@@danielhankes6879 Did you hear that from the letter too? A few days ago I read a recovered Liszt letter at the museum, and it stated that he was angered at the public's lack of skill (that last bit might've been a little bit off, my translations aren't too accurate), and basically that the originals had to be redone
I don’t get the hype around their difficulty. S. 139 no 5 alone is harder than everything in S 137 (except no 5 itself off course). People talk like they are the hardest Liszt pieces ever. The transcendental Are only a little bit easier
That's a good catch... Majority focus on the right hand but people who actually play the piece understand that the left hand may be harder. Not only does it have the large leaps and awkward finger position/shapes that make it difficult to memorize. Liszt introduce a cross-rhythm like pattern that wasn't established previously in the piece. Thanks Liszt...
In the Transcendentals and other late works you mainly see octaves. During his younger years and earlier compositions, though, he used every chord that spanned wider than that. Check out Etudes execution transcendante d'apres Paganini No. 4, where chords of up to a twelfth will most likely sucker punch you dead.
52:37 and onwards to the end of this etude is possibly one of the most beautiful sections in music i've ever heard, especially 53:28! By the way I also sat through and watched the entire thing in one sitting without stopping once No joke
Please watch like real performances! I also really really love especially the timesteps you mentioned, but watching e.g. Trifonov's playing is much better in my opinion
Sergei Lyopunov "completing" the 24 with his own 12 études, even dedicating the finale to Liszt makes the Transcendentals one of the most unifying compositions I can think of..
I'm so glad I found this channel. Your videos are great. If you're interested in making more videos of Liszt, I'd recommend one of his most underrated works; Reminiscences de Norma. There is only one other Synthesia video of it, and it has nowhere near the quality your videos have. It would be great if you would consider it. Thanks in advance!
+🎹 Synthesia HD Oh, I'm sorry to hear that. There's one synthesia video of this piece, and it seemed fine to me. I think it would sound great with the sound font you're using. Were you unable to find the midi that that video used? Either way, keep making great videos!
+GJ Symphony I have only managed to find one midi, and it is probably the one used in that video. The thing with that midi is that, whoever made the midi, instead of programming the velocities of the notes (how hard they are pressed) in, they programmed in volume changes (imagine just turning the volume knob up and down). This doesn't make a difference in a standard midi soundfont, but it sounds awful on a sampled one
Spectacular. Mostly for the eyes, although some are indeed very musical. Commenting on those that I play or had played before . . . (1) Preludio - immediately reminds me of Ligeti, whose "L'escalier du diable" is so reminiscent of this. The LH accentuated, chords supporting the RH arpeggios, however, are marked solid rather than arpeggiated and are well within the grasp of most hands. Arpeggiating them sounds quite strange, at least new, to me, (5) Feux Follets - is nice with that characterictic aethereal feel but almost unrealistically fast at barely 3min21sec. Yes I know human pianists could play it within four minutes or even three-&-a-half - even I used to play it around four minutes some 12 years ago, now I do it at about five minutes - but I would personally prefer performances that are around four-&-a-half to five minutes. Sounds more musical and more detailed to me. (6) Vision - is just about the perfect pace for an impressionistic piece that was Liszt's vision (pun intended). The double tremolos in both hands and the descending octaves in the LH that follows at the very ending could've been more resolute and powerful, though. (7) Eroica - I would even prefer this piece to be taken at a broader tempo to match the grandeur which the title suggests. The double-octave section that leads to the coda was way too fast, in my opinion. More accent and tenuto in the melodic top chords of each cascade would be desired. (9) Ricordanza - is the most human-like performance, showing Liszt the Poet of the Piano who equals or even surpasses Chopin. I was in a state of being heat-broken when I learnt this piece so even this computer performance gave me occasional goose-bumps (!!) . . . And yes, I know you added that cute little extra A-flat after the concluding, arpeggiated chords. (11) Harmonies du Soir - leaves quite a lot to desire. This is easily my top favourite among the entire set of twelve. It is taken in such haste. 7min17sec is MUCH too fast for doing full justice to a poetic, superbly sonorous piece of such epic calibre. And even for a computer performance, very obvious mistakes did creep in . . . like the RH chord beginning at 52:31, the inner chords beginning at 52:39, 52:43, and a few massive chords that were truncated beginning 53:28. The coda was rushy and the RH sounded blurry. Overall the dynamic contrasts could've been starker, especially in the wildly leaping "four-hands" sections. Anyway, thanks for all the tedium and it was most interesting to watch, although I'd still prefer human performance which touches more than dazzles.
