Hybrid Mixing: Part I - In-the-Box & Through an Analog Console - Warren Huart: Produce Like A Pro
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- Опубликовано: 12 май 2015
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Warren discusses his hybrid approach to mixing in-the-box and through an analog SSL console. He walks through a mix showing both the plug-in processing done in Pro Tools and on each channel on the SSL. In part 1, he breaks down the drums and bass in the mix.
Produce Like A Pro is a website which features great tips to help the beginning recordist make incredible sounding home recordings on a budget. 
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Hi plus.google.com/+AlexSolano/posts I am careful to give the console enough level to bring it to life but not too much to distort it. The SSL4000 has great headroom. I go from the SSL to a pair of Pultecs to my Lavry Blue back into Pro Tools. Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
I would love to know this, too. I'm also curious how he handles the setup in Pro Tools regarding assigning outputs and switching between ITB and Hybrid.
I don't play any instrument and don't record or produce music... can barely even hear a difference in most of A/B comparisons when turning on/off compressors and eq's... but find this all endlessly fascinating and can't stop watching your videos :D Thanks for taking the time to make them for us.
This is great! I watch mountain bike videos and don't bike.
Same, I’m always bemused when people declare they are hearing substantial changes 😂
Look how young you were :) !! Love coming back to watch this clip ...
Haha thanks ever so much
@@Producelikeapro hahahahaha... im allowed to say that at my age... hehehe. Love your work
Thanks for taking the time to put this together, Warren!
Very insightful & informative. Always appreciate the great info, looking forward to part 2.
Cheers!
Aw shucks thanks *****! Part two will be up this Fri! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Absolute gold Warren. Thank you so much. Please keep em coming!
Aw shucks Simon Adams Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Hey mate, I love the fact you explain a lot of your eq moves!!!!! Keep making great stuff like you do. Cheers
Great video Warren! Thanks for the step by step. I'm going to try some of these ideas.
Hi Joel Glaser I'm really glad I can help! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Thanks for all your GREAT videos! Cheers, and have a great day!
Really enjoyed that, Warren. Looking forward to part two! Cheers.
Hi Ollie Needham yes part two is out this Fri! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Thank you for this awesome insight!! Great, great channel. Thanks for allowing us into your world and work ethic!
Hi NickAndrewsGuitar wow thanks very much for your kind words! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
Excellent go over sir! Thank you!
Really great info here, thanks for doing this series.
You're welcome Jj Jones! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Wow Warren that drum mix sounds awesome!!! love it brother!
Hi +PastorJonathan1980 Thank you ever so much! Have a marvelous time recording Warren.
Nice job! The tip on the 250 Hz for Bass was golden
Hi ***** Thanks very much, really glad I could help! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Hi Warren. Great, very insightful video as always! On the album we just finished mixing, we used a second hand (from a jazz club which had to close down) Midas Venice console just for analog summing. We went out in stereo pairs (always two channels on the console panned hard left and right (all signal processing was done within the DAW). We had to carefully measure the level of each channel with a 1 kH tone at the start of each session. Since the production went on for a long time (we did it in our "free" time) we needed total recall (that's why we didn't use any EQ on the desk). We were lucky enough to have great D/A abnd A/D converters. The difference was incredible. So much more clarity without messing up the sound of the original in-the-box mix. We also ran all mixes through a Studer A80 at 15 ips (in a big studio which did a great bargain for us). It further improved on what we wanted. The only problem was noise. We had to use the material without going through tape on the quieter parts (for example just guitar and vocals). Just a word about toms: I always find that especially the floor tom(s) have a boomy resonance each time the drummer hits the kick drum (unless you go overboard with gaffer tape - which I use sparingly). That's why I usually take the toms all out when they are not playing. I even step radically down with fader automation when a low tom is followed by a kick and crash, because it is "booming" too much. I had that problem on all sorts of drums, heads, different studios and different tuning. Fader automation solves this completely. I personally found that the sympathetic resonance of toms (with the kick) doesn't add to the drum sound. That's why I now take them out completely when they don't play. But that's in pop/rock. I very likely would do it differently in jazz. Just wanted to share this. Thanks for reading and thanks for another great video!
