Grand canyons of space and time universal My mind is subjected to all Stab! Bawl! Punch! Crawl! Hooks to my brain are well in Stab! Bawl! Punch! Crawl! I know what I am, I'm Berlin Through cracked, blackened memories of unit dispersal I face the impregnable wall Stab! Bawl! Punch! Crawl! Hooks to my brain are well in Stab! Bawl! Punch! Crawl! I know what I am, I'm Berlin Exploding, reloading, this quest never ending Until I give out my last breath I'm stabbing and bawling, I'm punching and crawling Hooks to my brain are well in I'm stabbing and bawling, I'm punching and crawling I know what I am, I'm Berlin
Surely the true birth of heavy metal? Magnificent. Sabbath etc were too rooted in jazz and blues; they were the influence on metal for sure, but in themselves they were pure heavy rock. Even Iommi said so, and he should know.
I still believe Iron Maiden is the better English Metal band. Sorry, I've seen Priest live more than Maiden, and they are better live. But c'mon, it's Maiden. Plus, I knew a couple guys from Fight.
I bought British Steel on vinyl at a yard sale when I was about 18 in the mid 90's for $2 so I was happy. When I got home everything was fine but when I turned the album over I discovered someone had written: Judas was a traitor! Jesus is the real savior! Jesus saves!
@@AndE667 The process by which the Nazis brain washed the Germans to do the horrible things they did “Hooks for my BRAIN are WELL-IN” “I know what I am - I’m BERLIN” Also, maybe more deep…. A reflection on how humans are susceptible to group think, which leads to atrocity when the group think leads to the “out group” being de-humanized… There’s probably other stuff there, but yeah, that’s probably a good bird’s eye view of what’s going on in the lyrics…. Enjoy. Cheers.
This album must have blew people's minds away hearing this in the late 70's, which was very ahead of it's time. Absolutley one of the most important Heavy Metal albums ever made.
@@renatomaffei2589 Yeah every time people hear Slayer people get confused and think it's Judas Priest because he sounds so close to Rob Halford! It's uncanny
If anything Tom Araya sounds more like Rob Halford than Rob Halford. Tom does things with his voice Rob could only dream of. Largely indistinguishable tho.
Imo this and sabbath’s stuff laid the groundwork for everything we have now. Thrash was just a fusion of punk. Death metal merely added gutterals. IMO only the aesthetic appeal of Venom was the only big leap forward after this.
I was very fortunate to have gone to in the beginning the same drum teacher as Simon Phillips in Sloane Square, London.1969/70..with Max Abrams...who wrote THE PREMIER DRUM BOOK, which I still have. Later in life I've moved to drum lessons with Mike Michalkow from Vancouver Canada, and Mike Barnes, Ely Cambridgeshire. All of my studies have helped me achieve up to Grade 8 drums with Rockschool, amazing company, taking the exams at Rettendon, studios, In Essex. I cannot thank Simon, who still through his drumming gives me something to achieve further. This drumming for Dissident Aggressor is just an amazing exercise class of physical, and most of all mental fitness to, the bodily independence. People don't realise the mind first of bodily second independence to perfect your arma and feet around the kit.. I am 77 and still learning. God bless you. Colin Reynolds Chelmsford Essex..UK
To be fair, his immediate replacement was Les Binks who is also absolutely incredible, I think he also would have been a fantastic permanent member (and he probably would have been if the band's manager didn't piss him off by trying to screw him out of credits)
@@0xilipe0 holy hell that would've been bonkers, assuming they didn't just underutilize the guy like on Killing Machine. That album (and British Steel tbh) is such a letdown to me, tons of filler, Halford sticking more to his midrange and lower register, all short radio friendly songs, and Binks playing like he has an arm behind his back (not really lol but definitely less jazzed up and technical than on Stained Class)
@@CKT1138 Binks' groove is still there in Killing Machine, not to mention his double bass drumming in Hell Bent for Leather and the title track. The writing isn't complex but at the time that style was kind of new. IDK, I like KM lol I personaly dont have a problem with the commercial sound of the records you mentioned and Rob's lower register has enough character to be interesting but there is a night and day difference between Killing Machine and British Steel. Holand removed all the color from the drumming, making it super boring and predictable. It only really works in Metal Gods because the song is about robots so ironicaly it fits his stiff style.