I think I’ll finally be able to learn and play a Liszt piece! I’m nowhere near good enough to play a bunch of these, but I’m going to try and play No. 3, Paysage. It’s very pretty.
Hey, I know your comment is 6 years old, but I hope you still see this and might answer haha Im thinking of learning no.12 but im not sure if I can make it, I previously learned Fantasie Impromptu, Chopins etude op.10 no12 and rachmaninoffs Moment musicaux no.4 (only like halfway because I hurt my wrist lol) also like the first 2 minutes of chopins op.25 no12. So yeah thats some pieces I learned/tried and I would really like to know if I can try this or wait a bit longer.
@@wither1185I think you can, but pay attention to technique, I started to play chasse neige a month ago and I have pain in my hands (obviously I play 6/8 hours a day and that hurts and make injury in hand)
This is a combination of different sequences: numbers 4, 5 and 8 are by Bernd Krueger, the live sequences are by Robert Finley and the rest of the sequences are from all over the place
I'm confused, as I tried to understand this Etudes. I play the first Etude, but it sounds and is easier than this 1 Etude but they have the same name. Also I thought, that there were only 6 Transcendal Etudes, including La campanella as the 3 and the Mazeppa and this one about Paganini Caprice No 24. But when I look up Transecendetal Etudes it gets me 12 Etudes without La campanella. HELP, what is the meaning of this. And where is the Etude I play?
Liszt wrote 2 different sets of etudes: one with 12 etudes (three versions: S.136, S.137, S.139) and one with 6 etudes (two versions: S.140, S.141). These are two different works. I guess the etude you are playing is either S.140 No. 1 or S.141 No. 1. I guess if you search "Liszt S.140 No. 1" you'll get some results
there are 3 sets of etudes by liszt. Etudes d'execution transcendante (this video), 3 concert etudes (La campanella, etc) and another set of paganini etudes (thats the six you were thinking of, caprice 24 etc). hope this helped
Man this is way too easy even a 4 year old first time piano player can play this perfectly blindfolded me recommend these extremely easy and simple pieces for begginers
If you can 1 minute of this realatively flawless you are probably atleast been playing the piano for 8years because I have been lerning for 6 as a hobby and it would take me probably multible days playing it to get to not make anyones ears bleed (and no a random slow passage doesnt count) also these midis are not perfectly displaying the sheet music making them a simpler version aside from robotic timing of cause.
@@omnitone Which Pentium? There are a trillion, ranging from the Pentium II 233mhz released in the early 90s and the brand new G7400 which is way more powerful than any core 2 duo.
I honestly think Liszt is the most talented composer out of all the pianists because he made one of the hardest songs also in fact it’s so hard only about 1 in 1000 pianists can play his etudes
me learning these etudes be like: RRRRRREEEEEEEEEEEEEEEEEEE! why Liszt!! Liszt writing and performing etudes be like: this is easy enough for begginers
0:00 No .1 Preluido C major 1:00 No 2. Fusses A minor 3:11 No 3. Paysage F major 7:25 No 4. Mazeppa D minor 13:50 No 5. Feux Follets B flat major 17:11 No 6. Vision G minor 22:37 No 7. Eroica E flat major 26:40 No.8 Wild Jagd C minor 31:54 No 9. Ricordanza A flat major 43:22 No 10 Appaionata F minor 47:41 No 11 Harmoines Du Soir D flat major 54:58 No 12 Chasse neige B flat minor
@@cmcom893 yes, I've played Preludio and I can say I failed Paysage, It's too hard to play it doing the phrasing in a correct and musical way, I tried Paysage before Preludio because of the grade, but I couldn't do the phrasing and dinamics of this etude. I don't have problems with slower pieces, but this etude...lol Maybe I'll try it again next year. Now I'm learning the 10th one.
