone was used by both Gehrman and Maria. A fitting end for a hunter 👌🏼
@@hannahshark8080 Actually, as the name implies, all you're doing is inheriting the abilities of an old hunter with their bones as a mean to do so.
So it makes sense why gherman and Maria would use it, but they're (obviously) not the only ones capable of doing so
The only reason why we can see Maria use the animation for the old hunters bone is purely gameplay just so you can see what to expect and what she's gonna do next.
I do find it beautiful that the old hunter bones indirectly tell you that hunters are not what they used to be, by demonstrating that using a bone from the "golden era" of hunters gives a significant increase in power(or in this case, speed/agility)
@@diogoc1541 I was just agreeing with OP and congratulating them for their victory... Never said they were the only users of the bone and never asked for an explanation of the item.
It's not just his technique. Ue probably used it first yea but it's common amongst all the old hunters. Hence the name old hunter bone. I think it's to show how quick they were in comparison to modern day hunters since even in the hunters nightmare some of the hunters use the skill passively
@@diogoc1541You don't actually see her use the bone animation, she has the teleport quicksteps by default. The only difference between hers and Gehrman's is that he doesn't have that effect until his final phase when he powers up with cosmic energy, since he's so aged he needs the boost to reach his former strength. His also cover a much larger distance and if I remember right are that cosmic blue-green color instead of the normal wispy gold.
10:50 "E O Regina, O Diva Sanguinae" bit aways give me the chills, bc of the lyrics and the soprano in the back.. inevitable chills!!
"And Oh Queen, Oh Bloody Goddess"
You described Lady Maria perfectly, even though you have not played the game. The way the music, the melody can tell the story, is amazing. I really like your videos.
Glad you like them!
4:08 The two voices on agreement make me think of Gherman and Lady Maria when they were together. They had a big story together in the past. Or maybe it's about the 2 faces of the character, running the place where cruel experiments happened but caring about those patients.
to me is her both sides, the hunter and the person
Oh, I didn't know about her and Gherman, that is interesting!
@@DaviVasc it’s less that they were together and more that Gehrman was obsessed with her, while to Maria he was her mentor and someone to look up too, but Gehrman obviously also had romantic feelings as well, after her death he made a life sized doll in her image (one that is with you the entire game) and grows disappointed in the doll from their differences and than neglects and ignores her
@@DaviVasc Gherman and Maria were lovers. TLDR version of bloodborne's story: A group of scholars digs deep into the foundations of the city and discovers the forbidden art of Blood healing, they break off and form the Healing Church and administer their arts to the people. Over time, the people slowly turn into monsters that ravage the streets forcing the Healing Church to establish The Hunters to fight the monsters. The original hunters were Lady Maria, Father Gehrman, Ludwig, and Gherman's student Father Gascoigne.
Father Gascoigne would eventually go crazy, murdering his wife and abandoning his children.
Ludwig would persist on the hunt, eventually becoming the very monster he sought to slay.
Father Gherman would become fully enslaved by the Old Ones and cursed to run the Hunter's Dream. Perpetually feeding meat into the grinder.
Lady Maria would become trapped in the Hunter's Nightmare, from whence she would never escape.
@@legendaryseph9406 bro lmao he said he's gonna play the game stop spoiling it for him
Woow you single handedly described Lady Maria perfectly, just by analysing her boss song. Hands down champ. You should definitely try to get into this game. The lore and the story is just something else, like you only experience once in a lifetime.
Now I just wonder what kind of interpretation/breakdown would you do from NieR..?
Ah, I'd love to see his perspective on Nier!
Yeah Nier even won best soundtrack or something at the game awards 2021.
I wouldn't be surprised if Davi already knows about it's soundtrack. But hearing his interpretation would be awesome.
Both a testament to the composer and Davi's skill.
Oh, NieR’s ost is so amazing. I’m dying to know how Davi would feel about it!
