One person's MUD is another's TREASURE....isn't that how the saying goes?? Haha. These are so pretty! The 1st one looks like a SHARK jumping out of the water, the 2nd one... funny you said ROCKS because it looks like rocks with marshmallows on top....with branches behind them? Anyway, the branches look cool. The third one looked like my dog laying down ...just humor me ok? 😁Thanks for sharing, the colors are good and the black outline is perfect.
Thanks, Karen! It looks like it depends on who makes them. I've found Missile pop, Bomb Pop, Firecracker and Rocket Pop. All this popsicle research makes me crave one now.😂
I am loving your videos! So inspiring, especially for beginners. I like putting a time limit on painting… I will definitely be trying that… also the limited palette! Love all your ideas… and the finished results are wonderful!
Interessant, was man alles so erkennt. Ich hatte auch sofort den Delphin und die Stadt vor Augen. Aber man muss ja auch nicht alles interpretieren und analysieren. Hauptsache, der Künstler selbst ist mit sich zufrieden!
Hallo Barbara! Diese Malübung hat mir Spaß gemacht. Es ging schnell und hat Spaß gemacht. Ich genieße es, die Interpretationen anderer Menschen über das, was sie auf den Bildern sehen, zu hören.
Your third one here, the “most” abstract one really surprised me. When you went back to add more lines suddenly it gave me the impression of incredible depth! The original painting became a distant background of a city in haze, with a river coming toward the viewer. And your new lines became branches of a tree in the immediate foreground. Would you mind if I used that as inspiration for a painting?? Isn’t it crazy how abstract shapes can leap out at us as representational objects sometimes? 😮 guess it’s our minds trying to make sense of things.
Hey Jane! I don't mind you using any of these for inspiration, thanks for asking. Have at it! One of my favorite things about creating quick paintings like this is all the things you end up seeing. Especially when you change the orientation. I like to put them on the wall by my desk for a day or two then change the orientations. All of the sudden you see things you hadn't noticed before. ❤️
The first one very early on looked like a fish and as you added the red to the fin I thought you were heading that way. Interesting to see how we see things so differently even when it may seem to blatant and obvious to one person. Same can be said of art and of life. I have a question which I'm trying to find the right words to phrase. You mentioned you added gesso to the watercolour page. How does that affect the way the paint works with the paper? As opposed to doing gesso on a normal page? Does the gesso not add a layer that makes the paper underneath not matter so much which paper it is? I hope that makes sense.
Absolutely! I love hearing what people see not only in my art, but also in other's work. It's amazing how different what we see can be and our response to it. I think I understand your question. There are a couple of factors to consider when gessoing paper-weight and texture. Watercolor paper is typically heavier than say, mixed media paper. My watercolor paper is usually 250-300 gsm, where my mixed media paper is 160 gsm. The heavier paper doesn't buckle as much as the lighter paper. Normally, I don't gesso the lighter paper because it will remain somewhat buckled when the gesso dries. Cold pressed watercolor paper (more common and less expensive) has a little texture to it, so you might need to put a couple of layers of gesso on it if you don't want that. I don't mind the texture so I typically just put one coat on. Thick paint will also cover the texture. I hope that answers your question.😊
@chrisloudart that answers in part. When painting on watercolour paper, if I'm right, the paint reacts differently to another paper, eg one may sit on top of the paper more and sink in on another. But if you gesso both of those different papers, does the paint then react the same on both as its meeting the gesso on both? And if that is the case is there any point of using specialised watercolour paper if they will react the same? (Assuming the buckling was the same on the two different papers).
Overall, yes the paint should react similarly if you have applied gesso to both. You might notice some minor differences. Watercolor paper is generally thicker and more durable, so it can handle more layers of acrylic paint. And like I said, the surface texture of the paper might slightly affect how the paint adheres and spreads. I would say the main case for using watercolor paper is durability which gives you more flexibility with heavier mixed media items or if you're adding a lot of items with some kind of adhesive like an acrylic gel medium. In my sketchbooks, I'm not too picky with what paper I'm using. With something I'm intentionally creating to try and sell, I use heavier, more durable paper.