@@0xilipe0 yeah there's definitely still some moments of Les Binks trademark style, like Hell Bent and Rock Forever, that's very true. I don't totally hate KM, it's got some gems.... But ohhh boy there's some solid duds on it; "Evening Star" is meh, sounds like a Boston song or something, "Take On The World" is inane beyond belief, "Burnin Up" is musically solid but super duper corny, "Evil Fantasies" is a snoozefest, etc. And for whatever reason "Running Wild", "Rock Forever", and "Hell Bent For Leather" are very short, despite being some of the best songs. Rant over, lol... Dave Holland's drumming was "generic". Totally and utterly acceptable. He was usually much better in concert than on record, though, no clue why. And yeah, British Steel is overrated, I may actually like Point Of Entry more at this point.
Bro, I grew up in the 80s. My sister was a hard rock gal. 13 years older than me. All I knew were the hits. About 6 years ago I did a deep dive on Priest. My mind was blown by these 70s albums. It's all here. Everything Megadeth and Metallica do. It's all in that run of 70s priest albums. Imagine being 40, longing for the old days and discovering the fucking root cause of everything you like. 😂
This song absolutely blew my mind. I only knew Priest's 80s albums, then one day I stumbled upon Sin After Sin... This song was ahead of its time, and I bet Slayer was heavily influenced by it.
I was only ever familiar with Slayer's version until I heard the original a couple of years ago. Rob's vocals are at another level. Slayer are one of my favourite bands but this version is definitely better.
Honestly, I can't even compare them, because I listen to them whenever I'm in such different moods that I hardly consider them the same song... But they're great! And if you want to, you can check out Halestorm's rendition on this song. It's pretty cool too!
Perfection, from the first glissando and FX to the crunchy tones of Tipton and Downing setting up the false groove, to the explosion into the hell Halford describes. Pure unfettered passion and emotion as Simon Phillips refuses to lock it into a pedestrian groove. Astounding artistry from Halford. I first heard this in high school, and absorbed every note, every tone, every layer, because this was new and creative and powerful and enveloping ...and after all these decades, it lights me up and stands the test of time, One of the greatest musical achievements ever.
PURE f...king Priest!!!!.. Same cheals like the first time I bought and played Sad Wings of Destiny in vinyl.I feel f...king young again. Oh Rob...Oh Priest 🤘
So many great comments here it's hard to say something that hasn't been said already. When people say this is possibly the most metal song of all time they don't say it lightly. It quite possibly is. That intro wiped me out as a kid. I had to drop the needle over and over and over. The guitars.... the drums...omg the drums... the utterly stratospheric vocals. The chunking riff of doom into the little classical turn around melody. Eventually I listened to the whole song. I had Sin after sin and Sad Wings of Destiny in some knock off double album set up. It was weird... I bought the first two Ozzy albums in the same format. Judas Priest were probably my favorite band as a kid. I had plenty, but when I think of how deeply I was into their music I realise that my own playing was most influenced by these guys. Funny how I only realise that retrospectively because I went through this big Hendrix and Malmsteen (yes...him) phase that made me forget who really got me into shredding. God I love this song.
John Peel played sinner in 1977 on his radio show, a 15 year old me was listening, he then played race with the devil on spanish highway, john was brilliant.
That's how vocal vibrato should sound, very natural and emotional. I remember having the headphones on listening to this album release on WGTB (Georgetown University college radio) before it was shut down by the administration about 2 years later. I had heard a song on Sad Wings of Destiny (Dreamer Deceiver) on that station when it was a bootleg, and I immediately had to won it. When I bought the record at Waxie Maxies in the Wheaton Plaza, one store clerk pointed to the album I was buying, and smiled at his coworker,. So when I heard that they were picked up by CBS and that a new album would be aired I made sure to be listening at 8pm (or was it 9pm). (These full album launches on college radio by college kids were like underground internet casts of today - the DJ's always sounded as excited to introduce them as we were to be listening. Months later Van Halen 1 was released on that station the same way. I didn't hear it, but they played Eruption the next day or so. Not the radio friendly songs mind you, Eruption. Looking back I was lucky to get to hear such original artistic vision and talent without it being stripped down by the big radio stations.
