Use What You Got - The Life

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  • Опубликовано: 21 янв 2013
  • Here we have Tim Dal Cortivo and friends performing "Use What You Got" from The Life for his graduating recital performed on campus at the Australian Institute of Music (AIM)
    Use What You Got - Cy Coleman & Ira Gasman
    Check out other performances from our recent recitals on our channel,
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    SING - ACT - DANCE - CREATE
    The Music Theatre Department of the Australian Institute of Music is a vibrant, noisy, energetic and exciting collective of the industry's next wave of talent.
    The Music Theatre department is committed to developing the student's understanding of the broader arena of music theatre. Students are skilled in the three disciplines of singing, dancing and acting and are also taught skills which will enable them to be work creators. All studies are focused on developing students who have an understanding of creating new works, production and performance.
    The Music Theatre student has chosen to study at the Institute primarily because of the emphasis on the music in theatre. They come from many areas of skill development. The singer will come to embrace the music culture at the Institute, the dancer and the actor to find their singing voice. Students at the Institute bring a rich diversity of purpose.
    Music Theatre students develop the ear of a musician, the body awareness of a dancer, the imagination of an actor, the vision of a director and the fortitude of a producer.
    The Life is a musical with a book by David Newman, Ira Gasman and Cy Coleman, music by Coleman, and lyrics by Gasman.
    Based on an original idea by Gasman, the show explores the underbelly of Times Square's 42nd Street, inhabited by pimps and prostitutes, druggies and dealers, and runaways and street people in the era prior to its Disneyfication.
    The show was first produced at the off-Broadway Westbeth Theatre, running from July 30, 1990 to August 16, 1990. Joe Layton directed and choreographed, with a cast that featured Chuck Cooper, Lillias White, and Mamie Duncan-Gibbs.
    The Broadway production, directed by Michael Blakemore, opened on April 26, 1997 at the Ethel Barrymore Theatre, where it closed on June 7, 1998 after for 466 performances and 21 previews. Among a large cast were Pamela Isaacs, Chuck Cooper, Lillias White, and Sam Harris, winner of the first Star Search television competition in 1984. Choreography was by Joey McKneely, scenic design by Robin Wagner, costume design by Martin Pakledinaz, and lighting design by Richard Pilbrow.
    White and Cooper both won Tony awards for their performances in this production.
    The Life depicts the pulsating life on the Times Square streets in the 1980s, where everything had a price, especially sex-the garish topless bars, the transvestite joints, the hookers who worked the side walks at the bidding of their pimps ("Check It Out!").
    Jojo, an opportunistic, conniving white hustler in the thick of the action, has a bare knuckled plan for feeding his ambition ("Use What You Got"). But among these unsavoury characters there are appealing people who have been caught in the web of these sordid surroundings. Sonja, a veteran hooker who has seen better days, befriends Queen who is on the street because her man, Fleetwood, a displaced Vietnam veteran, needs her support. She has saved her money and on this day plans to get away with Fleetwood and leave the life for good, enjoying, with Sonja ("A Lovely Day to Get Out of Jail"). Returning to her hotel room, Queen discovers that Fleetwood has spent half of her savings to pay off his drug debts and feed his habit.
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Комментарии • 3

  • @tlctaps
    @tlctaps 3 года назад

    Wow! What chops Mr. Dal Cortivo has! Great number! Bravo everyone!

  • @schwanny
    @schwanny 9 лет назад +1

    VERY well done!!

  • @jdhennis1217
    @jdhennis1217 9 месяцев назад

    When you're a hustler there is one thing you should know
    You have to hustle every day
    When you're a hustler there's no time to take it slow
    Gather ye suckers while ye may
    Monday you're hot
    Tuesday you're not
    And that's the reason why they say
    You gotta use what got
    To get what you want
    Before what you got is gone
    You gotta reach for that ring
    While you're on that ride
    How long does that ride go on?
    You gotta learn every dance
    Return every glance
    While you have the chance to score
    You gotta use what you got (use)
    To get what you want (to get what you want)
    Before you ain't got no more (no more, no more)
    Your clock starts running on the day that you are born
    It just keeps tick-tick-ticking on
    There's only so much time to blow your little horn
    Before your time has come and gone
    Wednesday you're new (Wednesday you're new)
    Thursday you're through (Thursday you're through)
    It happens sooner than you know (it happens sooner than you know)
    That gravy train gets mighty slow (that gravy train gets mighty slow)
    So as I told you (a moment ago)
    You gotta think number one (number one)
    Be loyal to none (none)
    If you want your sun to shine
    You gotta pick up a knack (pick a knack)
    To stab in the back (the back)
    As long as the back ain't mine
    You gotta use every friend
    As a means to an end
    Ain't that what a friend is for?
    You gotta use what you got use
    To get what you want (to get what you want)
    So take my advice
    From this moment on
    Remember to use what you got (remember to use what you got)
    To get everything that you want (to get everything that you want)
    Before what you got
    Use what you got, to get what you want
    Use what you got, to get what you want
    Before what you got (before what you got is gone)
    What you got is gone