Slave To Love - Air 214 - Long time ago but really good to hear Bob talking about the backwards solo. I was the assistant at Air who had to turn the 2” tape over, arm the correct track (harder than you think when the tape is upside down and you are worried about accidentally wiping the lead vocal) and drop in at the right point. Actually, I think Bob may have done the drop ins, but I can’t be sure.
Artists and Albums named by these masters: Chic The Rolling Stones - Tattoo You David Bowie - Let's Dance Roxy Music - Avalon Bryan Ferry - Boys and Girls Bryan Adams - You Want it You Got it - Cuts Like a Knife - Reckless - Into the Fire Laurie Anderson - Strange Angels Michael Shrieve - Stilletto Adrianne Lenker Alain Johannes - Hum Margaret Glaspy Blake Mills
I’d love to hear Bob talk about his 90’s mixes much more than his 80’s next time. His use of short ambience in the time when reverb went away was incredible. Crowded house, Aimee Mann’s whatever , etc etc
.. and next time ... his use of LCR mixing. The carnival of separated sounds going on in the left, center and right of the mixes on Aimee Mann’s whatever album is something I still go back and listen in awe of.
Unbelievably amazing Bob! Props to Andrew for NEVER interrupting, moving on before the end of a story or anything. Its not easy to do! Great stuff, thank you.
Andrew, and team. Thank you so much for these longform interviews. I used to be an active professional mix engineer working in local studios but got out of the biz for a decade. Getting back into it from a home setup, and these interviews with my mixing/recording idols are pure inspiration. Please keep these going! Just finished the JJP, and now I'm on this one and everything is just fantastic. You're a terrific interviewer, and interviewee as well whenI saw you on other shows (Pensado, Huart etc).
Thank you for the kind words Dwight!!! make sure to follow ATTAP official channel since next shows will be posted on here ruclips.net/channel/UCjG0rd16-mWBtQesivFsbpQ
There’s an amazing, seven floor, marble stairwell at 6381 Hollywood Blvd @ Cahuenga. I had a studio in that building for the better part of a decade. Every tenant in that building threatened to do a recording in there but I’m not sure it ever happened.
This was awesome, thanks! Bob is always such a cool hang, gracious with his answers and time. Surprising he remembers so much about sessions given his very lengthy track record. Looking forward to part 2.
Im so happy you guys got Mr Clearmountain!!! feels like christmas! Thank you Mark, Andrew and pureMix!!!! I feel the Andy Wallace interview coming soon? ;) Also a quick note throughout most of the interviews that Andrew did, I realized we both have very similar taste in music, which is very complimenting. Just thought I would throw that in there. Have a great weekend guys
Thank you again for your great feedback on the show Sir! Andy Wallace would be awesome but we have so so so so many great people!! Keep your eyes peeled! best
VSO is on REAPER!! Reaper has had normal tape machine style vari-speed of + or - 50% right smack on the front page! It has been there for years. So I ALWAYS keep a copy of Reaper on my computer for this reason.
I'm catching up with the conversations on this channel. So far they have all inspired me to keep digging deep into the world of music production. But more than that i'm inspired by the positive attitude on this channel and the many personal stories linked to the art that bring us all together. Thank you for that! (And i think it would be awsome if you could have Todd Rundgren on this channel!)
WOOOOOAH!!! @ 2:38:29 = O NO MIX BUS ON 7.1 ATMOS?!! That's CRAZY!!! But if every channel is independent from the other then that would kinda make sense I guess. The weird thing is compression/limiting pushes things together...into a dense wall of sound....which is exactly what 7.1 is supposed to NOT be. You'd almost have to think of each channel as it's own mono bus because it's going to be playing multiple sounds/tracks at the same time...and they're panning around too...especially in movies. Fortunately music is less like that, but...shew. If the sound radically changed as it panned from one channel to another because the "bus" was set differently that would be weird. You'd have to mix the tracks right first before they funneled through the channels "mono buss"....then blend that channel into the rest of the channels in multi mono etc...or wait....is that what he just said?.....lol. Would be fun to play with that ability. But that just blew my mind.
Slave To Love - Air 214 - Long time ago but really good to hear Bob talking about the backwards solo. I was the assistant at Air who had to turn the 2” tape over, arm the correct track (harder than you think when the tape is upside down and you are worried about accidentally wiping the lead vocal) and drop in at the right point. Actually, I think Bob may have done the drop ins, but I can’t be sure.
Artists and Albums named by these masters:
Chic
The Rolling Stones - Tattoo You
David Bowie - Let's Dance
Roxy Music - Avalon
Bryan Ferry - Boys and Girls
Bryan Adams - You Want it You Got it - Cuts Like a Knife - Reckless - Into the Fire
Laurie Anderson - Strange Angels
Michael Shrieve - Stilletto
Adrianne Lenker
Alain Johannes - Hum
Margaret Glaspy
Blake Mills
These are amazing conversations and uploads. Thank you Andrew Scheps and Bob Clearmountain for doing this!
Thank you Austin , join Andrew Scheps new c Channel here for next guests and extracts ruclips.net/channel/UCjG0rd16-mWBtQesivFsbpQ
I’d love to hear Bob talk about his 90’s mixes much more than his 80’s next time. His use of short ambience in the time when reverb went away was incredible. Crowded house, Aimee Mann’s whatever , etc etc
.. and next time ... his use of LCR mixing. The carnival of separated sounds going on in the left, center and right of the mixes on Aimee Mann’s whatever album is something I still go back and listen in awe of.
