Brava!!👏👏 great performance!! Excellent phrasing and music-making, and good cohesiveness in concept of the whole piece. Many pianists performing this piece tend to bash their way through😛
Those beautiful long fingers, emotional restraint and stoic disposition chanel in to Scriabins psyche❤ Was redirected here after listening to an orchestral version of the piece which was quite unworldly....on YT
It might be this piece resembles to Rachmaninov’s style ? This is the last great piece of his first period. Eager to establish his own style filled with mysterious chord and ecstasy, and he accomplished it with the great 4th Piano Sonata!
I really like this performance. The deep, voluptuous, beautiful piano sound, the flexibility of the rhythm are very beautiful and very inspiring! Bravissima!
Astounding piece. Incredible playing. 3:22 sounds just like it's about to become the march-like section in the middle of the F minor Fantasie of Chopin
Listen to his symphonies and other piano pieces. He is one of the best orchestrators of all time but no one acknowledges this. Listen to his counterpoint in pieces like this one, also a master. Prometheus, just an insane masterpiece on another dimension of greatness.
steventunnicliffe81 yes I was joking very easy to memorise this version is nowhere near as good as szidon on yt I play similar to him as that is what I think scriabin wanted when he composed it Sorabji and others are difficult to memorise but I get there in the end
Braestro Certainly, yes. Scriabin’s late style (beginning around Op.58) would probably be most representative of his modernism although there are plenty of prior examples.
Perfect interpretation of the delicate piece. Shouldn't the piece have been entitled Fantasy on a Theme by Liszt? It's written in the same key as the latter's sonata, whose main theme is referenced in different tempos through the Scriabin composition.
Warum hat Horowitz diese Fantasie nicht in seinen Konzerten gespielt? Sie ist der Etude op.8 Nr.12 haushoch überlegen. Die Melodie erfährt eine Chopinartige Erweiterung anstatt sich mit geringen Veränderungen zu wiederholen wie in der Etude!
Eine "Konkurrenz" zur Etüde besteht aus meiner Sicht überhaupt nicht. Die Etüde ist ein Miniaturstück, das erheblich "älter" ist als die Fantasie. Ich sehe viel mehr Parallelen zwischen der Fantasie und der 3. Sonate, die zu Horowitz' Kernrepertoire gehört. Letztere mag die (wunderbare) Fantasie ein wenig in den Schatten gestellt haben.
@@claudioparrella183 Esiste una soglia oltre la quale se si suona cercando di ottenere di più in termini di dinamica, il suono esce solo più secco e piatto. Dal momento che si capisce che vuole ottenere un suono il più "rotondo" possibile non può fare più di così, anche considerate le sue caratteristiche fisiche (se avesse avuto un braccio e un busto più grosso probabilmente sarebbe riuscita ad ottenere qualcosa di più, ma non penso più di tanto). Si potrebbe dire che è forse un suono un pò fuori "stile" (troppo chopiniano). Ma su questo non saprei...Skriabin si rifaceva molto a Chopin. Comunque tra il minuto 5 e 7 esce un fortissimo bellissimo a mio avviso (anche nel finale).
Great performance but not enough craziness as Scriabin would require. Some passages are great but lacking some imagination. I believe that this is related to the piece itself that lacks of structure. Have listen to Richter and other great pianists but results were not that better, to my opinion. Turbulent environment was not well established...I believe score shall be modified to better fit interpretation (as per Horowitz would do).
If you understand well the sonata form and how Scriabin adapt it for this piece, you cannot say like that, the part of D Major pedal, repeated then after, evidently, in the B Major, who give the important motif of Developpment and Coda.
