Thanks so much for this video. My whole problem was that I’m lightweight and I was loading my uke onto my hip without having him lean forward first. So it was like lifting a heavy bag of sand and then I was having trouble pulling him over. So having him lean was a HUGE a-ha moment for me. 😊
Fantastic tutorial,i needed that to have a better understanding i just use muscle memory,but now i will need to practice with a better full understanding.
Great video! Didn't realize the arm needed to in front of the body. I did a Shuai Ciao class a while back where we did hip throws, but I kept throwing over my body. I think I did a bit of kuzushi with the side of my body as I came in a tackle like motion and just gripped tight and threw. Man I miss it now! The pointers definitely helped broaden my understanding of the throw!
Thanks for the video.I'm learning jujutsu from a book. I don't have any partners. What do yo recommend? I feel doing it alone has been very effective for me
Well I've just launched a members section of our website which eventually will have our entire syllabus on available for people training at a distance. Complete white belt and most of the blue belt syllabus is available now. Check it out www.danielpyatt.com hope it helps and either way glad you enjoyed the video and found it useful.
I know that you said no need to lift/rise while throwing your uke. However it's a useful way to make sure his/her feet leaves the mats if you happen to screw up the initial phase of unbalancing your uke. I really like the tip of twisting your arm behind uke, a trick I didn't know. So I'll can't wait to give it a try. Regards Daniel
NinjaDane your right that is particularly important if your opponent is much taller than you but you can just not screw it up lol let me know how you do
The way I have been taught it is to get beneath uke's center of gravity with your own. In my case that means I normally need to bend in my knees (being 6 feet tall). When I then am pulling/throwing uke I rises up, which in turn normally sends uke first up and then gravity takes over. This is normally only something I'll do just to prove a point or when we're just having fun.
NinjaDane your right centre of mass needs to be below your opponent which makes it more difficult to execute this technique if you are a lot taller than your opponent one of the derivative throws such as Uchi mata is much more suited for taller people (very jealous since I’m vertically challenged)
The uchi mata. The throw which I'm still learning to do correctly without hitting my uke in the more vulnerable parts of the lower body. ;) I never seem to be able to get the right sensation of making contact with the kicking leg and it's really hard to see if you do it correctly when you do it. But I guess that I just need to practice some more.
NinjaDane yep practice always the key is to ensure your Kuzushi is upward so that your opponent is easier to pivot and you have to have their weight in the right place but failing that a good kick to the vulnerables is exactly what your meant to do 😂
Thanks. That was very helpful. I really like the idea of keeping Uke moving, and of doing that (partly) by continuing to draw their arm up, and past you. I previously thought of just doing that to get Uke onto his/her toes, and I think that I stop at that point. Re. not having to load Uke up on to one's back, I thought that was part of the point of O Goshi, and I have been taught to get my hip a little outside of Uke's hip (to make it easier to use the hip as a fulcrum for the throw), but to first load Uke on to my back (I am only a - very, very old - yellow belt, so maybe, as you suggest here, I have been taught the basics, and things will change). As a shorter guy, it is useful for me to bend at the knees and then to straighten up as part of throw. I look forward to more videos and have subscribed. Thanks again.
I really glad you liked the video and extra because you subscribed ;). The continuous drawing is a vital skill particularly when applied against a resisting opponent. The action of bringing them up onto the toes is sometimes called Tsukuri and literally means to make/build or create and also called Tsurikomi (the lifting pull action). I have planned to do an immensely detailed technical breakdown of koshi waza soon so please keep an eye out.
@@DanielPyatt Thanks, Daniel. I am really looking forward to the detailed Koshi Waza series. Every time I see/hear someone use the word "Tsukuri", it seems to have a different emphasis or definition, so thanks for offering yours.
drutgat2 your most welcome. I would say that’s because it’s literally translation, definition and connotation don’t totally match but they do make sense in conjunction
Thanks so much for this video. My whole problem was that I’m lightweight and I was loading my uke onto my hip without having him lean forward first. So it was like lifting a heavy bag of sand and then I was having trouble pulling him over. So having him lean was a HUGE a-ha moment for me. 😊
I'm really pleased this has helped you :), thank you for the comment, really appreciated and happy throwing ;)
Lovely clear, precise breakdown. Thank you!
Thank you 🙏🏻
This helped a lot, thanks.
That’s great and really glad you found it useful 👍🏻
Great explanation of the 3 phases of the throw. Really helped me adjust my ogoshi. Thank you.