Hi +Christian Schonberger Great comment! Yes I have a Studer A80 Mark 2 as well and I love the way it sounds! Also using a console to add depth is a great thing! I pull down the Toms between hits but don't completely mute them, but that's just my preference! Have a marvellous time recording, many thanks Warren
Hi Warren, this vid and specifically this comment I’m replying to are a few years old but very serendipitous for me. I came to this video looking for information about how to set-up gain staging and routing when coming back out of your DAW into an analog mixer for hybrid mixing/summing. I actually have a very similar pre-Behringer Midas mixer (Midas Venice 240) to the mixer Christian (hello Christian) describes above. On our Midas mixers the line input does not bypass the internal trim gain stage. The ‘insert’ does bypass that gain stage (and the faders and pan), but I as understand it the inserts on a live board like this are meant to be used as send/returns and require that kind of cabling. So that leaves the line inputs and I am just curious whether that limited routing is ideal for a hybrid mixer and if so what exactly would the procedure be for setting up proper gain staging between the outputs of the DAW (I use the internal converters on my RME UFX+) and the Midas mixer. Should I leave the trim pots as low as possible and the faders at 0?
Thanks so much, your videos and your sincere and pleasant disposition are really inspiring. 🎶
Been looking for this explanation all over the internet. Should have come here in the first place.
yesss finally someone that does this like us but more in depth! thanks
great video. Thanks.
Brilliant Mixing tutorial..Really useful tips.. Thanks
Hi ferg303 Thanks very much for your kind words I really appreciate it! So glad to able to help!! Have a marvellous time recording, many thanks Warren
You're in Laurel Canyon! Too cool :) Always wanted to visit that place after learning about all the classic artists that lived up there. Loving the videos! Thank You!
Hi Abraham Chapman yes it's beautiful up here and the history is incredible! Have a marvellous time recording, many thanks Warren
Excellent videos
Nicely done Warren! Cheers!
Thanks ***** You ROCK!! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Yes warren was looking for this from you! Thank you mate
wonderful videos
Thanks Warren, can't wait for part two. I'm embarrassed to say it but listening to you explain everything makes me realize I know nothing about production. I understand a lot but but have hardly ever put it into actual practice. I've learned quite a lot in just this lesson. I also can't wait until we can download this and work with it. Thanks again...
Aw shucks thanks Buddy Martin but I'm sure you have a wealth of experience to offer as well. Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Always informative
Sounded awesome thanks I am learning a lot from u
Excellent. Great stuff, Warren.
Hi TruthCode I really appreciate it! Have a marvellous time recording, many thanks Warren
Just bought Sound craft GB8 Analog 40, this is great video✌🇺🇸
Funny is I am doing pretty same with drums eq/gate/comp during the live shows I am mixing.Same frequency areas that I don’t like(cut) and like (boost).love your channel!
Hi Lukasz! Thanks ever so much! I'm glad to be able to help!
Awesome video! Enjoyed this a lot being an engineer for over 20 years! I'm still not happy with my mixes in the box and need as much advice i can get these days!
Hi +Mike Hordorwich Great!! Practice makes perfect! Have a marvellous time recording, many thanks Warren
Hi Warren your video's are excellent please keep up the good work! I also use a hybrid method :) I still record to tape (yes I am old school LOL). My chain is a follows I use to Toft ATB 32 which goes directly into 2 Tascam msr-16's from there I go into ProTools 10 native HD. I use an Otari 5050 to check mixes and a Studer A810 and as a final tape stage after mastering. I love both digital & Analog, I love recording to tape but do all my editing in Pro Tools. For me Analog is much more than just recording to tape, it's also the interaction with the music and the artist . This is the reason why I brought an analog console and not a digital one, with the digital console you have to scroll through menus, but with the analog console you just reach up and turn a knob. Just look at the old techniques they used back in the day when they recorded bands like the Beatles or Led Zeppelin. I still love that type of interaction with making music but love what editing in the box gives me. But I also work a lot inside the box do to the fact a lot of my clients will come and already have stems or 2 tracks of their song already done in another DAW. I use mostly out board gear when I record and do my mixes, you will be surprise on the deals you can find on EBay as a lot of folks sale a lot of their gear since a lot have gone completely in the box, but I also have a ton of plugins as well. I find and you will be surprise at a lot of folks who record using this method. I live here in NYC and there are many studio's who still only use tape. My goal is to get a Studer A800 with a Clasp system and a AMPEX ATR 102 for mastering soon.
Hi +mixc8 That sounds like a fantastic set up! Also the Studer A800 with a CLASP system will be amazing, especially with an ATR102! Have a marvellous time recording, many thanks Warren
Wow! its like Magic!
