If you are an accomplished painter or just starting out, you owe it to yourself to at least try the 7 day free trial- Tisch Academy is overflowing with a variety of formats to learn the art of oil painting. Art School- only BETTER!! I love the weekly live streams where Andrew opens his studio for us to watch his process
totally agree. I’ve been painting professionally since the mid 1990s and I’m learning so much. Andrew is so full of information. I so enjoy his livestreams on the Academy plus the content is the best around.
@@paulwoodford1984 LOL- I know him in the sense that I am 65 years old and have worked at landscape painting for the past 30 years. I've spent a fair amount of money at various workshops. Each of these three-day workshops typically cost 400-650 dollars. After watching his youtube videos for 5-6 years I decided to give the Tisch Academy a try at far less than the cost of a single workshop. Andrew has no idea who I am- I just follow his lessons, listen to his podcast, and join in on his weekly live streams. What i find most effective is access to an ongoing learning event. If I take two workshops in one year they are often months apart. With Tisch Academy, I find I am more creatively energized because I can interact on the site every day, which keeps me mentally engaged in developing my art. But- no- I don't know him- I only know what his Academy has done for me. So, Yes, I will encourage others who are serious about actually getting better and not just sitting around watching RUclips to at least trail the Tisch Academy. Paul, do you think artist on youtube are giving you their very best??????
@@michaell31Hey Michael. I have so much in common with you. Thanks for the explanation of who you are and why you are on the Academy. I’ll watch for you on the livestream. I do love the community as well - I feel like I’ve gotten to know painters from all over the world.
Andrew is truly the best teacher that I have seen. I am mostly self taught and have learned a lot from him. I am in the process of building up my brushes, paints and canvases and am about to start my journey into oil painting once again. If you paint you owe it to yourself to join his academy. I cannot say enough good about his channel. God bless him and his family and crew for all that they do to inspire painters.
Tisch Academy is way better than an ‘art school’. I have been painting and learning art for 60 years and have learned so much more since joining. It is affordable. It is a community of like minded artists, striving to better our skills and support each other.
You are not less than any other great masters. I enjoy seeing your paintings while you draw. You got special talent. I wish by end of your journey you should have one page in the history of art book.
This painting sparkles like winter - this old magpie can't get enough. This tutorial is loaded with info - an ample brush, so to speak. Though I've poked, prodded and urged a loaded brush around a canvass for 7 decades, with people attempting to help here and there, I remained a beginner because I've always known how complex an art this is, and I had my hands full with music as a career. Now I can focus in on learning and playing with this monarch of mediums. Thank you for this delightful winter woodland.💐
Andrew, your just as incredible as your Artwork, mate. Always full of detailed instructions and generosity. Love this scene too as well as being able to watch the master at work, layer by layer. Thank you for allowing me to see this before going live. You definitely Rock, mate.
You are undoubtably one of the best artists of this era. Really inspiring to see your process. Your videos have really helped me to improve my art. Thank you sir.I got inspired from you to start painting potraits. Truly one of the best teachers I have ever seen.
Your process is nothing short of magical to watch, Andrew. My hero is Peder Mork Monsted but he’s not around to make RUclips videos. After him, I most aspire to your technique because it looks amazing and also such an enjoyable way to paint. I think I’m about 10% of the way there but I will keep trying.
As always, whatever you put your hand and brush to comes out perfect. You have so much depth and highlights that make your paintings so realistic. I love your work because it has heart and soul in it. You should be famous far and wide. ❤😊
You echo many centuries of elite painters' preference for lead-based whites. It's interesting how good at is at doing its job, I can't say I'm quite good enough to appreciate the difference in color mixing in my own work.
Hi Andrew! Another stunning short masterclass from one of the best modern masters! I definitely signed up in your academy and learning so much! Thanks for your fantastic work and teaching dedication really makes the difference in the art world
I like to paint nature and it has become my passion now. It has been there for two years, I am watching and learning from your free video tutorials. I've learnt a lot and will also learn more in the future, I can say that. I thoroughly watched every single video that is in your channel and learnt theories, methods and applications. You have my everlasting gratitude Mr. Tischler 🙏🙏 Kudos to you!!