I've never played a Nier game but I get a lot of requested for it. Would be cool to do a video on some Nier music for sure!
The duet may be a reference to three things, the "dance" between the hunter and maria as they fight (it's a way more dignified battle than the usual bloodborne carnage), the dual blades of the rakuyo (her weapon and main object of her loathing) or her and gherman, good friends turned monsters as they doomed an entire village, the endless struggle is pretty clear that it references the hunters nightmare (the place where maria was sent after her suicide, her soul trapped right next to the atrocities she had done)
5:27 Lady Maria is descended from the Cainhurst Nobles, and the Cainhurst way is a mix of nostalgia and bombast. How very fitting that even when she's far from home, even forsaking home, it's still a core part of her theme.
12:16 Actually that's very accurate to the battle itself. Maria seems to be aware that you will keep coming back to challenge her, and the only way she can stop you is by killing you again and again until you just give up. She goes all out with _everything_ she had and so does the player, so in the third and final act, the grace and tense dance you had completely breaks down into a brutal, chaotic melee. Two savage Hunters giving it their all, just to land that final killing blow and end this awful, grueling duel.
If Gehemans theme was about loneliness Marias would be about regret and guilt. She has blood on her hands like other hunters that she can never rub off.
She disliked and rejected using Rakuyo, but in order to guard the Church dirty secrets she had to use Rakuyo and blood techniques.
@@hermitcard4494 the very heritage and technique she vowed to never accept or use.
Out, damned spot!
She should have worn gloves ohh wait ...
at 8:40, you could see it as Maria accomplishing something great, only to realize with horror of what she did
If I remember the lore correctly, the reason 8:00 sounds so heroic is because Lady Maria genuinely believes she was doing the right thing
I can’t believe how spot on he was with the endless struggle aspect.
Oh my goodness!!! What an incredible piece! It's so intensely tragic. I love how it builds and builds, it just keeps snowballing, it's almost like I was holding my breath, when listening because it just doesn't give any break or respite, it's like struggling for breath! I loved the vocals and how the cymbals were clashing. Incredible! So glad you shared this one! Thanks Davi!
i guess you haven't played bloodborne? if not, i really suggest to check out the whole bloodborne & dark souls 3 soundtrack, there are some really good tunes in there. Unless you want to hear them with davi first of course :P
@@rompicoglioni8573 no I haven't played it, but it's one I've always been tempted by, but I'm really loving the music and Davi's reactions and interpretations are great! I may have to add this to my very long "to play" list!
@@abigailfiltness4635 Oh my...if you play Dark Souls 1 ill say one thing: ''Prepare to Cry''.
I love how FromSoft tells story through the music so well that a music analyst analysing its music can almost perfectly guess the lore behind the boss/character. Like, how you guessed the sort of, "classy, graceful" thing, and indeed Maria is a knight of the Nobles Of Cainhurst (I won't spoil too much, but you can say that these knights were sort of like, "noble samurai" I suppose, you can look up the lore if you want to)
EDIT: PS- Would you be interested in taking recommendations from other games too? I would have some if you want to! Ofc, more Soulsborne stuff is never bad, but still. I'd love to see you break down tracks from more vast categories.
I think it’s worth mentioning what happens that triggers the part at 06:05. Maria is a character that has forsaken blood and the hunt because of the atrocities the hunters and scholars committed in the fishing hamlet.
She becomes so desperate to stop you that she plunges her weapon into herself and starts using blood arts again. Like you say later it’s tragic and heroic at the same time. This character is breaking her vows and sacrificing everything she stands for in one last desperate bid to stop you from from entering the village she swore to protect.
Beautifully explained.
And people say that video games can't be considered an art form.
@@hannahshark8080 those who think that way are closed minded and don’t know art.
thats the nightmare Maria, we dont even know if the real Maria had such techniques
@@Palmacry95 Yes she does. Remember nightmare trap every one died or lost in the event of killing orphan. That is her all along.