@@davimartins8842 I suppose you are correct, but I'm only pointing it out as the most doable because of how approachable the piece is compared to the rest in his set of Etudes. (Disregarding the phrasing and dynamics though.)
53:24 R.I.P bot
I'm surprised by the fact that no one else said something about it in the comments
La Dybala coptuter
@@GeodesicBruh his coptutor couldn't handle it
@@hotelinjapan389 wooosh
@@stEv3900 woooosh to you as well
No pianist were disabled or harmed in the making of this video
HAHAHAHHAHAHA BACH YOU BEAST
eae titi, lendo os comentários? haha
Yes they were
Synthesia was harmed
A couple of pianos where hurt though.
My eyes were hurt lol
Liszt is so OP that even a computer can't handle his Etudes !
Eric Wan I already have an Octacore Processor(FX 8350). Is the Pc, not synthesia. Kuek!!!
C.V. Alkan is more OP
@@richardszalai5230 I don't know about that, I think Liszt was. Yeah, I'm a Liszty.
@@asassymusician6534
If you think so :)
At least we humans can...
53:23 'Course it didn't! It's Liszt
Luckily there's no one saying "I'm 10 and I play it".
im 10 and i can play it
but im asian... does it still count ?
Phil Lach 100% Asian?
Isia Sooth Because these are *hard*, musically and technically. It's not like almost any Asian kid can play them.
Im 12 and I can play Twinkle Twinkle little star? Does still count?
"Tutorial"
under_ score exactly
No se
Lol he changed it
It doesn’t teach me any thing because I already know them all
@@xiaolanliu1786 ofc
You know that a composer is crazy if they composed etudes but they are easier than their regular pieces....
Tyrion Lannister
but these are the simplified versions
he simplified the pieces so the could show up at concerts more often. i would still pay big bucks to see the hard versions (douze grandes etudes)
@@hamzanaveed826 It's true. This is a set of revisions in response to the public not being able to play the Etudes.
@@danielhankes6879 Did you hear that from the letter too? A few days ago I read a recovered Liszt letter at the museum, and it stated that he was angered at the public's lack of skill (that last bit might've been a little bit off, my translations aren't too accurate), and basically that the originals had to be redone
I don’t get the hype around their difficulty. S. 139 no 5 alone is harder than everything in S 137 (except no 5 itself off course). People talk like they are the hardest Liszt pieces ever. The transcendental Are only a little bit easier
52:36 wtf was liszt thinking?
Trololo
He wasn't.......
@@itseme4779 lmao
twogluon he was thinking "i'm gonna make one of the most beautiful pieces of music ever known to mankind"
"i'm about to end this whole man's career
"
Please never take down your channel
28:44 I can't understand this rhythm but it sounds so amazing. love this melody from liszt
EpreTroll I do
y e s
i guess it's a 3/4
That's a good catch...
Majority focus on the right hand but people who actually play the piece understand that the left hand may be harder.
Not only does it have the large leaps and awkward finger position/shapes that make it difficult to memorize. Liszt introduce a cross-rhythm like pattern that wasn't established previously in the piece.
Thanks Liszt...
yes, me too
I see that liszt loved using octaves in all of his etudes
nub slayer123 ya your right
@@su-hoonc3073 beethoven
99% of composers wrote their etudes with octave.
In the Transcendentals and other late works you mainly see octaves. During his younger years and earlier compositions, though, he used every chord that spanned wider than that. Check out Etudes execution transcendante d'apres Paganini No. 4, where chords of up to a twelfth will most likely sucker punch you dead.
