Dvořák: Serenades Op. 22 & Op. 44 by Hans Schmidt-Isserstedt 🎧 Qobuz bit.ly/3Jwwuzw Amazon Music amzn.to/3XPHMTA 🎧 Tidal bit.ly/3RlyKeC Deezer bit.ly/3x4k0Yt 🎧 Apple Music apple.co/411GkP0 Idagio (coming soon) 🎧 Spotify spoti.fi/3DuPVVx RUclips Music bit.ly/3DvtwaA 🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic日本… Antonín Dvořák (1841-1904) - Serenade for Winds in D minor, Op. 44 (B.77) 00:00 I. Moderato quasi marcia 03:20 II. Minuetto. Tempo di minuetto - Trio. Presto 10:03 III. Andante con moto 18:17 IV. Finale. Allegro molto - Moderato, quasi tempo di marcia NDR-Sinfonieorchester Hans Schmidt-Isserstedt Recorded in 1963 New mastering in 2023 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr The wind serenade allows us to play with the great diversity of timbres in this category of instrument. The serenade's light character, reinforced by march rhythms, gives it a particular energy. But this does not preclude a certain gentleness, as Dvořák's Serenade for Winds proves. First performed in 1878, and written shortly before the Slavonic Dances, it already has the same style, using themes and rhythms evocative of traditional Bohemian and Moravian music throughout its four movements: Two oboes, two clarinets, two bassoons, a contrabassoon, three horns, a cello and a double bass make up the instrumentation of this serenade. Hans Schmidt-Isserstedt had a dual style. At times fabulously elegant and balanced, at others implausibly fiery. He was not a regular conductor. He told Radio-Hamburg that he sometimes forgot to conduct, being absorbed in the elaboration of one of his compositions. That said, he never lost his concentration for a Mozart symphony: he conducted with his hand on his heart from one end to the other, with an ecstatic smile on his lips, and sometimes with a little tear." We feel the same emotion when listening to this recording. Dvořák: Requiem Op. 89 by Karel Ančerl 🎧 Qobuz bit.ly/3AF1qp8 Amazon Music amzn.to/3JHT0oa 🎧 Tidal bit.ly/3BJzEsJ Apple Music apple.co/3v9LUjV 🎧 Deezer bit.ly/2Z5kakx Idagio (coming soon) 🎧 Spotify spoti.fi/3p163Yl RUclips Music bit.ly/44wxMBs 🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic日本… Antonín Dvořák PLAYLIST (reference recordings): ruclips.net/video/m85JJlcW9FI/видео.html
The wind serenade allows us to play with the great diversity of timbres in this category of instrument. The serenade's light character, reinforced by march rhythms, gives it a particular energy. But this does not preclude a certain gentleness, as Dvořák's Serenade for Winds proves. First performed in 1878, and written shortly before the Slavonic Dances, it already has the same style, using themes and rhythms evocative of traditional Bohemian and Moravian music throughout its four movements: Two oboes, two clarinets, two bassoons, a contrabassoon, three horns, a cello and a double bass make up the instrumentation of this serenade. Hans Schmidt-Isserstedt had a dual style. At times fabulously elegant and balanced, at others implausibly fiery. He was not a regular conductor. He told Radio-Hamburg that he sometimes forgot to conduct, being absorbed in the elaboration of one of his compositions. That said, he never lost his concentration for a Mozart symphony: he conducted with his hand on his heart from one end to the other, with an ecstatic smile on his lips, and sometimes with a little tear." We feel the same emotion when listening to this recording. 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Lebhafte und wunderschöne Interpretation dieser spätromantischen und ethnisch komponierten Serenade mit farbenreichen doch perfekt entsprechenden Tönen aller Blasinstrumente. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch beweglich. Der intelligente und geniale Dirgent leitet das hoch funktionelle Blasorchester im rhythmischen Tempo und mit effektiver Dynamik. Einfach wundervoll!