Lady Maria in the game is a Vileblood. The Vilebloods were a long dynasty of nobles who used their unique blood to empower themselves and give them an edge in battle but that for many reasons was not favourable by the majority of Yharnam's inhabitants. Maria hates the fact that she is a descendant of the Vilebloods and has sworn to never use their methods but when you fight and best her she realises that this is the only way she can defeat you. The way I interpret the the two voices in her track is them depicting a different side of marias character. From one side a noble hunter, from the other a snivelling vileblood and the music builds up as she eventually gives in and embraces her ancestry.
Lady Maria is my favourite boss fight in Bloodborne. This is just the most fun I've had in any fight. A true hunter on hunter battle, very challenging, but fair.
Same
She's honestly tied with Vergil for my favourite video game boss period lol
Nailing the backstory of Lady Maria through her OST. Amazing.
The struggle is with her conscience and her crimes in the name of the Healing Church, and the lengths she is willing to go to hide the sins of the Hunters. She resorts to forbidden "Blood Magic" to face you, the player, to prevent you from discovering the disturbing truth hidden inside the Hunter's Nightmare.
I think you nailed the intention here. To me, the two solo instruments forming a harmonious duet clearly depicts a fight between two individuals. But it's not simply any fight, as Maria doesn't just start to attack mindlessly like a monster but rather invites the player respectfully to dance with her. This feeling gets stronger because of the quick swinging rhythm. And that brings the whole scene to life as even the arena looks like an abandoned ball room where classy people used to dance. That's how it feels to me, anyway.
That is a fantastic interpretation
Awesome video. And it fits very well with the story (but idk if i wanna spoil lol).
Would recommend "Laurence, The First Vicar". "The Hunter" or "Living failures" if you do more of these :)
I'll do both of these soon. Thank you for suggesting them, Sven! And thank you for hanging out at the stream today :D
@@DaviVasc looking forward too it! great stream!
New subscriber here and i hope to god someone has recommended the abyss watchers’ OST, Sister friede and gael
Laurence's theme has been translated btw. Its a sermon that gets...very dark.
Laurence, Ebrietas, Amygdala, all good choices for a deep dive.
when you were "shocked" by the shift, if you understand *when* that shift happens in the fight, and what that means for the character, it makes perfect sense. Also, you somehow understand more about the characters and the story just from listening to the music than most who play the game lmao
It's incredible how much of the story you're figuring out through the track! Maria (and the whole DLC she's in) has a whole theme of being stuck in a unresolving nightmare. She is indeed very noble, because she's guarding the final area of the DLC to protect it from you, but also very horrific - because she's also hiding the atrocities she helped commit there. The music reflects that duality so well, and it's so crazy you caught that just by listening! I hope you do more Bloodborne stuff, the music in this game is amazing!
"this is surprisingly pleasant--" absolute despair and anguish barges in
I love when someone who dont know about Bloodborne listen the themes, Lady Maria is my favorite boss and her theme is so beautiful im glad an expert analyze and enjoy the song.
Thank you for watching, Milly. I'm glad you enjoyed it :)
Something I absolutely love is that at the beginning, there's what I think are a violin and cello seeming to almost play a different melody each, but interweaving with eachother. One is tragic and somber, one is more hopeful and yet still melancholic. I've always interpreted this as the cello being representative of Gehrman's more grizzled nature and understanding of the Hunters' sins and brutality, and the violin as Maria's naivety and admiration of Gehrman before witnessing the massacre of the Fishing Hamlet.
