im not really into resonators in my production needs, but, learning the MEANING how everything works inside, especially using simple and understandable words, this is the main! thanx, man!
I was wrong, the block size indeed affects the delay time minimum. Think they build it as a saveguard though, this is internal audio processing, don't see why card output should affect it.
Great vid! Following along recreating the patch. For some reason the pitch of the noise burst I’m getting is much deeper than yours, not sure why that is. Edit: I guess it’s probably a difference in buffer settings between your setup and mine.
Nice! After your last video I did something similar, but I ended up feeding the output into a vocoder where I used a polysynth to create a dynamic and ambient texture that had the stability of the synth but texture and fluidity of the feedback. Also used some randomization techniques to nudge values within the feedback grid to keep things a little unpredictable but also not crazy.
I think redoing CableGuys new SnapBack plugin in the grid would make an awesome video 🙂 just an idea! Thanks and love your content been watching for many years.
i use several DAW's but Bitwig makes me more creative on so many points others simply can't or are to complex to fix something fast , M4L is to complicated and has a very high learning curve versus the Grid ..
@@Italliving this is probably Bitwig’s best sales pitch for Ableton users who want more functionality without having to learn to code in Max/MSP. And sure FL Studio has Patcher which is going for the modular approach, but it’s more complicated to use. I think it’s really inspiring.
@@Itallivingsimilar. I’ve recently fallen for Reaper - it’s vast level of customization and open source-like scripts is really enticing. And def brings loads of functionality Bitwig lacks. BUT, there’s nothing quite like the Grid, the NoteFX, the modulation system etc of Bitwig’s. Couldn’t live without it now!
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
im not really into resonators in my production needs, but, learning the MEANING how everything works inside, especially using simple and understandable words, this is the main! thanx, man!
Oh good lord this now my most favorite patch in Bitwig ever. I dont mean just from you. I mean...Ever
Thanks, much appreciated. This is a way better result than I was ever able to get. Between the low block size and autoleveling, this thing is great.
just after ur videos I started use Grid. thank u)
With this Chroma-Tool it makes more musical sense...nice one, cheers*
Wow, I know what I’m doing this weekend! Great tutorial, can’t wait to do this , thanks!
I was wrong, the block size indeed affects the delay time minimum. Think they build it as a saveguard though, this is internal audio processing, don't see why card output should affect it.
The feedback noise on its own: nah
With the phaser and filters: fvck yeah!!!
😅 the fx is the spice
This is sick. Thanks for sharing!
Great vid! Following along recreating the patch. For some reason the pitch of the noise burst I’m getting is much deeper than yours, not sure why that is.
Edit: I guess it’s probably a difference in buffer settings between your setup and mine.
probably. the higher the min buffer size is the lower the min pitch is.
@@PolarityMusic that makes sense. Cheers!
Nice!
After your last video I did something similar, but I ended up feeding the output into a vocoder where I used a polysynth to create a dynamic and ambient texture that had the stability of the synth but texture and fluidity of the feedback.
Also used some randomization techniques to nudge values within the feedback grid to keep things a little unpredictable but also not crazy.
Great video, thank you!
I think redoing CableGuys new SnapBack plugin in the grid would make an awesome video 🙂 just an idea! Thanks and love your content been watching for many years.
will do man!
Those are perfect sounds for some dark sci-fi, especially with the valhalla supermassive on it. thanks for sharing.
SciFi? Nah! This is the soundtrack of 2024!!!
Supra nice to follow along, thanks
fantastic tutorial! It also could good to now if there is a way to reproduce chroma in bitwig
can you try to "teach" that resonate stuff act like a classical vocoder's carrier/modulator stuff?
Why you don't use Ableton ?
Because it doesn’t have the Grid!
I just got Live 12 and it’s pretty awesome, but Bitwig is awesome too even though it is lacking in certain areas
i use several DAW's but Bitwig makes me more creative on so many points others simply can't or are to complex to fix something fast , M4L is to complicated and has a very high learning curve versus the Grid ..
@@Italliving this is probably Bitwig’s best sales pitch for Ableton users who want more functionality without having to learn to code in Max/MSP.
And sure FL Studio has Patcher which is going for the modular approach, but it’s more complicated to use.
I think it’s really inspiring.
@@Itallivingsimilar. I’ve recently fallen for Reaper - it’s vast level of customization and open source-like scripts is really enticing. And def brings loads of functionality Bitwig lacks. BUT, there’s nothing quite like the Grid, the NoteFX, the modulation system etc of Bitwig’s. Couldn’t live without it now!
hahahaha