What's your workflow for making backing tracks, do you use melodies as a guide framework? I've noticed that I tend to add too much "interesting" lines, which conflicts with the idea of a backing track. So I started thinking, maybe I should first add a strong placeholder melody, and then mute it in the final stages.
Hi, I'm not doing anything special. First I play the chords on the piano, then add drums and bass to make the basic. From there it's an experiment every time. I understand very well what you are saying. In my case, if I add too many lines, I use a reverb or delay in the mix stage to make it less noticeable. Even if it's so small that it's barely audible, it can still fill the space. The way you mute the melody in the final makes a lot of sense. Maybe that's the way it should be. Please let me know if you make any more discoveries!
Sorry, the diagram for E7b9 is wrong.
The correct position is 2 frets down. (2 fingers at the 7th fret)
I've been playing guitar for 30 years and I've never used that Am shape at the 7th. So cool!
So very nice to play edge of breakup tones on! Thanks!!!
Beautiful work and great for guitar solos and vocals ❤. Love it !
Thank you so much!
I LOVE every backing track I've heard by you. Thank you!
Wow, thank you very so much for your very kind words.
I will try my best to make it even better.
Nice to see chord charts,especially for dummy guitarists like me...great groove....good work,thanks again!!😉✌️😊
Oh! I'm glad you found the practice helpful!
Please come back and visit us anytime!
Thank you 🎶💜🎶
What's your workflow for making backing tracks, do you use melodies as a guide framework? I've noticed that I tend to add too much "interesting" lines, which conflicts with the idea of a backing track. So I started thinking, maybe I should first add a strong placeholder melody, and then mute it in the final stages.
Hi, I'm not doing anything special.
First I play the chords on the piano, then add drums and bass to make the basic.
From there it's an experiment every time.
I understand very well what you are saying. In my case, if I add too many lines, I use a reverb or delay in the mix stage to make it less noticeable. Even if it's so small that it's barely audible, it can still fill the space.
The way you mute the melody in the final makes a lot of sense.
Maybe that's the way it should be.
Please let me know if you make any more discoveries!
If that's an E7b9, then it should be at the 6th and 7th fret and not the 8th and 9th
Oh, my God. That's right. Thanks for telling me.