How to Actually Write Hyperpop / Dariacore Melodies
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- Опубликовано: 25 июл 2024
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0:00 Demo
2:08 My Based Take on Something I Barely Understand
3:19 Manipulate an Arp
7:40 Top And Bottom
11:02 Connect the Flows
13:55 The Easy One
15:25 Chord Replace
22:56 Use Chords
24:45 Steal From Lieu
this is stuff i already knew but definitely needed to be reminded of. i was getting way too into music theory an making melodies/progressions that sound "right" and was wondering why everything ive tried making lately sounds generic and lame as shit. im gonna go back to just doing shit intuitively now, thanks man.
I think the misunderstanding with music theory is always the idea that it's meant to be applied in a very logistical manner during the process of composing. Music Theory is an entirely retroactive art. It is the method of understanding why what has already been done worked/how it worked it as it did, and then applying said processing as you see intuitively fit. You said music theory tends to lock you into the doing the same thing but I think there's always the argument for those who know the rules know better how to break the rules. Notably, I'm saying this as someone who is also sort of personally reluctant/avoidant of over complicating my music theory knowledge. I like my sloppy style.
It's like visual art. Sure, you can totally just draw your comics or your anime tutorial-learned art all day, and if the end result makes ya happy, go for it! BUT if you want to have a more adaptable and flexible approach that can help you assess and break down others art to apply to your own, then understanding fundamentals will help you lead that path.
Good points here as well
Idk if I'd call this strictly hyperpop. With the sounds you chose it is that genre, but the processes you describe make sense for almost every genre. Just techniques that can be used to figure out good ways for the individual notes of a polyphonic melody to communicate an idea by reacting to each other and whatever was the previous state of the melody at any point in time. if you wanna actually know a sort of music theory that uses a similiar workflow you should check out contrapoint. It's a mindset, or compositional technique, from the baroque period. btw i love how you managed to dissect the different techniques into unique sections of the video. i'm currently at around 10min while writing this comment. i sometimes have a hard time sticking around for 30min. but I do love this overall structure
Is it counterpoint? I'm not being able to find contrapoint
@@SlimeCinema yes! sry, i'm from germany, where it is Kontrapunkt, so I got the translation wrong. Anyway, let me know if you think that it kinda reflects a similiar mindset, or if there's something majorly different
thank you for the slimey sauce, great tips
lov u slime cinema
As a new producer this genuinely helps so much
thanks bruh i needed this 😂😂
Great vid. I feel like stealing/remaking the melodies of songs you like is the best way to internalize the patterns they use until you can do it on your own.
slime cinema the goat
fucking facts
strangle me if you want but this is music theory, you have an idea of what works to give you interesting melodies and you apply it to different projects, it doesn't have to be talking about intervals and notation or anything
❤
Hello, I have been following you for a long time and I really like your content. Could you make a video on how to make a bass like in the track Leroy - WE'VE SMOKING ALL DAY?
Sorry for my english
Ру бро?
@@libertas2010 да, пользовался гуглом
I make metalcore, but I’m trying to incorporate some hyperpop stuff. Thanks
Yes!!!!! Yes yes yes yes !!!!!! Thanks!!!!
My fave album in this genre is ultraviolet by usedcvnt. Masterpiece. Do check it out!
Love and blessings!
I want this
warning extremely based content ahead . thank you for this banger legend
damn ya'll need to chill in the comments lmfao. ya'll are taking this waaaaay too seriously. bro is trying to help us out
It's a pity that music with such melodies is rarely made. If anyone knows artists who do something similar, let me know because old tracks lieu, etc. I've already listened to it
i will never understand why pple hate so much on learning music theory. It's not a set of rules you should follow and its not even complicated, its just a framework or guide to help you achieve your full potential. I'm a classically trained pianist, so music theory did come to me easier than it would most, but it has been so helpful with creating my own music (and no i don't write classical music). its no wonder music production lacks so much these days, y'all forgot to learn the bare minimum.
Why are your vocals colored the way they are? Is that from a plug-in or just a fl setting?
FL setting in the theme tab, waveform gradient or something like that
Music theory isn't "rules to follow". Music theory is explaining why things sound the way they do.
It doesn't teach you "the right way to write a melody" it explains why a melody you like sounds good, how to describe it to other people, and how to reproduce it if you want to.
Very well put, and I think the usefulness of music theory especially in regards to communication with others is super valuable. Not a skill I have but one that I can't deny.
I still end up being anti music theory though because you didn't explain how to make Hyperpop Melodies. And if you did, the value of that information hinges more on my understanding of music theory than the validity of your information.
Not trying to attack or provoke you. I didn't even consider the usefulness of it between 2 parties with equal knowledge
What do u mean how to write "Hyperpop melodies"? It's the same for pretty much every genre, is it not?
I mean the thing you played at the beginning sounds just like a 1, 5, 6, 4 progression 🤷🏻♂️. I don’t have my guitar in front of me, but there’s nothing particularly complex about it. It’s the most common progression in western pop.
It's not. It's not even limited to 4 notes
@@SlimeCinema limited to 4 notes? Lol, what do you even mean? A 4 chord progression is going to have a minimum of 7 different notes.
There's no chords so the progression is literally just the position of the notes in the scale 1-7-3-5-6-7-2. I would understand mistaking the progression if it was actually the correct amount of intervals
@@SlimeCinema An arpeggio is a broken chord. If I'm playing a C7 arpeggio then I'm playing C E G B. It's still counted as a C7 chord for harmony and melody purposes. Just because you arpeggiate a chord doesn't mean the chord wouldn't be there in the notation. This is why it helps to learn basic theory or to learn to play a real instrument first.
Yes but the 6 isn't included in a C7 arpeggio. That's what I'm trying to tell you. You are missing the 7 and 2