Could you do a video on how to route all this and what hardware you're using to go out of the box and back in? This is where I am lost. I have my eye on an Antelope Orion 32. But it's out of my price range...is there a cheaper alternative that won't limit me to 8 channels?
Great video (I have recently subscribed. Apologies if this has been covered or really basic and I have missed it but here goes. I assume you are connecting the DAW to the desk through your interface am I correct in thinking that you are limited to how many channels in the desk you can send things to by how many outputs you have on your interface?. My second question is it worth doing analogue summing with a lower end desk (mine is a Mackie 8 buss) would I see any benefits or does it need a high end desk like the SSL?ThanksDave
Funny, I did my very first record using pretty the same hybrid set-up, interesting to notice some similarity with the processing, and also: boosting bass guitar at around 850 Hz it's an interesting trick, can't wait to try it. Have a great day Peppe
Hi Giuseppe Formisano great! Yes it's a fantastic way to mix, I'm truly blessed to have for so many years to get this equipment! Have a marvellous time recording, many thanks Warren
Most interesting video I have ever seen on hybrid mixing. Sending it through the console really adds something special I don't think you can get ITB, but of course it is a SSL. Would you achieve anything running these through lower end analog consoles such as Soundcraft, Allen & Health, Midas using outboard compression and then through a tube compressor for the final mix bus for those of us without a SSL?
Hi RM International thanks for the fantastic question! That's a really interesting one, I think yes and no. What I would do is insert a console channel strip on certain instruments. I believe the Bass, kick and snare would react really well to having some other transients being soaked up by an analog console! I would experiment, obviously if only part of the drum kit was going through a console you would have to delay the rest of the kit accordingly, hope day compensation would handle it ok. Let me know what results you get! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Awesome video!
Aw shucks thank MovieMaker484! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
I just discovered your channel today, but it's my new favorite channel on RUclips.
MovieMaker484 Fantastic! Thanks ever so much! Have a marvelous time recording, many thanks Warren
Hi, great video! I've watched part 2 too and really enjoyed them. Which faders are you mixing on? SSL or ProTools? Where are you applying automation? SSL or PT? If you apply fader moves/automation in PT I guess this would really mess with your desk compression?
hey warren, love all of your videos thank you for doing them. i've got a question about the overload or peaking on the console, i see you don't mind a little peaking on that kick but the question is how do i know when i do really need to back off the gain or when is it ok or not a problem, i am mixing through a digital console and i avoid the clip at all costs, is it ok to clip sometime? will the console damage? thanks a lot
Amazing video. Thank you! Are you sending the tracks to the console with effects already on them? For example, when you are EQ'ing the snare on the ssl are you also EQ'ing the snare verb? I have an inward connections summing mixer and use outboard EQs on occasion and am always confused on the best way to do this. Thanks again.
Hi Garrett Sale Thanks very much for your great comment I really appreciate it! I send the snare verb, kick verb to a separate pair of un EQ'd uncompressed channels, the vocal effects come back on an auxiliary I hope that helps! Have a marvellous time recording, many thanks Warren
Hi warren can you do a video on how to practically wire up a hybrid system in the most effective way. i have a small home studio and even that small setup has xlr cables everywhere. what do you use and what advice could you give to us in a small home studio environment??
Thanks
I'm guessing patch bay would be your answer. Keep everything patched/wired in and from the front, use short patch cable to connect what you want to connect.
Can you do a video on doing a final export in Pro Tools when hybrid mixing? I want to make sure I’m doing it the right way by getting my added effects and plugins into the same mix .wav file
Give us more hybrid mixing videos!!! :D
Hi +Srdjan Bojic Just might do! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Hello Warren,
Thank you for all your generosity, it's inspire me.
One thing i noticed when i watch was that, it looks like you are using stereo samples from Addictive right?, but the signal from the kickmaster for example ending up in mono on the console? What's your thought about that?
Hi +Oskar Fredriksson I'm so glad to be able to help! Some are coming out mono and others are returning in stereo! Have a marvellous time recording and mixing, many thanks Warren
Hey Warren, a question - but first a compliment; this video series is absolutely superb. As a songwriter/producer with an emerging understanding of mixing, your tutorials help me make my label demos sound a lot better. Out of curiosity: which SSL desk are you working with?