Judas Priest was just inducted into the Rock and Roll Hall of Fame. What took so long??? Anyways....i think of this song and not many of their commercial hits when i think of their greatness...and especially Rob Halford's greatness. Congrats JP!!
The idiots who preach all the time about how much punk rock influenced 80s heavy metal, they "forget" (on purpose of course), that there were already in 70s songs like Burn from Deep Purple, Kill The King from Rainbow, Warrior from Riot and Dissident Aggressor from Judas Priest, that were very powerful and fast and of course capable to inspire newer bands to play fast, hard and heavy
Only thrash and painkiller for this guy in the day, but now I'm older.....hot damn!!! I've learned to love old Priest. Sad wings, stained glass, defenders.... just pure METAL!!!!
This kids is the difference between having a real drummer and a tub thumper. Simon Phillips is the best drummer that ever played for Priest. Too bad it was just as a studio session player.
Grand canyons of space and time universal
My mind is subjected to all
Stab! Bawl! Punch! Crawl!
Hooks to my brain are well in
Stab! Bawl! Punch! Crawl!
I know what I am, I'm Berlin
Through cracked, blackened memories of unit dispersal
I face the impregnable wall
Stab! Bawl! Punch! Crawl!
Hooks to my brain are well in
Stab! Bawl! Punch! Crawl!
I know what I am, I'm Berlin
Exploding, reloading, this quest never ending
Until I give out my last breath
I'm stabbing and bawling, I'm punching and crawling
Hooks to my brain are well in
I'm stabbing and bawling, I'm punching and crawling
I know what I am, I'm Berlin
Absolutely awesome lyrics - thanks for posting them for us!!
Its brawling
I think it is brawl not bawl if it is not it should be. Brawling rhymes with crawling.
@@swarthyimmigrant9678 Yes, that makes more sense.
1977. This was WAY ahead of its time. The vocals and guitars are amazing, but my favorite aspect is the drumming of Simon Phillips.
Oh yes, and 18 years old when recorded !!!
I agree. A percussion genius
Simon is in my top 3 drummers of all time not just rock drummers, every genre
@@spinynorman2187 this drummer was only 18? Shit.
@@MrRick693 He was . Born to play !
Surely the true birth of heavy metal? Magnificent. Sabbath etc were too rooted in jazz and blues; they were the influence on metal for sure, but in themselves they were pure heavy rock. Even Iommi said so, and he should know.
This song is the godfather of THRASH METAL! Thanks Mr Simon Phillips
way ahead of its time.
There is a fantastic cover by Halestorm!
Mind melting bridge ! Overlaying powerful vocals ! Pure metal savagery !
A part of The Odissey of Symphony X reminds me of this track, maybe it's a sort a musical quote
Great song about Cold War paranoia, space rock echoes are there as well
What an enter!
COOL! Круто!
Послушаю оригинал, а то знаком только с кавером от культовой группы Slayer!
Amazing. Proto-Thrash-Metal with operatic vocals. 🤘🏻🐻🤘🏻
Manda uns vídeos da banda
👍👍👍👍👍👍
When I hear someone say that metal is shit I think to my self. How modern was the metal the listened to.
I Need Metal Ballad
Your Welcome.
I'm coming here because cover Lzzy Hale, incredible
I still believe Iron Maiden is the better English Metal band. Sorry, I've seen Priest live more than Maiden, and they are better live. But c'mon, it's Maiden. Plus, I knew a couple guys from Fight.
No words exist to describe how incredible this song is. Thanks God for Judas Priest.
average in their catalogue, Priest rules all metal
LOL!!!!!! Now THAT'S an ironic comment!!!!
