Alice & Jack: Preview
HTML-код
- Опубликовано: 21 фев 2024
- From Academy Award®-nominated actress and executive producer Andrea Riseborough, actor and executive producer Domhnall Gleeson, and award-winning writer and executive producer Victor Levin (Mad Men, Mad About You) comes an all-new love story spanning 15 years, premiering on Sunday, March 17 at 10/9c on MASTERPIECE on PBS. #masterpiecepbs #domhnallgleeson #andreariseborough
For more videos on Alice & Jack and other shows from MASTERPIECE on PBS, make sure to subscribe to our RUclips channel: ruclips.net/user/masterpi...
Explore official Alice & Jack digital features, cast interviews and more at: www.pbs.org/wgbh/masterpiece/...
Follow MASTERPIECE on social media for behind-the-scenes extras and more!
Facebook: masterpiecepbs
Instagram: masterpiecepbs
TikTok: tiktok.com/@masterpiecepbs
GIPHY: giphy.com/masterpiecepbs
Twitter: masterpiecepbs 
Развлечения
It's brill. Really grew on me.
🎉 greetings from coastal Mississippi. I love Masterpiece Theater. I will give this a watch
❤😢❤ I need to watch this.
Loved it
Masterpiece
You basically just need to watch the last episode as it tells the whole story again 🤦🏼
Just binged the full series there's so much more than the last episode... so glad I didn't take your advice!
Like I care
@@benjames77bd 😂😂😂
I watched it all. It was dry
Lacked on screeen chemistry and an unbelievable story 🤦🏼
We got it from your first comment. You didn't like it. Nowjust shut it.
@@lightdancedesigns no need to be abusive
Lacked chemistry??? That's her character portrayal
You clearly haven't watched it all
Their both magnificent
The writer wrote a fairly prosaic, if downbeat romantic journey. Segmented into fanciful short sections.
That seem to defy any sense of normal human relations, outside of the writers head.
The classic "will-they-or-won't-they" trope scenario... stretched out over fifteen years.
*We know this because their mobiles dramatically change shape over the course of their relationship.
But because the narrative was so stereotypical, the writer decided to twist the two protagonists genders over.
So the male is the lovey-dovey, forlorn and the ever longing one, ...and the female is the impossible to fathom,
distant, ridiculously complicated and aloof... male 'workaholic' stereotype.
For many, this may seem too jarring and unnatural. A ploy, rather than a real world possibility.
The regularly 'dumped one' luckily has a sidekick, who's every utterance encapsulates miraculous sage-like profundity.
He adds an unfortunate level of contrivance to the story. As if the writer needed to interject their own thoughts,
into the listeners earholes, as a constant commentary or story device.
Many other plot devices are also hit-or-miss... from 'father figures issues' to TV reports of sudden deaths.
It tries a little too hard, to be all neat and tidy ...with its unravelling story.
The actors do seem up for it though. Mr.Gleeson definitely has the quasi-feminine mystic firmly in his repertoire.
Ms.Riseborough's 'strange emotive energy' works for the inscrutable part she was given.
Although, the story rests... on if you can accept the role reversal,
accept that a man would act so permissively for such an incredibly long period of time?
It all sort of works, until it doesn't. Till money magically solves all of the loose ends.
The writer forgetting that money is antithetical to Western ideals about love and to love stories in general.
Sudden wealth is not a substitute for unrequited love... or erratic, non-committal behaviour.
It is an American style ending ...that really isn't required or even welcome.