Hi +Jesper Kryger Nielsen AW shucks thanks very much! I'm so glad to be able to help! I have an SSL4000. Have a marvellous time recording, many thanks Warren
Really informative video. I'd like to know more about your routing scheme through the hardware. You are coming out of your Protools D/A convertors and into your console but are you going into the channel input or another input like a tape return? Also did you let the signals clip a bit on purpose because you like the sound?
Hi DoItYourselfMusician thanks for watching! Yes I come out of the Avid IO's into the console and then back to my Lavry Blue AD Convertor which sounds amazing! As far as the clip indicators, they come on just before you hear audible clipping and yes I do like the way it sounds driven hard like that. I mixed half of the last Aerosmith record and Chris Lord Alge did 3 songs and when I went to work on the tracks with him (he has the same console) the clip lights were going almost the whole time, so I know I wasn't doing anything wrong! When in doubt we just have to listen to make that decision, if it sounds good the we are ok! I really appreciate it! Have a marvelous time recording, many thanks Warren
Warren - I was looking forward to this video. Thanks for doing it. Can't wait for part two. I'm sure you'll tell us but I'm guessing you'll sum everything down to a two bus and print that back in to Pro-Tools?
Hi Jed Wunderli Yes I bounce back to two tracks in Pro Tools. I really appreciate you watching and commenting! Have a marvelous time recording, many thanks Warren
I'm going to be doing a little change to my setup and was wondering if i could get your advice? Thanks so much! Great video again!
Hi +Mike Hordorwich Of course please leave a question here! Have a marvellous time recording, many thanks Warren
Hi +Mike Hordorwich Of course please leave a question here! Have a marvellous time recording, many thanks Warren
Thanks Warren, excellent video. Have you checked out AutoAlign by SoundRadix for aligning tracks? I believe it's main purpose is for multi mic'ed instruments such as drums / piano etc, but on a few occassions' I've used it to maximize phase between kick and bass. Looking forward to part 2!
Hi Anthony Gibney I don't know that particular Plug In but it sounds fantastic! I'll check it out! Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
great lesson mate. Just wondering what kind of panning u do on the overheads? Is it hard left/right or somewhere in between.
Thanks in advance
Hi ***** great question! When I mix my own recordings I usually pan them 100% L 100% Right because I record them in phase with the snare and I like the width it creates on the drums. However if I'm mixing other peoples music I will move the panning around until it feels perfect. Thanks for watching and commenting, I really appreciate it! Have a marvelous time recording, many thanks Warren
Great Video! Although it didnt cover the topic it thought it did.
I want to learn how to mix OTB and then record and bounce this mix from pro tools, and im not sure how to do it.
I can hear the differences the parameters on the console make to the song, ie. the pan pots, EQ, inserts, volume faders etc, but when i do a mix OTB on the console and then bounce the track from pro tools the bounced song is unmixed. Like the tracks are completly dry as i have recorded them.
Is there a step im missing here? Is it something to do with the patch bay? do the all the channels, once mixed OTB, then need to be routed back into pro tools and re-recorded?
Novice here, so sorry for my lack of knowledge. Any help on this would be greatly appreciated!
I noticed you have the Apogee AD8000. I have one of those and love that its input circuitry is so transparent and no electrolytic caps. I'm curious how you implement it? Is it your main A/D when doing overdubs? Just a clock or just some extra channels? Anyway I'm kind of binge watching all your videos and trying to soak it all in :) Cheers!
Hi Abraham Chapman I love my AD8000! I use it on drums! It's my main IO for drums from my CADAC 12 channel console, it sounds fantastic on them! Have a marvellous time recording, many thanks Warren
Hi Warren great video - wonder if you could help do you get much noise when you go back from your analogue console into your DAW ? I'm trying to cut the noise down when I do this - any advice ? all the best --steve
Nice video....i have a question...you can send to ssl only audio channel? i record in pro tools for now only instrument tracks...
i never saw a video with instrument track that is send to ssl.
make please a video about how to send a track to ssl :)
i am very curios about this
I sure liked seeing how you handled AD,
That's the drums I've gotta use.
Keen ideas on the bass guitar processing too.
One thing I missed, those are AD on top of REAL drums, or just AD?
Thx again.
Hi +SLAMSTERDAMN Thanks for the great question! I do both! Sometimes when demoing I record just AD and other times when mixing I will blend Live Drums and Addictive together! I hope that helps! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
+Produce Like A Pro ; Aye, it sure did.
Thx & HNY's W. Huart.