When the choir comes in and everything becomes much more grandiose, it's like the explosive culmination of all her tragedies. Led to see the Hunters she admired butcher an entire village and the man she admired most slaughter an infant Great One. It's implied she's a relative of the Vileblood Queen as well, which would explain her cursed blood and how she can literally stab herself in the heart and survive- she's cursed with a power she doesn't want, she's learned that the hero she wanted to be would make her no more than a glorified butcher of the innocent. I see her protecting the people of the Research Hall as her own chosen form of atonement for the sins of both herself and the Hunters she once associated herself with, and this in turn is made all the more tragic by her *needing* to use the power she hates so much to continue guarding the horrible truth of the Fishing Hamlet. Or, if you interpret her as more of a kind of regret-borne lingering spirit of who she once was- being an inhabitant of the Hunter's Nightmare and all- you could even see it as her possibly guarding the Orphan of Kos, something she might have wished she could have done so that all this tragedy could have been avoided.
Fantastic track.
I would love to see Davi and Vaatividya work together because I think I would be really cool to see how the music of a boss helps explain the relationship, or nature of the conflict between the boss and the player in some lore videos
You point something out very interesting. The 2 emotions of the piece most likely are representative of Maria’s lore in which she is hiding the atrocities she’s committed. The grace of ignoring her past and the sadness of her past. Great video and is insightful to her lore unintentionally
"Laurence, the first Vicar" and "the Living Failures" are amazing too
Ebrietas too
Bloodborne full ost
Both of these are at the top of my priority list for Bloodborne music videos
"This is surprisingly pleasant for-"
Famous last words
I’ve always loved that most of the bosses are ones who lost their way or their humanity. And in the end you’re not killing them you’re giving them mercy.
That clashing duet, two hunters, two very similar parts clashing against each other in a dance. This is the only fight in the game that made me feel like my opponent wasn't a visceral beast I had to put down, like if it was about something bigger than any of us. It hit different, my fav boss in all soulsborne.
Lady Maria is one of those soundtracks that really grows with you during the fight. She has many phases, and each one of her attacks becomes more and more frenzied.
One of the things about her backstory is that she has powers of heretical origins (the vileblood) and she slowly gives herself to those powers as she fights you. The second phase of the soundtrack sounds like she is pondering if she should use such powers to protect her secrets.
I absolutely love your breakdowns of these soundtracks!
You should check out "Laurence, The First Vicar" and "The Owl" from Sekiro too
Before Lawrence, Cleric Beast, because both themes link together.
I'll do Laurence very soon!
@@DaviVasc very excited for that!
Lawrence's theme slaps
@@DaviVasc Laurence for the win YES
I feel like it’s definitely worth mentioning that the disturbing ‘buzzing’ that runs through the first part and comes in and out throughout the ‘dance’ feels like something disturbing is lurking and trying to break through. The dance of the cello and the violin become a way of her trying to control this or be her own person without it- until finally giving into it, and the disturbing buzzing becomes all that you hear. She unleashes the horror inside her that she tried desperately to keep in, but found herself forced to let it out in desperation. The restlessness of the second half really emphasises how this ‘disturbing force’ wanted to be let out for so long- it’s like it’s been bottled up forever and now it can finally explode out of her like a horrifying parasite. I love the way fromsoft’s composers and orchestra always capture the nature of the characters so well. It’s part of what makes the music so powerful. Great video as always, keep up the good work
This is a fair read, but I see it as a representation of the dark secret that is the Fishing Hamlet, and the guilt she feels for being complicit in the crimes of the hunters there. It'd make sense for that dread to pervade the music, since she's the final obstacle guarding that secret.
@@dumbsterdives it can be both, lol
is honestly impressive how can you know so much about a character based on the theme, you nailed everything, very amazing!
i recommend the next one to be the laurence theme, my personal favorite
But Cleric Beast first, since Laurence theme is a variation from Cleric.
@@hermitcard4494 what? How come?
I'll do Laurence soon!
That crescendo in the middle gives me chills every time. I’m instantly transported back to that first time o fought her, and you have this vague understanding that she eschewed her Cainhurst past in favor of skill.
Then that moment where the crescendo hits while she’s plunging her blade into herself to imbue it with her blood.