With every brush stroke, you create the most dazzling landscapes. This one is so different from most of yours, due to the lack of a vast sky, and open landscape. It shows how close you can get and create an intimate setting with the viewer and the painting. I totally agree with you on not getting rid of brushes. I have them scattered about my studio in various boxes, brush stands, as well as loosely laying around. Of course for me, a new flat brush or liner is essential to making those crisp lines, but never underestimate the character of a brush that has been in the studio for years, adding texture to your painting! Yes, this painting would look good larger. You tend to do so well with the larger paintings. I have toyed with wanting to do larger canvases, but with more detail, than the huge murals I have done in the past. Always love when you upload a video that gives us a bit of information that we can take with us. Thank you so much!
Morning from Ireland, After a long time seeing your video and hearing your voice. I have been missing on painting for along time , thanks for inspiring me again to pick-up brushes.
Really nice work Andrew! I especially appreciate the camera view around 10:45 that clearly shows the 3D effect from the paint texture building up those branches.
Fantastic. So 3d looking with the way you layered the thickness of the paint, one of the branches especially appears to come out towards the viewer. Amazing. You captured the scene beautifully with those colours too.
Excellent work and you are painting like construction the mysterious place very unique skills congratulations you are really talented artist, thank you for this great video !
I enjoyed this one. Even though I primarily sculpt, I've learned a lot watching you on RUclips as well as being a member of Tisch Academy. Always a pleasure!
Love it! I only started painting upon retirement - did one painting in acrylics, then quit because they dry too quickly. I'm now 1/3 of my way through my first land/seascape in oils on a huge canvas and find your videos invaluable - best on RUclips! At age 70, I have lots of catching up to do!!!
Sir Andrew my most inspiring Artist Master the way he paint the way he talk everything his shares his knowledge in Art is one complete package. Someday i will be like him.
I watch a lot of art programmes on You Tube and follow a lot of artists around the world. I have followed Andrew for some years - for me he is one of the best and most talented artists out there - love your work Andrew. I bought the Tischler daggers from Rosemary & Co and they are fabulous. I would never buy an AI piece of art as it would be soulless and created without talent - always look forward to watching your channel, Geraldine from the UK :-)
I'm a noob artist, usualy like I like to draw and painting some watercolors, watching you process , it's clearly to saw how well in the great Masters is your path! Awesome man
Delighful Andrew. Lots of great insights into your painting process as always. And yes, teal is a 'go to' colour for me too. The new ranges of synthetic brushes have come on leaps and bounds and are fast becoming some of my favourite to use. Looking forward to seeing more from you soon. Best wishes - Paul 😃😃😎😎
I would say this is a bit simpler than the usual, which is very refreshing honestly. Just something a bit different Your teaching skills are getting better and better man, youre inspiring us all!
This is awesome. I love the idea of dropping a tad of quinacridone to cobalt teal. I have a big tube of crementz, but it turns out I get to out of control/sloppy to use. All my paint ends up on my skin and clothes. Love your approach -- your videos get me psyched to break out the paints.
Top flight video, as always. Love the technical tips. I'm looking at trying some of those Blueridge paints. My Vasari Flake White is almost done and I find it tends to separate anyway so, it seems time. I haven't quite matched your CM of your CMY in my current paint so, I'll likely pick thise up, too. Truly appreciate your perspectives and insights. Cheers fr Nova Scotia
Hi Andrew, I've always been interested in using lead white and even bought a few tubes once, but safety concerns have held me back. The risks and cleanup process seem daunting. Could you share how you clean and store your equipment when working with this pigment, and how you handle waste disposal, particularly with a toddler around?