No worries really glad it helped 👍🏻
This actually really helps, great video.. 👍 you have a great ogoshi
thank you so much, really glad you found it useful :)
Thanks for the video! It helped me a lot
Glad you liked it :) much more available on the website 👍🏻
Fantastic tutorial,i needed that to have a better understanding i just use muscle memory,but now i will need to practice with a better full understanding.
Excellent video, many thanks!
Some Bloke really glad you liked it
Great video! Didn't realize the arm needed to in front of the body. I did a Shuai Ciao class a while back where we did hip throws, but I kept throwing over my body. I think I did a bit of kuzushi with the side of my body as I came in a tackle like motion and just gripped tight and threw. Man I miss it now! The pointers definitely helped broaden my understanding of the throw!
MZH47 really glad you liked it, you want to use your body in the final phase of the throw but posture is everything
Very cool video, clear breakdown, and smooth technique. Thank you.
Thanks for the video.I'm learning jujutsu from a book. I don't have any partners. What do yo recommend? I feel doing it alone has been very effective for me
Well I've just launched a members section of our website which eventually will have our entire syllabus on available for people training at a distance. Complete white belt and most of the blue belt syllabus is available now. Check it out www.danielpyatt.com hope it helps and either way glad you enjoyed the video and found it useful.
I know that you said no need to lift/rise while throwing your uke. However it's a useful way to make sure his/her feet leaves the mats if you happen to screw up the initial phase of unbalancing your uke.
I really like the tip of twisting your arm behind uke, a trick I didn't know. So I'll can't wait to give it a try.
Regards Daniel
NinjaDane your right that is particularly important if your opponent is much taller than you but you can just not screw it up lol let me know how you do
The way I have been taught it is to get beneath uke's center of gravity with your own. In my case that means I normally need to bend in my knees (being 6 feet tall). When I then am pulling/throwing uke I rises up, which in turn normally sends uke first up and then gravity takes over.
This is normally only something I'll do just to prove a point or when we're just having fun.
NinjaDane your right centre of mass needs to be below your opponent which makes it more difficult to execute this technique if you are a lot taller than your opponent one of the derivative throws such as Uchi mata is much more suited for taller people (very jealous since I’m vertically challenged)
The uchi mata. The throw which I'm still learning to do correctly without hitting my uke in the more vulnerable parts of the lower body. ;) I never seem to be able to get the right sensation of making contact with the kicking leg and it's really hard to see if you do it correctly when you do it. But I guess that I just need to practice some more.
NinjaDane yep practice always the key is to ensure your Kuzushi is upward so that your opponent is easier to pivot and you have to have their weight in the right place but failing that a good kick to the vulnerables is exactly what your meant to do 😂
Thanks. That was very helpful. I really like the idea of keeping Uke moving, and of doing that (partly) by continuing to draw their arm up, and past you. I previously thought of just doing that to get Uke onto his/her toes, and I think that I stop at that point.
Re. not having to load Uke up on to one's back, I thought that was part of the point of O Goshi, and I have been taught to get my hip a little outside of Uke's hip (to make it easier to use the hip as a fulcrum for the throw), but to first load Uke on to my back (I am only a - very, very old - yellow belt, so maybe, as you suggest here, I have been taught the basics, and things will change). As a shorter guy, it is useful for me to bend at the knees and then to straighten up as part of throw.
I look forward to more videos and have subscribed. Thanks again.
I really glad you liked the video and extra because you subscribed ;). The continuous drawing is a vital skill particularly when applied against a resisting opponent. The action of bringing them up onto the toes is sometimes called Tsukuri and literally means to make/build or create and also called Tsurikomi (the lifting pull action). I have planned to do an immensely detailed technical breakdown of koshi waza soon so please keep an eye out.
@@DanielPyatt Thanks, Daniel. I am really looking forward to the detailed Koshi Waza series.
Every time I see/hear someone use the word "Tsukuri", it seems to have a different emphasis or definition, so thanks for offering yours.
drutgat2 your most welcome. I would say that’s because it’s literally translation, definition and connotation don’t totally match but they do make sense in conjunction
Very good, thanks sensei.
Tú Hoàng no problem :)
@@DanielPyatt sorry, what nationality are you ?
Tú Hoàng I’m British and live in England
Hi sensei, do you send email address for me ? Thanks sensei !
Dannypyatt@hotmail.com is my e-mail if you want to contact me
Great video, thank you! Did not know that pulling the uke to break his balance improves the flow and throw, makes totally sense. Will try asap.
Jonas Bieri glad you liked it, let us know how it goes :)
,,,, 👏👍🙏🙏🙏
3:31 *For International viewers: Pete Tong = Wrong* :-) (rhyming slang)
Matt Mosley got to make it cultural ;)
:-D