C'est très beau. Et incroyable, car j'etais juste en train d'ecouter Dvorak's symphonie no 7, op 70 sur ma TV payante. Merci beaucoup et sincères salutations de Montréal, Qc, Canada
Dvořák: Serenades Op. 22 & Op. 44 by Hans Schmidt-Isserstedt
🎧 Qobuz bit.ly/3Jwwuzw Amazon Music amzn.to/3XPHMTA
🎧 Tidal bit.ly/3RlyKeC Deezer bit.ly/3x4k0Yt
🎧 Apple Music apple.co/411GkP0 Idagio (coming soon)
🎧 Spotify spoti.fi/3DuPVVx RUclips Music bit.ly/3DvtwaA
🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic日本…
Antonín Dvořák (1841-1904) - Serenade for Winds in D minor, Op. 44 (B.77)
00:00 I. Moderato quasi marcia
03:20 II. Minuetto. Tempo di minuetto - Trio. Presto
10:03 III. Andante con moto
18:17 IV. Finale. Allegro molto - Moderato, quasi tempo di marcia
NDR-Sinfonieorchester
Hans Schmidt-Isserstedt
Recorded in 1963
New mastering in 2023 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
The wind serenade allows us to play with the great diversity of timbres in this category of instrument. The serenade's light character, reinforced by march rhythms, gives it a particular energy. But this does not preclude a certain gentleness, as Dvořák's Serenade for Winds proves. First performed in 1878, and written shortly before the Slavonic Dances, it already has the same style, using themes and rhythms evocative of traditional Bohemian and Moravian music throughout its four movements: Two oboes, two clarinets, two bassoons, a contrabassoon, three horns, a cello and a double bass make up the instrumentation of this serenade.
Hans Schmidt-Isserstedt had a dual style. At times fabulously elegant and balanced, at others implausibly fiery. He was not a regular conductor. He told Radio-Hamburg that he sometimes forgot to conduct, being absorbed in the elaboration of one of his compositions. That said, he never lost his concentration for a Mozart symphony: he conducted with his hand on his heart from one end to the other, with an ecstatic smile on his lips, and sometimes with a little tear." We feel the same emotion when listening to this recording.
Dvořák: Requiem Op. 89 by Karel Ančerl
🎧 Qobuz bit.ly/3AF1qp8 Amazon Music amzn.to/3JHT0oa
🎧 Tidal bit.ly/3BJzEsJ Apple Music apple.co/3v9LUjV
🎧 Deezer bit.ly/2Z5kakx Idagio (coming soon)
🎧 Spotify spoti.fi/3p163Yl RUclips Music bit.ly/44wxMBs
🎧 Naspter, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic日本…
Antonín Dvořák PLAYLIST (reference recordings): ruclips.net/video/m85JJlcW9FI/видео.html
Just what I needed today! MANY thanks!
@@natalieframe2363 You're welcome :)
Great recording!
Go Hans!!! ❤
The wind serenade allows us to play with the great diversity of timbres in this category of instrument. The serenade's light character, reinforced by march rhythms, gives it a particular energy. But this does not preclude a certain gentleness, as Dvořák's Serenade for Winds proves. First performed in 1878, and written shortly before the Slavonic Dances, it already has the same style, using themes and rhythms evocative of traditional Bohemian and Moravian music throughout its four movements: Two oboes, two clarinets, two bassoons, a contrabassoon, three horns, a cello and a double bass make up the instrumentation of this serenade.
Hans Schmidt-Isserstedt had a dual style. At times fabulously elegant and balanced, at others implausibly fiery. He was not a regular conductor. He told Radio-Hamburg that he sometimes forgot to conduct, being absorbed in the elaboration of one of his compositions. That said, he never lost his concentration for a Mozart symphony: he conducted with his hand on his heart from one end to the other, with an ecstatic smile on his lips, and sometimes with a little tear." We feel the same emotion when listening to this recording.
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Many thanks from Turkiye!👏🎼🤝🙏🎼🌹❤
:)
Thx! Great orchestra - great conductor - very good recording -- All the best from Germany.
Very very authentic
Fantastic, thank you!
Gran versio'n,de un Conductor casi olvidado!!!!!!.-
Best recording of this amazing work…ever. I am fortunate to have the original DGG LP.
😢
One of the very best recordings of the Dvořák masterwork. Superb.
Lebhafte und wunderschöne Interpretation dieser spätromantischen und ethnisch komponierten Serenade mit farbenreichen doch perfekt entsprechenden Tönen aller Blasinstrumente. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch beweglich. Der intelligente und geniale Dirgent leitet das hoch funktionelle Blasorchester im rhythmischen Tempo und mit effektiver Dynamik. Einfach wundervoll!
Grazie Classical per il video
C'est très beau. Et incroyable, car j'etais
juste en train d'ecouter Dvorak's symphonie no 7, op 70 sur ma TV payante.
Merci beaucoup et sincères salutations de Montréal, Qc, Canada
NOSE KIEN ES LA PERSONA K PONE ESTA MUSICA PERO ES FENOMENAL Y ESKICITA METRASPORTA A UN SUEÑO INFINITO GRACIAS POR ESTOS MOMENTOS
So cheerful... love it. Thank you.
:)
Merci!
❤
:)