Maurizio Pollini - Piano Recital (1974.4.25 Tokyo, Tokyo Kōsei Nenkin Kaikan)
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- Опубликовано: 5 фев 2025
- Franz Schubert
Piano Sonata (No. 14) in A minor, D 784 (Op. posth. 143)
[0:00] 1. Allegro giusto
[12:40] 2. Andante
[17:01] 3. Allegro vivace
Fantasy in C major, D 760 (Op. 15)
»Wanderer Fantasy«
[22:28] 1. Allegro con fuoco ma non troppo -
[29:02] 2. Adagio -
[36:27] 3. Presto -
[41:16] 4. Allegro
- Intermission -
Frédéric Chopin
24 Préludes, Op. 28
[45:00] 1. in C major, Agitato
[45:45] 2. in A minor, Lento
[48:14] 3. in G major, Vivace
[49:16] 4. in E minor, Largo
[51:33] 5. in D major, Molto allegro
[52:10] 6. in B minor, Lento assai
[54:16] 7. in A major, Andantino
[55:07] 8. in F-sharp minor, Molto agitato
[56:56] 9. in E major, Largo
[58:15] 10. in C-sharp minor, Molto allegro
[58:48] 11. in B major, Vivace
[59:26] 12. in G-sharp minor, Presto
[1:00:35] 13. in F-sharp major, Lento - Più lento - Tempo I
[1:03:30] 14. in E-flat minor, Allegro
[1:04:02] 15. in D-flat major, Sostenuto
[1:09:15] 16. in B-flat minor, Presto con fuoco
[1:10:21] 17. in A-flat major, Allegretto
[1:13:27] 18. in F minor, Molto allegro
[1:14:18] 19. in E-flat major, Vivace
[1:15:40] 20. in C minor, Largo
[1:17:50] 21. in B-flat major, Cantabile
[1:19:32] 22. in G minor, Molto agitato
[1:20:16] 23. in F major, Moderato
[1:21:12] 24. in D minor, Allegro appassionato
- Encores -
Frédéric Chopin
12 Études, Op. 25
[1:23:43] 11. in A minor, Lento - Allegro con brio
12 Études, Op. 10
[1:27:27] 12. in C minor, Allegro con fuoco
Ballade No. 1 in G minor, Op. 23
[1:30:28] Largo - [1:31:01] Moderato - [1:33:17] Meno mosso - [1:37:26] Meno mosso - [1:38:04] Presto con fuoco
2 Nocturnes, Op. 27
[1:39:37] 2. in D-flat major, Lento sostenuto
12 Études, Op. 10
[1:45:26] 6. in E-flat minor, Andante
Maurizio Pollini, piano
April 25, 1974
Tokyo, Tokyo Kōsei Nenkin Kaikan
(At the end of this piano recital, Schumann’s "Arabeske, Op. 18" was performed as an encore, but unfortunately I do not have it, sorry...)
#MaurizioPollini #Schubert #Chopin #Live
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Franz Schubert
Piano Sonata (No. 14) in A minor, D 784 (Op. posth. 143)
[0:00] 1. Allegro giusto
[12:40] 2. Andante
[17:01] 3. Allegro vivace
Fantasy in C major, D 760 (Op. 15)
»Wanderer Fantasy«
[22:28] 1. Allegro con fuoco ma non troppo -
[29:02] 2. Adagio -
[36:27] 3. Presto -
[41:16] 4. Allegro
- Intermission -
Frédéric Chopin
24 Préludes, Op. 28
[45:00] 1. in C major, Agitato
[45:45] 2. in A minor, Lento
[48:14] 3. in G major, Vivace
[49:16] 4. in E minor, Largo
[51:33] 5. in D major, Molto allegro
[52:10] 6. in B minor, Lento assai
[54:16] 7. in A major, Andantino
[55:07] 8. in F-sharp minor, Molto agitato
[56:56] 9. in E major, Largo
[58:15] 10. in C-sharp minor, Molto allegro
[58:48] 11. in B major, Vivace
[59:26] 12. in G-sharp minor, Presto
[1:00:35] 13. in F-sharp major, Lento - Più lento - Tempo I
[1:03:30] 14. in E-flat minor, Allegro
[1:04:02] 15. in D-flat major, Sostenuto
[1:09:15] 16. in B-flat minor, Presto con fuoco
[1:10:21] 17. in A-flat major, Allegretto
[1:13:27] 18. in F minor, Molto allegro
[1:14:18] 19. in E-flat major, Vivace
[1:15:40] 20. in C minor, Largo
[1:17:50] 21. in B-flat major, Cantabile
[1:19:32] 22. in G minor, Molto agitato
[1:20:16] 23. in F major, Moderato
[1:21:12] 24. in D minor, Allegro appassionato
- Encores -
Frédéric Chopin
12 Études, Op. 25
[1:23:43] 11. in A minor, Lento - Allegro con brio
12 Études, Op. 10
[1:27:27] 12. in C minor, Allegro con fuoco
Ballade No. 1 in G minor, Op. 23
[1:30:28] Largo - [1:31:01] Moderato - [1:33:17] Meno mosso - [1:37:26] Meno mosso - [1:38:04] Presto con fuoco
2 Nocturnes, Op. 27
[1:39:37] 2. in D-flat major, Lento sostenuto
12 Études, Op. 10
[1:45:26] 6. in E-flat minor, Andante
Maurizio Pollini, piano
April 25, 1974
Tokyo, Tokyo Kōsei Nenkin Kaikan
(At the end of this piano recital, Schumann’s "Arabeske, Op. 18" was performed as an encore, but unfortunately I do not have it, sorry...)
