Get an IMMENSE Metal Mix with GGD Cali Cabs, Grovebass & Archetype: Nolly & Gojira
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- Опубликовано: 25 авг 2024
- Get GroveBass here: bit.ly/3BnWJkz
Get Cali Oversized Cabs here: www.getgooddru...
Get Archetype Nolly here: neuraldsp.com/...
Get Archetype Gojira here: neuraldsp.com/...
Massive thanks to Steven Rose & Anthony DiGiacomo for the music.
Find more of Steven's music here: stevenrose.ban...
#mixing #getgooddrums #grovebass
Hey buddy I need to be honest, I never saw such a detailed video as yours, I think this is one of the best videos I’ve ever watched, you really tell us what you’re doing and how you’re doing, turning off and turning on the plugins, comparing, etc… such a first class video!
Thank you! Greetings from Brazil
love these kinds of videos. would love to see a series of mixing videos or a walkthrough/masterclass similar to the ones Nolly has done to get your perspective on mixing.
Thank you so much for this amazing content man.
Please do more mastering stuff!!
Loved the EQ moves on the guitars, i always struggle to nail those harsh frequencies and this helped a lot!
Archspire vibes
thank you so much for this lol. i’ve been struggling to get the archetype tone to sit well in a mix and i finally figured it out bc of this!
I've really been struggling with rhythm guitar tones and I've been notching super specific frequencies to combat harshness in those upper areas. But those broader cuts at 2k & 4k are waaaaaay better. Also love the idea of a subtle but wide mid cut too. Fucking awesome stuff 🤘🏻
Gonna steal those eq moves for the cali IRs, that's for sure. Sounds fantastic
This EQ is working pretty good!
Thanks for your help i love you so much after 25 yesrs i finally dial in the tone i really like!
This is awesome! Thank you Ermin for sharing this with us :)
Wish I could harvest your skills for mixing and mastering with a brain drill bro. Froth your work man, keep em comin
"All your white noise dreams have come true" - Ermin H, 2021.
Love this video, Ermz!
Love you, man!
Bro, this tutorial is INSANE!!! Thank you!!
Thanks for demoing this! I exclusively used Neural DSP sims before I got a HELIX rack, what nolly and friends did a few years back was game changing. Especially with GGD, I own and love everything they make and it's hard to go back to other drum libraries and plugins. Sometimes I'll occasionally whip out drumforge to utilize custom samples but that's really it. I didn't realize you were behind Eurobass, amazing stuff! For the few prog/djent/doom stuff I've recorded I def got the most out of Eurobass. Using amp sims with a virtual guitar instrument is something I don't see very often. Very kick ass work Ermin, thanks for sharing your knowledge and talents on here, definitely inspired to revive my channel with more content now. Looking forward to more! - Thanks for really catering to the sim-gamer and pro-audio crowd haha.
Loving the filthy facial expressions whilst making changes
That's a cool vid Ermz. Cheers for the insights.
Thats a phenomenal mix!!😍🔥
Damn man this is awesome! Given me some idea's for sure.
This is amazing
Amazing video man
Love this.
Awesome !
Very sick showcase of GroveBass and Cali here. Learn more about GroveBass and how to get the most out of the humanisation features on our channel!
Thanks for sharing Mate.
More videos like this pls
Que bonito video felicidades maestro!!
this just proves Neural DSP needs a host plugin of sorts
Daaamn that sounds great! Great job Ermin! Just out of interest, do you know what drum samples they are?
GGD Halpern!
@@SystematicProductions oh yeah so it is! Awesome thanks!
got here after someone has posted your facebook thingie about how bad modern day mixers are in a group chat. i'm not really sure that there are many serious working producers who find information about using tubescreamer in front of 5150 and mesa cab with 57 all that useful. equalization of your guitar tone is not an innovative concept either. so is the sneap technique. I think the problem that you're seeing is not a problem at all. it's just that dipping your toes into mixing has never been easier, so there are lots of people who don't produce or mix for a living, but find information about using EQ useful. the population of mixers has always been a triangle skill-wise (y-scale), so now this triangle is quite bigger, and lots of people on the lower side of that triangle are vocal about their gratitude towards your advice. in my opinion, overall level of craftsmanship in mixing became higher in large part due to advancement of sound technologies, and the real problem is unification. everyone uses the same stuff, same moves, same tools e.t.c.
Unsure why this was brought here instead of being addressed at whichever source it sprung up, but if it requires clarification, then so be it. While I worked as a full time mastering engineer in the metal industry for around 7 years, only around the 95th percentile of mixes that came through were free of basic balancing errors. That is, notable errors in basic leveling, frequency distribution and dynamics control. In that sense our definitions of 'serious working producer' may differ. It ultimately depends which percentile you're referring to. There is a relatively small group of people I worked with across 15 years in the industry that I would posit are competent at mixing metal on a regular basis. Even fewer I would posit are 'great' at it. That's fine, and expected, as it follows competence distribution across society as a whole. Very few people are truly competent and invested in what they do - hence the low overall rates of entrepreneurialism and success when extrapolated across a populace. Mixing metal, in particular, provides additional hurdles because, in my belief, it is the absolute apex, the pinnacle of difficulty in this industry - sans perhaps running extremely convoluted cinematic productions.
I would never bemoan people for locking down the basics. That's the basis for my entire life philosophy. Bottom-up building. That is why when I wrote The Systematic Mixing Guide, I did so with an inordinate focus on the basics, and locking them down. My surprise came in that form that 10 years after that book was written, so many people still struggle with elementary basics of engineering, including many who would propose to be 'serious working producers'. Now does this apply to people like Nolly, Mark Lewis, Jason Suecof, Jacob Hansen etc.? Of course not - people at that level have no reason to be watching videos like this in the first place. In fact, some of them explicitly showed solidarity with the sentiment I shared regarding the basics being overlooked in modern engineering. It's not something only I'm noticing - but others of my working generation.