Andrew describes all this on his Academy Fundamentals course/post. I am not particularly careful with paint and cleanup no matter how hard I try. I’ve used lead white in the past, but now use Gamblin’s Flake White Replacement and also use Gamblin’s solvent free gel instead of Liquin. They’re no where as beautiful as the real thing, but a reasonable replacement.
@@LoriWoodward-gd5fl Thanks for sharing your experiences. I did consider trying Gamblin's Flake White Replacement, but this paint is basically just titanium white modified to mimic the texture and handling properties of lead white (and I believe it is also tinted with a warm pigment so the color is shifted away from the blue end of the spectrum). It does not offer the qualities I'd choose lead white for, namely its archival benefits and transparency. Genuine lead white forms the most flexible/durable paint film.
Loved this video. When I first tried oils 60 years ago I was able to but Flake White #2 in a pint tin. I was happy to find Kremnitz, on your recommendation. By the way, I was profoundly impressed by your comment about being at that spot, at dawn, in winter! 🥶
Wow this video really shows the texture and your painting which I have never noticed before that you paint with so much texture. The more I watch you pay the more I learn thank you❤.... my paintings are a lot smoother ( am I wrong for painting smooth?)
Andrew, I've been following you for a few years now. Errrr.. that sounds a bit creepy.😅...so moving on swiftly... Watching you paint is inspiring. And seeing how you have grown your business to your own membership site using RUclips as a marketing tool is awesome!! I'll be doing your Epic Landscape course soon. I can't wait to start. Soooo much to learn, thanks for sharing your extensive knowledge in such an accessible way! 😊 all the best
In addition to watching you paint another beautiful artwork, the subject matter is enticing (especially today). Our current temperature here in NW AZ is 99 degrees and charted to reach 103. This painting certainly helps me to cool down a bit. Thank you for another wonderful learning session.
Could you do a video on how to paint riverbead rocks? I went out and got some reference material, and in the photo there is thousands of little rocks under the river and im not sure how to go about making it convincing. I could send you the photo if you want so you know what i mean.
passed the whole video trying to calculate what is the tilt you keep your canvas and palette from the vertical based on the angle of the liquid inside the steel cups :P
All you need is alizarin crimson, Ultra marine blue, primary yellow, burnt umber and white. Maybe a stronger blue and red. but not essential for realistic landscape art
Hello from an old time, retired artist, long time follower of Andrew from Ohio, USA. If I may, I have loved Weber brand Permalba white over all others for many years! it is buttery soft, and won't over power your other colors. No lead content. Hope this helps.
Sorry I was not aware it was made with zinc. I loved it for years for its qualities. I don't expect my work will be compared to the masters, and don't care if it doesn't last forever. It's just for my pleasure. Hope you find a suitable substitute. 🙂
I use Gamblin’s Flake White Replacement - it works well enough. I live in the USA but am kinda sloppy with my paints no matter how I try, so I don’t use any toxic pigments.
El blanco de plomo es insustituible en la paleta hermano, el de titanio no tiene la versatilidad que se necesita al menos para mi modo de trabajar y en Europa donde vivo esta prohibido, siento que me han mutilado mi trabajo con esa ley, crees que si comprase en el link que dejas llegaría a España mi compra de blanco de plomo? un saludo y gracias por tu trabajo
@@loramay21 Estaria bien saberlo, ademas es que hay marcas que directamente no te lo venden si vives en Europa , ojala Andrew nos despejara la duda, un saludo
Andrew in another comment on this says that it is banned in New Zealand as well but just to sell if you order it online you should be able to receive it
If you are an accomplished painter or just starting out, you owe it to yourself to at least try the 7 day free trial- Tisch Academy is overflowing with a variety of formats to learn the art of oil painting. Art School- only BETTER!! I love the weekly live streams where Andrew opens his studio for us to watch his process
totally agree. I’ve been painting professionally since the mid 1990s and I’m learning so much. Andrew is so full of information. I so enjoy his livestreams on the Academy plus the content is the best around.
