Lauren Price Napier Teaches Monroe Style Mandolin
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- Опубликовано: 1 окт 2024
- Learned so much about Monroe Style mandolin in this hour long chat with the great Lauren Price Napier of The Price Sisters! We covered tons including, double stops, chop chords, right hand technique, transcription work and more. Excited to share it all here in this video, and be sure to check out Lauren's music online below:
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My name is David, and I play the mandolin. I've played with multiple award-winning bluegrass bands across the world including Missy Raines, Mile Twelve, Cup O’Joe, and The Foreign Landers, and I curate the weekly mandolin video series #mandolinmondays hosted by the Mandolin Cafe. But most of all, I love sharing my love of the mandolin with others. I run an online mandolin learning community on Patreon, and I also make videos to share my thoughts, ideas, and general mandolin enthusiasm with other mando aficionados. Find out more at the links below:
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@11:00 she sounds exactly like Monroe WOW
+1 like for Peanut.
Lauren is such a good player and teacher. Thank you for having her on this video. I thoroughly enjoyed it! I hope you can have her back sometime.
I agree, and wonder what kind of pick she was using...
Thanks Chaps, this was great as I knew it would be. If you do a follow up, it would be useful if Lauren could focus a little more on her "Slidey Stuff" and how she applies it.
Covering a lot of good ground here neighbors, thank you!
David & Lauren, thank you both for what is essentially an hour long workshop! So much useful information, and you’re both a pleasure to listen to. I appreciate ya!
After many years of trying to choke my pick to death and playing from my elbow I had decided that Tremelo was just not for me. In just an hour after watching this video my tremelo is not bad for a geezer. Thank you Lauren.
OH WOW, I just spent the week at Camp Bluegrass in Levelland TX with her husband Scott. I just posted a few videos of the time there. I heard Lauren was there last year, hope to see y'all next year!!! We only had 2 teachers to cover all 3 categories 🧐😬
This lesson is a gold mine
Great interview! I learned So much!!! Thanksgivings
I have the same thing with my pinky lol, it actually hurt to use my pinky in the beginning but the pain subsided, idk if I’ll ever have the strength I want in my pinky but I can do my best, lately especially I’ve been doing pinky strengthening exercises
Thanks David, and I would like to say a big Thank you! to Lauren regarding how to hold the the pick when playing tremolo, which I have struggled with. You're a Star.
Full respect to Bill Monroe but I just don’t care for his playing. Love his tunes but don’t care for his solos. I really don’t like when players use Monroe licks to get out of a jam
He was an awful sloppy mandolin player.
Lauren's the best. A nice person to boot!
So exciting!!! I can't wait to put the pick to it!!!
What is the style called where you play out of the chord shape and how can I learn it?
Thanks Lauren for your help showing the playing out of chord shapes and the relationship with associated scales. Good information on picking techniques as well.
Cannot wait for the new Price Sisters record! Hope it is also on vinyl:)
Tremendous!
Enjoyed this lesson immensely! Thank you!
This is great! Thanks, David & Lauren!
Thanks for posting this.
David, one subject I was hoping yall would talk about is the slides. Probably my favorite part of any Monroe style player. Compton does it a lot, Lauren does it many times in this video, and obviously Bill did it.
I would love to see one of these deep dive videos with Billy Bright. He takes a lot of these Monroe aspects and blends them with a lot of Grisman vocabulary. Awesome player.
Thanks for your work, David!
David, I'd like à short vidéo "Raw Hide" original if possible (play by you)
Thanks
Oh for heaven’s sake’s. So deep in the weeds. But so familiar and accurate. I may have put too much time on this subject. 😮
🎉 She plays beautifully ! 🎉
😉 What a wealth of knowledge ! 🎓 📜 🎶
I don’t anyone is as detailed as Compton on those Monroe transcriptions. He is incredibly precise.
Hope to get an in-person lesson with Lauren in WV next week!
Really nice !