Hi +SLAMSTERDAMN I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
Very practical and informative video Warren. Just one question, when you say you have "masters" in your PT session you mean actually master channels or Aux (buses), and if you're using masters is there any particular reason while you're using them instead of auxes ? Thanks :)
Hi Steve Galante thanks I like to have Master faders going to the console, that way if theres several aux channels with guitars etc bussed with different effects there is one dedicated master fader that sums them to the console. I know traditionally they sounded better than auxs, however now they are probably the same but I do it for focus and clarity so I have one place where I can just boost all the rhythm guitars and their associated effects if need be. Have a marvelous time recording, many thanks Warren
Great Video! Does your SSL have knob recall? If you don't what do you do when you have to adjust something later on the console?
Hi Tip Van Den Bos thanks for the question. Yes my SSL does have recall. Have a marvelous time recording, many thanks Warren
Can someone provide a link to the video on using time adjustment to get tracks into phase?
Do you bounce your tracks back into the daw with the same console back into separate tracks on your interface or do you bounce them to something else?
I have been wanting to track through a digital console but also mix on one from the daw. A bit confused on the workflow.
Do you have a video showing how to record in your DAW, come out into an analog console and back into the DAW? I want to be able to use my onboard console effects but have a board that only send preamp signal to USB. I can hear the analog boards effects in the headphone mix but not in the DAW. Wondering if I need an IO.
I was hoping to see that same process demonstrated when I found this video via a search.
Yes you will need an io
Awesome video Warren!! Quick question about your routing
A) Audio -> Protools process - > Console Channel strip -> Protools Master bus
B) Audio -> Console Channel Strip - > Protools process -> Protools Master bus
C) Audio -> EQ Console Channel strip -> Protools Process as Insert before console channel strip compression -> Protools Master bus
Thanks again!
When mixing hybrid it’s A! Hope that helps?
@@Producelikeapro Awesome, Thank you!
@@Producelikeapro how would you break out from Pro Tools to back to the console. Breakout snake or? Also where are the multi tracks for this one. Can’t seem to find them
Hi Warren thanks for this video. Question: why would you EQ and compress twice, ITB and through the SSL? Isnt this going to be too much processing? Would you usually di hybrid? Thanks
Hi +Lucretious2006 I like the sound of the different EQs and compression combined! Thanks very much I really appreciate your comment! Have a marvellous time recording, many thanks Warren
When I was a kid, my father sold his Gretch Country Gentleman to pay for my school fees (we where poor). I never quite forgave him for that. 4 years ago, I sold my 8 track Otari reel unit to pay some pretty serious debts. The regret I felt finally made me forgave my dad. Turns out everyone can be forced to sell their gold to put food on the table. But I'd always dump my session out of Logic onto Tape for a final analogue mixdown onto the 2 track (Which I could send to a golden ear mate to master for me), and it just sold the whole analogue old school feel so well.
If you just had a ONE nice physical channel strip or rack with a few units that you liked, could you run every sound through those prior to mixing in order to get the most of both worlds? I keep hearing that strictly ITB can't compete (which I'm skeptical), and it's become disheartening because I know the reality is I'll never have a console capable of hosing 50-100+ track projects I make :/ ...Any advice on this would help.
I have an old 40 channel Allen and Heath desk that I want to be able to track through into Protools before then having playback coming out of protools and back into the desk to mix. What outboard gear do I need to get to make this possible? Obviously I know I need some A-D/D-A converters...and quite a few of them most likely, but is that all I need. If so how do I input to these converters units as many that I've seen only input on ADAT connections? Any advice would be appreciated.
Hey Warren, where can we get a hold of the samples you talked about in your videos!.
Hi Alexander Martin-Blanken thanks for the message. Did you sign up at www.producelikeapro.com? You will receive an email with a confirmation and once you confirm you'll get links to the samples etc. Have a marvellous time recording, many thanks Warren
hey again question for you...since I don't have a console.. when for example lets say I have a bass guitar track 3 and it has eq comp on it and other things on the insert.... Are you saying with the automation should I send that bass track to lets say a separate buss channel just to be able to automate it so it I wont just be pushing the compression harder.... was I hearing that correct lol... Is that the trick to automation??
Hi Tim Adams yes completely correct! If you take 3 sounds and eq them separately they should be bussed to one and the automation would be on the Bus so the compression on the bus remains constant. Thanks very much for your great comment I really appreciate it! Have a marvellous time recording, many thanks Warren
Just curious, what's the mbox for? Is that strictly for recording the audio for the video production? Great videos, most big timers would never consider doing what you're doing.