You know him don’t you. Hence the promotion. i don’t need to pay for free art content on youtube
@@paulwoodford1984 LOL- I know him in the sense that I am 65 years old and have worked at landscape painting for the past 30 years. I've spent a fair amount of money at various workshops. Each of these three-day workshops typically cost 400-650 dollars. After watching his youtube videos for 5-6 years I decided to give the Tisch Academy a try at far less than the cost of a single workshop. Andrew has no idea who I am- I just follow his lessons, listen to his podcast, and join in on his weekly live streams. What i find most effective is access to an ongoing learning event. If I take two workshops in one year they are often months apart. With Tisch Academy, I find I am more creatively energized because I can interact on the site every day, which keeps me mentally engaged in developing my art. But- no- I don't know him- I only know what his Academy has done for me. So, Yes, I will encourage others who are serious about actually getting better and not just sitting around watching RUclips to at least trail the Tisch Academy. Paul, do you think artist on youtube are giving you their very best??????
@@michaell31Hey Michael. I have so much in common with you. Thanks for the explanation of who you are and why you are on the Academy. I’ll watch for you on the livestream. I do love the community as well - I feel like I’ve gotten to know painters from all over the world.
I really love art work and will like to learn under Andrew, please how do I go about it.
A reply will go a long way.... thanks
Andrew is truly the best teacher that I have seen. I am mostly self taught and have learned a lot from him. I am in the process of building up my brushes, paints and canvases and am about to start my journey into oil painting once again. If you paint you owe it to yourself to join his academy. I cannot say enough good about his channel. God bless him and his family and crew for all that they do to inspire painters.
Tisch Academy is way better than an ‘art school’. I have been painting and learning art for 60 years and have learned so much more since joining. It is affordable. It is a community of like minded artists, striving to better our skills and support each other.
You are not less than any other great masters. I enjoy seeing your paintings while you draw. You got special talent.
I wish by end of your journey you should have one page in the history of art book.
This painting sparkles like winter - this old magpie can't get enough. This tutorial is loaded with info - an ample brush, so to speak. Though I've poked, prodded and urged a loaded brush around a canvass for 7 decades, with people attempting to help here and there, I remained a beginner because I've always known how complex an art this is, and I had my hands full with music as a career. Now I can focus in on learning and playing with this monarch of mediums. Thank you for this delightful winter woodland.💐
Andrew, your just as incredible as your Artwork, mate. Always full of detailed instructions and generosity. Love this scene too as well as being able to watch the master at work, layer by layer. Thank you for allowing me to see this before going live. You definitely Rock, mate.
You are undoubtably one of the best artists of this era.
Really inspiring to see your process.
Your videos have really helped me to improve my art.
Thank you sir.I got inspired from you to start painting potraits. Truly one of the best teachers I have ever seen.
I love this small landscape paintings, I have to look for your academy. Thank you Andrew.
I love the atmosphere and composition of your painting! Beautiful work!
BRAVO MY GOOD SIR! YOUR LANDSCAPES HAVE GIVEN ME SO MUCH INSPIRATION!
Your process is nothing short of magical to watch, Andrew. My hero is Peder Mork Monsted but he’s not around to make RUclips videos. After him, I most aspire to your technique because it looks amazing and also such an enjoyable way to paint. I think I’m about 10% of the way there but I will keep trying.
Wow, thanks!
I'm also an admirer of Monsted. One of my top influences
This painting is quite different from the typical works and I love it. As usual masterfully done and very educational.
Thank you so much!!!
As always, whatever you put your hand and brush to comes out perfect. You have so much depth and highlights that make your paintings so realistic. I love your work because it has heart and soul in it. You should be famous far and wide. ❤😊
You echo many centuries of elite painters' preference for lead-based whites. It's interesting how good at is at doing its job, I can't say I'm quite good enough to appreciate the difference in color mixing in my own work.
Fantastic as always. I have all these colors on my palette per your painting videos I have in my studies. Thank you Andrew!!