I bought British Steel on vinyl at a yard sale when I was about 18 in the mid 90's for $2 so I was happy. When I got home everything was fine but when I turned the album over I discovered someone had written: Judas was a traitor! Jesus is the real savior! Jesus saves!
Imagine hearing this for the first time in '77...jeeezus
I did 😵💫🤗
Yeah, that would have been pretty damn mind-blowing! Interesting to think about it that way.
It was awesome
Slayer hear this
Kings of metal ❤❤❤❤❤
Simon Phillips!!! Man, he is a crazy good drummer. Master of all kinds of music. He surely added a sheen to this album.
He was 20 yrs old when he played on this album
@@ZFlyingVLover WOW!!
But not a Martin or Charlie Sheen. 😁
Les Binks gone?
The most pure metal song ever
Very PURE. And timeless
A masterpiece
@@Toysinmyattic1 But what the fuck is it about!? A dissident aggressor of course would be a "Judas priest"...
Hell yea.
@@AndE667 The process by which the Nazis brain washed the Germans to do the horrible things they did
“Hooks for my BRAIN are WELL-IN”
“I know what I am - I’m BERLIN”
Also, maybe more deep…. A reflection on how humans are susceptible to group think, which leads to atrocity when the group think leads to the “out group” being de-humanized…
There’s probably other stuff there, but yeah, that’s probably a good bird’s eye view of what’s going on in the lyrics…. Enjoy. Cheers.
Ian Hill just listed this song as his favorite Judas Priest song ever. He picked a good one for sure!
Judas Priest were playing thrash metal before thrash metal was actually a metal music genre
Amazing how these guys predicted the future
It's amazing how creative they were in the 70s.
Stained Class is a ridiculously good album
@@leeham6230 Really, though Priest were always very creative and versatile (more than Maiden...)
@@5tar5z This is Sin After Sin album.
There’s a lot of proto power metal going on as well. Especially the singing.
This is one of my all time favorites..the early judas priest era has some treasures.
True headbanging song! Judas Priest is eternal. 🍻
This album must have blew people's minds away hearing this in the late 70's, which was very ahead of it's time. Absolutley one of the most important Heavy Metal albums ever made.
Judas Priest is the best for the morning, afternoon, evening and the night. I dont know any other band like this. Greetings from Poland!
Testify! 🤘
The solo is the prototype for every Kerry King solo ever. Huge Slayer vibes overall. Their cover makes so much sense.
He seems to emulate Halford's voice as well
Sad they missed the intro scream, otherwise an ok Cover
Lmao ikr
@@renatomaffei2589 Yeah every time people hear Slayer people get confused and think it's Judas Priest because he sounds so close to Rob Halford! It's uncanny
If anything Tom Araya sounds more like Rob Halford than Rob Halford. Tom does things with his voice Rob could only dream of. Largely indistinguishable tho.
It blows my mind this is 1977.....which means,this very song is the absolute first ever modern metal song as we know it now today
Imo this and sabbath’s stuff laid the groundwork for everything we have now. Thrash was just a fusion of punk. Death metal merely added gutterals. IMO only the aesthetic appeal of Venom was the only big leap forward after this.
no exaggeration, probably one of the most underrated songs ever
A real song. Not Taylor Swift blah music
Pure Heavy Metal 🤘🤘🤘🤘🤘Rob Halford's voice is something crazy, it's very high and reaches very high vocal peaks.
THIS WAS REAL HEAVY METAL
Still Is 🤘🏼🤘🏼🤘🏼🤘🏼
This IS real Heavy Metal...
Is
Implying heavy metal today isn’t heavy metal?
Judas Priest is THE HEAVY METAL!!!
Ian Hill's bass lines are so aggressive...!!! Love it 🤘🏼🔥
Blows my mind every time I hear this smokin sweet jam 🤘❤⚘🔥
Dissident Aggressor (Live) won Grammy Best Metal in 2010
JP should have won Grammy back in 1990 for Painkiller (won Metallica and their Stone Cold Crazy embarrassing cover lol) and 97
@ Painkiller is THE ALBUM
@@judaspino499 Painkiller sucks. Sorry.