Yeah, they're probably some of the most used piano technique by composers (Also arpeggios)
53:21 liszt was thinking how to broke a lot of fingers
You can hear the fingers breaking too XD
yeah
Funny how that seems important to you.
Dmitri Shostakovich break*
Liszt broke the computer only
1:01 Liszt version of Chopsticks 😅
LMAAOOOOOOO
Virgin pianists plays "The Flight of the Bumblebee"
Chad Pianists plays *literally any hard scores created by Lizst*
Joe Rogan: "A Hectic Day"
Winter Wind
Scherzo "alla napolitana"
Alkan Quasi Faust and solo concerto
Liszt s.403
I watched this to learn some of No.6 and ended up listening to it all and learning some of No.7 and No.11.
4:52 sounds like Elgar’s Salut D’ Amour
Omg yeah!
Ludwig Van Beethoven definitely
Sounds like Abba‘s Sos.
Apassionata sounds Wonderful amazing work.
24:09 thank u Liszt
24:29 Liszt : u r welcome :)
me : ok...
Who watched this whole thing in one sitting?
TheRetardedTeenager lol me
More than a few times now
404Fox 404 error found
Me not, but i heard in one sitting another interpretation of the trascendental études
Me!!
My rating for how these sound:
Preludio: 8/10
Fusees: 10/10
Paysage: 10/10
Mazeppa: 11/10
Feux Follets: 9/10
Vision: 8/10
Eroica: 9/10
Wilde Jagd: 10/10
Ricordanza: 7/10
Appasionata: 10/10
Harmonies du Soir: 10/10
Chasse Neige: 11/10
Liszt's works are always beautiful
I agree but i think mazeppa is more epic than musical so i would add feux follet higher or add mazeppa lower
@@Pamela-dv7gbBut music can be epic, i don't think you understand classical very much
@Pamela-dv7gb feux foillets sounds kinda atonal to me so i don't rate it higher than mazeppa
Vision should be higher :(
@gitikagitika715 vision in my personal opinion isn't as good as the other one
No. 1. "Preludio" - C major, 4/4
1:00 No. 2. "Fusees" - A minor, 3/4
3:11 No. 3. "Paysage" - F major, 6/8
7:25 No. 4. "Mazeppa" - D minor, 2/4
13:50 No. 5. "Feux Follets" - B-flat major, 2/4
17:11 No. 6. "Vision" - G minor, 3/4
22:37 No. 7. "Eroica" - E-flat major, 4/4
26:40 No. 8. "Wilde Jagd" - C minor, 6/8
31:54 No. 9. "Ricordanza" - A-flat major, 6/4
43:22 No. 10. "Appassionata" - F minor, 2/4
47:41 No. 11. "Harmonies du Soir" - D-flat major, 4/4
54:58 No. 12. "Chasse-Neige" - B-flat minor, 6/8
credit to copy and paste
So?
Is this easy
@@cubingkid1082 what
Bonus brownie points for the first person who correctly identifies which etude the thumbnail is from!
+Flex
Correct!
It's Wilde Dagd!
+Flex Oops, I didn't see that you were first... Lol
+Flex I can play these while drinking coffee
!!!!wow again!
The photo cover of video at 30:40
Junio you mean the thumbnail?
nice catch
Yeah
25:27 Ahh these octaves are amazing
25:27 yess
7:48 one of the most incredible things i've heard
BRUH listen to 53:23
So incredible that the Computer itself lagged
@@vishwakmusic9314 Let's say the truth, Liszt is incredible.
@@davimartins8842 Yes it is true he is Incredible 😊😊😊👍
54:58. Damn, it sounds so beautiful, i just HAVE to learn this. Wish me luck!
Good luck 😂
@@Dylonely42 ty
It's my fav etude in this set! Good luck
23:15 the pink panter theme
Luciano Medina FINALLY !!! I THOUGHT I WAS THE ONLY ONE TO THINK THAT WAY
More like the eroica theme
the song was published before the pink panther one, so technically its the eroica theme in the pink panther shows.
