I just started with Jazz ….. as a classical violist/cellist, last year I got additional contrabas-lessons, and now I’m playing in a Jazzband in Holland and right now this information is the information I need the most, thanks a lot.👍👊🍀🎻🎼🎶
Right to the point that's how it should be done unlike those beating around bushes with little on point talk Respect👍🏻 P.S please increase the guitar volume
oh thats actually cool. I was thinking about the pickups, thought your guitar had 2, but I wanted to just buy one because they are kinda pricey. lucky me. I think I'll import from Kent's son, from england.
#13 is enharmonic with b7, yes, but the extended 13 chord assumes the presence of the "regular" 7th (and the 9th and 11th), so to notate it as b7 would be confusing.
Hey Brent, Holger here from the inner circle😊. One question: you explained that you can use the changed or altered chords ( A7 for an Amin7) e.g. for soloing. In my case fo a Sax solo. BUT: Can i do that spontaneously or is it required to coordinate that with the other Band members beforehand??? If i don't coordinate that , i would improvise using an A7 whilst the Band is playing an Amin7 the same time. Doesnt that clash??? That question applies to all subs i guess??? So, if i change the harmony in an way, isnt it required to tell that the rest of the band in advance? Many thanks and cheers, Holger
Hi Holger! Thanks for watching. Regardless of whether an accompanist is playing those changes, you can still superimpose them over top. A good accompanist will hear that, but even if not so you can still imply substitutions within reason.
@@Learnjazzstandards Thanks al lot Brent for your quick reaction! Ok all understood . By the way, the prcinciple of the secondary dominant is- as always- very comprehensible explained! CU in the inner circle. Cheers, Holger
Thank you for watching! You can apply any extension like the 9th or 13th to a tritone sub just like you could on any dominant 7th chord (as well as altered extensions like the b9). Just important to remember that a tritone sub is essentially like playing an altered dominant version of the chord it is subbing for anyway
I just started with Jazz ….. as a classical violist/cellist, last year I got additional contrabas-lessons, and now I’m playing in a Jazzband in Holland and right now this information is the information I need the most, thanks a lot.👍👊🍀🎻🎼🎶
Wonderful! I'm glad it helped. Thanks for watching.
Right to the point that's how it should be done unlike those beating around bushes with little on point talk
Respect👍🏻
P.S please increase the guitar volume
Well done mate! I would like to know what that beautiful guitar you have there is.
Thanks William! It's a custom-made Victor Baker. You can find the details in this video: ruclips.net/video/ym2XbAVD9Ec/видео.html
oh thats actually cool. I was thinking about the pickups, thought your guitar had 2, but I wanted to just buy one because they are kinda pricey. lucky me. I think I'll import from Kent's son, from england.
awesome channel thanks!
Thank you!
What pickup is that? It looks like Mark Holcombs signature or a bareknuckle. I just haven't seen one in a semi-hollow before. Fantastic video btw
Thanks! The pick-up is a Kent Armstrong
A "#13" would be a b7.
#13 is enharmonic with b7, yes, but the extended 13 chord assumes the presence of the "regular" 7th (and the 9th and 11th), so to notate it as b7 would be confusing.
What are the two chords you play before the Gm at 9:00 and is the Gm a Gm7 or Gm6?
But A7 is not the fifth chord of D minor, but major. I don't get where does this switch come from.
It just smooths out the cadence and make it a V-I. This is common in jazz.
I wanna hear you play through that Marshall stack. 😂 Good lesson!
Hey Brent, Holger here from the inner circle😊. One question: you explained that you can use the changed or altered chords ( A7 for an Amin7) e.g. for soloing. In my case fo a Sax solo. BUT: Can i do that spontaneously or is it required to coordinate that with the other Band members beforehand??? If i don't coordinate that , i would improvise using an A7 whilst the Band is playing an Amin7 the same time. Doesnt that clash???
That question applies to all subs i guess??? So, if i change the harmony in an way, isnt it required to tell that the rest of the band in advance? Many thanks and cheers, Holger
Hi Holger! Thanks for watching. Regardless of whether an accompanist is playing those changes, you can still superimpose them over top. A good accompanist will hear that, but even if not so you can still imply substitutions within reason.
@@Learnjazzstandards Thanks al lot Brent for your quick reaction! Ok all understood . By the way, the prcinciple of the secondary dominant is- as always- very comprehensible explained! CU in the inner circle. Cheers, Holger
Hello Brent. Great stuff as always. What extensions can be used for the tritone substitution?
Thank you for watching! You can apply any extension like the 9th or 13th to a tritone sub just like you could on any dominant 7th chord (as well as altered extensions like the b9). Just important to remember that a tritone sub is essentially like playing an altered dominant version of the chord it is subbing for anyway
Thank You Brent! You have contributed so much to the jazz guitar community. Thx for taking the time to respond to my question.