Hi Ma Ja Good spot yes I used it for recording the audio for the video. Thanks for watching and commenting! Have a marvelous time recording, many thanks Warren
Hi Warren! A friend asked me to master his project (he knows I have little experience at mastering but has faith in me). I'm sending from Logic Pro X 10.5.1 to a Neve Mastering EQ (same bands as a 1081) and back to Logic.
I sent a sine wave thru the eq and the stereo signal comes back slightly uneven in level, the R side down maybe .5 - 1db. How do I even out the signal? Thank You!!!
My eyesight is very bad, bad enough that I can barely read so please pardon my mistakes.
Somebody might be interested in what Saul Walker and Paul Wolff had to say about the API plugins appearing and I did saw my API text (it was too much for me to post anyways)
What's the headroom on the Neve? I had located a comment, here, but I lost it I must say that I doubt that a virtual plugin would capture thereal character of the Jensen's and Saul's 2520. I'm used to+30 db headroom, but I just mention because your video made me remember my API day, but I'm trying to split my thinking. I go where the customers go.
I have to push past it, and I think your video(s) will help me through my ingrained prejudice against non-discrete electronics (off-topic).
Thanks again, keep up your excellence. You are one of the few that really know the topic and, yet are very clear on your demos and explanations dotting by your hands on practical knowledge.
BTW, Offtopic, and sorry about the comments. When I saw the API reconstructions, I waxed nostalgic about my history as a former API employee. I miss +30 db headroom, which I got used to, among other things. I'm working on both knowledge and a philosophy change.
PS: I have a funny comment from Paul Wolff about virtual API plugin's,and it's pure Saul Walker and Paul Wolff,. Of course it won't take long to guess their thoughts. I don't have their luxury, as I go where my venues (large churches, concerts, etc.) go.
Hello Warren,
I don't really get this video. I'm a beginner and I have only a guitar interface which I connect with my PC and I record it and mix it in my DAW. In the future I'd like to build a bigger studio but i still don't get the setup, I thought it goes like this - you put the mic (let's say a kick mic) to a console channel and then you go from the channel output to your interface input, and from the interface output to your DAW. You set up the sound which you want to record on your console and then you track it and afterwards you do all the production in the box. But in this video it seems that I got it wrong. Can you explain how it goes to a beginner? Otherwise, thanks for making these great vids its really helpful.
Warren are you equing before compression on the console?
Quick question, how do you record back from the console into pro tools?
Output to input...?
Its just a loop. You insert the console the same as you would hardware. Into the console then outputs back into the converters.
External inserts using a plugin in your DAW. in Sonar the plugin is named "external insert". You can also bounce the mix in a live mode and your AD-DA converters from the sound card will fix the conversion from analog to digital, provided that if you don't have a separate hardware for that purpose. One thing to note is round trip latency and phase shifting that can be introduced in the signal. Most modern plugins have an option to measure this latency in advance by sending a beacon and later compensate for the introduced latency by shifting the signal back to its original timing.
Hi Warren, I've been looking at the Harman Soundcraft Signature 22MTK as a hybrid option in 2018.. with 22/24 in/outs via real world inputs and ITB i/o routing via USB2 including 9 Ghost pre's/3 band Saphire EQ/9 DBX limiters on mic/line mono in's as strip components for less than one SSL 4000G EQ Component! Currently retailing approx. [USD$800]. It seems to good to be true!? Whats your take on the quality of the analog circuitry inside something like this at this price? All bells and whistles on the surface and sub-par under the hood?? Would be quite appreciative to know your opinion or if you've heard any results from this hybrid desk. Thanks, G. Syd Aust.
EXCELLENT!! Hey Warren, do you have to be cautious on the levels feeding from your PT rig into the console? -18dB RMS...?
Alex Solano Also, is the SSL the last thing in the signal chain?