She’s finally letting go, and embracing every aspect of her power to prevent you from repeating the same mistakes her and her classmates did in the fishing hamlet.
Such an iconic fight. Both thematically, and gameplay wise.
Your insight and analysis are always amazing! This is an amazing theme that expresses beautifully Maria’s nobility and conveys her deep remorse and unwavering will to hide their secrets. A beautiful fight and an overwhelming theme, so brilliant! Thank you for covering this theme this week!!
Thank you for watching Aya!
I was very impressed when I first saw this Lady Maria character, her authority was felt, giving her a fight that was not so easy was a satisfaction for the player.
You mentioned duo and I was stunned because of... the duo of Maria and Gehrman -- their story and tragedy were shown even in that way. My god, Bloodborne suprises me every time.
`there is no rest` -- and so for Lady Maria, prisoned in the Nightmare alongside with her grim past, one step from the place of her breaking
This guy HAS to hear Ebrietas’s theme. He has the best reactions and analyses.
Ebrietas is also my favorite track from the whole Bloodborne soundtrack
That has been requested a lot, I'll do it. Laurence and Living Failures will probably come first, but I'll do it for sure.
@@DaviVasc Yay!
He never did it
Such a spot on analysis! I love watching videos in which people fight Lady Maria since you can see the skill needed to match this master of a hunter and then the music basically acting as a graceful dance music until the fight becomes more and more of a struggle and both hunters going all out
I love the little emotions he has when he hears a part of the music that catches his intrigue.
Figuring out so much lore about a character simply by their theme speaks volumes of how masterfully crafted the music is.
Everytime it amazes me how you are able to interpret yuka kitamuras maria theme and how every composer who worked on Bloodborne are able to tell the story so we'll. It's like you played the game just by hearing the music. It's a testament to you and all the composers who worked on Bloodborne that's for sure
On the duet:
More than any fight especially in the DLC for bloodborne, I see the fight against Maria as a battle of ones will against another. The will of one wanting to plunge deeper into the unknown, while the other desperate to keep them at bay so that they go no further. Both engaging in an elaborate dance, a duel to see who's will is stronger as they give their all
The "lack of rest" you bring up is so fitting. Maria is trapped forever in a hellish dreamscape that takes the form of her own worst memories. She doesn't know any peace or rest, only guilt.
This track reflects the characters lore better than I could imagine. Just listen to it: it's the glory of being Ghermans disciple and the dishonoring yourself with acts of unspeakable violence.
This game is truly genius.
Peak Bloodborne experience:
1)Play Bloodborne
2)Learn about the lore through lore videos
3)watch bloodborne theme being broken down
4)Listen again to Bloodborne themes in your daily life
Its a Peaceful life.
I hope we will have 5) Remaster one day 😢
I love that the drop rendered you speechless; it gives me chills every single time.
I really love your analysis! It brings new light to Maria's character, especially the idea that we never resolve at the end, it's just a traumatic "endless struggle," as you said. It's very fitting, because her spirit is trapped in a Nightmare, which is essentially Hell (for Hunters), and she has committed a lot of heinous acts in her life, so her spirit is writhing as she tries to grapple with all of it. This ties in with the two solo voices you mentioned at the beginning. She has the callousness of a Hunter and an ability to perform terrible acts, but her conscience torments her later on.
The way you grasped Lady Maria through her soundtrack is amazing. Subscribed.
bro these videos makes me love music theory. You pretty much nailed every theme of Maria story just by listening
5:57 I watched a LOT of streamers play Bloodborne this past year, and there was a pattern I noticed...
Maria's fight has 3 different phases, with Phase 2 & 3 kicking in at 66% and 33% health, respectively. Usually, players would die rather quickly in Phase 1 due to being unprepared for Maria's sheer speed. After a bit, people would eventually make it to Phase 2, but that became another big sticking point. Her blades gain a longer range after she stabs herself and imbues the weapon with the power of her Vileblood heritage (it's a lore thing). Musically, the track loops the opening cello/violin solos until Phase 2 is reached. At this point, the track ends the loop and moves on into the choral sting and subsequent section in the original key of D.