It looks like Maurizio likes to play in Japan. People know how to listen there…
How many of today's pianists can be recognized in a few seconds just by sound? R.I.P.
For Pollini, piano is not just a piano. It is an orchestra.
I heard him live in 2009. My jaw kept dropping throughout the entire recital.
Definitely! His touch remains unique and with a true signature.
He was at his prime here, and there was no one who would touch him. Flawless technique and great passion.
No one? Ashkenazy, for one.
Pollini en état de grâce comme très souvent, quel pianiste et quel programme titanesque, qui oserait un tel récital aujourd'hui, ils sont tous frileux et surtout sans grand talent à côté de ce géant du piano 🎹
I had no idea what a brilliant musician he was at this age. The Chopin preludes reveal a maturity of understanding of rubato and inner voices that other great keyboard artists do not have. I now rank Pollini among the top 5 pianists of all time based on this performance, among Horowitz, Hofmann, Schnabel, and Rachmaninoff. Who disagrees?
I do
@@edhanslick5630 So where do you rank Pollini if not top 5?
@@astrasfo You can´t rank pianists in one list. There are different characteristics for roughly each generation. How would you rank
Josef Hofmann against Yuja Wang ? Therefore it is not possible to talk about "all times". In case of Pollini we can talk about generation of pianists born approx. after 1940 like Argerich, Barenboim, Watts, Perahia, Uchida, Ohlsson, Zimerman, Sultanov, Andsnes, Kissin, Lugansky up to Lang Lang, Yujja Wang or Yunchan Lim. Here you can compare their tone quality, technic, musicianship, and so on. After that comes your personal taste
(based on your knowledge, experience ...). From here you can continue.
I myself would have hard time to fit Pollini among five of those.
I still rank Pollini above most of those you mentioned. Based on a variety of criteria, including technique, musicality, singing tone, Etc. Not everyone will agree with me of course. I recently heard Benjamin Grosvenor live at the Kennedy Center. He simply blew me away with his fabulous technique and musicianship. We live in a golden age of pianists
28.22 is so great, perfect follow up with 23 and 24
Thank you Maestro, rest in peace.
Grazie di ❤ per questo meraviglioso video!
Immenso Maurizio Pollini!
RIP amatissimo Maestro🙏
In 1974, Maurizio Pollini first came to Japan. Since then, he has visited Japan 20 times in total 🇮🇹🎶🇯🇵
この贈り物をどうもありがとう！🙏🙏🙏
@@loxpower こちらこそ、聴いてくださって本当にありがとうございます！😊😊😊
Non ci sono parole, davvero, per descrivere un concerto come questo. Uno dei più grandi pianisti di ogni tempo in una serata di grazia. Ma, avendo avuto la fortuna di ascoltarlo decine di volte, posso testimoniare che di serate di grazia come questa ne ha avute tante. Io ricordo per esempio un concerto a Firenze dell'anno dopo in cui eseguì Kreisleriana, Studi sinfonici e Fantasia op. 17 che ci lasciò in una nube magica per giorni. Negli anni settanta c'è uno splendore tecnico inarrivabile. Durerà per decenni, ma qui è sfavillante, miracoloso. E che poesia! La sezione lenta della Wanderer vale un viaggio intercontinentale.
verissimo
Votre témoignage est précieux ! J’en ai pris connaissance avec plaisir car j’ai une grande admiration pour Maestro Pollini !
