How to Craft an Unforgettable Melody
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- Опубликовано: 12 июн 2024
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1. Short motifs repeated at different points
2. Rise and fall strategy
3. Start with an interval that inspires you and repeat it in different parts
4. Make a melody then walk away and try and recreate it the way you think it went and what you change it to naturally
and... 5. limit the range to 1 to 1/2 octaves ;)
@@devarni thanks, I really just left the comment for myself to reflect on later, I didn’t expect anyone to see it. I didn’t include 5 because that’s something I already do (:
5:23 man improvised the most perfect and soul-wrenching melody and thought we wouldnt notice
Joe Hisaishi meets Howard Shore 🥰
man almost made me cry by complete accident
fool of a took
YES I THOUGHT HOBBITS TOO
Sounds like the Billy Madison theme to me
I've been using that remembering trick for years and always wondered how often other people came up with and used that same technique. It's simple but very effective.
I just stumbled upon this accidentally! I just got back into making music from 20 years ago and tried to recall an old riff that came back to me. And I tried and got it almost correct. There was value in my new version!
Fuaysdfugr❤r
Bhjfvejbhfvdbjhbhr❤r
I just heard the idea to do that on purpose for the first time, it's genius.
I use Bandlab to write a lot of melodies on my phone. Just to sketch ideas that come to me for different chord progressions, etc.
When I sit down at my DAW later to make a more focused track, I always try to write them again from memory. At worst, I can always just go to bandlab and copy it, at best, I either get it perfectly from memory and get to be proud of myself, but what usually happens is that I get distracted and turn that idea into a different one, usually one that i’m far more proud of.
It’s truly a fantastic exercise.
“Misremember and adjust accordingly”, nicely done.
I noticed that the melodies I like the most have a lot of the time a special tone that goes out of the standard minor or major scale. Williams does it almost all of the time with using the lydian mode for example. It helps to memorize the melody too because it sound less generic and more surprising in a good way. Especially when that "special note" hits on an accent or has some kind of an important place inside the melody.
I totally agree. Surprise "out" moments are so important. I like to do the same thing with chords...like, write a harmonically diatonic piece, and have like one big "surprise chord" that exists outside the tonality set up so far...usually a chord that supports an important note in the melody! It can really open up a piece and make it feel much bigger and deeper than it would be otherwise.
Totally! And I think it’s important to do this further along in the song (later than sooner) so that a pattern can be clearly established before it’s “broken”. Of course, it can absolutely be done sooner and be effective as well :)
The example I'll always think of is the surprise raised fourth in "Someday we'll find it, the rainbow connection." The kind of thing that makes you need two harmonicas.
I agree with this. The melody of greensleeves comes to my mind. In the last or so measure it hits the raised 6th just once, but if you took that note away it would not be the same at all.
I somehow read the title as how to craft a forgettable melody 💀💀💀
I need a tutorial for this
Lmao
It’s destined for doom at this point 😭😭
I don't need a tutorial for that, comes completely naturally to me :P
@@Falaxuper Well, if you want to make an unforgettable melody then, all you have to do is not what would do.
Wow! The third part, "misremember and adjust" is really mind-blowing. I find it particularly useful and would definitely keep trying it in my futuring song writing.
"Use your [own] memory as a process of extracting what is memorable about your melody." Fantastic, Zach. Succinct, intuitive, and powerful. I'd love to hear your thoughts on development and building out larger forms! Keep up the excellent teaching!
I've been trying to "learn" how to create my own music lately, and as someone who spent most of my life playing music by others, but never learning music theory myself... I'm incredibly jealous of anyone who can do what Zach did while giving this tutorial. It felt very, "Oh, this old thing?" *Proceeds to ad lib an homage to Howard Shore* "That'll just end up on the cutting room floor." Meanwhile I spend 3 years playing audio garbage on my keyboard because creating music might as well be developing a practical theory of time-travel as far as I'm concerned. Anyone who has ever produced anything that could be considered music within a DAW; You have my undying respect.