Beautiful Performance. Such a complex but yet lyrical piece
Love this performance. The treatment of tempo and phrasing is lovely. Nice to hear a pianist privilege articulation and phrasing over speed!
totally agree, I love this piece
i like this one because it's not too loud, beautifully phrased
5:26 when the left hand sings with the right
WOW
Indeed! So beautiful.💕
It’s like a husband and wife
1:49 I can come back to again and again and again. Absolutely sensational
Just....bravo. I can't imagine how a human can even perform a 10th this well under the pressure, lights, judges. Superhuman stuff
4:36 - 5:40 is so intense I sometimes forget to breathe lmao
This part hits so hard that it makes me tear up a little ngl
Absolutely brilliant performance of a great piece.
Such an underrated piece, fantastic interpretation!!
Agreed!
this was such a good performance!! who tf keeps disliking this vid???
No one, that I can see? Of course, I am too thick to understand it all.
Haters lol 😂
RUclips bots xD
@@bryanlokao1 Finally.
Such an unappreciated masterpiece and an absolutely astounding performance
Brava!!👏👏 great performance!! Excellent phrasing and music-making, and good cohesiveness in concept of the whole piece. Many pianists performing this piece tend to bash their way through😛
One of the best interpretations of this legendary piece. A fine balance between power and finesse from a female pianist
Absolutely - this is absolutely wonderful!
Wonderful. I love the clarity of her version...
Those beautiful long fingers, emotional restraint and stoic disposition chanel in to Scriabins psyche❤
Was redirected here after listening to an orchestral version of the piece which was quite unworldly....on YT
Why does Scriabin forget this piece?
This is beautiful..
It might be this piece resembles to Rachmaninov’s style ?
This is the last great piece of his first period. Eager to establish his own style filled with mysterious chord and ecstasy, and he accomplished it with the great 4th Piano Sonata!
@@satoshionoe2539 I don’t think it’s Rachmaninov at all, more or so Scriabin on the brink of breaking off with Chopin
@@SCRIABINIST he was very influenced by Chopin
@@tylers9006 Yes
@@SCRIABINIST Dude I see you everywhere
She gets it like no other! Wonderful! Poetic and powerful!
James Mc Donnell not as good as szidon it needs more power but she has a nice lyrical tone just not enough pathos
Absolutely breathtaking. The second theme of the recapitulation gave me chills!
Only one thing misses in this performance...the applause at the end!
its likely in the middle of a set so there wouldn't be applause after this piece but the ending one
This is a magnificent piece of music, so powerful and beautiful and I just love how the very end brings it to such a wonderful resolution.
I really like this performance. The deep, voluptuous, beautiful piano sound, the flexibility of the rhythm are very beautiful and very inspiring! Bravissima!
wonderful performance... loved it
I cried...
音色十分的優美，流暢感十分的有音樂性。
Astounding piece. Incredible playing. 3:22 sounds just like it's about to become the march-like section in the middle of the F minor Fantasie of Chopin
Never heard a lot of Scriabin including thuis work which is magnificent
Listen to his symphonies and other piano pieces. He is one of the best orchestrators of all time but no one acknowledges this. Listen to his counterpoint in pieces like this one, also a master. Prometheus, just an insane masterpiece on another dimension of greatness.
@@disinformationworld9378he's a better orchestrator than rach to say the least, not in the same height as debussy or ravel
....nice touch and voicing....
대박. 너무 잘침..
The most solid performance I've heard (and I've heard a few) to this incredibally (!!!) hard piece to play but my absolute favorite for piano solo.
how in the hell do they memorise this type of music
sam333 Surprisingly this music is far from being the most difficult to memorize. The 1950’s serial music is borderline impossible.
steventunnicliffe81 yes I was joking very easy to memorise this version is nowhere near as good as szidon on yt I play similar to him as that is what I think scriabin wanted when he composed it
Sorabji and others are difficult to memorise but I get there in the end
Yep. Good shit =) I recommend Bernd Glemser's recording though =P
Superlative interpretation of a piece that is not performed very often. Incredible musician❤
벅차오르네요
Wow, I didn't know about this Scriabin piece. I really like early Scriabin a lot. Can anyone else hear Rachmaninov's 4th Concerto about 5:16?
