This is all interpretation, from the perspective of a composer: the tenuto, as a composer, is another courtesy after a bunch of staccato die holding the full length. Also, accents are supposed to ALWAYS be above the note if possible, tenuto can be either above or below the note head. I don't know those left accents are like that. those slurs in section D are a strange phrasing model, even in contemporary music. lol The first ending repeat quarter notes don't have tenuto, which is interesting. i wonder if they should be a little short. the chords are not Grace notes in the coda so they can be held for the full beat, or at least, that's why I'd write it like that. I loved the analysis from the perspective of a pianist! very informative!
We appreciate such a thorough response for us! Sorry it’s taken a little while to respond. Alair and I both read the comment and wanted to devote a bit of time to responding but haven’t gotten around to it.
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This is all interpretation, from the perspective of a composer:
the tenuto, as a composer, is another courtesy after a bunch of staccato die holding the full length.
Also, accents are supposed to ALWAYS be above the note if possible, tenuto can be either above or below the note head. I don't know those left accents are like that.
those slurs in section D are a strange phrasing model, even in contemporary music. lol
The first ending repeat quarter notes don't have tenuto, which is interesting. i wonder if they should be a little short.
the chords are not Grace notes in the coda so they can be held for the full beat, or at least, that's why I'd write it like that.
I loved the analysis from the perspective of a pianist! very informative!
We appreciate such a thorough response for us! Sorry it’s taken a little while to respond. Alair and I both read the comment and wanted to devote a bit of time to responding but haven’t gotten around to it.
Actually the play-by-play comments are my favorite. It really gives us an idea of how people like or dislike our videos. :)