People put way too much emphasis on theory, you really don’t need it unless you’re communicating between musicians. The way we talk about music is so disjointed; we feel the need to put into words what can be intuitively understood by being played and listened to.
Theory is a good way to break things down but ultimately its not how music is made. I would not rely on music theory if you want to make good music
the memory trick is how I make songs. I intentionally dont record or write it down I trust that when I have an idea and I still have it a while after without noting it down its good. Works every time
9:32 According to your watch, you were gone less than 2 minutes, not 30 minutes. Got you 🤘🏼🤣
He's a liar!! 😮
@@unsightedmetal6857 No, he's not, he's a great musician, and he's already proven it.🤘🏼
@@Diggo84yeah bro he is
Zach, I wouldn’t leave the idea with the interval of a 7th as a mere example for this video. It’s astonishingly beautiful, please use it!
This is so good and the tip about using memory to make things memorable is just fantastic.!
Zach you not only lecture but you also demonstrate wonderfully. Thank you for posting these videos they’re very helpful.
I found myself humming your #2 melody after the video ended, so I guess... mission accomplished. Very clever tips Zach and misremembering seems like a good way to impart soul into what at first seems like a clinical process.
The whistle factor. I love it. Your piano playing is on hit too.
4:37 my brain is fried, I thought bro was gone start playing Jennifer’s Body 💀💀
fuck 🗣🔥🔥🔥🔥🔥
I love this video! The first part of this video is exactly the stuff we discuss on The Melodology Podcast! Over the Rainbow and Raiders March, which you reference, have even both been featured so far. Range, motifs (cells), rising motion/arc, are all part of what we discuss. We also point out how melodies often follow an upward or downward scale or chord as their "skelatons". The winner of the "rising" melodies probably goes to the Force Theme, which is amazing to examine.
your amazing at what you do. literally the best music channel ive seen in a while
That's super kind, thank you :)
Awesome video mate! This is possibly the hardest part of writing music and not coincidentally my biggest struggle. This is great advice particularly taking break and coming back to it later. So many times this brought me to the realization that my melodies where too weird or impossible to follow 😅
Thank you dude!!
4:37 “two things I ain’t ever seen”
Great video. You pack so much information in such a short time. It felt like 30 minutes of knowledge. Very nice job.
After hearing you play that ET harmony a couple times across different videos, I realized I’d never thought about the chords of that tune which I’d heard a million times as an 80s kid. But man…gosh that’s so pretty… so happy you shared this.
5:43 the aboslute excitiment at his creation when he looks up, smirks, and giidly saids "so i changed it a little bit" good energy + passion
Thank you Zach for these amazing advices and all the great videos you make for us so we can learn from you. Your way of teaching is how I always wished my teachers at school to do it. While watching and listening to your examples it somehow clicks in my mind and after you composed a phrase I instantly get thousands of ideas how to continue it and develope the idea further. I don't know how you achieve that effect while you teach us these things but I'm really thankful for all what you do. Have a great day!
So glad to hear it Niclas, and thank you!
I pray that most of the professional songwriters on the Billboard charts looks at this video for inspiration and learn how to create a good melody! Thanks Zach Heyde for teaching us! I'm a decent melody writer, but i can't help but notice that many of the top songwriters tend to write very monotone sounding melodies and they really need to shape it up!
Masters like Beatles, Michael Jackson, George Michael, Freddy Mercury etc turn around in their graves crying over the chart "hits" of today, most likely!
Great hints to create a good melody.
Whistle makes all sense, as well the octave limits thing.
I love your videos, and I'm envious of how effortless you make this entire process seem.
Really great points! When I watched your video, I was like "of course." But then at the same time I was "YEAH, INDEED". These are the kind of points that can be so easily overlooked but yet so powerful. Thank you for sharing.