@@fortissimom.440 I agree
It's cool he liked the show
Longest movements are
Ricordanza, Harmonies du Soir, and Mazeppa.
By long, do you mean finger stretchings or time duration?
@@vishwakmusic9314Time duration.
0:01 No. 1. "Preludio"- C major, 4/4
1:00 No. 2. "Fusees" A minor, 3/4
3:11 No. 3. "Paysage" F major, 6/8
7:25 No. 4. "Mazeppa" - D minor, 2/4
13:50 No. 5. "Feux Follets"-B-flat major, 2/4
17:11 No. 6. "Vision"- G minor, 3/4
22:37 No. 7. "Eroica" E-flat major, 4/4
26:40 No. 8. "Wilde Jagd" - C minor, 6/8
31:54 No. 9."Ricordanza"-A-flat major, 6/4
43:22 No. 10. "Appassionata" F minor, 2/4
47:41 No. 11. "Harmonies du Soir" D-flat major, 4/4
54:58 No. 12. "Chasse-Neige" B-flat minor, 6/8
You're Welcome
thanks
t h a n k s
you’re*
CM Am
FM, Dm
BbM, Gm
EbM, Cm
AbM, Fm
DbM, Bbm
Liszt you crafty man, these are basically your ideas of preludes
Yeah, they're all relative majors and minors. He intended it for a study for each key up to 5 flats
@@РоссийскаяФедерация-б4я mazzy!
@A SEVENTH? NO? hahahaha
@@РоссийскаяФедерация-б4я they are not all relative keys, be careful
@@Sam-gx2ti no they're correct
etude 12 is b flat minor
You are right, thanks :)
This is amazing because not only the sound and melody it have made but also the fascinated skills.
52:37 and onwards to the end of this etude is possibly one of the most beautiful sections in music i've ever heard, especially 53:28!
By the way I also sat through and watched the entire thing in one sitting without stopping once
No joke
Please watch like real performances! I also really really love especially the timesteps you mentioned, but watching e.g. Trifonov's playing is much better in my opinion
@@kattttttyunchan lim plays this piece the best for me
the second transcendental etude here is from a midi file sequenced by john mamoun
Yes, can confirm. Taken from the classicalarchives website
My playing level is 1:00:41
Sergei Lyopunov "completing" the 24 with his own 12 études, even dedicating the finale to Liszt makes the Transcendentals one of the most unifying compositions I can think of..
Like Brahms first symphony being Beethoven's tenth :P
0:00 Liszt's Transcendental Edute No.1 In C Major, 4/4 "Preludio"
1:00 Liszt's Transcendental Edute No.2 In A Minor, 3/4 "Fusees"
3:11 Liszt's Transcendental Edute No.3 In F Major, 6/8 "Paysage"
7:25 Liszt's Transcendental Edute No.4 In D Minor, 2/4 "Mazeppa"
13:50 Liszt's Transcendental Edute No.5 In B Flat (A Sharp) Major, 2/4 "Feux Follets"
17:11 Liszt's Transcendental Edute No.6 In G minor, 3/4 "Vision"
22:37 Liszt's Transcendental Edute No.7 In E Flat (D Sharp) Major, 4/4 "Eroica"
26:40 Liszt's Transcendental Edute No.8 In C minor, 6/8 "Wilde Jagd"
31:54 Liszt's Transcendental Edute No.9 In A Flat (G Sharp" Major, 6/4 "Ricordanza"
43:23 Liszt's Transcendental Edute No.10 In F Minor, 2/4 "Appassionata"
47:41 Liszt's Transcendental Edute No.11 In D Flat (C Sharp) Major, 4/4
"Harmonies du Soir"
54:58 Liszt's Transcendental Edute No.12 In B Flat (A Sharp) Minor, 6/8
"Chasse-Neige".
@@nicosuarez6962 What i didnt write any wrong! Look again!
@@imjustarandomguy1757 etude not edute
Edute lol
I'm so glad I found this channel. Your videos are great.