Hey Chris - Can I ask a question? When you use the fine tip applicator, do you add water to the paint or is it possible to use the paint as it is? Love to go back to your videos, always so inspiring. Thank you👏
Hey Britt! Yes, I either add a little water or a little airbrush medium to thin it out a little bit so it flows smoothly. If you're using a thinner paint such as a high flow paint, you should be able to use the paint as is. Here is the video I made on how I fill the fine tip applicators - ruclips.net/video/u6WCxIRD0Nc/видео.html
I think I am a frustrated abstract artist,! I feel I want to get some paint onto paper, but struggle to get something I think is finished! I usually paint portraits so work pretty tight,any help will be appreciated. Thanks.
Hey Vivien! It’s awesome that you’re exploring abstract art. Maybe start with small, relaxed sessions and focus on expressing yourself rather than finishing the piece. Give yourself permission to experiment without aiming for perfection-that can make a big difference.
👉Want a prompt to help you start your next painting? Click here etsy.me/49utFsk (50 Abstract Warm-Up Painting Prompts)
That one looks like a dolphin 💙🦋
It really does! It's funny, I didn't notice that for a while after, but now that's all I see😂.
Great and informative! Thanks!
Thanks, Pamela! Glad you enjoyed it!❤️
One person's MUD is another's TREASURE....isn't that how the saying goes?? Haha. These are so pretty! The 1st one looks like a SHARK jumping out of the water, the 2nd one... funny you said ROCKS because it looks like rocks with marshmallows on top....with branches behind them? Anyway, the branches look cool. The third one looked like my dog laying down ...just humor me ok? 😁Thanks for sharing, the colors are good and the black outline is perfect.
Thank you so much! I love your take on each of these❤️
@@chrisloudart😁🖌️🎨
We called that 3-color popsicle a Missile. Great video. Just what I needed to see. Thanks!
Thanks, Karen! It looks like it depends on who makes them. I've found Missile pop, Bomb Pop, Firecracker and Rocket Pop. All this popsicle research makes me crave one now.😂
The second painting looked like a curved left hand palm up. 🐙
Oh yeah! I hadn't noticed that before, but it totally does. 😊
I am loving your videos! So inspiring, especially for beginners. I like putting a time limit on painting… I will definitely be trying that… also the limited palette! Love all your ideas… and the finished results are wonderful!
Thanks, Marylyn! I'm so glad you're enjoying the videos 😊
Dolphin or friendly shark 😊
I can see both 😊
Bonjour Chris ❤❤vraiment superbe ❤❤❤merci pour le partage
Bonjour Martine! Merci beaucoup ❤️
love this tutorial. thank you
Thanks, Debbie!❤️
These are great, thanks for sharing!
Thanks, Peggy!
Another very fun session Chris! Tfs
Thanks so much, Yolande!
Interessant, was man alles so erkennt. Ich hatte auch sofort den Delphin und die Stadt vor Augen. Aber man muss ja auch nicht alles interpretieren und analysieren. Hauptsache, der Künstler selbst ist mit sich zufrieden!
Hallo Barbara! Diese Malübung hat mir Spaß gemacht. Es ging schnell und hat Spaß gemacht. Ich genieße es, die Interpretationen anderer Menschen über das, was sie auf den Bildern sehen, zu hören.
Nice idea Chris. I’ll give it a go. Thanks for sharing. Mick.
Thanks, Mick! It's a nice little exercise.
Hey Chris. 😊 Great works again! Hard to say which one is the most inspiring. 🤔 Guess the second one is my favorite. 👍🏻 Thanks for sharing! 🙏🏼
Thanks so much, Thomas! It's a fun exercise to try.😊
The third one is great!
Thanks so much, Denise! Funny, until the end, I didn't think that one would pan out to much.
Your third one here, the “most” abstract one really surprised me. When you went back to add more lines suddenly it gave me the impression of incredible depth! The original painting became a distant background of a city in haze, with a river coming toward the viewer. And your new lines became branches of a tree in the immediate foreground. Would you mind if I used that as inspiration for a painting??
Isn’t it crazy how abstract shapes can leap out at us as representational objects sometimes? 😮 guess it’s our minds trying to make sense of things.
