A quick note on the intended 1-minute workflow for beginners using this plugin... You'll notice that there are a few sections labeled 1, 2, and 3. Start by adjusting the knob labeled "1. Volume" to drive the signal and apply gain reduction. From there, adjust the "2. Foundation" knob to balance the low-end and top-end of your mix; this knob controls a tilt filter. Finally, experiment with the "3. Tone" section to subtly rebalance the frequency response of your mix. This workflow will provide you with quick masters that you can use for demos amd home recording projects. If you're goal is to commercially release a song, it probably makes sense to fine-tune the plugin's additional settings. The caveat is that it will likely take longer than one minute to dial in the processing, but the overall workflow is still quite fast.
Just got it for $19.99 now I'm using this instead of Ozone 11 and getting better resluts. And I don't have to switch between multiple setting screens within Ozone 11.
The guy messed up by not going to TONE to "tone" down the mids button and he skipped the GLUE and XL features right. The mix would have been perfect that way.
I did use the tone, xl and glue. Maybe it would have been a good idea to highlight my mouse moves so that it would have been easier to recognise what I’m doing . On the other hand this was a “live” 2 minutes demo. In a real mastering situation I would have taken more time to dial everything in more carefully. Thanks for watching!
![[DRAGON BALL LEGENDS REVEALS ＆ STUFF] LEGENDS FESTIVAL 2024 Special Edition Part 2](http://i.ytimg.com/vi/af0phKxitX8/mqdefault.jpg)
What do you think about this new mastering processor from Brainworx?
I’m loving just wish I wouldn’t gain down my overall level when engaged
@@LoftyMediaNetwork What do you mean by that?
@LoftyMediaNetwork How is that happening to you?
A quick note on the intended 1-minute workflow for beginners using this plugin...
You'll notice that there are a few sections labeled 1, 2, and 3. Start by adjusting the knob labeled "1. Volume" to drive the signal and apply gain reduction. From there, adjust the "2. Foundation" knob to balance the low-end and top-end of your mix; this knob controls a tilt filter. Finally, experiment with the "3. Tone" section to subtly rebalance the frequency response of your mix. This workflow will provide you with quick masters that you can use for demos amd home recording projects.
If you're goal is to commercially release a song, it probably makes sense to fine-tune the plugin's additional settings. The caveat is that it will likely take longer than one minute to dial in the processing, but the overall workflow is still quite fast.
Thanks for sharing!
Just got it for $19.99 now I'm using this instead of Ozone 11 and getting better resluts. And I don't have to switch between multiple setting screens within Ozone 11.
❤sounds good . Helpful and powerful plugin
Hi.Where I can find this song? I like it a lot
Thanks! I've smashed all the smashers! Salutations from astonishingly grey, wet & chilly Ireland! ☘☮🤘🏽🤠👍🏽☮☘
Hey There!! Thanks so much for the support and to help you feel better here in Berlin is not so much different ☔️⛈️
I work with the masterdesk, masterdesk classic and masterdesk true peak, the bx true peak limiter is not bad either,
Thanks for the video
I hope you found it useful! thanks for watching
Hi man....Thnx 4 the video.....What is the chain the aufio goes? Compr...eq etc and at the end the limiter?
I'm not 100% sure. The manual doesn't have a proper signal flow. But I guess is compression, Eq, Limiter.
awesome video very informative. thank you
Glad you found it useful!
got it right away
I’m really enjoying it so far 👌👌
@@ThatProMix yes not for all tracks but still really good, wish i can change the red color
@@ThatProMix Amek series still my fav by the way
The guy messed up by not going to TONE to "tone" down the mids button
and he skipped the GLUE and XL features right. The mix would
have been perfect that way.
I did use the tone, xl and glue. Maybe it would have been a good idea to highlight my mouse moves so that it would have been easier to recognise what I’m doing . On the other hand this was a “live” 2 minutes demo. In a real mastering situation I would have taken more time to dial everything in more carefully. Thanks for watching!
@@ThatProMix All very very true, my friend-o.