There’s loads the prodigy sampled. Out of space had samples from the shamen hyperreal selector, homocide by shades of rhythm, bombscare by 2 bad mice, Peter piper by run dmc, critical beat down by ultra magnetic mcs
We Live Forever and Out Of Space both uses the Kool Keith's rap lines from Ultramagnetic MC's Critical Beatdown, which is a really nice call back to the ravey days. Girls is based on the melody from another hit song "You're one for me" by D-Train and The Way It Is is basically the Liam spinning up the MJ's Thriller (the beta even had the directly sampled thriller with a tiny bits of MJ's vocals) And when it comes to reusement: "Light Up The Sky" uses a guitar loop from "Breathe", "Baby's Got A Temper" has the "Firestarter" Riff, "Roadblox" has its origin in "Spitfire": First there was a Nightbreed Remix of it, which Liam took the elements of to create his "Wake The Fuck Up", which then evolved into "Spitfast" which instrumental of got reworked into "Roadblox" (i really reccoment listening to these tracks one after another ;DDD) "Medicine" uses the same riff as unreleased track called "Trigger" (while being reworked two times), "Destroy" is an instrumental rework of the track created even before the release of Invaders and "Rebel Radio" is built up on the unreleased track called "Heatwave"
Liam Howlett has been one of my favorite producers ever since FotL, which was the first Prodigy album I got and it really cemented my love for electronic music. There's virtually nothing he won't sample.
Fire Starter uses a sample from The Art of Noise Close (To The Edit) Version-1 , that 'hey' part (they've pitched it up slightly on their release). Trevor Horn produced AoN, but not sure if it's from a Fairlight Sampler sound bank, or an original of his.
As far as I know in the past they people mostly used sounds that occured in a song in isolation. I've done that myslef in the past back when I had a keyboard with shitty drums, so I sampled some better drums and that improved things quite a lot. Some moments before the whoel the drum would play, there was a snare drum, which means it was isolated. Kicks were a lot of harder to come across in isolation, but especially electornic music had moments were there few instruments
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There’s loads the prodigy sampled.
Out of space had samples from the shamen hyperreal selector, homocide by shades of rhythm, bombscare by 2 bad mice, Peter piper by run dmc, critical beat down by ultra magnetic mcs
i like the sampling in "Warrior's Dance", which now that I think about it, is almost like a part 2 to "No Good"
That's exactly how I treat these two ;D
We Live Forever and Out Of Space both uses the Kool Keith's rap lines from Ultramagnetic MC's Critical Beatdown, which is a really nice call back to the ravey days.
Girls is based on the melody from another hit song "You're one for me" by D-Train and The Way It Is is basically the Liam spinning up the MJ's Thriller (the beta even had the directly sampled thriller with a tiny bits of MJ's vocals)
And when it comes to reusement: "Light Up The Sky" uses a guitar loop from "Breathe", "Baby's Got A Temper" has the "Firestarter" Riff, "Roadblox" has its origin in "Spitfire": First there was a Nightbreed Remix of it, which Liam took the elements of to create his "Wake The Fuck Up", which then evolved into "Spitfast" which instrumental of got reworked into "Roadblox"
(i really reccoment listening to these tracks one after another ;DDD) "Medicine" uses the same riff as unreleased track called "Trigger" (while being reworked two times), "Destroy" is an instrumental rework of the track created even before the release of Invaders and "Rebel Radio" is built up on the unreleased track called "Heatwave"
Liam Howlett has been one of my favorite producers ever since FotL, which was the first Prodigy album I got and it really cemented my love for electronic music. There's virtually nothing he won't sample.
hit that 1 at colourfest GLASGOW can't wait 2 see your set again loved your shows on the radio
An absolute bop nonetheless
Fire Starter uses a sample from The Art of Noise Close (To The Edit) Version-1 , that 'hey' part (they've pitched it up slightly on their release). Trevor Horn produced AoN, but not sure if it's from a Fairlight Sampler sound bank, or an original of his.
Iv still never got my head around how they separate the vocals from tracks. Nevermind nowadays with all the digital gear...what about back in the 90s.
As far as I know in the past they people mostly used sounds that occured in a song in isolation. I've done that myslef in the past back when I had a keyboard with shitty drums, so I sampled some better drums and that improved things quite a lot. Some moments before the whoel the drum would play, there was a snare drum, which means it was isolated. Kicks were a lot of harder to come across in isolation, but especially electornic music had moments were there few instruments
I jave actually done lonesome boat man on the show but love the track and what you showed me can we have it agin
Casaanova 👌
Peter Tosh equal rights and justice
Chase the devil max romero another