If you're interested in making more videos of Liszt, I'd recommend one of his most underrated works; Reminiscences de Norma. There is only one other Synthesia video of it, and it has nowhere near the quality your videos have. It would be great if you would consider it. Thanks in advance!
+GJ Symphony
Thank you for the kind words! I'm currently making his sonata in B minor, but after it's done I will look into it, thanks for suggestion.
+GJ Symphony Unfortunately I can't find a good midi of the piece
+🎹 Synthesia HD Oh, I'm sorry to hear that. There's one synthesia video of this piece, and it seemed fine to me. I think it would sound great with the sound font you're using. Were you unable to find the midi that that video used? Either way, keep making great videos!
+GJ Symphony I have only managed to find one midi, and it is probably the one used in that video. The thing with that midi is that, whoever made the midi, instead of programming the velocities of the notes (how hard they are pressed) in, they programmed in volume changes (imagine just turning the volume knob up and down). This doesn't make a difference in a standard midi soundfont, but it sounds awful on a sampled one
12:40 funeral march?
I... can't... fuCKING. STOP. LISTENING TO RICORDANZAAAAAA!!!
17:13
Spectacular. Mostly for the eyes, although some are indeed very musical. Commenting on those that I play or had played before . . .
(1) Preludio - immediately reminds me of Ligeti, whose "L'escalier du diable"
is so reminiscent of this. The LH accentuated, chords supporting the RH arpeggios, however, are marked solid rather than arpeggiated and are well within the grasp of most hands. Arpeggiating them sounds quite strange, at least new, to me,
(5) Feux Follets - is nice with that characterictic aethereal feel but almost unrealistically fast at barely 3min21sec. Yes I know human pianists could play it within four minutes or even three-&-a-half - even I used to play it around four minutes some 12 years ago, now I do it at about five minutes - but I would personally prefer performances that are around four-&-a-half to five minutes. Sounds more musical and more detailed to me.
(6) Vision - is just about the perfect pace for an impressionistic piece that was Liszt's vision (pun intended). The double tremolos in both hands and the descending octaves in the LH that follows at the very ending could've been more resolute and powerful, though.
(7) Eroica - I would even prefer this piece to be taken at a broader tempo to match the grandeur which the title suggests. The double-octave section that leads to the coda was way too fast, in my opinion. More accent and tenuto in the melodic top chords of each cascade would be desired.
(9) Ricordanza - is the most human-like performance, showing Liszt the Poet of the Piano who equals or even surpasses Chopin. I was in a state of being heat-broken when I learnt this piece so even this computer performance gave me occasional goose-bumps (!!) . . . And yes, I know you added that cute little extra A-flat after the concluding, arpeggiated chords.
(11) Harmonies du Soir - leaves quite a lot to desire. This is easily my top favourite among the entire set of twelve. It is taken in such haste. 7min17sec is MUCH too fast for doing full justice to a poetic, superbly sonorous piece of such epic calibre. And even for a computer performance, very obvious mistakes did creep in . . . like the RH chord beginning at 52:31, the inner chords beginning at 52:39, 52:43, and a few massive chords that were truncated beginning 53:28. The coda was rushy and the RH sounded blurry. Overall the dynamic contrasts could've been starker, especially in the wildly leaping "four-hands" sections.
Anyway, thanks for all the tedium and it was most interesting to watch, although I'd still prefer human performance which touches more than dazzles.
For Feux Follets, I think that Kissin Played it at that speed which shows that it’s not humanly impossible to play it at that speed.
1:07
Liszt could've converted all of these into an entire symphoney with 12 movements
I agree
0:20 That almost sounded like the final bars of Chopin's Scherzo No. 2!
It kinda almost reminds me of the end bars of scherzo focoso by alkan
You what sounds like Scherzo No. 2? 24:36
@@vishwakmusic9314 yes
the transition from 49:25 into 49:48 - 50:50 is literally planetary music
11:38 bass sounds like a video game sound
"Fusees" is just Liszt's chopstick waltz...
