The B minor blues pentatonic lick in 1:27-1:30. I don't even know where to begin. The the way he phrases and articulates it just melts my brain every time.
I can't read your name in Cyrillic, forgive me. Whoever you are, sir, you are an ABSOLUTE BEAST for transcribing this. The caliber of this feat of transcribing Bireli's playing is analogous to June Lee's transcriptions of Jacob Collier. WONDERFUL.
This transcription is for sale, I would have given it to you for free had I written it. Not to say sales pitch or props due. Whatever. I give credit to Bireli, not the salesman.
It's a very good effort. It's a tricky solo to transcribe. But there are many mistakes and $7 is not worth it. I recommend going over the chart with a keen eye. The 2nd chord in measure #1, section A, is not G7. It's C#m7b5; if anything. Measure 10 is inaccurate (a hard measure though. I get it). Measure 11 - "B" is not played on the 14th fret. I'll leave it at that. You do have my respect. Keep at it.
Hi. You are wrong, in the first bar “A” G7 sounds. There are no inaccuracies in measure 10; listen carefully.11 beat "B" note on 4 string , I'm sorry I sealed on a 100 note, for a musician this is obvious. If someone has 3 days free to transcribe this song, he can always do it. And I only offer help. Regards
Hi Friends. Bass player is playing G and rythme guitar Em/G and Bireli use F# note in his solo for 2nd chord in bars#1. Bars 31 it's F#dim over Em or C#m7/5b not G7 i think.
@@dmitrykushnirov I made a mistake when I typed my first comment. I originally transcribed this when I was in a duo and to simplify, we played off of a C#m7b5. I forgot about the bass note (my bad). The chord is Em6/G or C#m7b5/G (same thing). But it is NOT G7. There is no "F" sound. For further confirmation watch Hono. He is not playing a G7 (0:43) but at 0:44-45, does play a standard G7 fingering. He uses the same forms over and over: 1:49. Measure 6: beats 3 & 4. You have C#m7b5 - F#7. Hono is playing C9/G or Gm6 -> F#7. Again, he does this several times. Some of the fret/string choices in the tab lead me to believe you entered notes on the staff and not the tab. I've run into the same situation when making charts for notation rather than guitar tab. If you like, I'll send you my version to compare (then you can pick mine apart). In the US IT world we call that a 2nd pair of eyes. I'm retired and don't need an income and would be willing to be a 2nd pair of eyes for you (you make the money, not me). I thought I was being careful not to insult but I failed and I'm sorry. Even Ben Givan (Mr perfect pitch) who transcribed a ton of Django solos for his Dr degree made errors.
пожалуйста, прости меня за смелость попросить о помощи .... трио resenberg bossa dorado .. со всей импровизацией с вкладкой pozhaluysta, prosti menya za smelost' poprosit' o pomoshchi .... trio resenberg bossa dorado .. so vsey improvizatsiyey s vkladkoy
Remarquable...le problème, c'est que tout le monde s'extasie devant un violoniste ou un pianiste, mais seuls les guitaristes regardent et écoutent les guitaristes et savent ce qu'ils font...la guitare doit sortir de la guitare...mais comment ?
The B minor blues pentatonic lick in 1:27-1:30. I don't even know where to begin. The the way he phrases and articulates it just melts my brain every time.
Pour moi c'est un chef chef-d'œuvre au même titre que I ll see you de Django par exemple. Très beau et plein de soul aussi 😉
nice transcription, very good job!!! thanks
wow bravo ! Un des plus jolis morceaux de ce répertoire, d'après moi.
unbelievable transcription man, chapeau!
Meilleur guitariste au Monde........Français.........
many thanks !!!! quel titre !! par django déjà , mais bireli le sublime, merci ^^
I can't read your name in Cyrillic, forgive me. Whoever you are, sir, you are an ABSOLUTE BEAST for transcribing this. The caliber of this feat of transcribing Bireli's playing is analogous to June Lee's transcriptions of Jacob Collier. WONDERFUL.
Thanks
This transcription is for sale, I would have given it to you for free had I written it. Not to say sales pitch or props due. Whatever. I give credit to Bireli, not the salesman.
Bireli great! Transcription great! Very good job. Respect. Tanks.
This is insane, I'm transcribing stuff myself, but this :D
Great job on that one, my respect.
fantastic transcription! :) subscribed.
transcribing is half the work - and this is really great stuff. Thanks
jesus! great job.
a sheer wonder! Thanks Anton
I love this channel
Ниче себе! Крутую работу проделал!