Hi +Alex Solano Yes the SSL is the last thing in the signal chain! Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
How do you send to reverb and delay plugins? Are the sends happening before the console or after? Thanks
Hey Warren Huart, I hope you're doing marvelously well 😉
I'm a Future Bass producer and for a while now I'm looking for a solution to have warm but accurate sounding mix without losing much of the high frequencies but taking enough for making it sound less harsh on people's ears, like although it gets to serious high levels of volume it won't hurt anyone's ears, as an example hear "Skrillex - Spoon Me", it's future bass and has the perfect sound that I'm pursuing..now because I guess he's using analog tapes and analog consoles and because I don't have any money or space to buy one here's my request:
I want to request a video, if you can show us how to emulate analog sounding mix inside a daw, I really need that substitute, I heard its possible but I really don't know how to do it and I know you're able to pull out something of your genius head..so I would love you to show us how to do it in a video - this can save a lot of life ;)
Thanks, cheers :)
I have protools 8 and im trying to connect my mixer into the digidisign mbox2 mini how would that work?
How do you connect the individual tracks from your pc to the individual channels on the real mixer?
Hi Warren. I just wanna ask: Out of 20 professionally-recorded ROCK songs nowadays, how many songs employ drum samples? I'll reserve my comments for later. Thanks!
I'd be interested to see how your thoughts have changed on this kind of mixing as technology has moved on over the past 5 years.
Hi, How could you receive mixdown track? Could you sugguest some routing to receiving mixdown track?
hi stuart, could you answer me a question please? when you are using time adjustment to get different tracks in phase, do you always use your oh as the track reference, and sync the kick, snare, toms, etc to them?
Hi +Nico Canet Great question! The overheads give me an accurate representation of the drums so the snare and then the toms always feel best to me in time/phase aligned to the overheads. I hope that clarifies? Have a marvelous time recording! Many thanks Warren
What are the conectors need on the computer to conect the any ssl board?
Hi Warren, I have an SPL Crimson 3...do you think I can do analog summing with it? I really want to hook up an analog summer
Hi Warren, I had a question regarding the ssl E eq channel. There's more than one emulation of the Echannel. Waves, T-racks, UAD, steven slate. I am little intrigued because, when you analyse a boost at 3Kz on Green knob it is in fact more around 4K on the waves, and more around 2,4Khz on steven slate. Is it possible to have your view has you have a real ssl E console ?
Hi +Christian Loudieu Wow that's a fantastic question! I have used the Waves and I like it but it doesn't sound like my console, but it is a great way to get EQ, compression, gating and expanding! I love Steven's plugins, he's making wonderful sounding affordable plug ins! I have never directly compared his stuff, but I just find it to sound great immediately! I am going to get the UAD and my good friends who I trust maintain it is the most faithful sounding plug ins out there! Have a marvellous time recording and mixing, many thanks Warren
+Produce like a pro - Hi Warren im new to recording and mixing in a DAW, i currently don't have any external hardware for processing i've been watching all your videos researching hardware including the 500 series format and was wondering if you could give me any advice on what piece of equipment would be the most beneficial to my sound for tracking and mixing (EQ, Compressor or Summing mixer) all the music i listen to is analog form the 50's and 60's and i would like to get a piece of equipment to bring me some of that mojo for £1000 to £2000 if possible.
Thanks for making your videos, they've been a great help.
😃 yes man!
Hi +keithrobichaux Thanks very much I really appreciate it! Have a marvellous time recording, many thanks Warren
Where does this get printed in the end? You record in the box then through console what's the next in the chain?
one thing i notice you don t tell what kind of computer your using to do all this stuff?and its speed etc, could you do that in a video?
Marvellous question! It's an old Apple Computer from 2011 6 Core Intel 3.33ghz
hey, if i needed to record and mix through the same system how would i set it up so i can have microphones running through my interface, to pro tools, out of the interface to the console, would the last thing to do is print? i'm confused on how i should set up my system with my console. What if i don't have enough outputs to run all my tracks through to the console? What if my console only has mic ins/line and inserts; will i be able to use it? Should i even bother with a console and just get really nice compressors and eq's on the way in?
Thanks
Great question! You don;t have to have a console, but if you do there are many different consoles that all kinds of options for monitoring and tracking. Really depends on how much you spend etc. I would get some nice Mics and Pres first. Have a marvellous time recording and mixing, many thanks Warren
nice mate ! i just download the multitracks . how do i import it in Logic ? I am not pro. Best
Hi have a project mix io like to use it makes me go faster i have a fast track ultra and am also using a pc windows 7 like to know if i can use two interface
Hi +glenford holder I don't believe you can use the Fast Track with another interface, I would check on the Avid message board, but I don't believe it's possible. Have a marvellous time recording, many thanks Warren
Hi Warren, how do I subscribe to your mailing list? I'd like to download the session in this video. Thanks!