I love that misremembering technique, that's brilliant and so very useful.
I couldn’t help but notice that when you went away for 30 minutes the clock read 5:20, but when you came back it still read 5:20. You must have a short memory! Nevertheless, despite that petty gripe, I’ve been composing for 41 years and I still learned some new stuff here. So you got yourself a new subscriber. X
Fantastic video as always. Thank you Zach!! ❤
I'm amazed by your content!! You deserve millions of subscribers and I'm sure you get there. The last tip about what's memorable it's incredible. I like to forget my music and go back to it to have a "fresh" ear and listen to them as if it was the first time and judge it better, but trying to remember it to figure out what's more catchy about them it's such an useful and smart thing to do.
You're helping many people here, and you have a gif on teaching that makes everything clear and easy to understand.
Thank youu❤
Thank you Starfish!
Again a great video. Good melodies come up quite intuitive in my case. But it's good to know some guidelines that are used unconsciously. These will definitely improve the quality. I really like the "unmemorize" tip. You may not need to choose one idea over another but using both (or more) as variations.
What about a follow-up to this video digging into terms like period form, call/response. Would be interesting.
Melodies is always what I struggle on, this video came in at a great time, so thank you! Keep up the great work👍
The memory trick is quite good, I might try it.
Ive noticed this sort of happens naturally if you remove the ability to record your initial ideas from the writing/develop process.
Eventually the ideas sort of simplify out of almost necessity.
But also at the same time can sometimes loose the unique ness as you end up in mores muscle memory spaces
I like your first Melody it sounds like a really nice graduation commencement prelude
Great video! I always found that writing melodies is easier to me then writing the supporting chords. I would love a video on how to write chords based on a melody, unless you already have one!
also your clock seems to be broken, it barely moved in the thirty minutes ;)
😂😂🤫
Yup, good melodies always come to me with the implied chords. But then it's lots of fun to reharmonize, so the second or third time it shows up the emotional texture different.
Hey Zach, great video as always! I was wondering if you could make a follow up video to this on how to make a good supporting harmony? I feel I can write melodies fairly well, but I often can only think of single-note bass lines to go along with it, so I have difficulty writing a harmony/orchestration (and don't even get me started on countermelodies) to support the melody. Would love if you had some sort of approach to hashing those parts out?
Good suggestion!
Thank you for the great quick lessons. It's very useful!
Excellent ideas.
I have watched many videos like this and this one is the best! 😊
Great video. Loved the concepts especially the last one!
Very helpful. Thank you.
Best RUclips video I’ve seen explaining actually making melodies for beats
3 min in and I've already learned more musically than I have all week. You have a new subscriber 🔥💪
Thank you very much and I'm now using your technique in composing my own music.
Thanks dude!
You’re a great teacher man! Thanks from Switzerland!
Thank you!
What works for me when writing is to sing melody while playing chords. Seems to be a more direct line to finding magic
The idea of rebuilding again after 30 minutes seemed very practical and wonderful to me. Thank you!
Zach you have the heart when you touch the keys…my brother was a prodigy and I know a natural when I feel one. The notes are the vehicles to the spirit energy-
Amazing stuff Zach :-) learned a lot from this 👌🏻
Great help Zach, thanks!
Thank you for the video, Zach! Very valuable info.
Great tips and amazing talent!!
You give very good explanations on the different kind of melody forms :) makes it feel less daunting to me 😊 thank you!
This was really cool, thank you!
Good tips, Thanks
Thank you for this video, this is very helpful 👍
That memory tip is fantastic!
Fantastic one thank you for the insight!
Really great misremembering technique! Thank you for sharing!
Thank you.
The melodies were great!
Enjoyed this video man! Great tips
Excellent advice!