Exquisitely beautiful performance
Não me Canso de ouvir essa obra de arte.. perfeito.
she ate
I could watch this forever... !
So beautiful! Such feeling you have, very deep. Thank you for sharing.
wth this is great! Maybe the best rendition I've heard on youtube, bravaaaaa
Come on man!
Try Richer, sofronitsky, Neuhaus...
@@guigui9344Berman goat
Best recording I have ever heard!!!
노래에서 사랑이 느껴져요
Великолепно!!!Браво!!!❤❤❤
Is this piece placed on the more romantic side rather than modern? It has a simpler form and has a tonal center
Braestro Certainly, yes. Scriabin’s late style (beginning around Op.58) would probably be most representative of his modernism although there are plenty of prior examples.
Perfect interpretation of the delicate piece. Shouldn't the piece have been entitled Fantasy on a Theme by Liszt? It's written in the same key as the latter's sonata, whose main theme is referenced in different tempos through the Scriabin composition.
Nice.
Amazing
sarà la mia sesta fantasia
gran bella esecuzione
Bravo!
2:55 her pedaling is so crazy
3:17❗️❗️❗️
great
✨
01:40
05:00
Warum hat Horowitz diese Fantasie nicht in seinen Konzerten gespielt? Sie ist der Etude op.8 Nr.12 haushoch überlegen. Die Melodie erfährt eine Chopinartige Erweiterung anstatt sich mit geringen Veränderungen zu wiederholen wie in der Etude!
perhaps it's too technically difficult for him, he's not a super-virtuoso
Eine "Konkurrenz" zur Etüde besteht aus meiner Sicht überhaupt nicht. Die Etüde ist ein Miniaturstück, das erheblich "älter" ist als die Fantasie. Ich sehe viel mehr Parallelen zwischen der Fantasie und der 3. Sonate, die zu Horowitz' Kernrepertoire gehört. Letztere mag die (wunderbare) Fantasie ein wenig in den Schatten gestellt haben.
i am like nº 510
4:50
04:40
5:10
Manca il fortissimo
😂
non rispondere
@@claudioparrella183 Esiste una soglia oltre la quale se si suona cercando di ottenere di più in termini di dinamica, il suono esce solo più secco e piatto. Dal momento che si capisce che vuole ottenere un suono il più "rotondo" possibile non può fare più di così, anche considerate le sue caratteristiche fisiche (se avesse avuto un braccio e un busto più grosso probabilmente sarebbe riuscita ad ottenere qualcosa di più, ma non penso più di tanto). Si potrebbe dire che è forse un suono un pò fuori "stile" (troppo chopiniano). Ma su questo non saprei...Skriabin si rifaceva molto a Chopin. Comunque tra il minuto 5 e 7 esce un fortissimo bellissimo a mio avviso (anche nel finale).
Great performance but not enough craziness as Scriabin would require. Some passages are great but lacking some imagination. I believe that this is related to the piece itself that lacks of structure. Have listen to Richter and other great pianists but results were not that better, to my opinion. Turbulent environment was not well established...I believe score shall be modified to better fit interpretation (as per Horowitz would do).
And where's your recording??!!
The bars 2.57 to 3.29 and similar measures sound stilted and don't really go with the music. Scriabin ruined it a but there imo
Yes. The next time you see him, please remind him of his mistake.
@@horatiodreamt LOL
If you understand well the sonata form and how Scriabin adapt it for this piece, you cannot say like that, the part of D Major pedal, repeated then after, evidently, in the B Major, who give the important motif of Developpment and Coda.
좀더 루바토. 필요시 좀더 여유있게 멜로디를 살리고 포르테 제일 센 부분을 더 살렸음 좋았을텐데. 어렵고 좋은곡 쳐주셔 감사합니다
음 그래서 악보는 읽을 줄은 알고? 같은 한국인이라는게 ㅉ팔리네 ㅉㅉ
Too lyrical wasnt the purpose of Scriabin in this piece...hmm. A kind of interpretation that is allowed.
04:37
5:10