En esta época, el clarinete que se utilizaba era el de tres llaves (Jacob Denner 1740). En esta grabación, los interpretes, aunque no se distingue bien, parece que utilizan un clarinete de cinco llaves, más evolucionado y, por tanto, con más posibilidades técnicas y plasticidad sonora. Este concierto, con el clarinete de tres llaves, es difícil, pero se puede tocar con relativa dignidad. Muy buena interpretación!!
Fabulous rendition in terms of style, technical precision and ambiance. Difficult to find better : the first violinist is also quite extraordinary : thought I entered into a Franz Hals painting, be it much earlier, the spirit is there.
It's important to note that clarinets hadn't even been invented when Telemann wrote this. The chalumeau had a very limited range and couldn't be played very loudly, so instrument makers finally scrapped it and went back to the drawing board to make a brand new instrument -- the clarinet. The lowest register of the clarinet does pay homage to the chalumeau though by using it's name.
Denner invented the clarinet in 1710. This concerto was written in 1750. (I don't know if he was already familiar with the new instrument) Vivaldi, however composed his double concertos (2 clarinets and 2 oboes) already in 1740. In other concerti grossi he used the chalumeau
@@HeinWiedijk I thought he had been working on it between 1690 and 1700, he died in 1707. But fundamentally, you are right, the clarinet existed when this work was composed. And as far as I have understood, the clarinet spent quite some time as a secondary instrument played by hoboists, before being accepted as a fully blown instrument by the time Mozart wrote his beautiful pieces.
Magnífica interpretación. Uno de mis mejores conciertos para mi gusto. Bravo
En esta época, el clarinete que se utilizaba era el de tres llaves (Jacob Denner 1740). En esta grabación, los interpretes, aunque no se distingue bien, parece que utilizan un clarinete de cinco llaves, más evolucionado y, por tanto, con más posibilidades técnicas y plasticidad sonora. Este concierto, con el clarinete de tres llaves, es difícil, pero se puede tocar con relativa dignidad.
Muy buena interpretación!!
Fabulous rendition in terms of style, technical precision and ambiance. Difficult to find better : the first violinist is also quite extraordinary : thought I entered into a Franz Hals painting, be it much earlier, the spirit is there.
Sehr schöne Aufnahme, danke.
Very nice
3:47 Allegro
maravilhoso...
It's important to note that clarinets hadn't even been invented when Telemann wrote this. The chalumeau had a very limited range and couldn't be played very loudly, so instrument makers finally scrapped it and went back to the drawing board to make a brand new instrument -- the clarinet. The lowest register of the clarinet does pay homage to the chalumeau though by using it's name.
Denner invented the clarinet in 1710. This concerto was written in 1750. (I don't know if he was already familiar with the new instrument)
Vivaldi, however composed his double concertos (2 clarinets and 2 oboes) already in 1740. In other concerti grossi he used the chalumeau
clarinet was invented in 1690, and this concerto is written in 1750.
@@HeinWiedijk I thought he had been working on it between 1690 and 1700, he died in 1707. But fundamentally, you are right, the clarinet existed when this work was composed. And as far as I have understood, the clarinet spent quite some time as a secondary instrument played by hoboists, before being accepted as a fully blown instrument by the time Mozart wrote his beautiful pieces.
Badly and clumsily transposed from F.