Because of this shift, many players struggled at that point for a bit as they were forced to learn the Phase 2 techniques. As a result, the choral sting was often one of the last parts of the track that players would hear. It became lovingly known among a number of streams (thanks to me) as the "Death Choir."
As it stands, the Death Choir is one of my Top 3 moments of the entire soundtrack. It is perfection, and it gives me goosebumps every. single. time.
I wish I could understand music like he does
You kinda feel the emotions when the music is good, but having a proper understanding must feel so good
6:07 a cara do Davi foi impagável nesse momento kkkkkk Mal sabia q o triunfo dessa OST tava por vir!!!
muito bom
Sim kkkkkkkj
Foda e a história
It's amazing how the conclusions you make about the characters are almost exactly correct. For example Lady Maria comes from a family of nobles and you caught on to that when you talked about the brass instruments. Well done!!!
Always exciting to see you listen to Bloodborne. Ebrietas or Living Failures should definitely be on your list for the next Bloodborne track 👌🏻.
Don't forget Cleric Beast and Lawrence.
I'll do Living Failures very soon!
@@DaviVasc I can't wait 😀
Your absolutely right there is no rest the whole time your dancing with her it's amazing and her boss room fits it so well.
Lady Maria is the most skilled hunter, her arena is all on even footing with no obstructions and a lot of space, if there is ever a fight in all of Bloodborne that comes down to absolute skill it’s this one. Hunter vs Hunter with only the best Hunter emerging victorious. The only fight that comes close to this is the Cainhurst Crow who isn’t a boss and doesn’t have his own theme music.
12:15 You *are* stuck in an endless struggle. Generally in Souls games, the only time music plays is for boss encounters and the only time it stops is when you or the boss dies. It feels very appropriate and all the more tragic in this case that this tension building up without rest in the third part of the soundtrack will only be resolved with the death of Maria.
Davi Vasc: "So, instead of going to the happy chord, they go here, which is the chord from the beginning that I- that I said 'remember, that is one of the most disturbing chords that there are'!"
Lady Maria: "A chord... should be left well alone."
Just to help explain why the transition at around 6:00 Lady Maria stabs herself ingame like something out of a shakespearean suicide.
I bet that's the same way she killed herself outside of the nightmare. She's just that classy and tragic.
Loved your reactions and it was amazing how you could decipher the lore based off the music alone. Thanks for the analysis!
Thank you for watching!
First of all I thank you so much for shading some light on this masterpiece because other composers react channels never did and it was a DLC boss so a lot of people never played ,so tip of the head to you sir second of all I was one of the people that requested this video and you just did it ,you're the best and you do care about the comments I just wish for you the best and success and achieve all your goals , Good luck
Thank you, my friend!
When he mentions the part about two voices agreeing that this is tragic and sad at 3:37, that's exactly how fighting every bloodbourne boss feels after you discover who they really are.
11:27 i really feel like the "struggle" between glory/triump and guilt/madness is exactly what Lady Maria and a majority of the cast feels. The difference is that Lady Maria is unresting against her conflict throughout the whole thing until you cut her down, it's why the sad notes are followed by explosive joyous chorus.
That battle playing is sooo elegant... Hunters definitely have a knack for classy stuff. I guess it contrasts with all that gory stuff happening in their job. x'D
But seriously. Dual blade and an crossbow. She doesn't have over the top attacks like Ludwig, but she's constantly pressuring you, while you must absolutely respect the battle's code if you want to win. A single misstep leads to hell! Loved the moment the choir kicked in. I would have gave up at trying to decipher the music if not for you still struggling forward! Love how logical your interpretation is. ^.^
It's amazing to think that a knowledgeable composer can grab a lot of key story info just from the music alone. It's like you're reading a book using just the background music! That's amazing to me honestly, the attention to detail they put behind these boss soundtracks is remarkable.