Io dico solo che è veramente inimmaginabile pensare di suonare come primo bis lo studio op. 25 n. 11, a quella velocità e con quella forza nella mano destra, dopo un programma come questo. Pollini negli anni settanta era una forza della natura, disumano, veramente trascendentale, e pur tuttavia quella sua tecnica mostruosa era sempre, senza esclusione, al servizio della musica. Per ragioni anagrafiche io ho iniziato ad ascoltarlo dal vivo solo nei primi anni novanta, ed era ancora gigantesco, ma qui come dici giustamente tu, è miracoloso.
Negli anni ottanta e novanta ci fu un momento di riflessione, che lo condusse a esplorare in modo più profondo le risorse timbriche dello strumento, un allargamento di un repertorio già amplissimo (Debussy, in particolare), una modifica di alcune soluzioni di pedalizzazione. Anche in questi decenni ricordo tanti concerti indimenticabili. Resta che quel colore, come posso dire, fiammante, è proprio tipico degli anni settanta, è suo e solo suo, non ha precedenti né successori.
E' proprio così certi concerti ci lasciano in una nube magica, ultimamente sempre più raramente
Thank you for sharing/ R.I.P. 🙏
Straordinario.
Unbelievable.
And this was all played in a single
recital. Such a generous sharing of
life, energy, and music. Thank you, Jun. This is unforgettable.
for posting this.
Fa paura questo programma e tutto è suonato in maniera divina
Admirable ! Pollini ´s perfect playing is filled with emotion, enthusiasm and incredible energy. What extraordinary and moving concert ! Thank you !
歌心溢れてる。
Thank you very much Mr. Kumazawa.
東京🗼だったんですね💖聞きに行くのは、不可能でしたね…若いポリーニ様、素敵ですね😆
Absolutely incredible energy and virtuosism.
Thank you so much for posting this wonderful concert!! The musical tension of the whole recital, from the very first note to the last,is just amazing! I never experience something like that,Pollini was,is,and always will be a unique and amazing artist!!
Il finale della prima Ballata è pura fantascienza ❤
He fills my heart with an indefinable emotion , involves me from the first to the last note .
I’m so sorry I haven’t posted for a long time. I’ll be busier in the future, but I will keep posting steadily. Thank you very much for your sincere comments. Glad you have enjoyed this to the fullest ☺️
@@junkumazawa5578 don't worry! thanks to you! 🤗
これまたレア音源をありがとうございます。新宿厚生年金会館のライヴですか！ポリーニ20代ですかね。
元音源がオープンリール等なのか、ピッチが微妙～に高くないですか？
当時ちょうど「これ以上何をお望みですか？」のキャッチコピーで販売されたショパンエチュード全曲のレコードの発売直後の来日だけあって、寸分たがわぬ再現性とかハンパないですね。当時聴きに行かれた方も「おおー。あのレコードまんまの演奏が目の前に！」状態だったのでは。
これはポリーニの初来日、東京FMで放送された最終公演のエアチェック音源です。32歳だったようです。ちなみに使用した写真は、その当時に撮影されたものだったりします。ピアノ椅子の脚をグールドのように切り落としていますね。
仰る通り、ピッチが高いのと、アンコールの最後に披露されたシューマンのアラベスクが欠落しているのが残念です…
同時期の正規録音よりも歌心や熱量に溢れ、こちらも魅力的だと思います！
@@junkumazawa5578
１９７４年４月! 初来日したポリーニが、こんなにもみずみずしいシューベルトを奏でていたのですね。
当時の私は、ポリーニより１歳年上のドミンゴが前年の７３年にイタリア歌劇団の一員として初来日し、その映像がＮＨKテレビで放映されたのに夢中。チケットをねだったものの、「小学生には贅沢過ぎる」と却下。
当時はまだ珍しかったFM放送が入るラジカセも、兄が独り占めして私には触らせてくれず、音楽鑑賞論文コンクールで入賞して、賞品に念願のFMエアチェックが可能なパイオニアのラジカセを貰ったのが１９７６年秋だったか、１９７７年初頭だったか。
それから、音大に入って図書館の大量のレコードを自由に視聴したり録音したりできるようになるまでの３年間は、夢中でエアチェックで様々な音楽、演奏を聴いたものです。
でも、バドゥーラ・スコーダの弾くモーツァルトの印象は強く残っていても、ポリーニの弾くシューベルトを聴いた記憶はありません。
初来日のポリーニがシューベルトを弾いていたというのは、初めて知りました。
-
９０年代半ばから、足掛け１５年に渉るウィーン資料研究滞在でシューベルトの自筆譜の調査にウィーン楽友協会資料室にも足蹴く通っていた私は、ポリーニによるシューベルトのCDのポスターが張り出されているのもたびたび目にしました。