Gorgeous work! I just got your Rosemary & Co brush set, can’t wait to try the dagger brushes!
Hi Andrew! Another stunning short masterclass from one of the best modern masters! I definitely signed up in your academy and learning so much! Thanks for your fantastic work and teaching dedication really makes the difference in the art world
As usual…absolutely inspiring! Well done Andrew Tischler
Andrew, I love your work, they look so real thank you again for another great tutorial I enjoy watching them
You are so awesome that the moment your underpainting was finished, I consider the work done! No need to go back at all😊
Your intro is very inviting. Then, your painting just tops it off.😊
I like to paint nature and it has become my passion now. It has been there for two years, I am watching and learning from your free video tutorials. I've learnt a lot and will also learn more in the future, I can say that. I thoroughly watched every single video that is in your channel and learnt theories, methods and applications. You have my everlasting gratitude Mr. Tischler 🙏🙏 Kudos to you!!
Thank you so much, I'm so glad to hear that the videos are inspiring and helping you!
With every brush stroke, you create the most dazzling landscapes. This one is so different from most of yours, due to the lack of a vast sky, and open landscape. It shows how close you can get and create an intimate setting with the viewer and the painting.
I totally agree with you on not getting rid of brushes. I have them scattered about my studio in various boxes, brush stands, as well as loosely laying around. Of course for me, a new flat brush or liner is essential to making those crisp lines, but never underestimate the character of a brush that has been in the studio for years, adding texture to your painting!
Yes, this painting would look good larger. You tend to do so well with the larger paintings. I have toyed with wanting to do larger canvases, but with more detail, than the huge murals I have done in the past.
Always love when you upload a video that gives us a bit of information that we can take with us. Thank you so much!
Well done narrative.
Amazing once again! More texture than usual, so it seems. I love it! I think you've convinced me to do Tisch academy. Thank you!
Just fabulous mastery of form, colour and technique. Thanks.
A parade of light and shadow! Awesome!
Morning from Ireland,
After a long time seeing your video and hearing your voice.
I have been missing on painting for along time , thanks for inspiring me again to pick-up brushes.
Really nice work Andrew! I especially appreciate the camera view around 10:45 that clearly shows the 3D effect from the paint texture building up those branches.
Thank you very much!
Fantastic. So 3d looking with the way you layered the thickness of the paint, one of the branches especially appears to come out towards the viewer. Amazing. You captured the scene beautifully with those colours too.
Excellent work and you are painting like construction the mysterious place very unique skills congratulations you are really talented artist, thank you for this great video !
Love this landscape technique. You explain your process clearly and with such helpful hints. Thank you Will try the longer version 😊
Hello Andrew, another impressive painting mate,
Thanks for the preview video. Always look forward to them. Inspirational.
I enjoyed this one. Even though I primarily sculpt, I've learned a lot watching you on RUclips as well as being a member of Tisch Academy. Always a pleasure!
The Tisch daggers are amazing. Those are my workhorses. Amazing painting. I love your painting process.
Love it! I only started painting upon retirement - did one painting in acrylics, then quit because they dry too quickly. I'm now 1/3 of my way through my first land/seascape in oils on a huge canvas and find your videos invaluable - best on RUclips! At age 70, I have lots of catching up to do!!!
Sir Andrew my most inspiring Artist Master the way he paint the way he talk everything his shares his knowledge in Art is one complete package. Someday i will be like him.
Beautiful painting it shows so much ice crystals I Feel So Cold by looking at it. LOL
I watch a lot of art programmes on You Tube and follow a lot of artists around the world. I have followed Andrew for some years - for me he is one of the best and most talented artists out there - love your work Andrew. I bought the Tischler daggers from Rosemary & Co and they are fabulous. I would never buy an AI piece of art as it would be soulless and created without talent - always look forward to watching your channel, Geraldine from the UK :-)
It’s beautiful so realistic and feels like I am right there
Thank you so much for the paint recommendations. I'd love to see this scene on a larger canvas. Beautifully done. 11:51
As always a pleasure to watch you create and get valuable information. I don’t use oils, but I’m gonna try the colors in my mix! Thanks!!❤
Such a beautiful study piece….really hope to see you attack a larger version!