Спасибо
Praise God! 🔥Great job!
Major achievement man!
Жаль людей, которые живут, не ведая такой красоты. Живут и гадят, вместо того , чтобы прислушаться, присмотреться к красоте.
Bravo de la France 👏👏👏🖒
Merci!!!
et toi!
nice!
Transcreve Pat Martino Sortice
LOL those harmonics tho
wow just wow, i dont know even what to say
uauuuuu,joan,Cataloñia free,💕💕❤️
Ювелирная работа
Да, кто переписывал эту песню действительно сделал ювелирную работу! Как говорят в Риме: "miei coglioni!" "
Whaooou
Holy shit.
❤️
please help me with bossa dorado with improvisation and tab please TRIO ROSENBERG
It's a very good effort. It's a tricky solo to transcribe. But there are many mistakes and $7 is not worth it. I recommend going over the chart with a keen eye. The 2nd chord in measure #1, section A, is not G7. It's C#m7b5; if anything. Measure 10 is inaccurate (a hard measure though. I get it). Measure 11 - "B" is not played on the 14th fret. I'll leave it at that. You do have my respect. Keep at it.
Hi.
You are wrong, in the first bar “A” G7 sounds. There are no inaccuracies in measure 10; listen carefully.11 beat "B" note on 4 string , I'm sorry I sealed on a 100 note, for a musician this is obvious.
If someone has 3 days free to transcribe this song, he can always do it. And I only offer help.
Regards
Hi Friends. Bass player is playing G and rythme guitar Em/G and Bireli use F# note in his solo for 2nd chord in bars#1.
Bars 31 it's F#dim over Em or C#m7/5b not G7 i think.
@@SamyDaussat I listened to the studio version where Hono is audible. He plays E-/G
@@dmitrykushnirov yes
(G)xGBEG
@@dmitrykushnirov I made a mistake when I typed my first comment. I originally transcribed this when I was in a duo and to simplify, we played off of a C#m7b5. I forgot about the bass note (my bad). The chord is Em6/G or C#m7b5/G (same thing). But it is NOT G7. There is no "F" sound. For further confirmation watch Hono. He is not playing a G7 (0:43) but at 0:44-45, does play a standard G7 fingering. He uses the same forms over and over: 1:49. Measure 6: beats 3 & 4. You have C#m7b5 - F#7. Hono is playing C9/G or Gm6 -> F#7. Again, he does this several times. Some of the fret/string choices in the tab lead me to believe you entered notes on the staff and not the tab. I've run into the same situation when making charts for notation rather than guitar tab. If you like, I'll send you my version to compare (then you can pick mine apart). In the US IT world we call that a 2nd pair of eyes. I'm retired and don't need an income and would be willing to be a 2nd pair of eyes for you (you make the money, not me). I thought I was being careful not to insult but I failed and I'm sorry. Even Ben Givan (Mr perfect pitch) who transcribed a ton of Django solos for his Dr degree made errors.
Can anyone post of the names of all the musicians here?
Hono Winterstein & Thomas Dutronc - rhythm guitar
Diego Imbert - bass
Look for Bireli Lagrène Gypsy Project on YT - the whole concert is here
Djalaga i tablature
Do Julian Lage "there will never be another you" it's a live show
omg
Désolé mais Sette tablature a beaucoup de fauce note
The right title spelling in French would be "Si tu savais" "If you knew"
Thanks)
@@dmitrykushnirov - Avec plaisir! And thanks for the video!
пожалуйста, прости меня за смелость попросить о помощи .... трио resenberg bossa dorado .. со всей импровизацией с вкладкой
pozhaluysta, prosti menya za smelost' poprosit' o pomoshchi .... trio resenberg bossa dorado .. so vsey improvizatsiyey s vkladkoy
Hi Cassandra. I can do a transcription for you. Please write to urbangypsykiev@gmail.com
Help
Crazy thing is he was already playing close to this at age 12. Watch the vids.. smh..
L'exagère Bibi ...l'aurait pu jouer eu 45 tours !!!...
Remarquable...le problème, c'est que tout le monde s'extasie devant un violoniste ou un pianiste, mais seuls les guitaristes regardent et écoutent les guitaristes et savent ce qu'ils font...la guitare doit sortir de la guitare...mais comment ?
Je pense qu'il y a plus de guitaristes connus du grand public que de pianistes ou de violonistes !
A mon avis c est une question d éducation musicale globale et puis s adresse a des "initiés" malgré tout. Ce ne st que mon avis
Какие уши надо иметь чтобы снять это и записать...