@@ZFlyingVLover you just don’t like it because it’s popular
@@caolan8081 yeah. Thats it. Lmao
The purest, most heavy metal song of all time.
I was very fortunate to have gone to in the beginning the same drum teacher as Simon Phillips in Sloane Square, London.1969/70..with Max Abrams...who wrote THE PREMIER DRUM BOOK, which I still have.
Later in life I've moved to drum lessons with Mike Michalkow from Vancouver Canada, and Mike Barnes, Ely Cambridgeshire.
All of my studies have helped me achieve up to Grade 8 drums with Rockschool, amazing company, taking the exams at Rettendon, studios, In Essex.
I cannot thank Simon, who still through his drumming gives me something to achieve further.
This drumming for Dissident Aggressor is just an amazing exercise class of physical, and most of all mental fitness to, the bodily independence.
People don't realise the mind first of bodily second independence to perfect your arma and feet around the kit..
I am 77 and still learning.
God bless you.
Colin Reynolds
Chelmsford
Essex..UK
And the amazing Simon Philips on skins. What a shame he didn't stay in that seat.
To be fair, his immediate replacement was Les Binks who is also absolutely incredible, I think he also would have been a fantastic permanent member (and he probably would have been if the band's manager didn't piss him off by trying to screw him out of credits)
@@CKT1138 We were robbed of Screaming for Vengeance and Defenders of the Faith with Binks. It is the biggest metal "what if" IMO
@@0xilipe0 holy hell that would've been bonkers, assuming they didn't just underutilize the guy like on Killing Machine. That album (and British Steel tbh) is such a letdown to me, tons of filler, Halford sticking more to his midrange and lower register, all short radio friendly songs, and Binks playing like he has an arm behind his back (not really lol but definitely less jazzed up and technical than on Stained Class)
@@CKT1138 Binks' groove is still there in Killing Machine, not to mention his double bass drumming in Hell Bent for Leather and the title track. The writing isn't complex but at the time that style was kind of new. IDK, I like KM lol
I personaly dont have a problem with the commercial sound of the records you mentioned and Rob's lower register has enough character to be interesting but there is a night and day difference between Killing Machine and British Steel. Holand removed all the color from the drumming, making it super boring and predictable. It only really works in Metal Gods because the song is about robots so ironicaly it fits his stiff style.
@@0xilipe0 yeah there's definitely still some moments of Les Binks trademark style, like Hell Bent and Rock Forever, that's very true. I don't totally hate KM, it's got some gems....
But ohhh boy there's some solid duds on it; "Evening Star" is meh, sounds like a Boston song or something, "Take On The World" is inane beyond belief, "Burnin Up" is musically solid but super duper corny, "Evil Fantasies" is a snoozefest, etc. And for whatever reason "Running Wild", "Rock Forever", and "Hell Bent For Leather" are very short, despite being some of the best songs.
Rant over, lol...
Dave Holland's drumming was "generic". Totally and utterly acceptable. He was usually much better in concert than on record, though, no clue why.
And yeah, British Steel is overrated, I may actually like Point Of Entry more at this point.
I love Slayer's remake but JP does it so much better. Nobody screams better than Rob Halford.
This album along with Stained Class were ahead of their time 🤟😁👍
Both are still phenomenal. But... Sad Wings of Destiny will always be my favorite Priest album.
@@lr6884 that album is sooo good. Love me some 70s Priest.
Bro, I grew up in the 80s. My sister was a hard rock gal. 13 years older than me. All I knew were the hits. About 6 years ago I did a deep dive on Priest. My mind was blown by these 70s albums. It's all here. Everything Megadeth and Metallica do. It's all in that run of 70s priest albums. Imagine being 40, longing for the old days and discovering the fucking root cause of everything you like. 😂
This is what I call Metal
Who wants to find out some RARE facts about this Judas Priest album? Preparing an episode ;)
@ Will do! Next week Angel of Retribution and Point of Entry episodes will be released!🤘
Slayer did a decent tribute, but it missed the desperation of the original. And Simon Phillips' drumming. And Halford's vocal range.