I'm a noob artist, usualy like I like to draw and painting some watercolors, watching you process , it's clearly to saw how well in the great Masters is your path! Awesome man
As a Finn, i love to see frosty landscapes!!!🥶👏
Beautiful painting!❤
Delighful Andrew. Lots of great insights into your painting process as always. And yes, teal is a 'go to' colour for me too. The new ranges of synthetic brushes have come on leaps and bounds and are fast becoming some of my favourite to use. Looking forward to seeing more from you soon. Best wishes - Paul 😃😃😎😎
I would say this is a bit simpler than the usual, which is very refreshing honestly. Just something a bit different
Your teaching skills are getting better and better man, youre inspiring us all!
That is a really great picture what you did, you are a great art’s
This is awesome. I love the idea of dropping a tad of quinacridone to cobalt teal. I have a big tube of crementz, but it turns out I get to out of control/sloppy to use. All my paint ends up on my skin and clothes. Love your approach -- your videos get me psyched to break out the paints.
Beautiful
I’m not a big fan of winter. But I would love to own this picture. Well done as usual Andrew ❤
Really like this one 👌
Top flight video, as always. Love the technical tips. I'm looking at trying some of those Blueridge paints. My Vasari Flake White is almost done and I find it tends to separate anyway so, it seems time. I haven't quite matched your CM of your CMY in my current paint so, I'll likely pick thise up, too. Truly appreciate your perspectives and insights. Cheers fr Nova Scotia
I still haven't purchased anything from Blue Ridge art Supplies ater watching many of your videos. Im going to have to give them a try!
I'm trying to learn from you but it really takes practice and patience
Hi Andrew, I've always been interested in using lead white and even bought a few tubes once, but safety concerns have held me back. The risks and cleanup process seem daunting. Could you share how you clean and store your equipment when working with this pigment, and how you handle waste disposal, particularly with a toddler around?
Andrew describes all this on his Academy Fundamentals course/post. I am not particularly careful with paint and cleanup no matter how hard I try. I’ve used lead white in the past, but now use Gamblin’s Flake White Replacement and also use Gamblin’s solvent free gel instead of Liquin. They’re no where as beautiful as the real thing, but a reasonable replacement.
@@LoriWoodward-gd5fl Thanks for sharing your experiences. I did consider trying Gamblin's Flake White Replacement, but this paint is basically just titanium white modified to mimic the texture and handling properties of lead white (and I believe it is also tinted with a warm pigment so the color is shifted away from the blue end of the spectrum). It does not offer the qualities I'd choose lead white for, namely its archival benefits and transparency. Genuine lead white forms the most flexible/durable paint film.
Which Colour mixing is really Tough to make ? 😊🤔 what's your opinion ? But your painting is really good. 👍🤗
Loved this video. When I first tried oils 60 years ago I was able to but Flake White #2 in a pint tin. I was happy to find Kremnitz, on your recommendation. By the way, I was profoundly impressed by your comment about being at that spot, at dawn, in winter! 🥶
Here in Europe is hard to find Cremnitz White, about your painting, beautiful well done !
Funny to see the winter scene as summer is cranking up here in the Northern hemisphere!!
Wow this video really shows the texture and your painting which I have never noticed before that you paint with so much texture. The more I watch you pay the more I learn thank you❤.... my paintings are a lot smoother ( am I wrong for painting smooth?)
lovely painting
Amazing to watch.
Unbelievable, your talent
Incredible!
THANKS ANDREW LOOKS GREAT
Stunning 😍😍😍😍😍
Great video Andrew ! what is a typical recipe for mixing that cobalt teal with that magenta?
wonderful, really enjoyed the video
Lovely, Andrew!
Beautiful!