Do this on Jeff Austin
❤❤❤❤❤❤❤❤❤😮
excellent
I wish i could chill with this lady. Her knowledge just flows out of her . I wish i could learn to be half the player she is. . Thanks mam. I. Sorry i don't pay attention. Better, on your name. Your talented on a level all alone.
Why do people try to copy Bill Monroe’s sloppy mandolin playing? There are so many other Mandolin players that are miles ahead of Bill Monroe’s skill level. Don’t get me wrong he was a good song writer and very creative but he sucked at playing mandolin.
Because he invented the whole thing! Rather than classical mandolins, there would be no dawg, no thile, no bush, no burns, no hull, no mcroury, without him.
Many of the super fast mandolin players I hear sound the same. For me personally, Bill Monroe’s playing moves me emotionally much more than a lightning fast blur of mandolin notes hit perfectly. But then again, I prefer Neil Young and Bob Dylan’s guitar playing over Joe Satriani.
My guess would be that they like the way that it sounds. If it’s so sloppy and bad, then you should have no problem playing it.
Thank you for this upload. However, it is surprising how inarticulate some musicians are in explaining their craft (e.g. kinda, sorta, type thing, like, n'stuff).
Biggest sell out in music history. Bill Munroe turned folk music corporate and called it bluegrass
You obviously know nothing about Bluegrass to say such a thing. You should study it much more before saying such a negative comment.
@@mitzioden4926 "bluegrass" predates bill Munroe himself. He didn't invent anything and where ever he went he made sure people knew about the Gibson corporation. That is some sell out corporate stooge behavior. He has some beautiful tunes but is no doubtingly a corporate sell out
Perhaps; but “biggest sell-out in music history”? That’s a bit much. That statement makes your message nearly unacceptable, and not very convincing.
@@Bigboigamerguy Actually, "bluegrass" doesn't pre-date Monroe. Like the other poster said, you need to spend some time studying the genre. Rossenberg's "Bluegrass" A History" has widely been regarded for over a quarter century as the the best treatment on the genre's history up through the '60's. He has a whole chapter just on the nomenclature of the genre term "bluegrass", complete with extensive primary source citations. Needless to say, your claim is simply wrong. As far as the corporate sell-out thing goes...that's just a bonkers claim. His earliest stuff was largely played on a Strad-o-lin - basically everything from 1936 until approx. 1945 when he most likely bought his F5. In 1951 he sent his F5 to Kalamazoo for extensive repair work and was so disappointed in the turn-around time that he gouged out the Gibson logo on the headstock and spent the next 34 years trash-talking Gibson. So, for essentially the first 50 years of his career, he either didn't play a Gibson, or was talking about how much he hated Gibson. Furthermore, your comment seems to imply that Monroe was somehow gaining massive wealth ("selling out") because he played an F5, which couldn't be further from the truth. The F5 was a failed experiment as far as Gibson was concerned and the overwhelming amount of their revenue came from guitar sales. The fact that a niche hillbilly artist played what was essentially a niche instrument in their overall instrument portfolio amounted to squat for Gibson in the forties. Furthermore, it's not like there were a ton of mom-and-pop luthiers turning out mandolins for most of Bill's life and he "sold out" by going with a big name brand instead of an "indie" mandolin. EVERYONE who played mandolin for most of the 20th century played a mandolin that came from a large music company, with nearly all of them being Gibsons. As older, world-class luthiers like Gilchrist and Kemnitzer have pointed out in interviews, it's only in the last thirty or so years that a lot of small builders have entered the market. During Bill's lifetime, if you wanted a mandolin, you basically had one company's instruments to choose from and that was Gibson. If you're just a troll...well...whatever...that's pathetic, but a troll's gonna troll. However, if you actually believe the things you wrote, I'd strongly suggest spending more time learning about the history of the genre and the instrument about which you are so profoundly mistaken.
This from someone who can't be bothered to spell the man's name correctly. What music do you play/study/listen to?