5:30 she really is classy, even when she does a visceral attack to us she pulls her arm slowly and let's go of us gently
no wonder gehrman was falling for her
I think the "two voices" are likely meant to represent Maria's own internal struggle, wrestling against her guilt. The game strongly implies that she committed suicide, because despite abandoning her old life and attempting to atone by becoming a caretaker, she was never able to shake her guilt and shame over her past actions. This probably also explains the restless, unsatisfying nature of the 2nd half of the score. She could never find peace, even in death.
I'm so glad to have found your channel. You're a delight to watch, and your enthusiasm is quite infectious. It's pretty impressive how much (accurate) character information you are able to glean solely from the music. That really makes me even more appreciative of all the careful thought that went in to crafting these scores.
Your videos are INCREDIBLE. You permit me to deeply understand what a masterpiece is Bloodborne. It's just amazing what we had the privilege to play in: a videogame apex
Your break down videos are OP. Best game music review video for people lack music knowledge, learning stuff and enjoying the music at the same time.
This makes me happy. Thank you :)
Oh boy, I have not finished watching your video, and already your comments about Lady Maria and the understanding you have from what you gathered listening to the music and have not played the game is simply astonishing.
Many of your comments resonate with me and even enhance the impression I have from the game, so thank you for that!
Loved your Ludwig and Gehrman videos. Here's hoping we can see more of your takes about Bloodborne music!
Bro the way you are able to get pieces of the story through the music alone is actually amazing
I appreciate that, my friend!
The description you give for lady maria with the elegance the classic mix up with the horror and the suffering ... it describe her just perfectly insta sub for me!!!
Thanks man, welcome!
the augmented 6th chord at 7:20. (i think it's an augmented 6th?) all of the augmented 6th chords in this song send shivers down my spine every time. They used it so perfectly. That progression involving the augmented sixth that shows up a lot
Another song to check out from the Bloodborne soundtrack is Moon Presence. I'm liking this video, definitely be following your channel!
Thank you and welcome, Don.
Bro your blowing my effing MIND right now. Most deserved sub I’ve ever given! Thank you for this!
Welcome Vinny :)
YESSSS, i was waiting for a Lady Maria OST reaction, thank you!!! Now you have done my 3 favorite bloodborne OSTs :) 6:05 gave me goosebumps while playing the boosfight
Thanks :) I would love if you would still stick around here in the channel even though you already got all the ones you wanted
Lady Maria wields two swords in a very graceful manner, like a dance. She cuts herself with them to gain power from blood. A harmonious but sad cellos duet is on point 🤯
Fantastic breakdown as always! I especially loved your insight on how the melody alternates between "regal victory," and "anguished tragic insanity" and that the track gives you a false hope that it will settle on one or the other.
Oi Davi. This is such a surprising theme. What a haunting and beautiful melody and the choral section is so moving! I feel quite emotional. Thanks for this video … wow! :)
These Bloodborne pieces are so powerful, I got emotional as well. Thank you Anne!
Man I love your analysis
Bloodborne is my favorite game of all time, and it was such a joy seeing you react to this track. The way you talk about it is so full of excitement and love, and that makes me elated.
In terms of the game itself, the start of the fight- that very human duet of two voices singing together in tragedy, to me, *is* the player and boss fighting. The game's fights are very visceral and brutal, especially with beast enemies, so when you fight the human ones, or other hunters, it feels more like a dance than a battle, like dueting partners.
The increasing regality is spot on, as Maria was of a noble line, but had spurned that title. She became disgusted with the experiments that were being done, and the what were essentially war crimes that her and Gherman had committed.
Her blood magic and fire are the powers of her noble lineage, and she also had spurned them, if not for you, the hunter that would come to discover the horrors of Maria's past missions in the Fishing Hamlet.