Andrew, I've been following you for a few years now. Errrr.. that sounds a bit creepy.😅...so moving on swiftly... Watching you paint is inspiring. And seeing how you have grown your business to your own membership site using RUclips as a marketing tool is awesome!! I'll be doing your Epic Landscape course soon. I can't wait to start. Soooo much to learn, thanks for sharing your extensive knowledge in such an accessible way! 😊 all the best
Amazing❤
Masterly Painting bro
In addition to watching you paint another beautiful artwork, the subject matter is enticing (especially today). Our current temperature here in NW AZ is 99 degrees and charted to reach 103. This painting certainly helps me to cool down a bit. Thank you for another wonderful learning session.
Thanks so much! Glad you could cool down here! 😅
Can you make video on how you take your reference photo?
maravilloso el efecto de la nieve
Beautiful
Could you do a video on how to paint riverbead rocks? I went out and got some reference material, and in the photo there is thousands of little rocks under the river and im not sure how to go about making it convincing. I could send you the photo if you want so you know what i mean.
Very beautiful...excellent...amazing🇧🇷🇧🇷🇧🇷
I wish I had this much patience in life. My painting would look like someone placed a firecracker in a tube of paint.
I love it. You are wizard
passed the whole video trying to calculate what is the tilt you keep your canvas and palette from the vertical based on the angle of the liquid inside the steel cups :P
I saw that! Very clever.
Very nice.
All you need is alizarin crimson, Ultra marine blue, primary yellow, burnt umber and white. Maybe a stronger blue and red. but not essential for realistic landscape art
Unfortunately in uk we can't get cremnitz white it's banned we can get non lead based white but they are not the same
Have you ever painted with just the 3 primary colors? Thank you
Walnut oil or linseed oil base in that Cremnitz white ?
Lovely
As always
Pray as an artist, one day at owning one of your painting?
Hello, how to prevent oil paints from drying out in a tube that has not been used for two to three years or more?
Як завжди, БРАВО.дякую
Nice ❤❤
What oil paints do you use? Or recommend ?
That is all good and well - chremnitz white is lead white and as such banned in Europe. Any alternative but titanium white plz?
Hello from an old time, retired artist, long time follower of Andrew from Ohio, USA. If I may, I have loved Weber brand Permalba white over all others for many years! it is buttery soft, and won't over power your other colors. No lead content. Hope this helps.
Don't use paint with zinc, it is not archival.
In the EU myself have found Langridge Tinting White quite useful myself, but it's in no way a direct substitute for lead white. Good luck.
Sorry I was not aware it was made with zinc. I loved it for years for its qualities. I don't expect my work will be compared to the masters, and don't care if it doesn't last forever. It's just for my pleasure. Hope you find a suitable substitute. 🙂
It's banned here too, but only to sell, pretty sure you can receive paint if you placed an order online.
Cremnitz White COST'S an arm and a leg i am on the pension would love to use it but hard to buy for me .
I use Gamblin’s Flake White Replacement - it works well enough. I live in the USA but am kinda sloppy with my paints no matter how I try, so I don’t use any toxic pigments.
El blanco de plomo es insustituible en la paleta hermano, el de titanio no tiene la versatilidad que se necesita al menos para mi modo de trabajar y en Europa donde vivo esta prohibido, siento que me han mutilado mi trabajo con esa ley, crees que si comprase en el link que dejas llegaría a España mi compra de blanco de plomo? un saludo y gracias por tu trabajo
I was wondering the same if I ordered it from blue ridge it would get through customs
@@loramay21 Estaria bien saberlo, ademas es que hay marcas que directamente no te lo venden si vives en Europa , ojala Andrew nos despejara la duda, un saludo
Andrew in another comment on this says that it is banned in New Zealand as well but just to sell if you order it online you should be able to receive it
Hi andrew love your art and techniques.. would love to collaborate 🙏
Do you tell the size of the canvas?
8 x 12 i think he said in shorts.
Nice
ficou bonito