Slayer covered this?
Yes. On South of Heaven, if I remember correctly
yes one of the greatest covers on earth
Happy birthday, Sin After Sin: still one of the best albums I’ve ever heard. ❤
0:37 here was the first PURE heavy metal riff of the history
Viscous. Turn it up to 11. Long live the mighty Priest.
I was today years old when I found out that one of my favourite Slayer songs is actually a Priest song
This song absolutely blew my mind. I only knew Priest's 80s albums, then one day I stumbled upon Sin After Sin... This song was ahead of its time, and I bet Slayer was heavily influenced by it.
Welcome. Some of us have known for about 45 years now. Listen to all their albums. They are all great.
Aye it took me about 10 year as well
Super cool JP is active on RUclips! dropping gems for us!
I was only ever familiar with Slayer's version until I heard the original a couple of years ago. Rob's vocals are at another level. Slayer are one of my favourite bands but this version is definitely better.
Honestly, I can't even compare them, because I listen to them whenever I'm in such different moods that I hardly consider them the same song... But they're great! And if you want to, you can check out Halestorm's rendition on this song. It's pretty cool too!
Original 99% of the time for the win
The original is always better. I saw Slayer in 1988 at the Aragon Ballroom in Chicago with Lemmy. It was a great show
I ❤ Slayer, but Priest rules !!
And strangely Halestorm cover is the best :)
Judas Priest will never be loud enough for me.
The song that lowkey changed everything in terms of future of Heavy Metal! Infinitely influential song in the religion we worship as Heavy Metal!
Perfection, from the first glissando and FX to the crunchy tones of Tipton and Downing setting up the false groove, to the explosion into the hell Halford describes. Pure unfettered passion and emotion as Simon Phillips refuses to lock it into a pedestrian groove. Astounding artistry from Halford. I first heard this in high school, and absorbed every note, every tone, every layer, because this was new and creative and powerful and enveloping ...and after all these decades, it lights me up and stands the test of time, One of the greatest musical achievements ever.
Bravo!!!!! Well said it's short but an amazing ass kicking ride
Making my speakers sweat blood, since the 70's..
I played this track so loud my neighbour smashed my window so he could hear it better😂
PURE f...king Priest!!!!.. Same cheals like the first time I bought and played Sad Wings of Destiny in vinyl.I feel f...king young again. Oh Rob...Oh Priest 🤘
Tremenda época de álbumes de Judas. Producciones de altísima calidad.
So many great comments here it's hard to say something that hasn't been said already.
When people say this is possibly the most metal song of all time they don't say it lightly.
It quite possibly is.
That intro wiped me out as a kid. I had to drop the needle over and over and over. The guitars.... the drums...omg the drums... the utterly stratospheric vocals. The chunking riff of doom into the little classical turn around melody. Eventually I listened to the whole song. I had Sin after sin and Sad Wings of Destiny in some knock off double album set up. It was weird... I bought the first two Ozzy albums in the same format.
Judas Priest were probably my favorite band as a kid.
I had plenty, but when I think of how deeply I was into their music I realise that my own playing was most influenced by these guys.
Funny how I only realise that retrospectively because I went through this big Hendrix and Malmsteen (yes...him) phase that made me forget who really got me into shredding.
God I love this song.
One of the most perfect metal songs ever
Incredible voice. He breaks the glasses.
I believe the intro scream was the highest note Halford's ever sung. It cuts straight into your spine.
@@SuperSoundtracks Savage
@@bema2159 same note in both songs I think. It is a B, two octaves above middle C
@@SuperSoundtracks what about Ressurection intro?
@@SuperSoundtracksExiter ranks up there too.
So ahead of its time. Judas Priest started it all for me.
Knockoff Black Sabbath
I remember as a teenager dropping Acid and tripping out on the Sin After Sin album cover.
it's a pretty trippy cover
I saw Geoff Tate perform this song live with The Mob at Lake Hills in 1981. He absolutely nailed it. It was mind boggling....