CHANGE MY MIND
9:31 I like that part
WAIT the thumbnail for this video changed, i swear the font of the word "Transcendental" in the thumbnail wasn't like that when i first saw it.
52:37 A regular everyday pop song you know...
This was posted on my 12th birthday, cool
42:26 how ?
i
upperkin i
You ise a finger to press the two notes.
sustain pedal
1:00 Chopsticks
54:58
28:30
24:10 likes hungarian rhapsody no 2
I think I’ll finally be able to learn and play a Liszt piece! I’m nowhere near good enough to play a bunch of these, but I’m going to try and play No. 3, Paysage. It’s very pretty.
Amelia Paine good lucj
Can you Play it?
Thanks a lot! I just require the n.8 and the n.12 and you did all! I love you!
+Bruno Dilawrence Hahaha thank you :D
Hey, I know your comment is 6 years old, but I hope you still see this and might answer haha
Im thinking of learning no.12 but im not sure if I can make it, I previously learned Fantasie Impromptu, Chopins etude op.10 no12 and rachmaninoffs Moment musicaux no.4 (only like halfway because I hurt my wrist lol) also like the first 2 minutes of chopins op.25 no12.
So yeah thats some pieces I learned/tried and I would really like to know if I can try this or wait a bit longer.
@@wither1185I think you can, but pay attention to technique, I started to play chasse neige a month ago and I have pain in my hands (obviously I play 6/8 hours a day and that hurts and make injury in hand)
Vision is creepy at 0,25x
Soécia yes practicing it is eerie and unsettling at slow tempo 😂
The end of the 11th Etude sounds like the end of Dvorak 9 2nd Movement with the Double Bass Chords
Mazeppa had several mistakes. But the rest was still good
This is played by a computer.
It's a Live performance, turned into MIDI
I was no mistakes, what the hell?
Yeah I would make a list of the ones I found but there are too many for me to count and list
it had a lot of mistakes? but it sounded so beautiful...
Anyone watch the whole thing in one sitting?
Not me I got depressed halfway through the vid lol
Btw this is my mom’s account
I did
1:00
3:11
7:27
13:50
17:13
22:37
26:41
31:54
43:23
47:41
54:58
WEEEEEEEE!!! ^_^
Oh, yeah, do you know who sequenced which piece, btw? :)
This is a combination of different sequences: numbers 4, 5 and 8 are by Bernd Krueger, the live sequences are by Robert Finley and the rest of the sequences are from all over the place
I love number 1 , 2 , 3, 4 , 5 , 8 and 12
I'll stream them on April 15 if you want to watch.
👌
I'm confused, as I tried to understand this Etudes. I play the first Etude, but it sounds and is easier than this 1 Etude but they have the same name. Also I thought, that there were only 6 Transcendal Etudes, including La campanella as the 3 and the Mazeppa and this one about Paganini Caprice No 24. But when I look up Transecendetal Etudes it gets me 12 Etudes without La campanella. HELP, what is the meaning of this. And where is the Etude I play?
Liszt wrote 2 different sets of etudes: one with 12 etudes (three versions: S.136, S.137, S.139) and one with 6 etudes (two versions: S.140, S.141). These are two different works.
I guess the etude you are playing is either S.140 No. 1 or S.141 No. 1. I guess if you search "Liszt S.140 No. 1" you'll get some results
there are 3 sets of etudes by liszt. Etudes d'execution transcendante (this video), 3 concert etudes (La campanella, etc) and another set of paganini etudes (thats the six you were thinking of, caprice 24 etc). hope this helped
Liszt has 11 sets of etudes, from S.136 to S.146. You're probably playing either the S. 140/1 or S.141/1.
43:22
Fusees (No.2) sounds like la campanella but mutated, Amazing piece as always by liszt.
Man this is way too easy even a 4 year old first time piano player can play this perfectly blindfolded me recommend these extremely easy and simple pieces for begginers
By my opinion
Wilde Jagd and Chasse-neige are two most beautiful Liszt transcadental etudes 😍 !