でも、私のウィーン滞在中には、ポリーニはウィーンでは、シューマンは弾いても、シューベルトをコンサートで取り上げたことはなくて。
シューベルトの本場であるウィーンでは遠慮したのでしょうか？ ５０代から６０代、壮年期のポリーニの弾くシューベルトを生で聴けなかったのが残念です。
-
私が愛聴していた、バドゥーラ・スコーダがコンラート・グラーフのハンマーフリューゲルで弾いているシューベルトの晩年のソナタや、さすらい人幻想曲は、ウィーンのシューベルトの音楽そのまま。
どこにも衒いや自己主張がないように見えて、それでいて、すんなり心の炉端にはいってくるような。そしていつの間にかしっとりと心を包み込んでくれる。
ポリーニの弾くシューベルトは、もっと生き生きと、何かを語りかけて来るようです。
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正直私がウィーンで聴いたポリーニの生演奏からは、彼がこんなに生き生きと魅惑的な人だとは思ってはいませんでした。
神経質なまでに、余りにも精緻で、透徹していて。
バドゥーラ＝スコーダ宅には、一度お訪ねして、愛蔵のヴァルターのハンマーフリューゲルを聴かせて頂いたことがあります。
ポリーニにも、少しでいいから、生前にお目にかかってみたかった。尤も、バドゥーラ・スコーダのようにウィーン在住だったわけではないから、叶わぬ望みだったかもしれませんが。
Fantastic concert! Thank you so much for posting. And the best Ballade I have ever heard from Pollini
Thank you too for your listening! Yes, the Ballade is miraculous…
La Ballata in sol minore come bis :) Concerto splendido, programma spaziale, fortunato il pubblico
I like Pollini's playing at that time so much more than how he plays now. Thank you for sharing this wonderful recording.
You’re very welcome 😌
I also do, Pollini was a miracle of nature back then. Steel fingers. But no robotic feelings at all, the passion of a young player at its fullest. And without the hystrionics of so many young and not-so-young players of today, who try to be 'romantic' and most of the times merely sound ridiculous.
@@daniele8716
I am only discovering this now,
this year. The playing here is out
of this world. It is a privilege to be
able to listen...and to be in conversation with those who have
heard so much more!
When I go to a recital, it is because
I can trust the artist's respect for the
composer, his or her own inner
listening. No matter how many yeard
Con't. ...years may pass, the learning
continues. Thank you
for your comment, as I would thank
the others who wrote here.
Thank you very shàring. Beautiful playing. Sùperb recital .
Maravilha de Recital, obrigado por postar. Maurizio Pollini, piano, dispensa comentários, nota mil.
弱音の緊張感が美しい… テクニックも凄いけれど歌うのが上手い！
Wonderful performance.
Listen to his 3 last Schubert Sonatas. Unsurpassible interpretation.
Grazie Maestro
Ballade 1 as a encore 😱
Es sobrehumano poder ofrecer un recital como éste.
レコードのよりこちらのさすらい人の方がいいですね 心に突き刺さってきます
R.I. P.
Pollini. 🇲🇽 🥇👏👏👏Mexico ❤
What a program !
How many sessions?
rip mastero
No hay traductor. 😮
明晰きわまる陶酔…
1:38:03❤
1:35:04
Eh sì, quando era in serata, come in questo caso... non ce n'era più per nessuno.
このプログラムは殺人的ではありませんか？ここまで天こ盛りだと、もう自分が生きているのか、天上に引き上げられ始めてしまっているのか、わからなくなってしまいます😢スマホ📱で聴くだけでも怖いのに、現場にいなくてよかったです😅
No abusen. con los anuncios.
Scheinkavalier
Strange how Pollini was already sterile, flat and dry, even when he was young.
The Wanderer-Fantasy becoming a Boring-Fantasy as well.
Eine so schlechte und dumme "Inspiration" habe ich wirklich sehr selten gefunden ........
J espère que vous savez jouer du piano et j attends avec impatience vos enregistrements. Commentaires d une grande nullité.
Je vous propose plutôt d'écouter ce que fait le légendaire Erwin Nyiregyhazi dans cette Wanderer-Fantasie, et je serais intéressé de connaître votre sentiment à ce sujet.@@jean-louisauguetdevillalon2605
Some people can hear some things, and not others. That’s just the way it is.
So, I understand, you cannot hear much things.@@hellbooks3024
Ma tu capisci di pianoforte o fai finta?
R.I.P...