Sometimes when something is shared wantonly on social media, it loses context. I hope this helps re-establish some of said context. I wouldn't create these videos solely with the intention of bemoaning people who benefit from them. In fact, hearing about people benefiting from the advice is one of the few positives of creating these free videos, since I have very little desire to build an audio production channel long-term, and the return from RUclips is extremely limited in every other relevant sense.
It's cool that they used a guy from the "Yes, i've heard" meme for this bass!
Hi. Is the guitar Di have a tube screamer in front ? at Damn! Nice video!
how did you record this guitar DI? sounds massive even before the process.
When it comes to EQing guitars, I personally hate how most people tend to talk about their EQ moves after the fact.
Drop that recipe for these drums tho 👀
pls
Hey Ermin, just stopping by to see if you've made the jump to Ozone 10 yet, and what do you think of it? would be cool to see you do a video about it
Great Video! Thanks for this! Greetings from Germany....you coming to Germany i have seen?
Yessir
@@SystematicProductions Great im near to the Nordschleife Nürburgring!😁
Great video and sound. I bought Grovebass, but I unfortunately have the issue that when I programm slides, the second note is always muffled. Any suggestions? 🤔
Have you tried extending the keyswitch note over to the note you're sliding to? Also is it set to latch mode or momentary mode?
@@AlucardXIX Extending the keyswitch note unfortunately doesn´t do it. It is set to momentary mode but it´s greyed out. I can´t change it. Stupid question but what is momentary and latch mode for anyway? 🤔
Installation and activation of Grovebass via ILok worked fine 🤷🏼♂️
@@AlucardXIX Sorry, of course I meant the activation via Native Access, not via ILok!
@@justtimo9528 momentary makes it so only the notes you have the keyswitch over are affected by it, latch makes it so you program it once and every note is that keyswitch until you change it manually with another keyswitch.
Another thing to try is to program the notes in between the slide in very fast succession and keep the keyswitch going on them
pretty later answer, but make sure you force the string that has enough room to do the slide you want to do. if you want to slide 4 notes down from the 3rd fret of the E string, it won't work. try going from say the 8th fret on the low B string
I want to learn with you do you have like a personal online course or just online course of mixing and master metal genres
Unfortunately not anymore, but you can still grab an ebook copy of my Systematic Mixing Guide book here: www.systematicproductions.com
@@SystematicProductions I’ll will definitely buy it, if someday you start a course please let me know thank you so much for this
очень круто
Does anyone know what guitar is used here?
Great Stuff, What drums do you use Ermin?
Have you tried to use the amp sim and GGD Cali as a stand alone together? I'm having a hard time getting them to work together without a using them in a DAW.
What are the drum tones
GGD Halpern!
@@SystematicProductions The original or PIV? Thanks for getting back to me!
Besides the near perfect performance while tracking DIs and staying in the pocket - is there anything else we are missing in the chain that brings the DI track to a level of this quality? I'll give you an example - we don't even have to go into technical death metal but if i compare my recorded DI signal to the ones that i'm getting online from all sorts of courses to mess with - they are almost always 99% usable whatever I do to them (vst, eq treatment etc.) I'm even talking about base open chord progressions that can easily be replicated. And I have done my fair share of editing on my tracks, too to ensure there is good enough balance between L/R. Is there some magic behind ....such as EQ treatment on DI tracks before amp, using some compressors or converters or anything that we have not recognized fully, yet?
It's a combination of the right elements: Guitar, strings, pickups, pick (yes, it matters), guitar setup, cable, DI, preamp, and AD converter. Then you move onto the infinitely more important part of playing technique. It's a game of details. The more individual elements go right, the more the resulting whole becomes usable. There is no single magic fix.
I talked to Steven a bit before mixing this EP for him and his set up was very simple: guitar straight into his interface. He just spent a lot of time getting the best takes he could. Steven is also a phenomenal guitarist.
Solid conversion. Don’t fall into the garbage spilled out by Glenn fricker and other RUclips idiots that audio interfaces don’t matter. They do. A lot. Pros don’t use incredibly expensive interfaces just because they love to spend lots of money. High quality conversion is essential to a pro level DI, period , end of story. You are literally going to be sending that digital signal back out into the analog world, to be amplified and mic’d and spit out through a cab back into a mic back into that interface and back into the digital world: not losing anything along the way is extremely important.
@@joeblow1229Well said. Investing in quality gear from the get go is gonna get you pretty far in my experience
Hey Ermin! Do you know which EVH 5150III model it happens to be in Gojira? My friend thinks it's the 6L6 model, I think it's the EL34 model.
My guess is EL34, but I have no insider knowledge. It sounds more muffled/worse than the 5150 IIIs I've used in RL, and the tubes are a possible culprit.
@@Ermz Alrighty thanks Ermin! Do you think Nolly might know?
I don't see the Nordschleife here...
Seriously all im hearing is wasps farting in a tin can and nails on a chalkboard 4k. 🤢🤮🤮🤮🤮
sounds terrible
Sounds so robotic. All of it. You're so used to that sound that you don't even realize it anymore. You literally said that the bass sounds realistic. 😂. I'm sorry I'm all for this stuff for home recording and what not but let's not pretend that this is a good alternative to going into a studio and using real people work real instruments and equipment.
Ehh, I have huge respect for Nolly and you man, but I think modern metal guys lost it. It's all overprocessed and over-eq-ued, sounds much closer to midi track than a real guitar. Not for me.