@@FAAoff Yes, that's just listening to 3 identical compositions for 40 minutes (Not taking into account his new theme, and with it there will be another 10 or 15 minutes) is not very pleasant IMHO
@@bas.m Well, they are not the same and are needed for different moments. The main theme is more aggressive and is suitable for epic, decisive moments, such as during the scene of Pucci approaching the green baby. The second theme is quieter and more suitable for bombastic monologues or triumph, given the occasional use of the passage with the choir, as when we were shown Pucci after merging with the green baby. There is also a quick variation, but I'm not sure if it's a standalone composition or the end part of one of the ones mentioned earlier. It is suitable for the personification of more dynamic moments and to emphasize the difference. For example, while Pucci says that C-Moon should hit Jolyne once, the second theme plays, but as soon as C-Moon does what he has to, he starts playing a faster moment to emphasize the changes. There is also a more relaxed composition. Although I think that it was originally supposed to be just background music using Pucci's motifs, and not a direct theme that was written specifically for the scene where Pucci recruits Miraschon. It’s just that later this composition began to be used also at various points. Due to her depressive nature, which worked well for Pucci's flashback scenes or Pucci's personal interactions with DIO's sons (Versus). Also, in the third pack, a composition appeared with a fragment of a distorted reproduction of Pucci's motives. I can't say for sure whether this is a theme or just a composition using Pucci motifs (and yes, these are different concepts).
As soon as I heard that theme from dio vs Jotoro I was so upset, because I felt like they were reusing the same old soundtracks. Then again Stone Ocean is the last Jojo part, so I felt like they could get away with that.
but it makes sence at least. there's a scene where they used diavolo's theme and i was like WTF????? why tf would they use such a known theme from a main villain to another villain who has his OWN THEME WTFFFF
![『 The Fate Which Still Remains 』-[Diamond is Unbreakable OST Vol. 1]- {EXTENDED}](/img/1.gif)
There’s also Pucci kicking that frog which had some part 4 ost playing
Oh i forgot about that
getting ready for batch 3 being 2 hours long. Stone Ocean on it's own has probably the best new OST in JoJo(even better than DIU)
By the way, Pucci theme played for 40+ minutes in 3 batch...
@@bas.m It is logical, he also plays one of the main roles in the final part of the story and he has a lot of personal scenes)
@@FAAoff Yes, that's just listening to 3 identical compositions for 40 minutes (Not taking into account his new theme, and with it there will be another 10 or 15 minutes) is not very pleasant IMHO
@@bas.m *Four
@@bas.m Well, they are not the same and are needed for different moments. The main theme is more aggressive and is suitable for epic, decisive moments, such as during the scene of Pucci approaching the green baby. The second theme is quieter and more suitable for bombastic monologues or triumph, given the occasional use of the passage with the choir, as when we were shown Pucci after merging with the green baby. There is also a quick variation, but I'm not sure if it's a standalone composition or the end part of one of the ones mentioned earlier. It is suitable for the personification of more dynamic moments and to emphasize the difference. For example, while Pucci says that C-Moon should hit Jolyne once, the second theme plays, but as soon as C-Moon does what he has to, he starts playing a faster moment to emphasize the changes. There is also a more relaxed composition. Although I think that it was originally supposed to be just background music using Pucci's motifs, and not a direct theme that was written specifically for the scene where Pucci recruits Miraschon. It’s just that later this composition began to be used also at various points. Due to her depressive nature, which worked well for Pucci's flashback scenes or Pucci's personal interactions with DIO's sons (Versus). Also, in the third pack, a composition appeared with a fragment of a distorted reproduction of Pucci's motives. I can't say for sure whether this is a theme or just a composition using Pucci motifs (and yes, these are different concepts).
2:14 jotaro jumpscare
There is a small mistake in the description. 8:33 timecode is "The Plot Lurking in the Mist", not "Piece of Stardust"
Okay thanks
As soon as I heard that theme from dio vs Jotoro I was so upset, because I felt like they were reusing the same old soundtracks. Then again Stone Ocean is the last Jojo part, so I felt like they could get away with that.
They literally did that in part 4
It still gave us godly tracks like Puccis Clock Works
but it makes sence at least. there's a scene where they used diavolo's theme and i was like WTF????? why tf would they use such a known theme from a main villain to another villain who has his OWN THEME WTFFFF