I have no words. Simply amazing.
bought album in 77 was astounded by new heavy metal...still got my vinyl
John Peel played sinner in 1977 on his radio show, a 15 year old me was listening, he then played race with the devil on spanish highway, john was brilliant.
That's how vocal vibrato should sound, very natural and emotional. I remember having the headphones on listening to this album release on WGTB (Georgetown University college radio) before it was shut down by the administration about 2 years later. I had heard a song on Sad Wings of Destiny (Dreamer Deceiver) on that station when it was a bootleg, and I immediately had to won it. When I bought the record at Waxie Maxies in the Wheaton Plaza, one store clerk pointed to the album I was buying, and smiled at his coworker,. So when I heard that they were picked up by CBS and that a new album would be aired I made sure to be listening at 8pm (or was it 9pm). (These full album launches on college radio by college kids were like underground internet casts of today - the DJ's always sounded as excited to introduce them as we were to be listening. Months later Van Halen 1 was released on that station the same way. I didn't hear it, but they played Eruption the next day or so. Not the radio friendly songs mind you, Eruption. Looking back I was lucky to get to hear such original artistic vision and talent without it being stripped down by the big radio stations.
Those primal harmonic screams make this the best opening of a metal song ever...wth
Judas Priest was just inducted into the Rock and Roll Hall of Fame. What took so long???
Anyways....i think of this song and not many of their commercial hits when i think of their greatness...and especially Rob Halford's greatness. Congrats JP!!
I can definitely see why Slayer covered this ! 😎🔥
This is Ian Hill’s favorite Priest tune. Understandably so.
The idiots who preach all the time about how much punk rock influenced 80s heavy metal, they "forget" (on purpose of course), that there were already in 70s songs like Burn from Deep Purple, Kill The King from Rainbow, Warrior from Riot and Dissident Aggressor from Judas Priest, that were very powerful and fast and of course capable to inspire newer bands to play fast, hard and heavy
Only thrash and painkiller for this guy in the day, but now I'm older.....hot damn!!! I've learned to love old Priest. Sad wings, stained glass, defenders.... just pure METAL!!!!
Welcome fellow heathen. Leave some beer in the fridge and turn off the lights when you are done.
Heavy Metal clássico como só o Judas Priest sabe fazer!!🤘🏻
I came here for the comments...I melted this cassette in my JVC boom box. .
Influenced by Budgie "You're the best thing since powdered milk"
You have just heard the best record you will hear all day
While this is undoubtedly an amazing track, I think mostly it's Rob just giving a huge middle finger to pretty much every other vocalist ever.😊
The first thrash song.
i´m here because ian hill said this is his favorite one to give it a deep full listen
Wow!Just Wow!No Wonder Slayer covered it.
Simon Phillips on drums 🥁 💯
This kids is the difference between having a real drummer and a tub thumper. Simon Phillips is the best drummer that ever played for Priest. Too bad it was just as a studio session player.
Simon & Les tied for best for me
Who do you think is a "tub thumper"?
I hope you are not talking about Scott. He's great.
@@mgf621 he means Dave Holland.
exploding/reloading.... unit dispersal : I FACE THE IMPREGNABLE WALL :-|
EPIC!!!!!!!
Man !!! This is fucking Amazing ,still in 2022 ....and Always will 🤘🇧🇷
Slayer tambien hizo un tema Dissident Aggresor del Original de Judas Priest
Sonzeira topissima 🎤🤘🎸 Judas Priest 🤘 incrível som pauleiras ☠️🤘🇧🇷
God de + o rob
Real music and real talent
HEAT 🔥🔥🔥
Trying to keep the volume down in my room and blowing smoke out my window 1979
Now those are some snazzy riffs
this is the actual inception of heavy metal
what about Black Sabbath
Evolução
@@scsi_joe They created the sound, but things only got heavier from there
100 % pure metal.
Jp and slayer version🤘🤘 amazing song 👏
Fu**in' fantastic!!
METAL GODS 🤘
What a killer song