Appassionata to
Didn't even consider Ricordanza.
I uploaded my execution of chasse neige 2 days ago under classical music subreddit, give it a try pls :)
@@thenotsookayguy Mazeppa and fusees is better than Ricordanza for me
My favorites are the Wilde Jagd, Harmonies du Soir and Fusées. Pianoczarx, please make a Rachmaninoff's Piano Concerto no. 2. ;)
Just one question:
Was liszt human?
You should look at Alkan, his are even harder one's!
I think he was s sort of divine and angelical creature.
@@waidi3242 Liszt was harder, these etudes are not his hardest pieces
53:23 Liszt broke the computer. Don’t worry most pianists couldn’t handle it either.😂
😂😂😂
If you can 1 minute of this realatively flawless you are probably atleast been playing the piano for 8years because I have been lerning for 6 as a hobby and it would take me probably multible days playing it to get to not make anyones ears bleed (and no a random slow passage doesnt count) also these midis are not perfectly displaying the sheet music making them a simpler version aside from robotic timing of cause.
Please rachmaninoff op 39 no 5
53:25 wow i didnt know you had a core 2 duo
shitposts
i have a pentium ;-; liek if u cri everi tiem
@@omnitone Which Pentium? There are a trillion, ranging from the Pentium II 233mhz released in the early 90s and the brand new G7400 which is way more powerful than any core 2 duo.
@@thenotsookayguy b960
I honestly think Liszt is the most talented composer out of all the pianists because he made one of the hardest songs also in fact it’s so hard only about 1 in 1000 pianists can play his etudes
Wtf
What
Only about 1 in 1000 pianists can play these etudes? You r wrong
58:46
Liszt was such a crazy man
me learning these etudes be like: RRRRRREEEEEEEEEEEEEEEEEEE! why Liszt!!
Liszt writing and performing etudes be like: this is easy enough for begginers
Please, does anymeone have any idea of who plays the 2nd etude in this video or where can I find this exact recording of it?
0:00 No .1 Preluido C major
1:00 No 2. Fusses A minor
3:11 No 3. Paysage F major
7:25 No 4. Mazeppa D minor
13:50 No 5. Feux Follets B flat major
17:11 No 6. Vision G minor
22:37 No 7. Eroica E flat major
26:40 No.8 Wild Jagd C minor
31:54 No 9. Ricordanza A flat major
43:22 No 10 Appaionata F minor
47:41 No 11 Harmoines Du Soir D flat major
54:58 No 12 Chasse neige B flat minor
Your comment is so under rated. BTW Thx for timestamps
So we’re not gonna talk about the terrible quality of the digital piano?
Why should we?
And Best In 23:39
I an going to learn preludio
Liszt is the master of making a beautiful sound out of smashing a piano
15:02 is that even possible
53:26 Even a computer can't handle Liszt genius.
Lma😂
53:25. Harmonies_du_soir.exe has crashed.
XP Latog my youtube app crashed for real XD
Sviatoslav Richter didn’t. 😁
Everyone one of the transcendental etudes is brilliant but I must say I don’t think anything quite compares to no. 4/Mazeppa.
Now I get it. Douze etudes are way more harder
The Paysage Etude seems to be most "doable" out of all the set.
Trust me, Preludio is a lot easier.
@@cmcom893 yes, I've played Preludio and I can say I failed Paysage, It's too hard to play it doing the phrasing in a correct and musical way, I tried Paysage before Preludio because of the grade, but I couldn't do the phrasing and dinamics of this etude. I don't have problems with slower pieces, but this etude...lol
Maybe I'll try it again next year. Now I'm learning the 10th one.
@@davimartins8842 I suppose you are correct, but I'm only pointing it out as the most doable because of how approachable the piece is compared to the rest in his set of Etudes. (Disregarding the phrasing and dynamics though.)
Looks like etudes upto mazeppa are easy to handle...
1:00 it has a weird start but i like it so i practice that part
51:57 is chaotic
Even computer cant handle his piece
53:23