Hey Jane! I don't mind you using any of these for inspiration, thanks for asking. Have at it! One of my favorite things about creating quick paintings like this is all the things you end up seeing. Especially when you change the orientation. I like to put them on the wall by my desk for a day or two then change the orientations. All of the sudden you see things you hadn't noticed before. ❤️
really enjoyed video. At the 2:36 mark to me it was a dolphin with sunglasses! Weird.😁
Thanks Philip! I can totally see the dolphin with sunglasses. Didn't notice that before. 🐬
The first one very early on looked like a fish and as you added the red to the fin I thought you were heading that way. Interesting to see how we see things so differently even when it may seem to blatant and obvious to one person. Same can be said of art and of life.
I have a question which I'm trying to find the right words to phrase. You mentioned you added gesso to the watercolour page. How does that affect the way the paint works with the paper? As opposed to doing gesso on a normal page? Does the gesso not add a layer that makes the paper underneath not matter so much which paper it is? I hope that makes sense.
Absolutely! I love hearing what people see not only in my art, but also in other's work. It's amazing how different what we see can be and our response to it.
I think I understand your question. There are a couple of factors to consider when gessoing paper-weight and texture. Watercolor paper is typically heavier than say, mixed media paper. My watercolor paper is usually 250-300 gsm, where my mixed media paper is 160 gsm. The heavier paper doesn't buckle as much as the lighter paper. Normally, I don't gesso the lighter paper because it will remain somewhat buckled when the gesso dries.
Cold pressed watercolor paper (more common and less expensive) has a little texture to it, so you might need to put a couple of layers of gesso on it if you don't want that. I don't mind the texture so I typically just put one coat on. Thick paint will also cover the texture. I hope that answers your question.😊
@chrisloudart that answers in part.
When painting on watercolour paper, if I'm right, the paint reacts differently to another paper, eg one may sit on top of the paper more and sink in on another.
But if you gesso both of those different papers, does the paint then react the same on both as its meeting the gesso on both? And if that is the case is there any point of using specialised watercolour paper if they will react the same? (Assuming the buckling was the same on the two different papers).
Overall, yes the paint should react similarly if you have applied gesso to both. You might notice some minor differences. Watercolor paper is generally thicker and more durable, so it can handle more layers of acrylic paint. And like I said, the surface texture of the paper might slightly affect how the paint adheres and spreads.
I would say the main case for using watercolor paper is durability which gives you more flexibility with heavier mixed media items or if you're adding a lot of items with some kind of adhesive like an acrylic gel medium. In my sketchbooks, I'm not too picky with what paper I'm using. With something I'm intentionally creating to try and sell, I use heavier, more durable paper.
Hey Chris - Can I ask a question? When you use the fine tip applicator, do you add water to the paint or is it possible to use the paint as it is? Love to go back to your videos, always so inspiring. Thank you👏
Hey Britt! Yes, I either add a little water or a little airbrush medium to thin it out a little bit so it flows smoothly. If you're using a thinner paint such as a high flow paint, you should be able to use the paint as is. Here is the video I made on how I fill the fine tip applicators - ruclips.net/video/u6WCxIRD0Nc/видео.html
@@chrisloudart Thank you so much 😊
@brittnorgaardlarsen You're very welcome!
The last picture looks like a city….maybe Central Park
I can see what you're talking about. Thanks Erin!
Glad I’m not the only one that saw a city! 😊
I think I am a frustrated abstract artist,! I feel I want to get some paint onto paper, but struggle to get something I think is finished! I usually paint portraits so work pretty tight,any help will be appreciated. Thanks.
Hey Vivien! It’s awesome that you’re exploring abstract art. Maybe start with small, relaxed sessions and focus on expressing yourself rather than finishing the piece. Give yourself permission to experiment without aiming for perfection-that can make a big difference.
What kind of paint etc are you using?
Hey Rhona! On these I used a mix Winsor & Newton and Liquitex acrylic paint. On warm-up exercises I'll basically use anything I have.
..?😅
😂 I have no idea what that comment means.
It's just so much more to art than 😅... whatever.
Prefer design and composition... so many on the UT R smarring 😢...
That makes sense. I get it.😊