100% agree
Unbelievably amazing Bob! Props to Andrew for NEVER interrupting, moving on before the end of a story or anything. Its not easy to do! Great stuff, thank you.
I'm loving this history lesson. The greats talking up the greats. The best! ❤
THANK Y'ALL FOR THIS EDUCATIONAL VIDEO INTERVIEW. 💜
Incredible conversation. Thanks for sharing this!
Andrew, and team. Thank you so much for these longform interviews. I used to be an active professional mix engineer working in local studios but got out of the biz for a decade. Getting back into it from a home setup, and these interviews with my mixing/recording idols are pure inspiration. Please keep these going! Just finished the JJP, and now I'm on this one and everything is just fantastic. You're a terrific interviewer, and interviewee as well whenI saw you on other shows (Pensado, Huart etc).
Thank you for the kind words Dwight!!! make sure to follow ATTAP official channel since next shows will be posted on here ruclips.net/channel/UCjG0rd16-mWBtQesivFsbpQ
Thank you for this ! Unbelivable that this is free content..
There’s an amazing, seven floor, marble stairwell at 6381 Hollywood Blvd @ Cahuenga. I had a studio in that building for the better part of a decade. Every tenant in that building threatened to do a recording in there but I’m not sure it ever happened.
I just finished watching it and once again, thanks puremix. Keep on doing this stuff Im loving it
💙C💙H💙E💙E💙R💙S Guillermo!!
Thanks all involved
Cheers Gary!!
Amazing stuff!
Very cool! Thank you so much for this series, guys.
Both the albums that Bob recommended are Shawn Everett albums. Awesome!!
Cool, which ones ??
This was awesome, thanks! Bob is always such a cool hang, gracious with his answers and time. Surprising he remembers so much about sessions given his very lengthy track record. Looking forward to part 2.
Thanks for watching!
Bob likes mixing your stuff, no recording, no producing....the best at it as well!
michael shrieve was the drummer of santana.....soul sacrifice drum solo at woodstock
Listening to these talks is addicting. in a good way. Thank you!
Thank you for watching! You can also find them in podcast anchor.fm/andrew-scheps
The best of the best!!!
This comes in at a snappy 3hrs, I hope you're not going back to short format content! :)
NEVER!
Nooooo I love these long interviews!!!
@@AntKneeLeafEllipse thanks Anthony!!!
Really inspiring. Thanks for the content!
Thanks for the kind words Agent !
I'm two hours into this and it's fantastic. Don't want it to end!
cheers!!
Im so happy you guys got Mr Clearmountain!!! feels like christmas! Thank you Mark, Andrew and pureMix!!!! I feel the Andy Wallace interview coming soon? ;) Also a quick note throughout most of the interviews that Andrew did, I realized we both have very similar taste in music, which is very complimenting. Just thought I would throw that in there. Have a great weekend guys
Thank you again for your great feedback on the show Sir! Andy Wallace would be awesome but we have so so so so many great people!! Keep your eyes peeled! best
@@PuremixAudioTutorials I’d love to hear from Andy Wallace!
VSO is on REAPER!!
Reaper has had normal tape machine style vari-speed of + or - 50% right smack on the front page!
It has been there for years.
So I ALWAYS keep a copy of Reaper on my computer for this reason.
Amazing!
26:13 Managing distortion from an analog desk with limited headroom
fab interview
Hats off to whoever ask the "depth" question. 2:40:15
Michael Shrieve was Santana drummer on the early albums.
1:51:25 recording vocals with David Bowie on “Modern Love”
Bob is an awesome person!
I'm catching up with the conversations on this channel. So far they have all inspired me to keep digging deep into the world of music production. But more than that i'm inspired by the positive attitude on this channel and the many personal stories linked to the art that bring us all together. Thank you for that! (And i think it would be awsome if you could have Todd Rundgren on this channel!)
Thank you for your kind words Robert!
Why didn't the bands just book the other session? 🤔
This is great
Thank you Rudolf!!
damn... Bob is 68!! I would've guessed he was in his 50s...
Just like Jimmy Johnson getting the Brown Sugar gig.
WOOOOOAH!!! @ 2:38:29 = O NO MIX BUS ON 7.1 ATMOS?!! That's CRAZY!!! But if every channel is independent from the other then that would kinda make sense I guess. The weird thing is compression/limiting pushes things together...into a dense wall of sound....which is exactly what 7.1 is supposed to NOT be.
You'd almost have to think of each channel as it's own mono bus because it's going to be playing multiple sounds/tracks at the same time...and they're panning around too...especially in movies. Fortunately music is less like that, but...shew. If the sound radically changed as it panned from one channel to another because the "bus" was set differently that would be weird. You'd have to mix the tracks right first before they funneled through the channels "mono buss"....then blend that channel into the rest of the channels in multi mono etc...or wait....is that what he just said?.....lol.
Would be fun to play with that ability. But that just blew my mind.
this cat is special....yup
What was "poltex" or the name on that he mentioned?
Pultec EQP1
Are you sure this guy didn’t do any drugs cause he sure don’t remember nothing 😂
YEEA
EVEN THOUGH THIS HAS NOTHING TO DO WITH MIXING YOU HAVE TO FIND OUT FOR YOURSELF
3 people are incorrect
Oh I remember Rose at Record Plant (17:34). I remember well...