The choir and the brass grow as she slips further back into her old self, using those powers to prevent you from discovering what happened. At that point, the duet and two agreeing voices, I interpret are both Maria's opposing feelings of her past, and self-imprisonment within the Nightmare, atop the Astral Clocktower.
Wow. Now I just need to play Bloodborne again.
I once reas that this song is like a dance, you know, a dance between two swordsmen and it made all the sense for me.
While playing Bloodborne against Lady Maria, I felt that too! Is like dancing with a beautiful, sofisticate and melancholic Lady.
The choir is ambiguous because Lady Maria hides an evil secret… won’t spoil
It for you!
Am I the only one who noticed that this is the shortened version of the song? There’s usually an extended section that very discordant and the choir just wails without any real melody. Seems you got the shortened version, I hope you can do another video of the full 5 minute song! It’ll help add way more detail to her character and the themes in the song than just this 4 minute version.
i always like to think the duet is so harmonious because bloodbornes hunter fights (like gehrmann, lady maria and gascoigne) are always a dance to some extent so these two voices fit together and yet stand in contrast with each other. constant shooting, dodging, swiping their weapons over and over. all you see is 2 people dancing around each other with incredible agility and the only goal is to kill each other. then the unsettling background always made this extremely intense for me and definitely one of my favorites from that game. im not a musician but i can appreciate a piece that i can interpret something into.
Davi you should listen to the official soundtrack of this song, because near the end something else plays as well that I think is worth mentioning, but in the one you are listening to it doesn't have that part it only has 90% of the official song
Yes! Man this is so amazing, Davi! I initially never fully liked the second phase with the chior, but with describing how it alternates between the dualities that the cello and violin in the first phase do, it actually makes it way more likeable. Lady Maria is a fantastically interesting character lore-wise as well. Thank you for filling in some inspiration for how to appreciate the second phase more.
This piece was composed by Yuka Kitamura, the same artist for Elden Ring. If you'd like to analyse some more of her music I'd recommend Darkeater Midir, Abyss Watchers, Pontiff Sulyvahn just to name a few :D They're all fantastic pieces.
Thanks man, glad you liked it. And thank you for the suggestions!
It's just such a joy watching your reactions. You seem so genuinely interested in every single note and it's fun to watch you putting all the score puzzles together to try and guess the lore of bloodborne. Even as someone who played the game more than 5 times your reactions really make me go back and play the game with a different route than before and enjoy the soundtrack again. Thank you Davi!!
Thank so much, Mike. Makes me happy that these videos are making you enjoy the game and the music even more.
And here it comes. One more of my favorite soundtracks from Bloodborne.
This ost really gives you no rest, and even if I've never played Bloodborne, this really feels like an incredibly intense battle.
Thank you for the video ❤️
Thank you for watching, my friend
Its interesting see your reaction to certain bits, seeing the wheels turning in your head. "Its a duet". Damn you summed up the fight within 30 seconds. and "Listen to how much sadness/tradegy is in this. This high note". Thats Maria exactly.
I also like that you know your lore without having played the game. Thats dedication.
Glad you liked it Suwous, thank you. And thank you for being at the stream today :)
"This is surprisingly pleasant-"
*choir of the damned arrives*
Gosh I enjoy it so much the way u enjoy listening to these beautiful songs
aw, this version of the song actually omits a part. At about 10:08 there's supposed to be this transition with a really otherwordly feel to it, which, not to spoil the game, may or may not be appropriate.
Yeah, I was too disappointed that it didn't have that part since it is definitely the most unique part of the track and like you said is other-worldly.
Yeah, I was unaware that this was missing a part :(
A mini series on the Fated Four from MHXX would be amazing!
(Mizu and Astalos are two of my favorite themes, and I have a feeling I'd love Glavenus and Gammoth more with your insights!)
Absolutely! I've been planning to do that actually.