Great video! I find I subconsciously use opening 7ths alot and generally rely on intervals as a main construction technique,, but I tend to fall my melodies alot earlier than you suggest, so theres tons of top advice here I can start experimenting with. Cheers
This is a very interesting video with very good teaching in it thank you Zach
This is incredible
Ooh the memory trick is really neat! I'm definitely going to try that in the future. I even have a new melody I thought of a few days ago and haven't re-listened to since!
Edit: whoops, I remembered it exactly the way it was 😂 I guess it's a good sign that my Monday morning musical musings stuck in my head this long…
Fantastic. Will share this with my students!
A technique that works quite well for me is to use the third of the chord on the emphasised notes and beats in the melody!
Thanks, very helpful
Very helpful! The interval approach is very interesting
Thanks
this is super useful and concise thanks!
I feel like I always struggle to make worthwhile melody’s. This video did help though. It definitely gave me some cool ideas
Very helpful. Thanks
11:02 Eyeopening! Or earopening? I often had that misremembering benefit but didn't connect it to that thought of wanting to create memorable melodies.
i was watching this and literally fell asleep bc of the piano
Wow I've really just was blown away with this knowledge I'm nowhere near playing but I really believe this will get me started in the right direction I really mean this was the most informative and well explained video on melody I've seen on RUclips ty ty ty ty and yes I've subscribed and looking forward to more tools to help me become a compososer
Beautiful video! I learned so much! Thank you 🙏🏻
Nice video! But you didn't walk away for 30 minutes :P (You have a clock in the background)
Oops 😂 I usually do though I SWEAR
@@ZachHeyde lol it's still good advice regardless
No he actually do walking away for more than 30 minutes you can literally see it from the computer time 5:20PM - 6:19PM!
Fantastic ✨
Nice composition on the fly!
Fantastic, Zack! 🍻
This is an excellent video 👍🎵
This video is helpful and inspiring!
In one of my songs I kinda just blast the listener with this onslaught of notes and a unique rhythm. It’s mostly 8th notes but it has this feeling of direction. Its complete lack of longer notes makes it interesting. It’s also a very memorable melody with everything that goes on around it like the weird synth or the jazzy chords. It’s probably the most messy memorable melody I’ve ever written. Maybe it’s the tempo, maybe it’s everything else, but something about the melody or even the song’s intro has a unique almost bombastic sound. The melody itself eventually slows itself down halfway through and repeats this syncopated rhythm.
If you’re interested, it’s in my elementals playlist on my channel and it’s called sellout.
Love your content, have been watching your videos for the past month now every day on the train (1 hour commute). Just about done following your video on creating a template (took me a lot longer than it took you because of my beginner level composer skills xD)
I'll be sure to apply this knowledge alongside any other goodies you have coming our way as well! Also, thank you for introducing us to Anne-Kathrirn, her videos have also been super helpful!
Side note: I think of Adam from Viva la Dirt League everytime I see you and vice versa haha
Keep being awesome!
The interesting, thought-provoking and useful. Thanks!
I'm writing my first song as a beginner with the piano and music altogether. So I can only really play very simple melodies, and nothing faster than an 8th note at 120bpm. So I kinda need to stick to mostly long notes. But... I feel like that's actually enough to create something nice. So far I've written and re-written it a bunch of times, but each time gets better. I've changed the scale once, changed the time signature twice, changed the chord progression three times, and the actual melody I've changed... uh, four times, I think. But the first bar of melody that I created I loved so much that I've stuck to it ever since. So it's just all the other flavors around it that I keep changing, so that it can really lift and pull that one bar.
So far what I feel good ways to create a melody are... as you say about rising notes, but I wanna add that falling or descending notes can be just as impactful and that it doesn't have to end on a higher note. It can instead do the opposite and start high and then end on a lower note. A higher end note will generally give a happier ending, while a low note gives a more sad ending. And in my song I play a lot with descending scales to give it a sad feeling, which I then pick up just to drop again. Other things I've found is taking the same small segment of melody and replaying it in just slight variations that are deliberatelly a bit "off" and keep coming back to the resoluting "core" of the melody. Basically "call and response."