Hi Jerome Giguere go to www.producelikeapro.com and sign up for the mailing list, you will receive an email, please confirm and then you will get a download link to the files, some free music, free drum samples and access to the Vimeo channel as well. Have a marvelous time recording, many thanks Warren
The vocal line 'off key in your favorite song' can be a little annoying when it's stuck in your head for days in a row. This channel is a life-saver though. Thanks for all your effort.
Hi +Simon de rycke Aw shucks! Thanks very much for your kind words I really appreciate it! Have a marvellous time recording, many thanks Warren
Hey bud, by any chance do you have a video about how you create midi from drums with melodyne?
Hi ContraStudio88 thanks for the comment! No, but I am going to do one very soon! Thanks for watching and sharing, I really appreciate it! Have a marvelous time recording, many thanks Warren
Produce Like A Pro Thanks, Ill be picking up a AWS16 pretty soon. I wasn't to sure about investing into one, but after watching this video and a few others I'm motivated to pull the trigger. I had a few questions about the AD/DA side of it. I plan to send my outs from my Apogee Symphony into the AWS, but when its time to print you I can do so with another converter? I recall you saying you printed via another converter, if so how? I mean how do I run Apogee out and print in with say a Burl? Also, how hard was it of a learning curve for you understanding the SSL routing? Its a bit intimidating going from DAW to SSL routing.
Hi ContraStudio88, interesting, let me know how you get on with it. I was looking at buying a AWS924 but I got this instead, because I wanted dynamics on every channel. To match that I was going to have to buy a lot separate compressors etc to match the 4k. However I would love to know what you think, they look very cool, very sleek and don't eat as much electricity. I personally print through a Lavry Blue, I love the sound of it, I'm sure a Burl would be great as well, but of course a pair of inputs on the Apogee would also sound great as well. Let me know how you get on. Thanks for watching and sharing, I really appreciate it! Have a marvelous time recording, many thanks Warren
Hi Warren, what are you using for inserts on your SSL channels 1 - 4 (kick, snare, toms) and bass? Also, how do you handle parallel compression, ITB or on the board? Thanks.
Hi Anthony Gibney thanks for the great question. I am inserting a 560 on the Kick on channel 1 and another 560 on the snare on channel 2. I like to use a transient designer on the first 4 channels to shape the toms in particular. Bass has a little 100z lift from a Pultec. I have a Drums crush which is running in parallel and coming up on channels 29-30, but any parallel compression on the vocals etc I do ITB. I hope that helps, have a marvelous time recording, many thanks Warren
Produce Like A Pro Thanks for that! You're definitely a fan of API then!.
Hi Anthony Gibney I have 6 312's but they are all BAE ones, they are making new 560 EQ's so I will probably get a pair of those for my kick and snare. I also have a CADAC console I use for drums and BAE 1073 and 1028 for Vocals and Bass. Have a marvelous time recording, many thanks Warren
Produce Like A Pro Sweet gear list (very slutty). The BAE stuff is incredible. That's brilliant that they are coming out with a version of 560 EQs. I have a BAE 10DC that I use all the time, it's one of my favourite compressors. Have you checked out the Kush Audio Electra?
Hi Anthony Gibney thanks for the great comment! Yes I love BAE Mic pres, they sound great, I also have a pair of 10DC compressors, I love them! I haven't checked out the Kush Audio Electra, what is that? Have a marvelous time recording! Many thanks Warren
How is the console connected to protools?
Thanks for this! Question! Do you go into your ssl mic or line level? Thanks!
Are u serious? You just answered your question in your question. Line for line and mic for mics... 🤦🏼♂️
@@greganikin7003 yeah... sooooo we are referencing playback. Sorry I didn't explain that better. FOR PLAY BACK do you go into your ssl mic or line level?
@@andrewgoulson mic inputs are for mics... line for lines... catch it ?
Greg Anikin I don’t think you understand what I’m asking. There is no microphones being used in this situation. It’s ALL coming out of protools back into the sound board. You can send it out of your interface into mic (xlr) or into line (1/4 in). No actual microphones are being used. Anyway I tested it myself and I’m going with mic. Line is WAY too hot of a signal.
@@andrewgoulson xlr also can be used for line inputs. Check your hardware input level if it's set on -20 db then it's going to be too hot. My point is that your answer is in your question. Mic ins are for mic inputs with phantom power and line ins are for Lin Ins.