Another few... Deliberately avoiding the tonic chord/root note for as long as possible, even dancing around it, or just lightly touching it to then land on the note right before or after instead can create some fun twists, before coming back down to it for some of that release you've been taunting the listener with the seeming absense of. Adding a few off notes here and there to keep things interesting. Not be afraid to go out of key on rare occasion to make the tonic "core" of the melody even more satisfying. For example I added in a G minor chord right before the chorus that starts with G major chord in the B minor scale, which briefly adds a dissonant Bb, which then gets quickly relieved.
Experiment with different time signatures if you have trouble finding the right feeling or flow for the melody that you're looking for. I started my song in 4/4 but I utterly hated it then even though some aspects felt alright, then tried it in 3/4 which was an improvement but still felt off, so then when I tried it in 7/8 that was my jackpot.
Also... when learning about chord progressions and scales and all that stuff, don't be scared of thinking outside the box if you wanna make something that's unique. It doesn't have to be standard to be great. And as for taking inspiration from other songs: I quickly found that if I just take inspiration from several different songs that might have a similar kinda feel to them but very different melodies, I think I'm less likely to accidentally plagiarize something. For especially catchy, flowy melodies, I've found that creating a repetitive pattern involving around 5-6 notes, yet never hitting the same note twice in a row (unless your melody is made up of frequent double taps) creates that feeling of endless flow to the melody, which tends to be memorable, although that's just one way of achieving that effect.
Only a few people have heard my song yet as it's very far from finished and played on a very crappy toy piano, but so far I've been told that it's memorable. Not sure if for good reasons though lmao. I'm generally a writer, been writing stories since I was a kid. So it happened kinda naturally for me to treat my songwriting like I'm writing a wordless story. And that's advice I've seen around elsewhere as well. To make your melody like a story, and I think it works wonders.
WOw thank you
"Over the Rainbow" hits the high note on the 2nd note and just goes downward from there after "-bow". "Gloomy Monday" is another example that keeps going down after the 2nd line.
That last technique is the best. Thought I was the only one!
Simple concept that we learn early in our studies, but one rock musicians, like myself, tend to forget when writing. Great lesson!
that memory trick actually blew my mind
Great video! Thanks!
also I notice, something you left out, and something I hear a lot in your tunes. To anyone reading, it's really important to be aware of your accent structure. When composing on piano especially, because it's percussion instrument, it's temping to slam the downbeat. in both your examples of original melodies, all the phrases were 2 bars, and all of them accented a long note on beat 1 every phrase, and all of them mostly used high, long notes accented on beat 1.
Other very important details in writing a tune:
vary your phrase length.
In "Somewhere over the rainbow," the chorus is a 2 bar phrase, a 2 bar phrase, then a 4 bar phrase. This variation in phrase length creates a sense of gravity and momentum to the climax of the tune.
In "Only fools rush in," it's the same technique. "wise men say" is 2 bars, "only fools rush in" is 2, then "but I can't help falling in love with you" is a 4 bar phrase. Then the bridge is all 1 bar phrases until the final phrase which is longer.
Be VERY aware of accent structures.
Check out, say, the verse to "Thriller." "it's close to midnight" is accented on the and of 3. "there's somethin evil lurkin' in the dark" is a pickup on and of 4. "your paralyzed" is accented on "a" of 4. Really exciting variety in the phrase accents. This also leaves a lot of room for "THRILLER/thriller night" which is very downbeat heavy. But then "inside a ...killer...thirller" that little tag, aggented on the and of 1 and beat 3, using rests strategically.
I could go on and on, and of course no short video is exhaustive, but if you're not careful about phrase length and accent structure, you run the risk of writing music that sounds kind of droning and insipid. downbeat+long note+2 bar phrase over and over and over causes the music to kind of drool.